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#obviously just for fun
good-to-drive · 8 months
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It's kinda funny when you get a bunch of likes but no reblogs like I enjoyed your post but I'd prefer if no one else saw it
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quadrantadvisor · 14 days
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Imagine if the GIW started gunning for Jason without the Batfam ever meeting Phantom. Like, Bruce has to figure out on his own that the guys in white suits with Lazarus guns are 1. a legitimate government agency, and 2. are perfectly within their rights to hunt Jason like an animal, because 3. there's secret government legislation that says that since Jason's body processes ectaplasm, he's classified as non-sapient and has no legal protections.
Bruce calling up Clark like
Bruce: I am currently in the process of breaking into a government facility in order to dismantle their operations.
Clark: Okay? Do you need... help?
Bruce: Yes.
Clark: Sure, I'll be right there.
Bruce: Not that kind of help. Oracle is sending you the files now. I'd like you and Ms. Lane to make these people wish they were never born.
Clark: [speed-reading the documents] Oh yeah, can do. This is truly disgusting. If the public is half as outraged as I am, we'll get this sorted as fast as the courts can manage.
So Clark Kent acts as a whistle-blower, the Justice League publicly condems the Anti-Ecto Acts as inhumane, the GIW is disbanded, and Batman gets pardoned for all of those crimes that he technically did by assaulting federal agents. And after all that gets sorted, some white haired kid pops up in the Watchtower like "haha thanks for that I really didn't want a war between Earth and the Infinite Realms" and the League are like "wait what"
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FNAF Sun reviews Michael Afton’s art,,
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inkskinned · 7 months
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hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.
if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.
additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.
i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."
"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.
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ghost-bxrd · 5 months
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Prompt:
Jason hacks into Bruce’s comm when it becomes apparent that he cannot be trusted to keep his birds safe.
Whenever either Tim or Dick are in danger and Batman is nowhere in sight, Jason switches on his side of the audio line to provide mildly ominous commentary.
Bruce is sure his dead kid is haunting him.
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cordycepspog · 1 year
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There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.
It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.
And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?
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swampthingking · 29 days
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can’t study for my test because i’m having brain rot about neil accidentally getting super drunk and stumbling up to aaron like “andrew???” and aaron is like “wrong one” and neil is like “andrew.” and aaron is like “???? are you stupid” and neil goes to look for andrew but he stumbles into the table, and aaron has to catch him or he will get trampled for fucks sake, and neil just collapses into him in a drunk cuddly heap. and aaron is like “neil. you need to stand up” and neil is like “i am” and aaron is like “that’s because i’m holding you up” and they get neil to stand but neil kinda just flops into aaron’s arms again. and neil is like “i don’t hate you, i don’t, but it’s okay if you hate me” and aaron is like “ugh, ew are you really an emotional drunk???” and neil, to aaron’s horror, looks at him with tears in his eyes because you know when you’re too drunk and you kind of just get a little scared and you need help???? ya. and aaron is like … ok. and kinda holds neil until andrew comes back from the bar with more drinks. and he sees neil basically asleep on aaron’s shoulder, and aaron looking uncomfortable but accepting, so he kinda raises an eyebrow, an okay? and aaron nods and is just patting neil on his back
and tomorrow they’ll wake up and neil will toddle downstairs with his hand against his temple and aaron will have advil ready for him, and he’ll say “you’re annoying and you don’t know when to shut your mouth or mind your own business, but i don’t hate you” and the thank you for helping repair my relationship with my brother and thank you for testifying and thank you for staying goes unsaid but yeah
and that’s how aaron and neil became kind of friends
edit: vomited out a one shot for y’all (this will prob become a 5+1)
Aaron swirled his drink a few times, listening to the ice clacking against the glass.
Eden’s was packed tonight, courtesy of it being the end of the school year. College students and the regular patrons flocked to the bar, the dance floor, and all of the tables, leaving Aaron to reserve a high-top table, and his legs to dangle from the stool.
“Drew?”
Aaron ignored him in favor of the twinkling sound the ice makes in his glass. He’d already taken shots, danced, had another drink, danced again, and now Aaron’s body was heavy with alcohol and exhaustion.
“Drew,” Neil said again.
Aaron looked around their table and didn’t see Andrew. He remembered Andrew getting up and walking to the bar with their empty tray. Aaron found him a few seconds later, hands in his pockets at the bar. That and Neil, staring up at him, looking uneasy.
