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#not thoughts except all thoughts

wifelinkmtg · 8 months

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TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

#phyrexia #not defining the ditch except by implication #thanks to all the very smart vorthoi on the flavor text discord server for helping me work through my thoughts on fascism and phyrexia #this is technically the march of the machine review also #or as much of one as i care to do

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daftmooncretin · 4 months

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imagine being scotty in tos. every day your friend group goes on dangerous yet exciting adventures to new planets but you can never go because they always make you babysit the ship. also you have to stay on facetime with them the whole time in case they need a lift. you are the eternal designated driver. the seventh wheel. you dont mind as much as you should though because you sort of want to fuck the ship

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brookheimer · 1 year

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phenomenal episode overall. kendall demanding clouds because he saw them in berlin and trying not to cry when the stagehands cannot in fact build berlin in a day. matsson walking barefoot across a tarmac. shiv and tom biting deep into each other's forearms to see who can withstand the pain the longest in public at a fancy business event. roman firing a random woman because she didn't seem to think he lived up to his dad. roman firing gerri because she doesn't think he lives up to his dad. roman regretting firing gerri immediately and asking ken to undo it but ken is overjoyed and says it's what dad would do so roman smiles and says okay. kendall floating faceup in a body of water that he dove into of his own accord. shiv booking an empty conference room to cry in when no one's around. gerri saying fuck. karl serving cunt. roman genuinely feeling bad about not including shiv, apologizing to her, and asking if they could all hug. kendall announcing a bizarre dystopian real estate project that's framed as 'like a cruise but on land and forever and by forever we mean forever we're talking cryogenics.' tomshiv playing straight chicken all episode. roman listening to an edit of his father insulting him over and over on the ride home. everything i ever could've wanted

#EXCEPT FOR TABITHA. WHERE THE FUCK WAS SHE #in the trailer rome had on the shirt he wore in this ep when he kissed her hand sooo.... whered she go.#so many thoughts overall. like so much to say about so many specific moments #like idk. not an all timer ep for me like TMB or obviously connor's wedding -- it's the sum of its parts more than anything else but GOD #if those aren't some fantastic hilarious sickening fucking parts #little bit of a buildup episode i think tho. next ep they're gonna Get Into It and the episode after that... welll. we r fucked #succession #succession spoilers #100 #500 #1000

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b0tsbby · 2 months

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Anyways on Twitter I made a thread of Black hairstyles x each Trigun character, and asked who the crowd wanted me to draw for black history month. So here’s four req I picked at random!

Happy Belated BHM!😭

(Source thread under cut)

If you want the original thread that includes, almost everyone it’s here and admittedly it’s kinda bomb! (TriMax Knives was my favourite hc, I will draw him of my own accord soon)

https://x.com/b0tsbby/status/1757469800375136535?s=46&t=B4reFP0FnOly1tkmPhVHew

#LEGATO’S KINDA COLD #also I’m not a stranger to black Livio so this is funny cause I always draw him like this #also Midvalley with cornrows was more of a moment than I thought it was #all just cold if I’m being honest #except for Milly she’s Milly /pos #if I’m feeling #if I’m feeling to it I might draw wolfwood idk cause I think he’d kinda eat too #trigun #legato bluesummers #legato trigun #also no one talks about Razlo but TRUST I will return #I think about Razlo more than I do Livio so I’m down #milly thompson #millie thompson #livio the double fang #trigun livio #livio #trimax #trigun maximum #midvalley the hornfreak #midvalley trigun #I WILL DRAW KNIVES IM SO SERIOUS #sorry I just remembered and started frothing at the mouth #Midvalley fans I’m also started to see the vision LOW-KEY #warm place in my heart for yall

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egophiliac · 7 months

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I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

#art #twisted wonderland #i have been playing this game since the day it came out #and believe me i could not have stuck with it for the past three and a half years if i was not deep into all of these idiots #not to harp on it but i do think it's funny because i actually. really did not like the diasomnias at first.#it was like a month before their cards/personal stories were added and so we knew almost NOTHING about them #the website descriptions basically make everyone sound awful #so i thought they were kind of mean/boring compared to everyone else!#(except maybe lilia but i was mad at him for the two seconds of 'girl? 👀' hope i had when they were revealed)#but once their cards came out i fell just as hard for them as i did the rest of this silly game #well. sebek took a little longer. but his ketchup incident converted me.#anyway i have so much sentimentality for episode 1 especially #the prologue was like 'oh this is actually a very silly game! oh there is a plot!'#episode 1 was like 'oh i LIKE these characters and what they're doing with them'#(i think ace punching riddle was the moment i decided i REALLY liked this game) (sorry riddle) (you were being a huge dick though)#also...ink drips. ink drips everywhere.#look when i say this game is laser-focused at me and my tastes specifically i am not kidding

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ekat-fandom-blog · 1 year

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Jack decides he needs a bit of time away from family to mourn the loss of his one sided friendship with Vlad and Vlad's death. So he takes a trip to Gotham. On this trip, he runs into Damian and Tim, who are convinced he's Captain Marvel in disguise.

