#ok boys put that down for another joke comic i put far to much effort into | Explore Tumblr Posts and Blogs

heart-eye-harrington · 4 years

Text

gwen stacy

Summary: Steve always hated how Spider-Man couldn’t save Gwen Stacy, but what will he do differently when put in the same situation?

Word count: 6.3k

Warnings: Mild swearing, brief mentions of blood/injury, my not 100% accurate retelling of Spider-Man lure

A/N: Hi! I’ve loved this concept for so long that I really wanted to write it! It’s a bit lengthy but didn’t feel right to break it up. Let me know what you think! okay hope you have a good day, i love youuuuuuuu

⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆★⋆

Peter Parker - the nerdy wallflower with a heart of gold. Greatness was thrust upon poor Peter when he was bitten by that radioactive spider. But what did he do with this greatness? Did he use it for his own benefit? No. He used his powers to help others, to protect the neighborhood, to look out for the little guy. He fought the evil in the world as one of the greatest heroes of all, but came home and was back to reality as plain Peter Parker again. There was still a boy under the mask; and a girl who loved him, with and without it on. He’d save the city, save civilians, and he’d save the girl; consistently proving that good would overcome evil and be rewarded. But that wasn’t always the case in life, even for Spider-Man. The fight started like many others, the bad guy had taken Spider-Man’s girlfriend and put her in the middle of the fight to slow Spider-Man’s attacks and distract him. Both powers found themselves falling into the routine brawl, until Green Goblin pushed Gwen Stacy from the top of the Brooklyn Bridge. Spider-Man shot a web in a desperate attempt to save her from the fall. Despite his efforts, she died, snapping her neck from the sudden shock. A deafening snap heard, dashing all hopes of her survival. Good had lost. Peter lost his first true love. Gwen was gone despite it all.

The story of Gwen Stacy always infuriated Steve. When he was young and read the comic he was baffled. How could Spider-Man let that happen? He could save everyone and still lose one of the most important people in his life. It just wasn’t fair. Steve swore he would never let that happen to him, he would fight harder than anyone, even Spider-Man, for those he loved.

As he got older, the childhood vow drifted to the back of his head. King Steve took its place. Basketball, girls, and kegs took its place. He was your average teen, prioritizing what you think will help you fit in and make you likable.

His vow resurfaced when he found Nancy at the Byer’s house that November night. Carol and Tommy struck a match when they struck a nerve.

Tommy tossed him a coke, letting him knew he owed him a buck fifty. Steve scoffed, because of course Tommy couldn’t just get him something without having to pay him back. Steve places the can to his injured eye, savoring the cool on his skin. The thumping in his head disappears for just a moment before being replaced with another, Carol and Tommy’s cruel jokes. Normally Steve would nod and laugh along, but this time something felt different. He really listened this time, to their claims that Jonathan killed his brother, that Nancy was a slut, and it just rubbed him the wrong way. It was as if they held a match, and he was the striker paper. They had rubbed so many times but this was the moment the match caught aflame.

“Carol, for one in your life can you shut your damn mouth?” Steve was shocked at the ease of his outburst, but not ashamed of it. It felt like a weight lifted off his shoulders. It felt good to get them to stop for once.

“Hey, what’s your problem man?” Tommy demanded, he and Carol both taken aback at his sudden opposition. But the fire was burning and Steve had no intention of extinguishing it.

“You’re both assholes, that’s my problem.” He saw he had befriended the heartless villains he swore to defeat, and worse, allowed himself to fall under their influences. He had to get as far away from them as possible and get back to the good in his life. He realized he needed to fight for good again, and that meant fixing his screw up with Nancy. She might be his Gwen Stacy, and he couldn’t sit back and watch as she slipped through his fingers. He messed up, and had to make things right. So he hopped in his car and sped off to his first crime of the day. After a few hours of scrubbing the paint on the marquee and volunteering to help with other odd jobs at the theatre, he sank into the driver’s seat and sighed. He knew what his next step needed to be, but just because you have a plan doesn’t make it easy. He turned the key, flicked on his headlights and headed to the Byer’s house. Tommy’s words echoing in his head, fueling the fire.

