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Daniele Valeriani
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theatrum-tenebrarum · 9 days ago
Misunderstanding Lucifer from the Sandman series and why Gwendoline Christie is the right choice (an art historian and occultist's opinion)
I am writing this post as I'm absolutely baffled by the issues people seem to have with the portrayal of the character of Lucifer in the Sandman series. For some reason people find it problematic that the fallen angel is played by Gwendoline Christie, a powerful and androgynous-looking woman, but there is seemingly no problem with Lucifer being played by a black-haired man in the nightclub business (Tom Ellis in the Netflix series 'Lucifer'). Don't get me wrong, Tom Ellis is entertaining and wonderful to watch, but that particular version of Lucifer is neither canon when it comes to the comics nor does it have anything to do with the actual angel Lucifer.
Angels are genderless beings and they have always been portrayed as androgynous in the history of art. Multiple literary sources, including grimoires (books with supposed instructions on how to summon these beings and many others), state that angelic beings as well as demons are able to change their appearance. Many of those forms they might take aren't even humanoid and they can choose not to show any physical form at all. They aren't corporeal beings, the fact that they do take on any resemblance of a physical form is just so humans can understand them better. That's why we've been painting them as human-like ever since the early times of human civilization. What we make to be similar to us is what makes it comprehensible. Portraying beings from other dimensions/realms as human-like but with androgynous features is a way to show they don't belong in the physical dimension, as gender is likely a non-existent concept in other realms of existence. Androgyny of mythical beings, therefore, emphasizes the fact they are different than physical beings such as humans.
Therefore, when portraying an angelic being in art, or in any type of media, making them androgynous is making way for their essence to come through. In a way, the same applies to the way elves are portrayed as ethereal and androgynous since they don't have to be corporeal beings at all, at least when it comes to folklore. I know this opinion might not be understandable to others or it might sound controversial, but I believe that not portraying an angelic being as androgynous and not showing any signs of their divine origin (these include mannerisms that emphasize their etheriality for example, a cadence in their voice that is different etc.) is a huge missed opportunity that might rob these interesting mythical beings of what they are. Not making angels feel like angels beats the point of having an angel character (in a movie, series or video game for example) in the first place.
This is why Gwendoline Christie is the right choice. At a height of 6′ 3″ (1.91 m), captivatingly pale. androgynous with a powerful specific sort of grace and presence - a perfect 'vessel' for the Morning Star. What's more, she understands the importance, complexity, grandeur and the mythical dimension of the figure of Lucifer, as well as the whole 'spirituality' of the Sandman universe which is rather evident from her approach to this role and the interviews she has given so far. I might go so far to say that, even though the Sandman series isn't even out yet (though there is some footage available already), the casting of Gwendoline as Lucifer feels right just as the casting of Lee Pace as Thranduil in the Hobbit felt right and I consider the character of Thranduil to be the best portrayal of a humanoid mythical being on TV. Lee felt like an elven king, moved like an elven king, spoke like an elven king and radiated an energy of the dimension the elven king might have come from (I'm talking about the folkloric 'Otherworld' where elves supposedly live). I feel the same might apply to Gwendoline and Lucifer.
As an occultist, art historian, anthropologist and someone who is rather fond of the figure of Lucifer, I am looking forward to seeing how Gwendoline interprets him. Finally, we might get something completely different from a frequently portrayed 'demonic' side/version of this important mythical character. We might just see the Light Bringer who has not forgotten his divine origin.
- Heidi (@theatrum-tenebrarum)
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Gwendoline Christie as Lucifer (The Sandman series on Netflix, out 5th August 2022)
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honeyglot · a year ago
shirt that says “as above” and booty shorts that say “so below”
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vintagegeekculture · 2 months ago
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Christopher Ulrich
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iftadwascool · 3 months ago
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A Witch and a Demon sharing a moment in the moonlight
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wolfofantimonyoccultism · 2 months ago
Putting Things Under Your pillow
By putting certain things underneath your pillow, you will allow those metaphysical properties to interact with your dreams and being throughout the night when you sleep upon that pillow. Here is a small list of constructs you can put underneath your pillow that will provide you with specific kna, minds states, and physical stimuli throughout the night based on what they are:
Lapis lazuli is placed under your pillow for awareness of your dreams and the vividness of those dreams.
