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#of a let's play of soma
mzhari4 · 30 days
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crehador · 6 months
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new jp dub cast revealed!
melania cv ueda kana
pickles cv saito soma
diggers cv tachibana shinnosuke
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icharchivist · 9 months
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Since it came up a few hours ago, I looked at the video of Eguchin/ Vane talking to that poor fan and yeah. I'm pretty sure she was crying from the get-go but him calling her "Maru-chan" was so evil, she was barely hanging on after that. I suppose if they invited Hosoyan or Suzuken, the entire audience would be having that reaction, so maybe it's for the best. They're just protecting the public. "Would you eat stew if I made it?" Evil. Truly evil.
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bringing it back here if people need to the context of this ask and need to see just how evil Eguchi is. he KNOWS what he's doing. he KNOWS what effect those words would have had. poor fan was barely holding in together and he just came to ruin them in one single nickname..
if they invited Suzuken or Hosoyan the audience would have this reaction, so true. At least Suzuken could play it all tsundere, but Hosoyan would be able to lay it thick on the fanservice and everyone would suffer from it. But i don't know how Suzuken and Hosoyan are in term of giving fanservice, if they go out of their ways to get reactions from fans or just stick to the standards of their characters.
Eguchi though, i know he provokes fanservice much more. He knows when to stop everything just to have fan yells and swoons. He's evil and terrible.
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mechawolfie · 2 years
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severe thunderstorm warning........... AUGH !
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frankenturrets · 1 year
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i should actually play horror games i think.
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jaffre · 1 year
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ggaemer · 1 year
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thatgirlonstage · 5 months
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Okay I’m too tired to keep listening to Dark Heir but I’ve got a whole bus ride home so I’m going to spin Black Butler thoughts at you all.
(Idk how coherent this is, I’m sorry if it’s rambly my brain is SO dead but it wants to Talk so)
I’m thinking about… the gradual build of Sebastian’s fear that he could actually lose Ciel, as we go:
The asthma attack in Circus Arc: not ultimately serious, but a danger to Ciel’s wellbeing Sebastian had not been aware of and cannot easily fix
The fight on the Campania, where Sebastian is very seriously injured himself, to the point where he’s in danger of losing Ciel to Undertaker because he can’t physically stop him from being taken,
Which leads into THIS fucking moment in school arc:
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which is entirely fueled by Sebastian’s fear that Undertaker will snatch Ciel out from under him, AGAIN, because he did it before
AND THEN GREEN WITCH ARC HAPPENS, where Sebastian gets within literal minutes of losing Ciel to the gas, and WOULD HAVE if Sieglinde hadn’t been there or hadn’t been willing to help them
And still in Green Witch Arc, even AFTER Ciel has physically survived, Sebastian nearly loses him anyway because he backslides so dramatically into a PTSD episode that it nearly voids their contract
All of which is why by the time you get to the Blue Cult Arc, Sebastian is so genuinely afraid he might not be able to protect Ciel that the scent of blood from a single needle prick makes him do. This.
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And now, with bizarre dolls getting ever more advanced and better at hiding from Sebastian’s senses and the whole police force mobilized against them, I’m very ready for Sebastian in Brighton to be doing everything short of wrapping Ciel in 19th century bubble wrap. I’ll frankly be shocked if he lets Ciel out of his sight for more than five minutes.
But the thing is. The thing is. Narratively, there isn’t much further you can ratchet up the stakes for Sebastian (at least until you get to the moment of truth with the contract and eating his soul, which is a different conversation). Ciel being put in danger or hurt again isn’t going to do all that much to alter their relationship at this point. Sebastian is already about as whipped as the poor guy can get.
What would be a change, is Ciel nearly losing Sebastian.
There’s been—for obvious reasons—much less risk and fear on that front. There has been some build for it:
Red Butler Arc, encountering reapers, Ciel sees Sebastian fight an enemy who can actually hold their own against him for the first time (and while I don’t think this is confirmed, I suspect Grell’s chainsaw eating his shoulder is the first time Ciel sees him get injured for real (as opposed to allowing himself to get shot and playing dead just for the sake of being a dramatic bitch))
Curry Arc, Agni successfully fights Sebastian to a tie (which is why I’m VERY interested to see if Soma turns back up in the Brighton arc as well, feat. angry Kali powers)
[The murder arc is a fake out, because Ciel knows he’s fine the whole time]
On the Campania, Ciel sees him get very badly injured. This is the one and only time Ciel has real cause to fear for Sebastian’s safety, as such.
And since then, while Sebastian isn’t quite untouchable, he hasn’t really suffered any serious injury or physical danger to himself. There have been defeats or fights that didn’t end perfectly for him—such as the school arc fight—but Sebastian hasn’t been existentially threatened. Ciel, I think, still has pretty high confidence that worst case scenario, Sebastian can always just pick him up and make a run for it (indeed, part of the reason things got so bad on the Campania was because they were trapped on a boat). And even if Sebastian couldn’t save him, Ciel—to the extent it’s even occurred to him—doesn’t have a lot of reason to think he couldn’t save himself.