Before Aaron could tell Neil to get out of his face, Neil was speaking.
“Are you’nt having fun?” Neil frowned, blinking sleepy, hooded eyes at him. He leaned closer to study Aaron’s face.
“What are you doing?” Aaron grumbled, pushing Neil’s face away.
Aaron hadn’t even pushed him hard, he more removed Neil from his space rather than pushed him, but Neil wobbled like his world had tilted out of orbit. Aaron realized, quickly, that Neil was going to fall backwards. He grabbed two fistfuls of Neil’s shirt and pulled him forwards. Neil’s head lulled on his shoulders with the force, his chin hitting his chest then righting itself.
Aaron’s stomach lurched, sick with the thought that someone had put something in one of Neil’s drinks, as he would for anyone, but thankfully he’s never been put in that situation. Neil’s eyes were hooded, his face flushed. Aaron snapped once at Neil’s ear, and Neil recoiled immediately.
“Does your head hurt or anything?” Aaron asked. Neil shook his head, frowning.
“Are you dizzy? Follow my finger.” Aaron pushes Neil back so he can see his face, keeping one hand on Neil’s shoulder to hold him up. Neil follows Aaron’s finger as it moves back and forth, albeit a little labored, but not as if he’d been roofied. Aaron declares that Neil’s reaction times and responses are fine, but he still pulls the front of his shirt up and checks his belt, the button of his pants.
“What—?” Neil slapped a hand on his abdomen, stopping his shirt from being lifted any higher. Aaron didn’t need to see anything but his pants, but it was reassuring that Neil still had inhibitions.
His clothes were fine. His belt was still done, zipper up. No one had tried anything. Aaron relaxed.
“Sorry,” Aaron said. “Sorry, I just needed to…”
While racking his mind back to why Neil is this drunk, Aaron remembered Neil taking shots with Aaron, Nicky, and Kevin. Four shots. He’d seen Neil sip on another drink like the idiot had the tolerance for alcohol that the rest of them had.
“You’re a fucking idiot,” Aaron said and released Neil. Neil attempted to step back, his hands raised in surrender.
“No?” Neil asked warily. Even drunk as fuck, he still respected boundaries. Andrew’s boundaries specifically, as it still hadn’t registered that he wasn’t talking to the right twin.
“I’m not Andrew,” Aaron said.
“Where’s Andrew?” Neil asked, turning his head pathetically in search. Aaron only had a good view of Andrew because they were seated at a high-top. Over the throng of taller people coupled with strobing lights, Neil’s view was obstructed.
“At the bar,” Aaron nodded in that direction.
Neil turned towards the bar. Well, he attempted to. He pivoted, lost his balance, and toppled into the table. He tried to right himself and started to fall to the other side. Aaron caught Neil before he could bust his shit and get trampled.
“Jesus Christ, Josten,” Aaron spat, righting Neil with hands on his biceps. Neil slapped a hand on the table and leaned his weight on it. The table quaked under such abuse, but held.
Neil turned slowly, grappling against the table as if he was standing in one of those spinning fair rides. In his excursion to simply spin 180°, his hand slipped off the edge of the table as he faced Aaron once again. He reached for the table, missed, reached for it again, missed, said, “Motherfucker,” under his breath, and finally gripped onto the edge. His eyes locked on Aaron’s again, and Neil’s useless hand landed on Aaron’s shoulder.
“Andrew,” Neil said. Aaron didn’t know if it was more a request or if it was just not registering.
“Wrong,” Aaron said, tense under Neil’s hand, but he didn’t push him off. He’d rather hold Neil up than peel him off the floor. “Aaron.”
“‘m very drunk,” Neil said, looking up pleadingly at Aaron as if he had a magical cure to shitfacedness, and all Neil had to do for it was look a little scared. “I’m sorry.”
“Why?” Aaron asked.
“I’m drunk.”
Aaron snorted. “That’s kind of the point when you’re at a bar.”
“But,” Neil said, taking a labored breath, “I’m…too drunk.”
This was beginning to feel exceedingly similar to speaking to a child. Aaron was annoyed, but not completely heartless, unlike the narrative of Aaron Neil had likely concocted. “It’s okay, Neil,” Aaron said. “You should sit down.”