“That’s right! Run away Stevie boy! Run away! Just like you always do! That’s right Harrington!

Run away!”

While Carol and Tommy may have struck the match, seeing the flickering lights inside the Byer’s house poured gasoline on the small fire in him. It burned through and melted the hard outer shell he had developed, and exposed the hero his younger self always thought he was inside. The brave boy who fought to protect those he loved. He ran into the house and helped Nancy and Jonathan. After that night, he became his very own Spider-Man.

Time passed, but that night stayed with him. He kept his younger self in his mind more prominently. He did his best to be the best boyfriend he could be to Nancy, because that’s what she deserved. He did what he could for her, helping her with Barb and reminding her that none of what happened was her fault. Despite his best efforts, she slipped out of his grasp. Maybe it was all bullshit, but damn if he wouldn’t fight for her. He did fight, but not how he imagined. He had to grab his bat again and battle extra-dimensional creatures to protect kids he barely knew. He had a responsibility to protect them, something he quickly accepted and even embraced. He was their hero, fighting the monsters and evil. But, a reward didn’t come in the end. Nancy wasn’t his. He realized she never truly was. It took a while, but he accepted it, came to terms that his first love may have never loved him back, but that’s ok. She’s happy now and that’s all he could wish for her. With the gate to the Upside Down closed, his hero mask was hung up and bat hidden behind old clothes in his closet. Life went on. He graduated high school and got a summer job. Scoops Ahoy wasn’t a part of his ideal hero’s journey, but it paid the bills.

🕸

The last few cords of Queen’s Radio Gaga flow through the summer air before Steve turns the key, turning off his car. His chest rises and dramatically falls for no one but himself to see. He mustered up his energy before stepping out of his car. He blinked in the summer sunshine, taking a moment to enjoy how it warms his skin before being trapped in a prison of florescent lights for the next few hours. He drags his feet the entirety of the parking lot before reaching the doors. He adjusts the bag on his back containing his stupid sailor outfit as he makes his way to Scoops. He enters the ice cream parlor and heads to the back room. Just as he’s about to reach the door, it slams open in his face. Pain rushes to his nose and he’s doubled over, clutching it as a few choice words fall from his lips. The open door reveals you, grasping your own face in shock. You kneel down beside Steve, one hand delicately on his shoulder, not sure exactly what to do but wanting to comfort and help him.

“Oh my God I am so sorry!” your voice coming across breathless in your startled state. Steve lifts his head just enough to let his eyes catch yours. There’s a moment of silence where you’re searching each other’s faces. Something washes over you, but you weren’t sure what it was yet. He sees your worry and distress and can’t help but feel sorry for you.

“Hey, don’t worry about it. I’ve been knocked in the head so many times, this is nothing.” he chuckles, but his words didn’t put your guilt at ease.

“Please, let me help you. I know first aid.” Steve can’t find himself to say no, letting you guide him into the backroom to fuss over him. You lead him to the small table, guiding him to sit. As soon as you’re satisfied that he’s comfortable, you turn your back and scramble to get the supplies for his bleeding and probably bruised nose. He didn’t need to be coddled his much, but part of him enjoyed it. A small smile sneaks onto his face as you run a cloth under cold water, the first-aid kit tucked under your arm. You pull up a seat next to him, a serious and concerned look in your eyes. You lightly remove his hand from his nose and place a hand under his chin, turning his head better assessing the damage.

“Do you feel any blood going down your throat?”

“No”

“Good. Then it’s only an anterior bleed. Posterior bleeds are typical for people who have had head injuries in the past and are a bit more serious. I was worried after you said you’ve gotten hit a few times in the past. I’m just gonna put the cold cloth over your nose, can you pinch it? You should be fine after about 10 minutes” You eyes examine his face to see if he understands, and can’t help but blush at sudden realization at how close you are.