This is now the second time Ciel has lost everything—his title, his name, his home, his safety, his dignity and respect. The first time was worse, obviously, but he’s got to be feeling the similarities.
The first time, Sebastian pulled him out of his despair by offering him the power to escape.
Now, the second time, he at least still has Sebastian by his side. A Sebastian who is going to be laser-focused on protecting Ciel from all possible threats.
But what happens if Ciel thinks he might lose Sebastian too?
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suna rintaro here. my girlfriend, y/n, is being distant today and i don't know why. let me tell you about what happened.
we were supposed to have our separate zooms with her on my lap, but she left to a different room near the very beginning. she tried to play it off with "i have a pop quiz and i need to focus. can't have my grade drop just because i can't focus on your lap with your zoom in the background," but we all know that that is absolute bs. she could've focused on my lap just fine, and we all know that failing a 10-point pop quiz from chiahara-sensei happens to the best of us. and if you're wondering, i am the best of the best.
then, after we both finished our annoyingly long 1.5 hour lectures, (well she claimed hers was in fact a 40-point pop quiz/test but it def wasn't) she refused to cook together. she said something like, "rin, you burned yourself last time, remember? go sit down," but that, too, is bs. yes, i spilled hot water on my sweats last time i tried to make pasta, but it was on my knee, so it wasn't like it was a big deal anyways. i don't know why she kept making excuses.
then, after we finished eating the meal she cooked without me, she had the audacity to get on a zoom call when i didn't have one. and after that terrible offense, she refused to sit on my lap for it AGAIN. she said that inuzuka-sensei was always more strict about what we wore in zooms, and i wouldn't get away with no shirt on like soma-sensei let me. when i told her that her body would block mine, she said that my chest and shoulders would still be perfectly visible. then, she guilted me by saying that she didn't want other girls to see my "perfectly toned abs," as she called them. AND THEN she had the impudence to TEASE ME and LIE TO ME by telling me my cheeks and ears were getting red! couldn't believe her.
then, after all our classes were over, she refused to cuddle with me because APPARENTLY her friend's sister a block down rolled and sprained her ankle, and that it was getting pretty bruised and swollen. she also added that her friend didn't have any advil or experience in injuries, and apparently she was asked to bring some advil, a compression bandage, and a couple ice packs. when i told her that her friend could just buy some and that she could get her own ice pack, she tried to get out of it by telling me that her friend's sister was only 5, was bawling her eyes out, refused to be left alone but also screamed louder when she was picked up, and that we also had a lot to spare because we have a ton of supplies in the closet because of my constant volleyball injuries. again, absolute bs. her friend could just go grab everything herself. what did it matter that the kid was crying? fuck kids! do you know how funny those youtube videos of kids getting hurt and crying are? people enjoy them for a reason. it's because kids are annoying as hell and it's fun to watch them get injured. im subscribed to like 10 of those kinds of channels. her friend is literally getting free entertainment and y/n obviously just wants to watch the free entertainment WITHOUT ME because she'd rather be with her stupid friend than me.
all in all, please help. i don't know why she's so distant today. is she mad? please give me tips!
@.su.rin post made at 4:16pm
comments: @.y/n.l/n: HELP WHAT IS THIS @.y/n.l/n: for the record i got an a+ on that so it was worth it @.y/n.l/n: love u always rin <333 @.su.rin: reply to @.y/n./l/n- ik that u hate me its ok
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seeingivy · 1 year
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speak now! 
satoru gojo x f! reader
in which you stop your best friend, satoru gojo, from marrying someone else - after realizing you had feelings for him while he’s standing at the altar
**part of my satoru as taylor swift songs series
as the party roared on inside, you found yourself with gojo, lying face up on the patio, staring up at the starry sky. your stomach was settling, still feeling slightly buzzed from the beer pong you played a few hours ago. as fun as geto’s parties were, you both found yourself needing a breather after having too much to drink. 
shoulder to shoulder, you could feel your heart thundering in your chest, your face warm. satoru’s fingers were tangled with yours, his cold fingers intertwined with your warm ones. 
“hey, marry me?” 
“shut up, you pervert” 
as you guys finished up your masters degrees, the pressure was rising on gojo to take over his father’s company. you couldn’t imagine this buffoon you had been best friends with since the start of undergrad really being responsible for anything important, let alone an entire technological empire. the two of you very recently found out that an addendum to taking over the company was marrying someone else in the industry, so as to maximize the profits that could come from a business deal like that. 
“we would make sexy babies.” he said, squeezing your hand hand in his, his eyes boring into yours. 
“objection. I could have sexy babies with anyone, gojo. plus, my empire of organic chemistry exams to grade will most definitely take your company to the next level.” you said, removing your hand from his. 
he’s quiet. you felt you went too far. while you and gojo had been friends for years now, his family showed a clear distaste for you and your line of work. you knew it wasn’t personal, since they weren’t big fans of geto either. plus, convincing gojo to raise megumi with you halfway through undergrad left a sour taste in their mouth. and geto was reckless in more ways than one, so you couldn’t really blame them. 