Neil promptly sat as if there was a chair under him, but there was not. Aaron, still holding Neil vertical, got pulled out of his chair with the momentum. To avoid toppling to the ground—which did not get mopped as often as it should—Aaron planted his feet on the floor and hauled Neil up by his armpits.
“Help,” Neil murmured. His arms dropped to his sides as he yielded his dead weight to Aaron.
“Stand up,” Aaron grunted, readjusting to wrap an arm around Neil’s back. One of Neil’s arms flopped over Aaron’s shoulder.
“I am,” Neil complained.
“No, you are not.”
“I am.”
“Neil,” Aaron said through clenched teeth, “I am holding you up. You need to lock your knees.”
“Oh,” Neil said. He looked at his feet as if he needed to check they were on the ground.
To be fair, Neil did lock his knees, but he also leaned all of his upper body on Aaron, arms still hanging limply at his sides. He tucked his head into Aaron’s neck with, what seemed, every intention to make a home there for the night.
“Neil,” Aaron said, frozen against the hair tickling his cheek. “God dammit.”
“And…ron,” Neil spoke against his shoulder.
“Yes,” Aaron said sarcastically. “That’s me.”
“Can I j’stay here?” Neil slurred.
From what Aaron had seen of Neil’s dynamic with his brother, he knew Neil would get off if he said no. He could place Neil into a stool or pull up a chair with a back so he wouldn’t fall out and concuss himself. He could shove Neil off and make him fend for himself. He could pawn him off to Andrew.
At the moment, those other options seemed like far too much work.
That, or maybe it was the med student in him, the intrinsic urge to heal and help and nurture that smarted at the thought of pushing Neil off.
Aaron didn’t push him off when Neil readjusted and tucked an arm into his chest, the other gripping Aaron for stability. He didn’t when Neil asked again, a quiet, “Aaron.”
“Okay,” Aaron conceded. He rubbed a hand up and down Neil’s back placatingly, but also because Neil seemed like he needed it. And he came to Aaron for it. Well, he came to Andrew and got Aaron. But he didn’t push Aaron off, and Aaron hasn’t done the same.
And they just…stood like that. For what seemed like a long time, but it probably was only a few minutes before Neil spoke again.
“Aaron,” Neil said.
Aaron hummed in response.
“I don’ hate you.”
“What?” Aaron asked. “What the fuck are you talking about, Neil?”
“I don’t hate you.”
“What?” Aaron said again.
“I don’wanna fight.” Neil lets out a colossal breath.
“We haven’t fought in a long time,” Aaron says, his idea of agreement. Acceptance.
Neil was quiet, because it was true. Neil seemed content to lay in Aaron’s arms, and Aaron didn’t have another stool next to him. He sure as shit wasn’t giving his up for Neil, but Neil was genuinely so unsteady on his feet that Aaron couldn’t let him go.
He trembled a bit, and Aaron was almost amused that after everything Neil had been through, being a little too drunk is what finally did it for him.
But Aaron had felt that way before. Inebriated and scared in a crowded room of strangers. Neil, however, has people he knows. How can Aaron be upset at Neil for wanting the comfort that he also craved? How can he be upset that Neil feels safe enough with Andrew to ask for help? That his brother finally feels safe with someone too?
“Aaron,” Neil said.
“What,” Aaron said.
“It’s okay if you hate me.”
“Oh God,” Aaron groaned, “Ew. Are you really an emotional drunk?”
Neil pulled back and, to Aaron’s horror, there were actual tears in his eyes. His lip trembled as he bit it, holding the tears in. Aaron hated how much of himself he was seeing in Neil tonight. The harrowing fact that maybe they are quite similar.
“Oh God,” Aaron said again, mortified. He grabbed the back of Neil’s head and shoved it back into his shoulder, effectively hiding Neil’s teary face.
He cast a desperate look to Andrew, who was finally on his way back to the table. He patted Neil on the shoulder, like one would burp a baby when they have no idea how to do so.
“Andrew.”
Andrew didn’t need prompting to look. His eyes were trained on Neil and Aaron from the moment he turned around. By the nonchalance of his movements and his lack of alarm, Aaron guessed he had been watching their interaction.
Andrew set the tray down on the table and cast a significant look between them, settling on Neil’s intoxicated form keeled over on Aaron’s shoulder.
Andrew raises one eyebrow, a silent question, an okay?