“You weren’t kidding when you said you’re trained in first aid” his laugh is a bit nasally considering his plugged nose, causing your laugh to shake your chest a bit harder.

“What can I say? I thought it would be good with all the babysitting I did. But the kid I watched doesn’t need a sitter anymore, so here I can scooping ice cream.”

“Well, I guess this is one way to be introduced to your co-worker”

“What can I say? I make a strong first impression.” You chuckle, but it’s short-lived as guilt pools in your gut. “Sorry ‘bout that.”

“Look, it’s fine, you fixed me up. So, what’s my nurse’s name so I may properly thank them?” He extends his free hand, an olive branch. A playful smirk plays your lips, giving him your name and a proper handshake.

From that moment on, there was an unspoken bond between the two of you, and you looked out for one another. Steve felt a sense of protectiveness over you, to make sure you were ok. It was always little things like making sure you took your breaks, shooting mean looks at creepy customers, or slipping you a banana when he knew you hadn’t eaten in a while. You’d do the same for him, telling Robin to give him a break after an exceptionally terrible attempt at getting a date or packing doubles of your lunch for him after seeing him eat smushed PB & J’s for the millionth time in a row.

“Aww, did your mommy pack you apple slices? How cute.” Robin’s joking condescending tone brought a grin to both her and Steve’s faces.

“No, they did.” He gestures to the counter where you stood scooping ice cream while your coworkers took a quick break. It was slow, so you volunteered to ‘man the ship’ so Steve and Robin could sit in the back room. They both peered at you through the crack Steve left in the sliding window. You were patiently listening to a little girl stumble through her order, sending her reassuring nods and smiles. You radiate positive energy like the sun, washing everything you touched in a warm light. Even from the brief interaction little girl felt it, Robin felt it, but Steve felt it most of all. The simplest actions would cause warmth to spread through his chest, occasionally rising to his checks if he thought about it too much.

“Earth to Romeo, you’re staring” Robin’s words pull Steve from his trace, the familiar warmth amplified by her words. He ducks his head in a vain attempt to hide it, but he knows nothing gets past Robin. She glances back to you, oblivious to the situation happening behind you. She shakes her head and chuckles, deciding it would be more fun to watch the former king of Hawkins fumble over a girl than call him out. So she simply stands, giving him a small pat on the shoulder on her way out the swinging door open to join you at the counter. She gives you a hip bump, drawing a laugh, and sending Steve back into his trance.

“So, how’s the ship sailor?”

“She’s in tip-top shape captain,” you tell Robin, saluting her and sending the two of you into giggles. You take a second to relish the moment. You would have never thought a summer job would give you two of your best friends. You’ve never laughed as hard as you did when at the ice cream parlor. You’re drawn from your thought when the bell on the counter rings. You turn to see three young teens staring intently at you.

“Is Steve here?” the boy with black hair and pale skin asks.

“He’s in the back on break. You guys ok?” you ask, seeing the discomfort on the youngest’s face

“Will scrapped his knee on the bike ride over and we just need a band-aid” the third boy, who you later learned was named Lucas responded, pointing to the youngest boy, whose name you learned was Will.

“I can help you out! Come on.” You gesture for the three to follow you into the break room. You get Will to sit, and you squat before him and examine the injury. It doesn’t look bad at all, but there’s probably some dirt in the scrape. Your eyebrows knit together as you think of what to do, making sure to wipe them away before meeting Will’s eyes.

“I’m gonna get some hydrogen peroxide, just be sure it’s clean. We’ll get a band-aid on it and you’ll be good as gold.” Will’s expression relaxes from your comforting words. You rub his arm before going to grab the first aid kit. You hear Steve making small talk with the boys, asking them about what they’ve been up to and when Dustin will be back from camp. You feel your heart flutter at the tone the boys use, all so comfortable with each other. Hearing how good Steve is with them almost makes you sigh with joy. You turn back to Will, supplies in hand. You make sure you’re quick with your work, knowing the hydrogen peroxide doesn’t exactly tickle. Smoothing out the band-aid on his knee, you give a content exhale at your handiwork.