“do you think you’ll really do it, gojo?” you whispered. 
“maybe. but trust me, i’ll be thinking of you the entire time mama.” he says, winking at you. 
never serious. you punch him in the shoulder, rolling your eyes at his words. he blows you a kiss in response. 
“you really are a pervert.” 
“you have to barge in and stop the wedding, you know. confess your undying love for me” 
“for sure, gojo. it’ll be a big dramatic moment, tears flowing, full cheese and everything. about how it’s you and it’s always been you.” 
the two of you stare at each other before you burst out laughing into the night, your hands intertwining once again. you smiled over at him, silently wishing the two of you would be hand in hand, friends forever. 
“then we’ll get to work on those babies that night.” 
you slap him straight across the face. 
your feet were glued to the floor, fighting down the bile that was rising in your throat. 
“welcome to the wedding of satoru gojo and hina soma!”
  shoko walked up and laced her fingers through yours, with geto, nanami, and megumi slowly trailing behind you. her hand in yours and the presence of your three greatest friends would hopefully prove to be enough to get you through this wedding. 
at some point, though you’re not sure when, his cheesy pick up lines started to make your heart race. his willingness to come to your aid, to pick you back up when you were down, to back you when you needed him all added up to a hopeless, disgusting, big crush on him. you were sure if you could have the chance, you would love him, the real way. how you ended up in this mess, at his wedding to another girl, was lost to you entirely. he slipped away so fast. 
as the five of you headed towards the open bar, shoko, nanami, and geto greeted hina’s family, having met them at the rehearsal dinner in shoko’s backyard the night before. notably, you and megumi were not invited to the affair. in all honesty, you were shocked hina had even let the two of you come to the wedding. she shared gojo’s parents distaste for the unusual situation you and gojo had with megumi. 
you reached down to fix megumi’s tie, still horribly made from earlier. gojo was always better at this than you. as they all exchanged pleasantries. you tried to swallow the lump forming in your throat. he’s just getting married. keep it together.  
he promised he would still come around, promised you and megumi will always be his family. you, nanami, geto, and shoko would still be the people most important to him. that’s all that mattered. you held onto the thought, as you settled into the pews with megumi. 
megumi slides his hand in yours, effectively stopping the shaking in your hands. as more and more people moved to the pews, you could tell the wedding was about to start. you cursed gojo for picking shoko, nanami, and geto as part of his wedding party, wishing they were here to hold you down through the vows. 
gojo saunters in, looking nothing short of the perfect. his normally messy hair is styled, not a platinum hair out of place. his brilliant blue eyes were on display for once, with no sunglasses or bandana in sight. he feigned a serious look, nodding in acknowledgement to yaga, who was officiating the ceremony. as he takes his stance at the altar, the two of you make eye contact. 
you and megumi shoot him a smile, the two of you discreetly waving at him. he waves back, sticking his tongue out at megumi. megumi rolls his eyes in response, clearly annoyed by gojo’s unseriousness. as he turns to look at you, he shoots you a glittering smile, accompanied by a wink. 
“he has no shame. flirting with another woman at his literal wedding.” said megumi, fidgeting with his collar and slumping into his seat. 
you ignore the pounding in your chest, silently cursing the ache in your heart, trying to ignore the fact that this is the moment you’re letting him go. letting him get away. the music started up again, with hina flowing down the aisle, accompanied by her father. she looked beautiful, her fifty foot beaded train following behind her. as she joined gojo at the altar, he looked at her in acknowledgment, the gleaming smile from earlier absent. 
as yaga starts the ceremony, you can’t help but ruminate over the wink. of course gojo winked at you. in the most infuriating, gut-wrenching way, you loved it. it was so…gojo. of course he would do something stupid like that. 
you love him. you love satoru gojo and he’s marrying someone else. you fight the tears rising to your eyes, as yaga starts the ceremony. you feel megumi squeezing your hand, trying to ground you in the situation. 
how could you let this happen? when did it get this far? it was only yesterday you guys were drunk on a patio, giggling with your hands interlocked. could you still stop this? 
at that moment, yaga’s voice rose over the hall, the words ringing in your ears. 
“if you think this couple should not be joined together, for whatever reason, speak now or forever hold your peace.” 
speak now. speak now or forever hold your peace.
forever
speak now, y/n! 
you stand up, your hands shaking at your sides. the side of your face was still wet, the tears from earlier sticking to your face. you feel necks craning back to glance at you, horrified looks plastered on their faces. 
your eyes meet gojo’s, his blue eyes boring into yours as his hands disconnecting from hina’s to face you. you find your voice, fighting the shakiness overtaking your entire body. 
“i’m not the type of girl who…does this. i don’t usually barge in on white veil occasions. but you..” 
you look at gojo, the look on his face searching for something on yours. the moment on the patio flashes back, his words echoing back to you. 
“aren’t the type of boy who should be marrying the wrong girl.” 
you hear a commotion, people whispering and talking in their chairs. hina looks positively upset, her bridesmaids ready to kill. you look over, geto, nanami, and shoko who nod at you to go on.