Aaron finds himself nodding, and unsure why. All he knows right now, a few drinks in, is that he doesn’t hate this. And he doesn’t hate that Neil doesn’t hate him.
-
The smell of coffee set Neil’s feet moving like a Pavlovian response. He was half awake already with a pounding headache, like his eyeballs were beating his closed lids to death.
Neil toddles down the stairs with his eyes closed, a hand pressed hard to his temple, stabilizing his brain.
Aaron was standing at the counter already, facing the sputtering coffee pot. His arms were crossed, hair ruffled from sleep. At the sound of footsteps behind him, he turned.
The memories from last night played past Neil’s mind like a sped-up movie. He grimaced in embarrassment, and felt a little sick at how drunk he was. How stupid he was, to drink that much. He should have known his tolerance isn’t matched with the rest of them. He could have gotten hurt, could have said something—
Fuck.
“Fuck,” Neil said, covering his eyes. “I’m sorry.”
“It’s fine,” Aaron said. He turned back to the coffee, though his posture was rigid.
Neil grabbed a glass of water. He noticed Aaron watching from the corner of his eye, but Neil chose to ignore him, figuring that’s best. He sat on the counter with his water, sipping it slowly while he and Aaron waited for the coffee to finish brewing.
The silence was thick, but they were both too stubborn to leave the kitchen. Usually, they preferred to wait and pretend the other wasn’t there.
That’s what Neil thought, at least. After a painful few minutes, Aaron huffed and grabbed the bottle of Advil from the drawer next to the sink. He shook two pills out and sat them next to Neil.
Neil stared at them until Aaron cast a pointed look at the pills, then physically gestured to them with raised brows. Neil took them while Aaron watched.
The coffee pot beeped. Aaron made a split second decision, grabbing two mugs and pouring coffee into them. He slid Neil’s across the counter. It sloshed over the side, but Aaron wasn’t capable of caring at the moment. His mind was busy, and he knew Neil had noticed his lack of eye contact; the analytical fuck.
“Look,” Aaron said. He did not look at Neil to say it. “You’re annoying, and you never know when to shut your mouth or mind your business. Most of the time, I’m convinced you have a death wish, and a lot of the time I find myself resenting you. You complicated our lives, put us all in danger, didn’t give a shit.”
Neil’s chest hurt. He didn’t know if it was anger or guilt. Aaron started talking again before he could figure it out.
“But I don’t hate you. I can’t, really. I can’t even fault you for the shitty things you did, because it all worked out.” Aaron glanced quickly at Neil, looked away. His cheeks were red.
The thank you for helping repair my relationship with my brother and thank you for testifying and thank you for being good to Andrew went unsaid, but Aaron hoped Neil wasn’t obtuse enough to force him to say it out loud.
Neil must have understood, because he nodded. Aaron figured that was as close to a reconciliation they were going to have, so he leaned against the counter and pretended everything was normal.
For the first time, they drank their coffee in silence without animosity orchestrating it.
Neil’s mug was half empty when Andrew joined them. He paused in the doorway, squinty eyed and mussed, looking between the two. Neil on the counter, Aaron leaning against it. Their silence, but lack of tension.
“This is weird,” Andrew finally said, his voice gravely from sleep.
“Yeah,” Neil and Aaron said simultaneously.
Neil glanced over his mug at Aaron, the corner of his mouth twitching. Aaron regarded it, but looked away, because something like contentment had made its way onto Andrew’s face.
Aaron smiled at that instead.
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laomelettedufromage · 4 months
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One of my pet peeves after having gotten very into swing dance as an aroace is seeing videos of people swing dancing or really doing any type of partner dance and over half the comments just being stuff like “how are they not in love😳” or “friends🤨” like please free yourselves, you can have a lot of chemistry and fun dancing with someone and it doesn’t have to be anything more than that!! Just fun!!! I’m not saying a little bit of lighthearted friendly love can’t be involved but it’s not always that deep, it’s just having fun!!
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fox-guardian · 2 months
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[ID: A digital comic of Sam and Celia from The Magnus Protocol and Danny from The Magnus Archives on a gray background. Everyone is colored in a single color. Sam is red, Celia is green, and Danny is yellow. Sam is a fat Arab man with short curly dark hair, a mustache, and a small goatee, and he is wearing small black earrings, a cardigan, a turtleneck, trousers and loafers. Celia is a slim Korean woman with short dark hair and she is wearing rectangular glasses, piercings including an industrial piercing, an x-shaped earring, and snakebites, a button-down shirt with the sleeves rolled up, a vest, trousers, and black wrist cuffs. Danny is a tall, beefy Latino man with short hair, a cut in his brow, and a "cat mouth" and he is wearing small hoop earrings and a waiter uniform including an apron and name tag.