Clear quartz to wake up with more kna after you awake from your sleep.
Bayleaf to have more prophetic dreams.
Chamomile to promote relaxation and good dreams.
Rose petals to bring love into your waking life.
Peppermint to promote relaxation and vivid dreams.
Lavender to promote calm and for you to sleep well.
Anise to prevent nightmares.
Rosemary to prevent nightmares and to bring deep sleep.
Garlic to promote good sleep.
You can put a blade of grass or a leaf underneath your pillow to promote growth and change in your waking life.
Money for wealth and prosperity in your waking life.
A Picture of someone to connect with them better.
A name of someone to connect with them better.
You can put all manner of sigils underneath your pillow to get the effect of that Sigil into your dreams and waking life.
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the-clever-cupboard · 9 months ago
Correspondence: Birth Trees
Dec 23 to Jan 01: Apple Tree
Jan 02 to Jan 11: Fir Tree
Jan 12 to Jan 24: Elm Tree
Jan 25 to Feb 03: Cypress Tree
Feb 04 to Feb 08: Poplar Tree
Feb 09 to Feb 18: Cedar Tree
Feb 19 to Feb 28: Pine Tree
Feb 29: Poplar Tree
Mar 01 to Mar 10: Weeping Willow Tree
Mar 11 to Mar 20: Lime Tree
Mar 21: Oak Tree
Mar 22 to Mar 31: Hazelnut Tree
Apr 01 to Apr 10: Rowan Tree
Apr 11 to Apr 20: Maple Tree
Apr 21 to Apr 30: Walnut Tree
May 01 to May 14:Poplar Tree
May 15 to May 24: Chestnut Tree
May 25 to Jun 03: Ash Tree
Jun 04 to Jun 13: Hornbeam Tree
Jun 14 to Jun 23: Fig Tree
Jun 24: Birch Tree
Jun 25 to Jul 04: Apple Tree
Jul 05 to Jul 14: Fir Tree
Jul 15 to Jul 25: Elm Tree
Jul 26 to Aug 04: Cypress Tree
Aug 05 to Aug 13: Poplar Tree
Aug 14 to Aug 23: Cedar Tree
Aug 24 to Sep 02: Pine Tree
Sep 03 to Sep 12: Weeping Willow Tree
Sep 13 to Sep 22: Lime Tree
Sep 23: Olive Tree
Sep 24 to Oct 03: Hazelnut Tree
Oct 04 to Oct 13: Rowan Tree
Oct 14 to Oct 23: Maple Tree
Oct 24 to Nov 11: Walnut Tree
Nov 12 to Nov 21: Chestnut Tree
Nov 22 to Dec 01: Ash Tree
Dec 02 to Dec 11: Hornbeam Tree
Dec 12 to Dec 21: Fig Tree
Dec 22: Beech Tree
Apple Tree Love Of slight build, lots of charm, appeal, attraction, pleasant aura, flirtatious, adventurous, sensitive, always in love, wants to love and be loved, faithful and tender partner, very generous, scientific talents, lives for today, a carefree philosopher with imagination.
Ash Tree Ambition Uncommonly attractive, vivacious, impulsive, demanding, does not care for criticism, ambitious, intelligent, talented, likes to play with fate, can be egotistic, very reliable and trustworthy, faithful and prudent lover, sometimes brains rule over the heart, but takes partnership very seriously.
Beech Tree Creative Has good taste, concerned about its looks, materialistic, good organization of life and career, economical, good leader, takes no unnecessary risks, reasonable, splendid lifetime companion, keen on keeping fit (diets, sports, etc.)
Birch Tree Inspiration Vivacious, attractive, elegant, friendly, unpretentious, modest, does not like anything in excess, abhors the vulgar, loves life in nature and in calm, not very passionate, full of imagination, little ambition, creates a calm and content atmosphere.
Cedar Tree Confidence Of rare beauty, knows how to adapt, likes luxury, of good health, not in the least shy, tends to look down on others, self-confident, determined, impatient, likes to impress others, many talents, industrious, healthy optimism, waiting for the one true love, able to make quick decisions.
Chestnut Tree Honesty Of unusual beauty, does not want to impress, well-developed sense of justice, vivacious, interested, a born diplomat, but irritates easily and sensitive in company, often due to a lack of self confidence, acts sometimes superior, feels not understood loves only once, has difficulties in finding a partner.