“please don’t say yes. don’t say a single vow. i
love
you satoru.” you said, the tears streaming down your face, messing up the perfectly placed eyeliner shoko had done hours before. 
an outrage. people whispers turned into loud rage. gojo’s parents looked furious, rising up from their chairs to speak to him. 
“if you ever cared about me, in that way, then meet me. back door, satoru. I’ll be waiting.” 
and with that, you storm out. 
you sit on the roof, with your silver heels placed next to you. shoko’s backyard was decorated, the tables from the rehearsal dinner still in place from the night before. 
shortly after your big outburst, shoko and geto came out, with megumi in tow, saying the four of you should probably leave before people came to find you. he didn’t come. he wasn’t going to come. 
the four of you left in her car, megumi’s hand curled in yours as you silently cried the entire way home. 
weirdly enough now, looking at the sky gave you peace. you laid back, staring up at the sky, and ruminated on the moment. you spoke your truth, with the stars bearing witness, but to no avail. but now you can move forward. satoru gojo, who’s plagued your mind and your heart for the past six years, can finally be left behind. you close your eyes, banishing the thought of him from your mind. 
you dig your fingertips into your temples, trying to banish the headache left behind after you drained yourself of all your tears. you hear small footsteps on the roof, annoyed at the presence all together. 
“leave, shoko.” 
you shut your eyes closed. you can’t talk about this. not yet at least. 
“hey, marry me?” 
cold fingers intertwined with your warm ones. you turn over to see gojo, shocked at his appearance. his hair is unruly, his left cheek pink. he’s still in his wedding suit, but his tie is missing. you stare, unsure if your mind is playing tricks on you. 
you grab the side of his face, examining the pink mark on his cheek. you run your fingertips along the side and he winces at the contact.
“what happened, toru?” 
“hina..slapped me.” 
“oh, sorry.” you say, turning to face the left so he couldn’t see your cheeks burning with embarrassment. 
“not your fault. you weren’t the one who said you wouldn’t marry her.” 
you turn back, staring at his eyes. the gleaming smile from earlier has returned. he wouldn’t marry her. he didn’t marry her. he’s here, sitting next to you, and he didn’t marry her. 
“can i ask you a question, y/n?” 
you nod in response, your heart finding its way to your throat. 
“marry me?” 
you laugh, the tears springing straight to your eyes. you reach for his arms, burying yourself into the crook of his neck. the tears flow straight onto the collar of his shirt, your mascara smearing the crisp white collar. he laughs in response, running his hands through your hair. 
“y/n, they’re waiting.” he said, running his hand nervously on the back of his neck. 
he points at the backyard and you look down to find shoko, nanami, megumi, and geto smiling up at the two of you. nanami stands at the center of the flower set up, with megumi and geto on his left and right. shoko stands near the front of the backyard, a tiny makeshift bouquet she verly clearly pulled from the neighbors yard in her hands. 
you turn to satoru, his blue eyes staring into yours. you nod, a response to his earlier question and you follow him down to the yard. as he makes his way down the makeshift aisle, you link arms with shoko as she runs her fingers under your eyes. 
“you look like a racoon. why did you even wear mascara to that wedidng in the first place?”
she rolls her eyes and tears return once again. your feel your heart bursting with joy, unable to contain what was about to happen.. shoko curses your dramatics and walks you down her patchy backyard. 
as you reach the front of the altar (shoko’s grumpy neighbor’s fence), satoru reaches out, his fingers reaching for yours. as you look over, he looks better than before. his messy hair, sunglasses perched at the end of his nose - he looked nothing short of perfect. 
“we’re going to make sexy babies right after this” he whispers. 
nanami, shoko, geto, and megumi all groan at his vulgar words. as they all settle down, nanami starts the ceremony. 
“do you, satoru gojo, take f/n l/n to be your lawfully wedded wife?” said nanami
“there’s no way this can be counted as lawful.” 
satoru rolls his eyes, shooting a joking glare at geto. he turns back to you, squeezing your hands three times. 
“i do.” 
“and do you, f/n l/n take satoru gojo to be your lawfully wedded husband?” 
you gleam at him, squeezing his hands three times back. 
“i do.” 
gojo looks around, in confusion. he releases your hands and pats the pockets of his pants and shirt, looking for something. 
“um, was anyone able to find any rings?” said gojo, looking around. 
megumi looks up, two twisted berry blast ring pops in his fist. the two of you laugh, bending down to take the ring pops from him. you both plant a kiss on his cheek, much to his dismay. 
“perfect, gumi.” said gojo, unwrapping his ring. 
the two of you slide the ring pops on each other's ring fingers, sharing a kiss to seal your everlasting marriage. shoko and namami popped handheld streamers into the air, covering you and gojo in confetti. that was immediately followed by geto throwing a handful of rice at the two of you, convincing megumi to do it with him. he was not amused. 
as the four of them joined in on your hug, you felt yourself being squished into gojo, feeling his heart thumping in his chest. as they all separated, running inside to get the cake, you looked up at him, still clutched in his arms against his chest. 
“overcome with your undying love for me, mrs. gojo?” he said, smirking down at you. 
you roll your eyes, sticking your fingers into the side of his cheek.