Meanwhile, Jason's also run into Jack as he's coming into his ghost powers. Jason starts freaking out because someone just saw him when his new powers started glitching. Panicking only worsens the situation as now he can't figure out how to get his foot un-caught in the cement.

Jack, despite not knowing if this kid is a halfa or not, decides to give him advice based on how Danny told him his powers work. It works.

Now, Jason has a sort-of mentor that he didn't ask for but definitely needs, and Jack has something to do while he sorts out his feelings on the whole Vlad-was-never-his-friend thing.

Eventually, Damian and Tim catch them while Jack is trying to explain how Jason might have a second form. While Jack explains, Jason just transforms. His ghost form isn't what either expected. Jack was expecting something similar to Danny's or Vlad's. Not a winged little kid with a mask.

To be honest, this just solidifies that this guy is Captain Marvel for Damian and Tim. Obviously he decided to teach Jason magic.

#dp x dc #dc x dp #dcxdp #dpxdc #jason got wings #because of how he was in heaven before he came back to life #i'm thinking he's more red palleted than color swapped #his eyes hair and wings are red #and his outfit is a mix between his robin uniform and his school uniform #khakis tie cape pixie boots mask #all in navy blue and red #the cape is blue on the outside and red on the inside #i'm not sure about the shirt #his transformation rings probably look more fire-y than the others'#i subscribe to the idea that he'd have a fire core #(also i think tim and damian thinking jack is captain marvel is hilarious and should def be used more)#(also also the version of captain marvel i'm thinking of is any EXCEPT for the movie version where he's a fricken twink)#(yes that does happen to be my biggest problem with the shazam movie)#(they should have found someone that looks more like how the ancient greeks thought their gods looked)#(or at least like how he does in the comics)#(sorry for the rant i have strong feelings about this)

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steddieas-shegoes · 23 hours

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cw: mentions of scarring, canon-typical violence, flashback (not graphic), minor body horror (again, not graphic, mostly just emotional feelings about scars)

♦️♦️♦️♦️♦️♦️♦️♦️♦️♦️

Everyone gave him weird looks when they walked in, quickly schooling their features when they noticed he was awake and watching them.

He didn’t know exactly what that was about.

They had him on a lot of good drugs.

But eventually he got weaned off them, and he noticed the pull of bandages on his side, and his arm, and his neck, and his face.

He was still unable to get out of bed. Still couldn’t even reach his arms above his chest for more than a few seconds.

But he damn sure reached up to feel the cloth and plastic surrounding his cheek. How had he not noticed for days? How had no one bothered him about it?

Maybe they had and he just didn’t notice. The morphine was one hell of a drug.

Wayne was soft, patient with him. Saw him touching it, saw the way his eyes filled with tears. He’d never been particularly vain, hadn’t cared much about what he looked like to others, but this felt bigger than that. This felt like he was changed in a way that everyone could see.

Add it to the list of things people could bully him for.

He cried himself to sleep, Wayne’s hand in his, silently comforting in the way he’d always done.

When he woke up again the next morning, he was alone.

It was the first time he’d been alone since the boathouse.

He could swear he heard bats outside his door, screams coming from the attached bathroom, flashes of someone dying on the ceiling.

He felt the sharp sting of teeth puncturing his skin.

He felt hopelessness creep into his bones as he gave in.

Maybe this time they would finish the job.

“Eddie!”

Steve Harrington’s voice broke through the thoughts, panicked enough to bring Eddie back to his hospital bed within a second of hearing it.

“Shit, are you okay?” He continued, hand brushing against Eddie’s bandaged cheek.

Eddie nodded once, closed his eyes, leaned into the touch.

He could blame it on any number of things if Steve felt weird about it. The morphine, the flashback, the loneliness.

“You’re okay, Eddie. I promise. Won’t let anything happen to you,” Steve whispered.

Eddie believed him.

He fell back asleep with Steve’s hand gently cupping the mangled side of his face.

If Steve could still touch him there, then maybe it wouldn’t be so bad.

♦️♦️♦️♦️♦️♦️♦️

Steve came by every day, sometimes in the early morning, before visiting hours officially started, sometimes well after Wayne had left to get some sleep. He always smiled when he walked in, a genuine one, not the one everyone else gave that was so fully of pity and pain he couldn’t bear to make eye contact. He sat down on the side of the bed, not the chair like everyone else, not scared to be close.

And every single day, without fail, he would run his finger along the edge of Eddie’s bandage on his face, watching his own movements and cataloging any changes.