Cypress Tree Faithfulness Strong, muscular, adaptable, takes what life has to give, content, optimistic, craves money and acknowledgment, hates loneliness, passionate lover which cannot be satisfied, faithful, quick-tempered, unruly, pedantic, and careless.
Elm Tree Noble-mindedness Pleasant shape, tasteful clothes, modest demands, tends not to forgive mistakes, cheerful, likes to lead but not to obey, honest and faithful partner, likes making decisions for others, noble-minded, generous, good sense of humor, practical.
Fig Tree Sensibility Very strong, a bit self-willed, independent, does not allow contradiction or arguments, loves life, its family, children and animals, a bit of a social butterfly, good sense of humor, likes idleness and laziness, of practical talent and intelligence.
Fir Tree Mysterious Extraordinary taste, dignity, sophisticated, loves anything beautiful, moody, stubborn, tends to egoism but cares for those close to them, rather modest, very ambitious, talented, industrious, discontented lover, many friends, many foes, very reliable.
Hazelnut Tree Extraordinary Charming, undemanding, very understanding, knows how to make an impression, active fighter for social cause, popular, moody, and capricious lover, honest, and tolerant partner, precise sense of judgment.
Hornbeam Tree Good Taste Of cool beauty, cares for its looks and condition, good taste, is not egoistic, makes life as comfortable as possible, leads a reasonable and disciplined life, looks for kindness and acknowledgement in an emotional partner, dreams of unusual lovers, is seldom happy with its feelings, mistrusts most people, is never sure of its decisions, very conscientious.
Lime Tree Doubt Accepts what life dishes out in a composed way, hates fighting, stress, and labor, dislikes laziness and idleness, soft and relenting, makes sacrifices for friends, many talents but not tenacious enough to make them blossom, often wailing and complaining, very jealous but loyal.
Maple Tree Independence of Mind No ordinary person, full of imagination and originality, shy and reserved, ambitious, proud, self-confident, hungers for new experiences, sometimes nervous, has many complexities, good memory, learns easily, complicated love life, wants to impress.
Oak Tree Brave Robust nature, courageous, strong, unrelenting, independent, sensible, does not like change, keeps its feet on the ground, person of action.
Olive Tree Wisdom Loves sun, warmth and kind feelings, reasonable, balanced, avoids aggression and violence, tolerant, cheerful, calm, well-developed sense of justice, sensitive, empathetic, free of jealousy, loves to read and the company of sophisticated people.
Pine Tree Particular Loves agreeable company, very robust, knows how to make life comfortable, very active, natural, good companion, but seldom friendly, falls easily in love but its passion burns out quickly, gives up easily, everything disappointments until it finds its ideal, trustworthy, practical.
Poplar Tree Uncertainty Looks very decorative, not very self-confident, only courageous if necessary, needs goodwill and pleasant surroundings, very choosy, often lonely, great animosity, artistic nature, good organizer, tends to lean toward philosophy, reliable in any situation, takes partnership seriously.
Rowan Tree Sensitivity Full of charm, cheerful, gifted without egoism, likes to draw attention, loves life, motion, unrest, and even complications, is both dependent and independent, good taste, artistic, passionate, emotional, good company, does not forgive.
Walnut Tree Passion Unrelenting, strange and full of contrasts, often egotistic, aggressive, noble, broad horizon, unexpected reactions, spontaneous, unlimited ambition, no flexibility, difficult and uncommon partner, not always liked but often admired, ingenious strategist, very jealous and passionate, no compromise.
Weeping Willow Melancholy Beautiful but full of melancholy, attractive, very empathetic, loves anything beautiful and tasteful, loves to travel, dreamer, restless, capricious, honest, can be influenced but is not easy to live with, demanding, good intuition, suffers in love but finds sometimes an anchoring partner.
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prokopetz · 9 months ago
My dudes, if you’re going to pop into the notes on somebody’s post and nitpick their use of the term “wizard” or “sorcerer” or whatnot, you need to understand that the definitions you’re using are, nine times out of ten, artefacts of the game mechanics of Dungeons & Dragons. Rigorously subdividing “wizards” from “sorcerers” from “warlocks” and so forth has little basis in fantasy literature, and even less in historical occult practice, and giving folks a hard time over not adhering to one specific tabletop RPG’s taxonomy of magic isn’t a great look.