“There, all better. But you know what makes everything better? Ice cream! You guys want some?” the three teens cheer, which you take as a yes. You share a look with Steve, neither able to deny the joy they boys spread. You bring them to the front, give them their orders, with a little extra for Will, and send them on their way. You smile to yourself seeing the three joke around, and can’t help but wonder what adventures they’d get into. Little did you know you were about to be sucked into an adventure of your own.

“TOUCH MY BUTT I DON’T CARE!!!”

“Uh, Robin? What’s doing on?” You timidly ask, taking slow steps into the backroom.

“I’m gone for two days and suddenly this is happening?” you gesture to Steve pushing a kid’s butt into the air vent.

“Yeah, it’s a long story” Robin chuckles and her eyes remain glued on the scene playing out in front of her.

After Steve and the boy, who introduces himself as Dustin, get down from the vent, the trio fills you in on what happened.

“You guys are crazy. Really? Russians in Hawkins? Why?” You cross your arms in disbelief. Do they really think you’re that gullible? Well, apparently you are.

“We don’t know, but we have to find out,” Dustin explains. You lean back, curiosity getting the best of you. Here goes nothing.

“Ok, I’m in. What’s the plan?” you lock eyes with Steve, sending him a small nod. That’s the moment the seed of doubt was planted in his mind. Deja vu flooded through his veins, making this body tingle. He had no idea how big this thing was. What is there really were evil Russians? What if people got hurt? What could he do to keep people safe? He wasn’t sure, but he knew he was willing to do whatever it takes to make sure you all made it out okay.

He kept his vow the best he could. When trapped in the elevator, he stayed up all night trying to find a way out. He lead the group around the base, making sure he was in front, the first line of defense. Seeing the guard in the communications room sent him into overdrive, charging and taking him out. He cleared as many obstacles as he could to leave a clear path for you all to follow. He did all he could until he was cornered.

The Russians banged on the door after chasing the group into a room. He screamed for the kids to run, to just go. In his efforts to save the kids he forgot about you and Robin beside him holding the door. It all happened so fast. The floorboard closed atop Dustin and the door behind him flew opened, pushing him, Robin, and you to the floor. That’s when time stood still. His breath hitched in this throat as his hands came up in surrender. The guards took you first, kicking and screaming in a last-ditch attempt to break free. When you turn to see your coworkers, tears streaming down your face, your gaze holds Steve’s in a vice grip. His heart shatters at the fear in your eyes and worse, the pleading. Before he can react, the metal door closes with a deafening thud.

He’s taken next, and the interrogation is hell. Yeah, the punches hurt, but they replaced the ache in his chest with another. He took it all he could until he couldn’t, succumbing to the pain. When he finally came back to, he hears Robin’s yelling and feels the vibrations from behind him. He only has the energy to stare at his lap, before he sees a yellow sneaker out of the corner of his eye. A familiar warmth fills his chest, the same one he felt anytime he saw them. They carried you throughout the store, often skipping or dancing to the beat of whatever song you had stuck in your head that day. He musters up whatever strength he has to follow the line of your body. There you are, eyes closed and body sprawled on the floor. Fear flashes through him until he sees your chest slowly rise and fall. You look unharmed, further comforting him. He didn’t fail. You were all still safe. The relief wasn’t long-lived, as a familiar fire made a home in Steve’s chest. He was going to fight tooth and nail to make sure you all made it out, he couldn’t lose anyone.