“only because you were thinking of me the entire time” you whispered. 
the two of you laughed, your foreheads resting against each other. he leaned forward, his soft lips pressing against yours. your husband, lover, partner, from here on out. 
the satoru as taylor swift songs series masterlist
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mirai-e-jump · 2 months
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TV Guide & TV Life, March 2024 Issues ft. Bakuage Sentai Boonboomger Main Cast Member Interviews (translations below)
TV Life 3/15 Issue, Publication: February 28, 2024
Iuchi: When you first heard the title, "Bakuage Sentai Boonboomger," were you surprised?
Suzuki: I said, "Huh?" in response. I also said "Is that true?" (laughs).
Hayama: For sure, I kept wondering what it meant (laughs).
Iuchi: Did it mean "to cheer up" or "the sound of a car's engine"? I wondered which one "Boonboom" was, but it ended up being a double meaning for both.
Hayama: It seems that "Explosive (Bakuage)" also incorporates the staff's desire to make Super Sentai even more "bakuage" than ever before.
Suzuki: It's upbeat and outlandish in a good way, and leaves an impact.
Saito: Other than the title, I was also surprised by the visual impact of Boonboomger.
Soma: They have tires on their faces.
Saito: These forms have a past, nostalgic feel to them. The more you look at them, the cooler they get.
Soma: When I see them fighting, I get alot more attached to them.
Saito: I think they'll be easier for children to draw pictures of.
Soma: I want them to draw alot.
Iuchi: Genba's hairstyle too. All you have to do is go around in circles a bunch.
Soma: No, no! My hair isn't yakisoba! (laughs).
Iuchi: When I was a kid, I liked miniature cars and played with them alot. However, I never really knew how cars were made. Taiya in particular is a master of development and modification, so I first made sure that I knew about cars, and then I'll try to make him look mature and calm as I play him.
Hayama: What I'm most conscious of, is being cool. I was told that "Red" and "Blue" have always appeared in every Super Sentai production. When I heard that, I felt more responsible. I want children to think that Boonboomger is cool even after they grow up. Especially since Ishiro is the coolest of cool, I try to be like that in the way he stands, and even in the way he speaks.
Suzuki: Mira is a bright, energetic, and innocent kid who enjoys everything. I try to be like Mira from the moment I enter the set. I also try to express myself clearly so that the viewers can understand what kind of emotions Mira is feeling when she speaks and moves.
Saito: Since Jou's a police officer, I started by researching the profession. I watched alot of footage and close up interviews at police academies and learned what it was like to be a police officer. While maintaining the seriousness of a police officer that I felt, at the same time, I want to show him as the cheerful and lively Jou that's eccentric when he needs to be.
Iuchi: Also, the angle of his salute.
Saito: Yeah. I'm careful about that too.
Iuchi: When I imitated it alittle, he said, "It's wrong!" (laughs).
Saito: There's a proper way of doing it. Such as it being with your right hand, not left.
Soma: Genba's rather mysterious and doesn't show his true feelings. He's a unique character that hasn't been seen before, so I try to play him freely without being restrained by anything. I try not to make it too elaborate. I think it'll make it feel more "Genba like."
Iuchi: All five of them are unique. Let's "bakuage" through the whole year so that as many people as possible can enjoy it! _
How would you describe yourself in terms of "Explosive(ly) XX"?
Iuchi Haruhi is: Explosively Stubborn It's fine to be particular, but I've been reminded to listen to the opinions of those around me. I think I've gotten alittle better at this compared to in the past. However, I'm still stubborn in some areas.
Hayama Yuki has: Explosively Long Legs All the small, medium and large sized pants at clothing stores are so long that they don't fit. I thought it was fine, since Ishiro often crosses his legs, which makes him stand out. I'm also prideful (laughs).
Suzuki Miu is: The Explosive Mother Everyone calls me "Mother" on set. This is because I'm the one who arranges everyone's shoes and puts away our lunch boxes. I'm Boonboomger's mama (laughs).
Saito Ryu is: Explosively Extreme I take what I like to do seriously, but I never do anything that I don't want to do. I'm either at 0 or 100. That's why I'm serious in some strange ways (laughs).
Soma Satoru is: Explosively Fun I love anything that's fun, and I like to enjoy everything, whether it's having fun at work or in my private life. I try to keep my spirits as high as possible.
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TV Guide 3/8 Issue, Publication: February 28, 2024
Iuchi: When I heard that I was going to be apart of the Super Sentai series, my mind went completely blank. The first time I really felt it was at the introduction meeting. When I saw the documents on the desk, I thought, "Ah, so this isn't a joke" (laughs).
Hayama: Ever since I started acting, it's been my dream to be apart of the Super Sentai series, and this was the third time I auditioned for a role. I felt like I had taken the baton from the blue's of "Avataro Sentai Donbrothers" and "Ohsama Sentai King-Ohger", both of whom I know very well. If I was going to do it, I wanted to be blue, so when the decision was made, I immediately asked, "Which color?" and was very happy when they said blue.