(Heck, even within the scope of Dungeons & Dragons, the definitions often drift over time or change radically between editions. “Warlock” has meant at least four completely different things over the course of the game’s history!)
If you look at how these words are used historically, the distinctions are more often cultural than formal. The English “sorcerer”, for example, is a corruption of sorcier, the French word for “wizard”. The term’s sometimes sinister connotation stems in part from the fact that French occultists historically had a reputation for being super into demonology – indeed, most of the long lists of named demons and their various purviews that you’ll find online ultimately trace back to medieval French sources.
The term “warlock”, meanwhile, derives from the Old English wǣrloga, “one who deceives“. It was taken up by late medieval Christian authors as a term for Devil-worshippers, likely with reference to the alleged breaking of baptismal vows, and was later adopted by the modern Neopagan movement as a term for magical oath-breakers more generally. The notion of a warlock as one whose supernatural powers derive from making oaths rather than breaking them seems to be purely an invention of tabletop RPGs.
(As for “wizard”, the word’s etymological derivation from roots roughly meaning “smartass” has, of course, been discussed in other widely circulated Tumblr posts, and will not be repeated here.)
On the literary side, sources that finely subdivide disciplines of magic are rare, mostly post-dating and explicitly taking their cues from Dungeons & Dragons. Even among those that do classify magical practitioners in this way, what the various terms refer to often bears little resemblance to their D&D counterparts.
For example, in Lyndon Hardy’s Five Magics trilogy, a sorcerer is a practitioner who performs mental manipulations – ranging from convincing illusions to outright mind control – by reciting incantations in a magical “programming language”, while a wizard is someone who summons and commands demons. “Magic”, meanwhile, refers to a completely separate discipline revolving around the crafting and use of enchanted items; a practitioner of magic is called a magician, and what sorcerers and wizards do is not formally classified as “magic”.
Conversely, in Lawrence Watt-Evans’ Ethshar series, a practitioner whose power derives from crafting and using enchanted items is called a sorcerer, while a wizard is a sort of alchemist, and a warlock basically has comic book psychic powers, heavy on the telekinesis. The Ethshar series is also one of the very few literary sources that features anything resembling a D&D cleric, here termed a “theurgist”, though the particulars of the relationship differ somewhat in that the gods of Ethshar have no especial interest in human worship.
Basically, there are no hard rules regarding which words describe what sorts of magical practices. Cite your sources if you’ve got ‘em, but don’t get hung up on the particulars – a “wizard” can mean someone who derives their power from wearing funny hats if that’s what your story needs!
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aliceo035 · 6 months ago
I've covered warding recently in my protection post. But here I will go into more detail on what warding is, the most popular ways to ward and how to create them as well as when to know when a ward is no longer useful or has been broken. I will also go into baneful warding and what it is.
What is warding?
Warding is a form of defensive magick which acts as your first line of defense against negativity. Be this baneful magick from another practitioner or negative entities and general negative energy. There are multiple ways to ward with each practitioner warding differently to the other. Wards come in all shapes and forms, and there is no limit as to how much warding you should do, you protect yourself as you see fit.
What is baneful warding?
Baneful warding is a form of warding in which the negative that hits a ward gets sent back to its source. Baneful warding is seen as a more "advanced" form of magick, however not too advanced for a novice to do with the appropriate amount of research. Baneful warding can come in the same forms as normal warding would.
Warding jars
Perhaps one of the most common wardings on this post, warding jats usually contain ingredients charged with the intention of warding. These ingredients usually range from herbs to bodily fluids such as saliva or blood. These jars are either buried on the practitioners property, left above entryway, left on an altar, or are carried with the practitioner when they want protection on the go.
A warding jar might contain: ashes of a warding sigil, bodily fluids, herbs and plants, crystals, bones, warding or protection oils, spices, metals, glass shards etc. These jars are then sealed with black or white wax (or are sealed in any other way, with glue, tape or simply just with intention).