Erica and Dustin were able to rescue the three of you and get you out of the base. They sat you three in a movie while they got help. Steve and Robin went to get water while you stayed in the movie, too freaked out to leave. You rejoined the group when the movie was over, eager to leave Star Court. Your dreams were dashed when you saw the Russians checking the moviegoers. Steve’s first reaction is to grab your hand, dragging you out of your daze and away from the evil. You stumble over your own feet as you run, still not fully aware of what’s going on. It wasn’t until you saw their guns that the panic made its way to your legs, carrying you faster and closer to Steve. The five of you hide under the counter of Great Cookie, ragged breathing echoing in your ears. You wrap your arms around Steve’s bicep, clinging to him and burying your face in his shoulder, desperate for any comfort he can provide. You focus on his breathing, familiar scent of hairspray, vanilla and cologne, and the comforting heat of his skin. His free hand comes up to clutch your head, doing whatever he can to keep you close to him. The steps get closer and you squeeze your eyes shut, bracing for the worst. But it never comes. A loud honking and the crunching of metal filled the air instead of bullets. You lift your head to share a puzzled and relieved look with Steve. You take a moment to enjoy the closeness before turning to look above him, only to find find a group on the balcony. You recognize some of the faces, but not all.

While the drugs had worn off, you still felt like your head was whirling when you learned a girl flipped a car with her mind. The group obviously knew more than you did and you did your best to quickly absorb as much information as you could. In your whirlwind, you notice El stumble away from the group. You begin to follow her as she covers her ears.

“Hey, are you ok?” the second the question leaves your lips, she hits the floor. The group all turn their attention to her and you run to comfort her. You reach her first, kneeling beside her and fanning her face.

“My leg, my leg” she whimpers, pain evident in every muscle of her body. Someone unwraps the makeshift binding on her leg to reveal what looks to be an infected cut. Your suspicions are beyond confirmed when something begins moving under her skin. Training kicking in, you know what has to be done.

“Hey, someone grab a knife from the Chinese restaurant and heat it up to disinfect it. Grab something for her to bite. Get gloves too! Quick, please!” You do your best to remain calm for the girl, but need to relay the urgency everyone knows is needed. After seeing Jonathan run in the direction, you turn back to El.

“Hey, everything’s gonna be fine. You’re doing good. Just keep talking to us ok? Deep breaths.” She nods, sobbing as she waits for Jonathan to come back. You feel a hand on your back, turning to see Steve right behind you giving you a reassuring nod. He squats next to you, now putting his hands on your shoulders. It was like a chain of support, him for you, you for El. Jonathan comes back and does his best to get whatever it is out of her, but she insists on doing it herself. Everyone winces as they watch, you included, and you burry you head into Steve’s chest as he holds you close. You hear glass shatter and flinch closer into him. Everything’s silent for a moment, and you lift your head to see the chief of police, Mrs. Byer’s, and someone else. You look to Steve with bewilderment, and all he can do is shrug. He helps you up and the now larger group convenes. You’re mentally exhausted, once again finding yourself hanging off of Steve as you take everything in. You put together the pieces from the three groups and it makes just enough sense for you to follow along.

Once a plan was made, you see Robin eating out of the corner of your eye. You nudge Steve, a silent invitation to follow you. Robin throws you both something to have. You didn’t realize how hungry you were till you tucked in. It was the first moment of normalcy you’ve had in a while, and you savored every last second of it. It was just like the three of you in the breakroom, laughing, joking, being normal teens. Dustin runs over, excitedly holding car keys.

“Guess who got us a ride?” He beams. Steve gives him a puzzled look.

“Where are we going?”

“We have to go to the radio tower I set up. They need us to navigate them around the base to close the gate.”

“Okay, but what about El?” you question. She still looked to be in pretty bad shape, and you knew you were her best bet if her leg started causing her trouble again. A wound like that could easily reopen.

“They’re going back to Murry’s, and Hopper wants you to stay with El. Will told him about how you helped him that day in the mall, and he wants you to look after her. ” Dustin informs you. You nod,

“Ok, tell him I’ll go with her.” You say, Dustin nodding and running off the tell Hopper. Steve looks at you for a moment, realizing what you’re doing. For the first time in days, you won’t be at his side. He won’t be able to make sure you’re ok, and it scares him.