Suzuki: I went to the audition thinking, "I'm definitely going to be picked," but when I was finally chosen, I felt a great sense of responsibility and pressure. I strongly felt that since my name would be etched into this historic series, I had to be prepared to take on the challenge.
Saito: I've admired heroes since I was a kid, and I entered the entertainment industry to be apart of the Super Sentai series, so I was very happy when I was chosen. When I put the suit on at costume fitting, I realized that I could finally become a real hero.
Suzuki: You say you entered the entertainment industry because of the Super Sentai series, but what will you do when this is over?
All: Are you going to disappear? (laughs)
Saito: No, the Super Sentai series was just my first goal.
Suzuki: It's a production you absolutely had to do. I'm glad (laughs).
Soma: I've had multiple auditions for the Super Sentai series, but this time I was chosen, so I was very happy. Just like Miu-chan said, I felt pressure behind this happiness. But, on the other hand, I hope to enjoy the pressure and do my best together with my wonderful friends.
Saito: Many of the recent Super Sentai's have a flashy look to them, but Boonboomger has an old fashioned coolness, it's as if, in a good way, we're back in the Showa era. It's very appealing.
Suzuki: Ryu-kun, you're always mentioning the names of various Super Sentai series.
Soma: He's the most knowledgeable out of all of us. He's the Sentai master! (laughs).
Saito: I'm from the "Engine Sentai Go-onger" generation, but thanks to the influence of my sister and mother, I've also seen some of the older ones.
Suzuki: When I heard the title, I thought it was an interesting one, but at the same time, I thought it would be an uplifting and upbeat work.
Iuchi: I'm very happy that I'll be involved in the memories of today's children through this production.
Soma: I think it's a production that focuses mainly on smaller children, so I hope alot of children will watch it.
Hayama: I didn't play with toy cars that much as a kid, but even I think it's cool to see singers turned actors appearing in dramas. Cars are a theme that's easily understood by smaller children, so I feel explosive (bakuage) every day when playing the role (laughs). _
Q: What's the moment when your mood explodes?
Iuchi: I like to write lyrics and compose music with my guitar as a hobby. When I think things like, "I've got the chorus" or, "I've finished a whole song," I feel an explosive sense of accomplishment. But, I haven't let people listen to it…(*The other members then say, "We want to listen to it!"), Well then, I'll play it for you sometime over the next year.
Hayama: I like to appreciate music as an art form, and I'll use music apps to play music randomly by genre depending on my mood. During that time, if I happen to land on a song that I like, at that moment, my mood rises dramatically.
Suzuki: I have the biggest blast when I eat ramen! I really like noodles, but I especially love ramen. Even when I'm exhausted after filming all day long, I've still got energy after eating some ramen. Truthfully, I post the ramen I eat on a secret account with zero followers that no one sees. I write my impressions of what I eat for my own record.
Saito: I like to do muscle training, and I get excited about it. I get more excited when I can actually see my muscles growing after my workout is over, rather than during it. I'll look in the mirror and be like, "Nice~ My muscles are growing~" (laughs).
Soma: I'm from Shizuoka, where I used to play soccer, so the moment I kick a ball is the best moment for me. When I'm playing soccer, I get the biggest rush out of it when I get to play the way I want to play and when punting the ball. It's a great feeling. I put all my stress into the ball…but, I don't have that much stress, so my plays are weak (laughs).
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heartsoji · 1 year
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suna rintaro here. my girlfriend, y/n, is being distant today and i don't know why. let me tell you about what happened.
we were supposed to have our separate zooms with her on my lap, but she left to a different room near the very beginning. she tried to play it off with "i have a pop quiz and i need to focus. can't have my grade drop just because i can't focus on your lap with your zoom in the background," but we all know that that is absolute bs. she could've focused on my lap just fine, and we all know that failing a 10-point pop quiz from chiahara-sensei happens to the best of us. and if you're wondering, i am the best of the best.
then, after we both finished our annoyingly long 1.5 hour lectures, (well she claimed hers was in fact a 40-point pop quiz/test but it def wasn't) she refused to cook together. she said something like, "rin, you burned yourself last time, remember? go sit down," but that, too, is bs. yes, i spilled hot water on my sweats last time i tried to make pasta, but it was on my knee, so it wasn't like it was a big deal anyways. i don't know why she kept making excuses.
then, after we finished eating the meal she cooked without me, she had the audacity to get on a zoom call when i didn't have one. and after that terrible offense, she refused to sit on my lap for it AGAIN. she said that inuzuka-sensei was always more strict about what we wore in zooms, and i wouldn't get away with no shirt on like soma-sensei let me. when i told her that her body would block mine, she said that my chest and shoulders would still be perfectly visible. then, she guilted me by saying that she didn't want other girls to see my "perfectly toned abs," as she called them. AND THEN she had the impudence to TEASE ME and LIE TO ME by telling me my cheeks and ears were getting red! couldn't believe her.
