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#not sure why my mind thought of this
egophiliac · 7 months
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just thinking about hair and faces
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rexscanonwife · 16 days
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Uhm uh uh...I have no excuse for this 😔 PPG self insert who is secretly an alien! I imagine her intro episode would have her having a little romance with the professor when he comes into a bookstore she works at/owns and the girls being (rightfully, given the prof's dating history) suspicious of her. Wacky capers ensue where they try to prove that she's up to no good, only to find that she genuinely is just chilling and wants to live a normal life on earth!
Well, normal as she can, now that she knows this family! I think she'd fit right in 😉
Taglist♡: @crushes-georg @changeling-selfship @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @squips-ship @cherry-bomb-ships @miutonium
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suntails · 1 year
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idolatry
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bigkickguy · 5 months
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daanmarcoh doodle - they're sleeping in shifts and keeping watch
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beeejayy · 2 years
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Man I love insane women
(Panel I redrew is from @buggachat 's Bakery Enemies au which is rlly good)
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quirkle2 · 1 month
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first amv be nicies to me about it or else
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hiraganasakura · 3 months
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Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.
Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol
I put it under the read more for easier scrolling due to how long this post got!
I immediately noticed smth in the very first lines of the interaction:
Raven: "Hello, brother." Qrow: "...Raven."
You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)
On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name
It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting
Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."
Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment
Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind
Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."
Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board
Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point
Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"
A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:
Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."
And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite
Bcus they have different definitions of family
Another thing to pin (I promise this will all become clear soon)
Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."
Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!
Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!
Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"
Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)
Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow
A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him
And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving
We've finally reached the end of the conversation. Now what does all of this tell us?
And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently
Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem
Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her
I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely
As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?
Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth
As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho
And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay
This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did
Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.
And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways
I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks
But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.
In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies
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tangledinink · 8 months
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this is really stupid but like.
... is there anyone else in this fandom whose twin has died? am i the only one?
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accidental-spice · 7 days
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In the words of Jessica Day, "Work sucked today, my friends"
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zishuge · 5 months
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Today I gave myself feels thinking about Fang Duobing, Di Feisheng, and Hulijing moving on and aging in a world without Li Lianhua. A world where Li Lianhua isn't there — but then again, he is there, in Lianhualou, and in the townspeople who flock to it, bearing gifts for the miracle doctor who once saved a life, fixed a roof, exposed a conman, comforted a child. Young Fang Duobing used to want to know every little detail about his hero, Li Xiangyi. Now Fang Duobing wants to know every detail about his beloved friend, Li Lianhua. The years pass and fewer people come. But if they remember him, Li Lianhua lives on.
(long post, half meta, half fic, bittersweet)
They travel together, with Hulijing, in Lianhualou. Fang Duobing has nothing better to do, so he takes up detective work again. Di Feisheng has nothing better to do, so he comes along. Everywhere they go, they look for Li Lianhua. And in their journeys, it seems like everywhere they go, someone is talking about Li Xiangyi. Li Xiangyi, who had always been something of a legend, but ever since his reappearance and subsequent (re)disappearance, has seemingly been elevated into something approaching godhood.
you should've seen him, people say, floating across the rooftops in red, cold and beautiful, like an avenging hero out of some novel. wasn't he dead? no — of course he wasn't, li xiangyi would never have been so easily killed. but it was bicha poison, i heard nobody could survive bicha poison. yes, he was definitely dead, and came back to life through dark magic. no, he'd been alive the whole time, just held captive by di feisheng. he tried to kill his shixiong ten years ago and failed, and came back to finish the job. no, his shixiong tried to kill the emperor and li xiangyi came to stop him. the emperor? impossible. yes — don't you know, li xiangyi is the emperor's long-lost son?
All of it only amuses Di Feisheng, but it irks Fang Duobing. The same Fang Duobing, who, when he was younger, would've hungered for every little detail about Li Xiangyi and begged to hear more, now finds it maddening to listen to these strangers talk about him as if they knew him. The world might have known Li Xiangyi, but it had never known Li Lianhua.
Li Lianhua, who could wield Shaoshi like it was a natural extension of his arm, but regularly cut his fingers clumsily slicing radishes and onions. Li Lianhua, who would invariably try to shrug off an attack of bicha poison, but yelped and jumped back from hot oil splatters in the kitchen like a child. Li Lianhua, who frowned when a passing carriage splashed mud onto his robes, but knelt carelessly into the dirt and grass to play with Hulijing.