“Hey, don’t you think you should come with us?” he pleads, gently rubbing up and down your arm. You sigh, wanting so badly to give in and go with him, to follow him where ever he goes, but knowing you’re needed somewhere else.

“I’ll be ok. Don’t worry about me.” you send him a sympathetic smile, trying your best to convince him and yourself. Deep down you were terrified to be away from him, but you both had obligations now. You had but put your own interests aside and do what was best for the collective good.

“Promise?” Steve’s voice sounded as if it would break. In a spur of confidence, you cup his face in your hands.

“I promise, Steve.” There’s a gleam in your eyes, and Steve takes his hand from your arm and places it over yours.

Dustin returns, throwing the cars at Steve and basically dragging him away. Steve’s eyes stay on yours as you send a gentle wave to the group. You watch your friends until they round the corner, and sink into yourself. Your safety net was going to be driving far away, and taking your heart with it. You shake your head, clearing the thoughts like an etch a sketch. You make your way over to El, wrapping one of her arms around your neck as the group makes their way out of the mall. She groans and you can see she’s losing more blood.

“Hey, once we get in the car I’ll take another look at it, okay?” all she can do is nod. You situated the two of you in the back of the car and hear the engine sputter. You overhear Nancy and Jonathan say the ignition cable is missing. Before you know it Billy is revving his engine across the lot. You scrabble to get the kids out of the car and back into the mall. Once back inside, you lay El down and redress her wound. It’s not as bad as you thought it would be, but you know your efforts are helping. You reassure her that she’ll be fine and properly fixed up soon enough

In the distance you hear Mike calling to the “Scoops Troop”, and while in any other circumstance you would laugh at the name, you silently pray that they hear you and rescue you. While you were one who could normally save themselves, you were never trapped in a mall by a possessed Billy. Just as things were starting to look up, you notice Max and Mike looking up at something. Mike screams for his sister as the monster breaks through the mall ceiling. You grab Mike Max and El and hide under a food stand. You pull the three as close to you as possible and shut your eyes, a single tear streaming down your face.

From the radio tower, Steve can’t stop pacing. He knows that something’s wrong and it’s eating him alive. It’s like he has a sixth sense and it’s going haywire. His mind is going through every bad possibility. What if you got into a car accident on the way? What if the Russians were waiting at the secret safe house? What is none of this would work? He rakes his fingers through his hair in an effort to self-sooth. He looks to the mall and sees the lights flickering. He’s taken back that November night outside the Byer’s. Fear’s icy grip takes hold of his legs, freezing him in place. He hears Dustin to your group over the radio. After the first call goes unanswered he’s on edge. After the second he’s panicking. After the third is answered with a monster’s screeching, he’s near hysterics. Before his mind can keep up with his legs, he’s running down the hill. He had to get you guys out of there. He barely hears Robin’s labored breathing behind him as they both scramble to the car. A fire is burning inside him and he was prepared to fight like hell.

In the mall, you’re shaking, holding onto the kids like your life depended on it. You barely knew them but felt a responsibility to protect them. Mike wiggles out of your grip to peer over the stand. He hatches an escape plan to go up the stairs. Max reminds him that El is in no condition to do that, to which you nod and agree. That’s when you remember the way through the Gap. The four of you make a mad dash, you clutching El and giving her quiet reinforcement as she hobbles. Someone knocks something over in your haste, alerting the monster to your location. You once again scamble the kids under a counter and shield them with your body. The mind flayer gets distracted, and you guide the kids from the store.

As Steve turns into the Star Court parking lot, his adrenaline is thumping in his ears. He didn’t know what he was expecting, but Nancy shooting at a car charging at her full speed was not it. His knuckles turn white as he grips the wheel, speeding full force into the other car, causing both to spin out. He catches his breath, looking over to make sure Robin is ok. He lifts his eyes to see the Mind Flayer crawl along the mall roof. Nancy pulls up next to them, telling them to get in. For once he wanted things to slow down, but they’re being chased by the fleshy monster. As soon as it turns around, he thinks to take survey of the car. When he sees fewer people than he’s expecting, he’s near tears.