then, after all our classes were over, she refused to cuddle with me because APPARENTLY her friend's sister a block down rolled and sprained her ankle, and that it was getting pretty bruised and swollen. she also added that her friend didn't have any advil or experience in injuries, and apparently she was asked to bring some advil, a compression bandage, and a couple ice packs. when i told her that her friend could just buy some and that she could get her own ice pack, she tried to get out of it by telling me that her friend's sister was only 5, was bawling her eyes out, refused to be left alone but also screamed louder when she was picked up, and that we also had a lot to spare because we have a ton of supplies in the closet because of my constant volleyball injuries. again, absolute bs. her friend could just go grab everything herself. what did it matter that the kid was crying? fuck kids! do you know how funny those youtube videos of kids getting hurt and crying are? people enjoy them for a reason. it's because kids are annoying as hell and it's fun to watch them get injured. im subscribed to like 10 of those kinds of channels. her friend is literally getting free entertainment and y/n obviously just wants to watch the free entertainment WITHOUT ME because she'd rather be with her stupid friend than me.
all in all, please help. i don't know why she's so distant today. is she mad? please give me tips!
@.su.rin post made at 4:16pm
comments: @.y/n.l/n: HELP WHAT IS THIS @.y/n.l/n: for the record i got an a+ on that so it was worth it @.y/n.l/n: love u always rin <333 @.su.rin: reply to @.y/n./l/n- ik that u hate me its ok
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science-lover33 · 8 months
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Unraveling the Wonders of the Neuron and Brain (Part 1)
Hey there, Tumblr fam! Today, let's dive deep into the intricate world of neurons and the brain. 🧠✨
Anatomy of a Neuron
Neurons are the building blocks of the nervous system, responsible for transmitting information throughout your body. They have a unique structure, consisting of three main parts:
Cell Body (Soma): This is like the neuron's control center. It contains the nucleus, which houses the cell's DNA and controls its activities.
Dendrites: These branch-like extensions protruding from the cell body are the neuron's antennae. They receive signals from other neurons or sensory receptors, transmitting these signals to the cell body.
Axon: Think of the axon as the neuron's transmission line. It's a long, slender, cable-like structure that carries signals away from the cell body, toward other neurons or target cells.
At the end of the axon, you'll find axon terminals, where neurotransmitters are released to communicate with the next neuron or target cell.
Physiology of a Neuron
Neurons are all about transmitting information through electrical impulses and chemical signals. Here's a quick rundown:
Resting Membrane Potential: Neurons have a resting state where the inside is negatively charged compared to the outside due to the uneven distribution of ions (like sodium and potassium) across the cell membrane. This creates a potential difference called the resting membrane potential.
Action Potential: When a neuron receives a strong enough signal (usually from dendrites), it can generate an action potential—a rapid change in membrane potential. This electrical signal travels down the axon like a wave.
Synaptic Transmission: When the action potential reaches the axon terminals, it triggers the release of neurotransmitters into the synapse, the tiny gap between neurons. These chemicals bind to receptors on the next neuron, initiating a new electrical signal.
The Marvelous Brain
Now, let's shift our focus to the brain—the command center of your entire nervous system. 🌟
Your brain consists of various regions, each with specific functions. Here are a few key areas:
Cerebrum: This is the largest part and is divided into two hemispheres, each responsible for various cognitive functions like thinking, memory, and sensory perception.
Cerebellum: Located at the back of your brain, it plays a crucial role in balance, coordination, and fine motor skills.
Brainstem: Situated at the base of the brain, it controls basic life-sustaining functions like breathing and heart rate.
Hippocampus: Essential for memory formation and storage.
Amygdala: Involved in processing emotions and emotional memories.
And there's so much more to explore!
References:
Bear, M. F., Connors, B. W., & Paradiso, M. A. (2016). "Neuroscience: Exploring the Brain." Lippincott Williams & Wilkins.
Purves, D., et al. (2017). "Neuroscience." Sinauer Associates, Inc.
Kandel, E. R., Schwartz, J. H., & Jessell, T. M. (2012). "Principles of Neural Science." McGraw-Hill Education.
These references will provide you with in-depth insights into the fascinating world of neurons and the brain. Remember, your brain is a universe waiting to be explored! 🌌💡🔬
Stay curious, Tumblr pals! 😊🧠
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catsofcalifornia · 1 month
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Seiko and Soma from Baja Animal Sanctuary in Vista, California
Click here for more information about adoption and other ways to help!
Click here for a link to Baja Animal Sanctuary's main website.
Seiko is a sweet cat, but he is a little shy, so he needs a patient family who will let him bloom at his own pace. He has the greenest emerald eyes you will ever see on a cat. He loves playing with laser lights and dangly toys.
Soma is a sweet cat, but she is a work of art. She needs a patient family who will let her bloom at her own pace. She loves playing with laser lights and dangly toys. She is best friends with her brother Seiko.
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bluelocksource · 10 days
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Kiyora Jin’s trivia
☆ Birthday: 31st August.
☆ Current age: 17 (2nd year high schooler).
☆ Zodiac: Virgo.
☆ Birthplace: Fukuoka Prefecture.
☆ Family structure: Father, mother, older brother, himself, younger brother.
☆ Current height: 165 cm.