When a warding jar is broken, you might find the contents of the jar to become moldy, the jar shatters, the seal might break or the contents of the jar to go off, you also might feel that the jar no longer has its power. When this happens, if the jar is intact, break the seal and empty the contents into the bin/trash or return them back to the earth. You can then cleanse the jar with your preferred method of cleansing and reuse the jar for another ward or spell.
Talismans and symbols
Talismans are objects which are charged with the intention fo protection or warding. A well known example would be the Nazar, known to ward off the evil eye.
Symbols are used to represent something or represent an intention example would be the pentacle/pentagram, a well known protection symbol. Another example could by the Eye of Horus, a symbol used by the Ancient Egyptians for protection, health and restoration.
You can create your own talismans and symbols to aid in warding. These might be used to ward against a specific thing, or can be used as a general ward to all negativity.
A talisman or symbol might break or feel like they're no longer useful once theyve done thier job. If this time comes, you can simply dispose of the old one and create a new one.
Sigils are created and can be programmed with any purpose necessary. May this be warding ot cursing, they can be used for almost any working.
Sigils can be burnt to activate them, with the ashes being used in spells to add extra power. Sigils can be put up around your house or around your room for warding. These sigils can look like anything, simply draw them with the intention of warding.
Crystals can be placed above entryways or in windows to act as a ward. Crystals can also be added to spells to give a desired effect or worn as jewellery to act as warding or protection on the go.
Some examples are: black obsidian, black tourmaline, clear quartz, amethyst, hematite.
When a crystal ward has been broken, the crystal might shatter, or go missing. Or you may feel the crystals energy feels different than usual. With crystals you cam simply cleanse and recharge the crystals to be used again!
Warding spells can be as simple as a dressed candle, or can be a complex ritual. Warding spells differ from practitioner to practitioner. Similar to warding jars, these spells might include the use of herbs, bodily fluids, crystals, plants etc. The methods of creating a warding spell vary, as there is no one way to create one.
When a ward breaks down, you might feel the ward break, or if it does what is intended, you might feel something bounce off the ward. Depending on the negativity sent your way, the ways in which you might feel a warding spell break down vary, this could range from feeling sluggish or nauseous to downright feeling psychic attack. (Whenever this happens, please consult a doctor, mundane before magical. What you may feel is a magical occurrence could be explained by illness, so please consult a doctor of you feel this way constantly)
Warding is a great form of protection which is used very often in a persons practice. While not all practitioners use warding, this is just to inform you of the ways you can ward to keep yourself safe in your practice!
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galerie-de-la-mort · 4 days ago
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The Dreams in the Witch House by Harry O. Morris
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kissthegogo-goat-witch · 5 months ago
No-one is naive, weak minded, or stupid for having joined a cult. Cults prey on anyone, and that is what makes them dangerous.
Part of what made me scared of leaving the cult was how others would see me and believing I was an idiot for it. I was embrassed.
But there is nothing to be emberassed about being an abuse survivor.
We need to stop shaming victims, period.
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witch333s · 8 months ago
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deathandmysticism · a year ago
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Manuel Orazi & Austin de Croze, Calendrier Magique, an occult themed calender, 1895
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koma-kino · 3 months ago
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The Devil Rides Out - Terence Fisher
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vvitchrot · 2 years ago
There are hardly any female werewolves because they break all the classic rules of femininity. They force you to confront female violence, strength, size, grotesqueness and uncontrollability. Historically female shapeshifters always shift into something dangerous (snake) or sleek (cat) or dainty (bird) but female werewolves ignore the masculine gaze completely. They're distorted beasts that have no ulterior motive except to destroy. Nothing about them is nurturing or modest. They're the opposite of what a woman "should be." Their omission from pop culture is not an accident.
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wolfofantimonyoccultism · 2 months ago
How to banish an entity:
Learning how to banish an entity is a very important skill to know in case you come across an entity that you want to send out of your space, and is a good way to protect yourself from spiritual entities that may come to try to do harm to you. There are many ways to go about banishing an entity, and in this post I will be going over a couple of them. I will also be giving tips that may be helpful. This is not an extensive guide by any means, but it's definitely a stepping stone to understanding the processes that coincide with the banishment of entities.