None of them knew any of that.
But as Fang Duobing and Di Feisheng continue their travels, they begin to encounter other people as well. People who come running when they see Lianhualou in the distance tottering their way. People who come bearing gifts — a woman looking for the shenyi who had helped her with her back pain and also exposed the con artist who had tried to trick her daughter into marriage. A young man coming to thank the doctor who had given his father herbs for stress while uncovering the corrupt official who had falsely accused him of theft. An elderly couple looking for the young man who had helped them thatch their roof before a rainstorm and had given them some medicinal cream before he left. (One middle-aged man with a club, looking for the wangba quack doctor who had exposed his infidelity to his wife — he had left after one look at Di Feisheng, standing silently in the doorway with his arms folded across his chest and dao strapped across his back.) People who greet Hulijing like an old friend.
Fang Duobing listens eagerly to every story they tell him, and in return, he tells them about his brilliant, kind, exasperating friend. Di Feisheng rolls his eyes every time, but Fang Duobing notices he never walks away either. They don't talk about it. But it’s as if Li Lianhua returns, however briefly, during those visits; in those moments, Fang Duobing can almost see him standing there, bending down to pet Hulijing alongside these old friends as she grins her little doggy grin and wags her tail. She escorts their guests to the door, and sits in the doorway after they leave, looking out at the world as though waiting. He doesn't ask if Di Feisheng can see him too. They sit and share wine after these visits, and eat the fruit that the visitors bring, until Di Feisheng can stand the heavy silence no longer and pushes Fang Duobing outside to spar. Hulijing follows faithfully, as always.
(fang duobing had brought home a puppy, once. he can't remember where he found it, but he remembers that he had held it in his lap in his wheelchair, eager to show it to his uncle before taking it home to his mother. his uncle had glared, and told him that dogs were only useful to guard the house, and tianji manor already had guards, human ones, and that fang duobing would do better to focus on his swordplay rather than waste time on such useless and frivolous things. he had taken the puppy away and fang duobing had never seen it again. it wasn't until those blurry months as he rode across the countryside looking for li lianhua, hulijing trotting along ever so loyally at his side, that he realized this was just another way that shan gudao and li xiangyi were opposites.)
The years pass, and there are fewer and fewer people who come. One day Fang Duobing wakes up with the unbearable realization that he is now older than Li Lianhua had ever been, would ever be, and is unable to get out of bed for a good half a shichen. Di Feisheng leaves him be.
The years pass, and Di Feisheng grows older too. There are lines on his face, snowy white beginning to thread through his jet-black hair. Fang Duobing wants very much to tease him about it, but the words catch in his throat when he looks too closely at the signs of time on Di Feisheng's face. What a precious and altogether rare thing it is, to age.
The years pass, and Hulijing grows older too. Fang Duobing finds that more and more often, Hulijing can no longer keep up with him when he goes riding. He stops going riding. She gets cold more easily now too, and more and more often Fang Duobing wakes in the morning with Hulijing curled up under the covers next to him, her wet nose shoved into his armpit. He holds her close and thinks about Li Lianhua shivering in his arms.
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It's been nearly a year since their last visitor, but today there is an old man. He comes in the morning, bringing a basket of plums. A long time ago, he says, a young man who lived here saved my life. I had been poisoned, he says, by my son who wanted my money and my lands. The doctors said there was no cure. But then the young man came and performed a miracle. He saved my life. He saved my life.
Fang Duobing knows it was no miracle that saved him. He asks for the old man's hand and it is given readily, albeit bemusedly. He presses his fingers to the inside of the man's wrist, and is greeted with a whisper-faint, gentle thrum of yangzhouman — a soft hello from a much-beloved friend. You fool, he thinks dazedly, caught somewhere between overwhelmed that here is someone, inside whom a piece of Li Lianhua lives on, and so bitterly angry. What had it cost? Some hours, days, weeks? He doesn't let himself think of what another week might have afforded them in those wild final days, in their desperate search for a cure. Fang Duobing gives the old man back his hand and blinks back the sting of tears. He cannot talk about Li Lianhua today. He apologizes and tells him that the man he is looking for is traveling and won't be back for a few days, but that Fang-mou will pass on the message. Before he leaves, the man leans down to rub at Hulijing's ear. My old friend, he says, like me, you, too, are truly old now.