Sam and Celia sit at a table looking tired. Sam is resting his chin on his hand and Celia has her fingers steepled.
Sam: We'll NEVER get what we need without this specific thing and/or connection. WHATEVER will we DO?
Danny appears holding a notepad and pen, shrugging sheepishly and smiling with flowers around his head. Sam and Celia sit up, smiling at him excitedly with their hands in the air
Danny: UM, I might just know a guy! Sam: Our regular waiter, Danny Stoker! Celia: You ALWAYS have what we need! Danny: HAHA, what can I say?
end ID]
~~~~
rusty quill i have a suggestion
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nelkcats · 9 months
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Refuge
Danny was not retired, technically he came when people needed him, he helped or protected them as the case may be. It just turned out that over the years they stopped needing him.
And that was fine, it meant humanity could take care of itself, it meant they were safe. That was what had to matter, no matter that deep down, the halfa was hurt by the information.
It was harder to accept change when you weren't part of it. Danny was immortal, eternal, and powerful, things that no longer fit the world. Not with all the heroes and wizards running around, not with Amity Park fading away, becoming nothing more than a part of his memories.
He fit in perfectly in the Realms, sure, but he knew that if he stayed there too long he'd stop feeling human, and that was dangerous.
So, no, Danny wasn't retired. But he lived in a simple house in Metropolis, though sometimes he got tired of Superman being able to hear literally everything and moved to his house in Fawcett. He used to switch between the two houses frequently, not that it was difficult since he had figured out how to make portals.
He had a few friends, like the orphan boy who lived at the train station and Conner, a teenager who sometimes just needed a house to stay in when he couldn't stand his father.
Neither Conner nor Billy minded his age, which was comforting, although they both got curious when he visited the other house. Danny didn't know how to explain that Eternity Rock and Superman made him nervous if he stayed too long (he didn't like feeling watched), so he just shrugged and told them he had two houses.
Neither of the kids understood but they accepted it. They both had a habit of calling him "Uncle", Danny thought it was odd, given that his appearance wasn't exactly...adult, but it seemed they were comfortable with that, and he left them alone.
Apparently his house (occupied or not) had become a haven for them. Danny always greeted them with a sandwich, or cookies, even though he felt like a grandmother doing so. He smiled for the first time in years, feeling happy to fit into someone's life.
That's why it was quite disconcerting to find the Justice League outside his door asking him to join them. Danny chuckled internally, because the current heroes actually believed they could force him into something, but he accompanied them anyway.
Superboy and Captain Marvel scowled at the League as soon as they entered the Watchtower, when they were told they were bringing in a "dangerous individual" they didn't expect to see their unofficial uncle.
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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knight-says-rollout · 10 months
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“how would it work if Cybertronians had disabilities” “What if there were disabled Cybertronians”
THERE ARE
THERE ARE
loosing my mind at how some things that are So good can be So niche why can’t we just be a hivemind
Just one example, my favorite example, is:
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Shattered Glass Soundwave!!!
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He’s gone through Multiple reformats varying between with his consent and,,, not. The latest of which took place when they didn’t have many materials
So they used half earth metals half Cybertronian ones
As it turns out? Those two things don’t mix very well. His joints are Horrible. They lock up randomly, the worst of which being the door to his tape deck.
He physically isn’t able to dock his cassettes reliably because they might get stuck in there.
What does he do to fix this? So glad you asked!! He has his own assistive aids, in this case: a portable external carrying case
It was made and personalized to work specifically for him and his situation
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I love him
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gabe-lovebot · 28 days
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councilor 3D model
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i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him
[link]
please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)
currently available as a .blend, .fbx and an SFM port.