Protecting yourself:
Protecting yourself is very important especially when you feel a presence that should not be in your space. Through the act of putting up shields you will help protect your self against them by putting up a wall of kna between the two of you, and by putting up wards anything that's already on the inside will be forced out. This will give you time to come back to yourself, so that you can focus on what you should do next in order to deal with this entity. These shields, and wards do not have to be elaborate, and should be something you can call upon quickly when your safety is in question from spiritual forces. A simple way to put up a shield is to simply focus your kna around you, by visualizing it flowing off of your body much like mist, or light well thinking that you are protected, this will send your kna out from yourself forming a shield around your body through the power of your will.
Learning more about the entity:
Learning more about the entity can teach you a lot about its reasons for wanting to hang around you in the first place, and will also help you decide if this entity is malevolent in any way towards you, or is just an entity that is naturally there, and not aggressive. Knowledge is power, and by you locking onto some of its key features such as its spiritual appearance, and it's personality along with any other information you can gather from it, you will be able to interact with it more effectively. Knowing what you are dealing with before you deal with it can help the banishing process go more smoothly by allowing you to have the upper hand on it by knowing your enemy, or can help you realize that you don't need your guard up around this entity, and can let it be, or ask it to leave.
Talking it out, and asking it to leave:
If the entity isn't immediately aggressive you could always go through the process of talking to the entity to figure out why they are hanging around. They may just be passing through and not know that they are trespassing on your space, and you may be able to go through the simple process of asking them to leave. All you would really need to do in order to do this is to enter a meditative state, so that you would be able to hear, and recognize their communication with you, then you would just have to have a normal conversation with the entity. In this conversation you should figure out what their purpose for being in that space is, and see if you guys cannot come to a civil agreement. You may be able to ask it to leave, or it may just be allowed to hang around if it is not causing problems, but that's all that really depends on the conversation that you guys have. If you cannot communicate with entities you can always go through the process of using a divination process to divine their answers.
Demanding that it leaves:
If negotiations fail, and you have gone through the process of talking to it, or you feel that it will not listen to you, then it is time to demand it to leave. Through the power of your will, intention, and assertiveness you can force the entity out of your space by demanding out loud that at leaves. This intention will send your kna to force the entity out of your space. You can also go through the process of using there name in your demands in order to connect your will to it targeting it with your kna, if you do not have its name you can always go through the process of making one up for it. By first telling the entity that it's name is this, and then using that name in your demands to tell it to leave. During this entire process you should be strong, and assertive, and should not waver under the entity in any regards in order not to give it power, and to put your intention through. If done correctly the entity should be forced from the space from your sheer kna, and willpower.
Forcing it out with kna:
You can also go through the process of using a more energetic method by visualizing your kna as fire, or light flowing to the entity blasting it with all that you have, by focusing on this vision in your mind's eye, while projecting your kna forward will send it out in order to manifest your desire of sending the entity out of your space. This is a much better method if you feel that you are better with visualization, and kna work, and will allow you to enter a more trance-like state, while projecting your kna at the entity.
Forcing it out with items:
Certain items have banishing metaphysical properties that can be quite helpful in sending entities out of your space. These items can be natural such as herbs, and stones, or can be more man made things such as sigil, tailsman and amulets. By bringing these objects into the proximity of the entity with the intention of forcing them out you will begin to use them. This is a good way to go to the process of banishing the entity from your space with the incorporation of other objects. You could even go through the process of hard binding the entity to an object, then getting rid of the object with the entity bound to it. This will allow the entity to be bound to something, so that that something can be gotten rid of more easily.
Here is a list of some items that can help in the banishment of entities:
Makna water
Dragon's blood
Black Salt
Smoky Quartz
Black pepper
Sigil of banishment
Asking for help:
You can also go through the process of asking another practitioner for help in banishing the entity from your space, especially if you do not believe that you can handle it yourself. If you do not know any other practitioners you could always go through the process of asking a yamasa, or yamasa ona, or your skacaga ona to banish the entity for you, or at least help you in the process of banishing the entity. This can help you out greatly, especially if you are not used to banishing entities, and want some extra help.
Cleansing the area:
After the entity is all good in banished it is a good idea to go through the process of cleansing the area where they were at. This will relieve that space from their kna, and will get rid of any negative feelings, or residual kna that the entity had left there. This can be simply done through any cleansing method such as burning herbs, placing crystals in the space , clap cleansing, or any other cleansing method that you are aware of.
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