After the man leaves, Fang Duobing folds himself into a sit on the floor of Lianhualou and gathers Hulijing into his arms. Gently — her joints are stiff now, and he can't haul her around, can't roughhouse with her the way he used to. Di Feisheng comes down the stairs from where he had been listening; he stands behind Fang Duobing and places a warm, steady hand on his shoulder. At the edge of his vision, near the door, Fang Duobing can see the hazy hem of green robes. If he looks up, he wonders brokenly, what would he see? The face of a man forever frozen in youth? Or a face lined with age, snowy white beginning to thread through jet-black hair? He suddenly finds that he cannot bear to find out.
Fang Duobing knows. He knows that the myth and the outlandish rumors about proud, arrogant, beautiful Li Xiangyi will never die. But he also knows that one day, there will be no one else who comes to Lianhualou; no one left who remembers gentle, sly, infuriating Li Lianhua. One day, the old man will pass on and the piece of Li Lianhua that he carries with him will fade as well. And one day… Fang Duobing presses his forehead against the soft fur of Hulijing's neck where it has gone white and thin with age. He closes his eyes and breathes.
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Years and years and years later, Fang Duobing is awakened from where he has fallen into a light doze reading in his chair by a soft knock on the door. There is a woman standing outside, holding a small basket of pears. I think I remember this building, she says. I must've only been six years old, but I had run off and lost my parents. I fell down in the street and skinned my knees. A kind gege helped me and gave me a piece of candy. He said he would walk me home but I said I didn't know whether I should tell him where I lived. He laughed and asked if it would help if I knew where he lived. He pointed to the most fantastical and wild house I had ever seen. I think it was this place. Xiansheng, does he live here? Who was he? Do you know him?
Fang Duobing smiles and invites her inside. On the bed, the small white dog that Di Feisheng has named, ridiculously, Baigujing, raises her head and thumps her tail a few times in hello. Di Feisheng looks up from where he is writing a letter at the table. Fang Duobing leads the woman over and waves at her to sit down. He sits across from her, ignoring Di Feisheng's eyeroll, and offers her a piece of candy. He always keeps candy around. Fang Duobing smiles once more and says, if you'd like to know — there is so much I would like to tell you.
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fluffypotatey · 2 months
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I wonder if there’s a part of Eurylochus that resents Polites
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localguy2 · 1 year
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Suddenly got the craziest fucking idea I've thought of yet:
Zane was originally going to be made to help the elemental alliance in the serpentine wars, per the alliance requesting Julien for something so technologically advanced it'll end the war.
and so Julien started working on Zane during the conflict, and with the elemental alliance providing him with the necessary recourses to create Zane. (metal, wires, screws, schematics and blueprints and other small supplies, a suspiciously powerful and most definitely magical power source, etc).
But the war ends, and the serpentine are sealed away.
So now Julien is left with a half finished robot that wouldn't even have a purpose if it were to be alive, but Julien decides he's going to give it a new purpose.
"If it's not going to be a weapon of war, than it's going to be a weapon of peace."
So he stars reprogramming Zane, from "Mostly human machine designed to fight." to "Almost human machine made to protect those who cannot protect themselves".
He starts adding in extra features for Zane, stuff like breathing, blinking, eating, so he comes off as more human.
he codes in what would be the nindroid equivalent of someone developing a new hobby and getting good at it.
Such as cooking, or perhaps making ice sculptures or even learning how to ride a snowboard considering how he lives in a frozen forest (last one was from Quest For the Lost Powers book).
But he also adds in other stuff to help Zane out in his purpose of protecting, such as a battle ram mode to bust down doors, a lamp head mode to help light out dark areas, being able to shoot out cold air from his hands to cool stuff down without the usage of ice powers (last one was from the start of season 3).
And eventually, he gets so attached to this project of his, that he starts viewing it as more than a machine made to prolong the peace, and by the time he actives Zane for the first time ever, he can't feel but view Zane as a son.
Zane was Julien's life work, "Machine" doesn't do the nindroid enough justice, it doesn't feel right, and it isn't right.