“Where are the others?” His voice is barely above a whisper, as if he doesn’t want anyone to hear and confirm his worst fear.

“Where are the others?” Robin echos his question, but loud enough for the whole car to hear. All Jonathan and Nancy can do is exchange concerned looks. Steve’s hands fly to his hair, unable to process what is going on. You’re not there, which means you’re back in the mall with that thing and Billy.

“Drive!” He screams, unable to do anything else. Words echo in his head “That’s right! Run away Stevie boy! Run away! Just like you always do! That’s right Harrington!

Run away!”

He wasn’t gonna run away this time.

“You’ve got this El. You’re so strong, you’re such a fighter.” You reassure her as the four of you make your way out of the mall. Just as the cool night air hit you, you see Billy emerge from his car.

“Shit” you whisper, directing the kids back into StarCourt. You follow close behind, acting as a buffer between them and Billy. Mike finds an elevator and desperately tries to push the buttons to get you away from your stalker. You hear the metal door open and know he’s right behind you. Before you can do anything, Max tries to talk to him, but he slams her against the wall. He turns his attention to you, Mike, and El. You push the two behind you, trying in vain to hide them from him.

“Billy. Please. They’re just kids. Please don’t do this.” He stares straight into your eyes and yet past you. Next thing you know he grabs your head and throws you into the wall.

As soon as the car stops outside the mall, Steve charges in as quickly as he can. He’s got tunnel vision and finds himself on the balcony with Robin and the fireworks. He looks down just in time to see you run out of scoops. You stop a moment and look up, locking eyes with Steve. A shiver runs down his spine. You avert your gaze to El laying on the floor, motionless and seemingly unaware of the huge monster crawling toward her. You rush to her side in an attempt to pull her away, but Billy intercepts you.

It was a routine fight that started like many others

Steve grabs a firework and throws it as hard as he can, hitting the flesh monster and making it cry out in pain. He’s doing everything in his power to distract Billy and the Mind Flayer. The fire inside him burning so hot he can feel in on his skin.

The bad guy had taken Spider-Man’s girlfriend and put her in the middle of the fight to slow Spider-Man’s attacks and distract him.

Billy grabs you by the neck, lifting you into the air, choking you. You kick at him and scratch at his hands, tear streaming down your face. You give breathless pleas, but know it’s no use. His grip is too strong. He won’t stop

Spider-Man shot a web in a desperate attempt to save her.

“ROBIN! I NEED MORE!” Steve held his hand back, awaiting the reload of him ammunition. He was gonna hit that son of a bitch with everything he had. The now-familiar weight fell into his hand, and he launched the firework through the air. He swore he threw his arm out but he didn’t care. He was gonna fight harder than anyone. The fire had made its way to his eyes, burning so hot tears streamed down his face. He saw the monster flinch. It was working, it would all be over soon. His arm hurt so much but he wouldn’t stop

Despite his efforts, a deafening snap was heard, dashing all hopes of her survival.

Billy mirrored the monster’s pain, twitching with each impact from the fireworks. He let go of you. You fell to the ground with a deafening thump. Steve felt his entire body go numb. A heartwrenching scream raked through his body. It was a cry that could make anyone grasp their chest as if the pain shot like shards through the air.

Good had lost. Peter lost his first true love. Gwen was gone despite it all.

From somewhere behind him he hears Robin over the radio tell Dustin they’re out of time. Boy, ain’t that the truth. He closes his eyes and remembers. Remember the first time you met, and hand coming to feel the bump on his nose. He remembers how alive you were, always singing to songs stuck in your head, helping others, doodling on your yellow shoes. The kind glances you’d give, quick remarks he’d counter, the way you made him feel. He felt the fire inside die, replaced by a glowing ember. The glow you’d carried now living in him.