Eddie sat quietly, still, scared to put words to anything happening. Scared to tell Steve what it meant to him to have someone acknowledge his pain in this way. Scared to think Steve could mean anything by it.

It was easy to pretend Steve was doing this because he cared.

Maybe he did care.

But he didn’t care the way Eddie wanted him to, needed him to.

So he stayed quiet, still.

He watched.

He fell asleep while Steve talked about his day, the kids, what Joyce made Hopper do around the house.

He woke up alone most days, but that was okay, because Steve would be there eventually.

♦️♦️♦️♦️♦️♦️♦️

“You ready to get that thing off?” Wayne asked, gesturing to the bandage.

“Oh. Today?” Eddie suddenly didn’t want to ever be without the bandage. Removing it meant he’d see what was under it.

It meant seeing how much that place had ruined him.

The pull of the stitches hadn’t been as obvious with the pull of the bandage masking it.

But now it’s all he felt.

The nurse smiled at him as she put some antibiotic cream over the area, saying he would probably still have to keep it extra clean for the next week or so while the stitches did their job.

Wayne smiled at him in the way that meant he didn’t really want to smile at all, but knew Eddie needed him to.

Steve didn’t come.

Eddie didn’t sleep.

♦️♦️♦️♦️♦️♦️

He woke up with panic in his chest and a silent scream in his throat.

He woke up with Steve’s hand on his face.

Gentle, soft, but a strong comfort.

“Promise I washed them first. They said we have to be careful about germs,” Steve said quietly.

“You don’t have to. I know it’s…it’s gross. It’s ugly. I’m ugly.”

Steve shook his head. “No. Not gross. Not ugly. Alive.”

“Steve-“

“You’re alive, Eddie. You could have your entire face held together by staples and you would still be a miracle. You’d still be the most beautiful thing I’ve ever seen.”

Well, Steve’s charm wasn’t an exaggeration, was it?

He wasn’t even sure if the skin barely pulled together could blush anymore, or if the heat that should be on his cheek was burning on the outside the way it felt like it was on the inside.

“It’s gonna be awful when it heals. I saw it in the mirror.” Eddie could feel every stitch in his jaw, the few that spread across the corner of his mouth and bottom lip, the ones that were nearly up to his ear. “I’ll always have a crooked face. The scar will always be huge. It’s all anyone will see.”

“Then they aren’t looking.”

Eddie bit his lip, eyes searching Steve’s. “But you are.”

“No. I’m seeing. There’s a difference. I see you. I see what you’ve survived. I see the mark it left on you. I know it wasn’t just the scars that cover your skin.” Steve leaned his head down, touching Eddie’s forehead with his own. “We all have them. And we’re all still here. Your heart’s beating. That’s all that matters to me.”

“Who knew you were so good with words?” Eddie smiled sadly.

“Robin says I’m just good at not having a filter.”

“She’s right as always.” Eddie wrapped his fingers around Steve’s wrist, turning as slowly as he could to kiss his palm. “You’re not scared of it.”

“No. Are you?”

“I’m scared that you’ll change your mind when it’s always there as a reminder of what happened.”

Steve kissed his nose, making him smile for the first time in what felt like years.

“I’ll have the reminder that I got you out of there. That no matter what, the bats couldn’t finish the job. That you were stronger and you made it.” Steve let his hand drop, but quickly laced his fingers with Eddie’s. “I know it’s a lot to ask of you to trust me, but will you? For today?”

“Just today?”

“I’ll ask again tomorrow.”

“And what? Every day after that?”

Steve smirked.

His eyes were glistening with tears, but Eddie could tell it wasn’t sadness or fear.

“If that’s what I have to do.”

They hadn’t even talked about feelings, not really. Nothing that made any sense to Eddie, nothing that they could define. A part of Eddie was still convinced he was in a coma and dreaming this entire conversation up.

But even the nurse had noticed the way Steve watched him, how he touched him, how he fought for him. She said he’d been a firecracker from the moment he carried him into the hospital, dripping blood on the tile, staining the halls with his demands for help.

Wayne said he barely left his side the first day, only doing so when the doctors had told him they would call the cops if he didn’t.

Erica even noticed how things had changed between them, stating that she refused to watch her babysitter and the only DM she had respect for make out.

But Steve held Eddie, made him feel like he could get out of the hospital bed and live a life that wouldn’t keep him running. Steve was there.

Steve might even love him. If not now, then some day.

And Eddie could trust him today.

He could probably trust him tomorrow.

“Kiss me?” Eddie probably shouldn’t. The stitches tugged when he talked, and another mouth anywhere near his wounds was just asking for an infection.

But Steve would be careful. He knew what Eddie could handle.

It was barely a kiss. A graze of the lips at most.

But it was the best kiss Eddie had ever had.

At least until tomorrow.