So, even his plans of making Zane a weapon of peace change, and now he views Zane as a son, and as his own person.
Look, I don't care if this headcanon/idea breaks Canon, fuck if I care, but the opportunity is too great, it would would give us an answer to a good number of questions.
one of them being: What was Zane's old power source?
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grimgummies · 7 hours
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BEFORE I ASK AND BEFORE YOU CONTINUE
PLEASE remember I am asking this question because I want to know Tumblr's consensus on this ship vs the Twitter side of the fandom which is much more vocal about their thoughts.
I am simply asking out of pure curiosity and nothing else. And please don't assume any less of me just because I am curious. I don't want ppl to assume I'm this horrible person or anything qwq
Anyways onto the question:
What are your thoughts on Batmeat (Bob x Streber?)
Feel free to reblog with additional thoughts!!
#spooky month#poll tag#Okay imma put my thoughts here rq cuz I do have some things to say.#Mainly that I used to be extremely against it and grossed out by it but now I'm just meh?? But still leaning on the side of disliking it.#My thoughts mainly changed after talking to certain ppl (who to my knowledge are either against or neutral on it).#Two things these ppl had in common was the fact that neither were proship and both thought ship discourse was dumb (which yeah agree)#(Also for reference I'm not proship either)#When talking with one of these people we were talking about Holydemon and the discourse surrounding it.#Which made me think...#Both Batmeat and Holydemon share something in common. And that's in both ships the characters canonically hate each other and one killed/-#injured the other.#And in no way in the canon (key word CANON) universe would they get along under any circumstances.#But then why is one more accepted over the other??#And then I realised it has to do mostly with this weird mob mentality the fandom has coupled with the way both these ships are interpreted.#Based on my own experiences it seemed Batmeat was mostly enjoyed by the genuinely gross people in the fandom.#And by this I mean people that had gross intentions with the ship and wanted to interpret it in an abusive way.#Meanwhile Holydemon was created as a silly joke between the Spooky Month team that evolved from joke to people genuinely enjoying it.#To my knowledge Holydemon was never created out of ill intent but rather to be a silly joke + demon x priest old man yaoi funny.#But Batmeat was mostly used by pro/comshippers to fetishize/romanticise abuse.#(Please keep in mind I have seen a bunch of examples on Twt as the ship doesn't seem to be as big here on Tumblr and isn't much of a-#point of discussion).#(But I found that a lot of the known gross ppl in the fandom seemed to enjoy Batmeat which I can only assume left a bad taste in-#people's mouths. Because it sure as Hell did for me).#HOWEVER call me crazy but if Batmeat was created with the same intentions as Holydemon would people still find it gross or think it's a-#funny joke ship?#I dunno I've just been thinkin about it a lot lately.#Oh and another thing I noticed is a lot of the ship discourse in the fandom usually surrounds Bob so take that as you will.#For whatever reason he is the one character that not only broke but split the fandom in a way I have never seen in any previous fandoms-#I've been in. I'm tellin you it's like it's own weird phenomenon. Is it cuz he's a cannibal???#I wanted to go on but yk tag limit. I lost some things I wrote qwq
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greensaplinggrace · 8 months
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🔥🔥 Zoya Nazyalensky unpopular opinions
okay I don't really engage with her character enough to bring out the big guns, so I'll go with the only two opinions I really have on her at all (which by the way I know fandom loves to blorbofy her so please spare me from any hate for this 😭)
my first opinion is that zoya's character arc throughout the entire nikolai duology felt ridiculously overblown - like a child playing at dolls. aside from the terrible implications lb tried to hammer home about grisha powers that actually somehow made things more racist, zoya's pov itself was incredibly obtuse. the only way to get through it is to view it as a study in unreliable narration, because otherwise you have to deal with the fact that this is just a self insert for lb at this point, and zoya's real character has practically been erased.
also I'm not even going to get into how offensive zoya's rise to power is, especially the way she keeps control.
my second unpopular opinion is that fandom has such a hate boner for the darkling that they forget everything zoya builds is off the back of the darkling's 400+ years of sacrifice. which is to say that the darkling does 99% of it, zoya takes all of that effort and claims it for herself and alina completely, and then there's a deus ex machina that saves them from the consequences of somehow ruining the most important 30% of it and making things worse for the grisha.