☆ Foot size: 26 cm.
☆ Dominant foot: Right foot.
☆ Blood type: A.
☆ Motto: Sharpen your blade, prepare for battle.
☆ Starts playing football: At age 2. “Before I knew it, I was playing soccer with my big brother.”
☆ Team before joining BLUE LOCK: Murasame High School Soccer Club.
☆ Image color: Peacock blue.
☆ Hobby: Breakdancing. "Let's breakdance with me".
☆ Favorite food: Candied grapes (budō ame). "I got addicted to its crunchy texture and juiciness."
☆ Favorite animal: Peacocks. "The difference between the moment they closes and opens their feathers are amazing."
☆ Favorite football player: Yuki Soma.
☆ Favorite movie: Fight Club. "Passionate film directing. Clever composition."
☆ What makes him happy: Provocation "The thought of me crushing someone gets me excited."
☆ What makes him upset: Atrophy. "This is what makes me lose strength. Don't freak out, you pigs."
note: i want to apologize in advance for any mistake made in the translation!
source: twt & vol. 26
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gatheringbones · 1 year
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[“A reminder I find helpful is that trauma, especially developmental trauma, often shapes our thinking into this polarity, this all/nothing, pink/blue, man/woman. When I view the rigidity of this binary through this lens, I can also be more compassionate towards myself and others when we get caught in its net.
All/nothing patterns are tough to break out of, after all. We can notice the rigidity of the gender binary in a range of ways: the gendering of chromosomes, body parts, behaviors, mannerisms, clothing, emotions, toys, experiences, and so on. All/nothing thinking patterns are those that view duality as the only option. For example: you are male or female, good or bad, with us or against us. Given that we live in a cloud of historical, intergenerational, cultural and social trauma when it comes to gender, it makes sense that we have internalized much of this thinking.
In fact, even when we get away from binary ideas of gender, we might still engage in all/nothing thinking patterns, if we are not careful. For example, some young people who identify as trans and/or nonbinary have internalized such a deep need to police gender that they might be afraid of being viewed as “trans trenders” (that is people who think they are trans because it’s “trendy”). Within this paradigm, you are trans or not (another all/nothing pattern). There is no exploring, playing or considering; there is simply, you are or you are not. Some trans and cis people alike question the validity of nonbinary genders, and then other trans and/or nonbinary people turn around and talk about “truscum,” that is, those trans people who align with a medicalized and pathologizing model of gender and believe that dysphoria is an essential trait for some people.
All/nothing patterns are insidious and, if we are not careful, we tend to reproduce the same discourses that oppressed us, creating and recreating boundaries around gender identities and experiences to make sure we know who is “in” and who is “out,” who is “with us” and who is “against us.” While these patterns are understandable, when people are hurt, in survival mode and trying to protect themselves, this is not conducive to healing or liberation. As long as there is policing of gender, any gender, there cannot truly be liberation. This is a really tough one for many of us who have been hurt by rigid gender binaries, and who might have come to our identities through hardship, risk and loss. It is so tempting to feel that now that we are “in,” whichever label, identity or experience that “in” might be, we get to police others and make sure that “fakers” and “trenders” are kept out.
We are simply afraid. Afraid that if we let anyone in who is not 100 percent certain, or in agreement with us, or just like us, we might get hurt. We are afraid that whatever we have built will be blown away. It is understandable. It is what everyone is afraid of. Trauma keeps us afraid of one another. Colonial and patriarchal ways of thinking divide us, and seduce us into believing that, if we behave in certain ways, we too could have power over our little domain, whatever that domain might be. However, these are all lies, lies that trauma tells us and that oppression thrives on. These dualities of Men are from Mars and Women from Venus, cis women against trans women, sex workers versus SWERFs (sex worker exclusive radical feminists) are all deeply rooted in historical, cultural and social trauma.
How can we, then, find another way? The idea of another way is key. If polarities are foundational to all/nothing patterns, our way to liberation can only be found in a third road. Building and nurturing flexibility in our individual and collective soma (bodies) is therefore key. Practicing saying and noticing the maybe, the pause between breathing in and breathing out, reflection, curiosity, slow, kind and consensual relationships are key to healing. We cannot heal from gendered trauma when we are still caught in rigid polarities, still invested in finding a perpetrator or savior so that we can stay in a victim place. Or so invested in being the irredeemable perpetrator that there is no hope for us. Once more, it starts with us, our own gender journey and dismantling internalized polarities first.
Once we engage with this work, we can then support those around us—be they clients, students, fellow community members and communities—to challenge those polarities within themselves and one another. This might all seem very idealistic, and it is. I truly believe we cannot move towards healing through violence. If we are to heal from gendered trauma it has to be through relationships: human, messy, complicated, infuriating, joyful, loving relationships. We cannot be in relationship when we are in opposition. We can be in a tug of war, push and pull at one another but, as long as we stay locked into these patterns, we can only view ourselves as victors and losers. In the meantime, the only victors seem to be systems of oppression.”]
alex iantaffi, from gender trauma: healing cultural, social, and historical gendered trauma, 2020
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