#hello councilnation i'm finally releasing him to the wild#have fun playing toys with him#ultrakill#councilor#councilor ultrakill#3d stuff#obviously with the councilor having just 1 full body image of him means that some stuff i had to improvise on#so you get to enjoy my headcanons on how he looks#(like obviously the wings & halo)#(but also the chestplate design)#but did you know that the councilor's canon design has subtle engravings on his forearm armor pieces?#i only barely noticed them when painting textures and i was floored#i had to add them#to the sfm anon and whoever else wants to use this for sfm stuff-#i did my best with a port for sfm and i'm quite proud of the result#but please be aware i have never used it before so if you find that something doesn't work as it should please please let me know!!#gonna pour my heart out in tags as always so close your eyes if you don't wanna see me being sentimental but#i'm not kidding when i say i learnt 3d modelling from the ground up for this#i have meddled with blender before but never actually came close to finishing a project#and i don't know how i did it and how i kept going#(i do know) (it was my friend encouraging me every time i showed him progress)#this was like 1 entire month in the making#but i'm so fucking proud of this and how it turned out and people's tags in my act 2 render genuinely were such a huge confidence boost#so thank you guys for liking it <3#i'm still very much thinking of doing a version with just his bloodied head#but it might take a while because i want a break and i want to play warframe
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inkskinned · 1 year
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"it's so embarrassing you like that popular thing" "oh ew that geeky/strange thing is so cringe lol" "oh it's kind of weird you get excited about that harmless shit"
dude i love how ironic and jaded you are and that's so cool and sexy of you. and i am so so glad to tell you - you won!! we all had a meeting and we decided that you won, and we are writing your name on the inside of a burger king crown. the marker smeared, sorry, but we knew any form of real effort is ugly to you. but anyway. congrats! you are officially the coolest, most ironic, most jaded person in-the-world-right-now. we would throw you a party but you would think it was totally boring - and besides, we're weird so we wouldn't have been coming. we would have brought our love of beetles and of baking and of little canapes. we would have brought our artsy videogames and pages of writing. we would have written a poem with you, our hands covered in ink, and spread out a canvas to dance on, the night so lurid and pink.
but do not worry. we will not throw the party. we will just get you a ringlight and that crown i mentioned. it is a nice crown, except for where one of us dropped it.
the vote was a really hard one because we had so many cool ironic people to pick off the shelves. all of you have hands that rot fruit, how strange is that - you can't look at something without destroying it for other people. you like it when you can squeeze a person into a pinpoint - all us small ones scampering our little feet around our ugly joys. the vote was also a hard one because we kept our voices down because you don't like it when we talk too loud. you were on your phone at the time, talking to people other than us. you are a ghoul of every moment - half in, half out, you resent us for being here without shame or embarrassment.
so good news! we have invented an island for people like you. you get to go there and speak into the air things like if you still like watching harmless twitch streamers in 2023 you're fucking boring. you will say things like liveplay podcasts are fucking ugly and it's kind of awkward they try to make everything gay. on the island we made you, all of your words will have weight. they will form in the air like icicles, large white behemoth letters that will crumple in anvils around your feet. maybe we will send someone there once in a while to sweep, but honestly you might be there for a while, alone, waiting. we are busy being outside looking for mushrooms and flapping our hands and humming. we are busy kicking our little heels while we watch cringey tv. we are busy - sorry! as an apology, we have pre-filled the island with every bland, mediocre, unscented thing we could find. the island has the texture of american cheese. the island has an ocean that never gets angry. the island is perfect for you, trust me. you will be so happy there - as happy as you can be, ironically.
we want to say we are sorry for doing harmless things that you find annoying, childish, or unappealing - but we are not sorry. we thought we could help you, because we don't mind laughing at ourselves, but it turns out you are allergic to color and noise and atmosphere, so this is the best that we can do for now. we are all making a big shirt that says i voted in the ironic monarchy. we got you one that is just a fast fashion buttondown. i am so excited for you and this island and the big life you have won. you have a cool jaded grey life and miles of irony to roam. i love you! be well.
now leave us alone.
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avephelis · 1 year
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mutant cass is the creature that lives in my brain
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maybe unpopular opinion but probably one of the least useful pieces of advice I've ever got as an auDHD person to the question of "how tf does one make friends" was to go and join clubs/groups that do hobbies I enjoy. Not only does this not actually answer the question of how to make friends (yknow, how to approach people, how to start a conversation, how to appear friendly enough that they don't immediately reject you for existing, how to actually keep them as friends later on, etc), but also the chance of me choosing to force myself into the discomfort of "making smalltalk with random strangers" is absolutely nonexistent when the alternative of engaging with a hyperfixation is not only socially acceptable but even encouraged
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