all in all, the nikolai duology is a performative piece of garbage where lb is basically the main character and the realism that even fantasy worlds sometimes need is gone. most of it seems to be an attempt at justifying the choices made in sab, yet with worse writing that actually destroys the already spotty lore incorporated previously and makes all of the choices seem less justified. the only way to get through it is to think zoya is hallucinating or braindead, because otherwise she looks ridiculous, and I actually like her character when she's not badly written.
send me a 🔥 for an unpopular opinion (x)
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skitskatdacat63 · 4 months
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@lesharl-eclair here is the vettonso timeline I mentioned at some point!! I was gonna make a more refined version but ah, the original is fine so I'm posting it for you <3
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Its written so its as if their careers began at the same time. There's obviously some parts where they deviate from each other(I blame Fernando), but they're pretty similar, no??
Here's some notes I have:
They both started at technically the same team(if you ignore that Seb raced one race for Sauber): Minardi/STR. And they spent 3 seasons either racing for that team or testing(Fernando for Renault, Seb for BMW teams), before being promoted to the team where they won their respective WDCS.
They both spent six seasons with their WDC team. And both won their WDCs using Renault engines. Both were pretty much the golden boys of their teams, beloved by their team principal and team in general. Unfortunately both aren't consecutive because Fernando tried out McLaren lol.
They spent a similar amount of years at Ferrari(five and six respectively.) Neither could win a WDC with Ferrai(😔) And both joined Ferrari in a very similar way. When Fernando joined, he ousted Kimi and it was very uncertain where Kimi was going. I think the commentators in 2009 predicted McLaren? (But he ended up taking a sabbatical obv.) But pretty messy, right? The literal same exact thing happened with Fernando and Seb in 2014-2015. They finally announced at the end of the season, even though it was pretty obvious, that Seb would be replacing Fernando. And where did Fernando go? McLaren! The history book on the shelf is always repeating itself. I guess I find it funny that Fernando replaced his former rival under somewhat messy circumstances, only for his other rival to do the exact same thing to him years later.
Okay McHonda and Alpine blah blah blah. Anyways they're probably going to have both end up competing their careers after two years with Aston Martin. This honestly is my favorite parallel. Because it's very sweet to me that Seb replaced Fernando, in an aforementioned messy way, only for Fernando to take Seb's seat in a very peaceful, almost "passing the torch" type exchange 🥰
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sunshades · 5 months
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One thing about canto VI is like. I see so many people predicting it'll be about Fighting Evil Wife or Breaking Codependent Toxic Relationship and I just kinda think that would suck? If the major theme isn't grief AND love and the way both are seen as like Kinda Weird/inappropriate in the setting of the city. Then I'll be very sad.
#bell.txt#not putting it in the tag i dont wanna spam but yes limbus posting yes girls will be thinking about mortal regret#LIKE. LIKE. remember the discourse on twt about how like it was bad writing that yi sang didnt mourn dongbaek etc#and like that was the thing right. thsts not a thing you do in the city. that was part of why roland (who takes lots after wh's themes)#was so exceptional. that is the whole thing about the sickness of the city#to say it in comedia literary criticism terms: sins are split between wrongly-directed love and excess of love with sloth (lack of love)#being an outlier. i think heatho and generally og wh is about excess of love and not wrongly-directed love. it is the thing that lasts#all the way to the other side. it is the shared coffin and meeting again in the next life#i think itd be AWFULLY disappointing to get some boring boring 'they make each other worse' take. being APART due to societal pressures#makes them worse and horribly lonely. death makes them worse baby. so in my mind thats it#we get to see cathy die or still be unreachable in some way and then in very roland style we get furioso mode#and then the ending is about recognizing the love that has in fact been there all along and carrying it with u. and hoping to reunite some#where some other time. NO more slander of that awful girl. YES to the comfort of the memories.#me typing over my foscolo notes like i can surely post about heathcliff really fast and not write a novel in the tags (unaware)#i have more thoughts about this in regards to ruina with xiao and some stuff from leviathan but in the meantime. listen to my ramblings boy#ALSO. considering that implication. he feels for her what queequeg feels for ishy. ARGHH. RIPPING MY HAIR OFF#ok actually its been enough hours to not spam ppl I'll tag it now for blog org. i should maybe have a tag for posting specifically#limbus company
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