Robin nudges him and he looks down, only to see the monster attacking Billy. Any trace of anger or a revenge plot melting away at the sight. No one deserves that pain, not even Billy. Suddenly the monster begins to flail, Steve and Robin stumbling back from the rail as it falls into it. The pair jump back to their feet and peer below. A fire burns, scorching the monster’s motionless body. Mike rushes to El, wrapping her in his arm. Max stumbles to Billy, sobbing over him. Before Robin can stop him, Steve is rushing down the escalators to you. His feet can’t carry him fast enough, so he slides down the center. When he reaches you, he collapses to his knees. Steve cradles you in his arms, sobbing into your hair. His hand supports the back of your head, holding you close to his heart.

I’m sorry, I’m sorry” he repeats, placing kisses on your head.

“I tried, I tried. I fought as hard as I could”

He’s rocking back and forth, trying to soothe himself and you. He screws his eyes shut, taking you in one last time

“Steve?” the voice was barely audible. Steve almost didn’t hear it

The voice comes again, groan follows, then a cough. He carefully moves your head from his chest and it met with the kind eyes he loved looking back at him. A sob crawled its way out his body as you smiled at him. A reassuring smile. You place a hand on his cheek, and he quickly pulls it to his mouth, planting a kiss on your palm.

“I thought I lost you” his voice coming across breathless in his startled state. There’s a moment of silence where you’re searching each other’s faces. Something washes over you, but this time you’re sure of what it is. You see his worry and distress and can’t help but feel sorry for the pain you caused him.

“You can’t get rid of me that easily” you grin, you words causing a choked chuckle and tears to flow from Steve. He pulls you close again, fully sobbing into your hair. You wrap your arms around him in a tight embrace. He savors the feeling.

Good had won. Steve saved his true love. You were here despite it all.

#steve harrington #steve harrington imagine #steve harrington fluff #steve harrington angst #steve harrington oneshot #steve harrington fic #strangerthings oneshot #steve harrington x reader #steve harrington x you #heart-eye-harrington #heart-eye-harrington writes

312 notes · View notes

nadziejastar · 5 years

Text

I completely agree. A lot of fans didn't appreciate the complexity they were attempting with Axel as a character. And that's why so many fans actually came away with the genuine belief that he was "dumb" or an uncomplicated happy-go-lucky guy, whose entire existence revolved around a 15-year-old boy he couldn’t have a serious conversation with. Or a heartless sociopath. I will use quotes from this forum topic since I found the opinions there to be so interesting.

First of all, I don't dislike Axel. I like his type of character, but I could never really connect with him because his rash development always kinda irritated me. In Re:Com, we get to see him as cunning, smart-mouthed, manipulative and cold-blooded. He kills Vexen without a second thought, taunts and fights Sora, plays Marluxia and gets Replicu to kill Zexion who didn't even need to die.

Days is trying to sell me that this man who seemed hardly much different from Marluxia and Larxene (which is why they accepted him quickly) would actually try to befriend someone who can't even talk. And it's not just handing him an ice cream once after a job, but Axel actually does make an effort to keep this friendship up. He later states that Roxas made him feel like he had a heart, but that was way after he started caring about Roxas (a job he complained to have, actually).

It's not that I dismiss the idea of Axel befriended someone like Roxas entirely - but RAX is the trio that sold its friendship to me the least. There's is this jarring difference between Re:Com Axel and Days Axel and also KH2 Axel and KH3 Axel. Re:Com Axel is, like I already said, cunning and manipulative, but acts like a playful, "I'll explain the world to you" nice uncle in Days when he isn't currently out there killing people (this transition obviously doesn't bother him one bit) and after he jumps between two extremes, he is rather straightforward in KH2, being quite clear with Roxas. In KH3 he turned into a joke, sadly and I can't even see why he had to..

When I see opinions like these, it’s SO clear that Axel was supposed to get an actual fleshed out backstory. Not a 2 minute exposition dump primarily functioning as sequel-bait. That’s NOT a backstory. A lot of people think Days "ruined" him because he acted so differently compared to CoM. Like you said, he was a Slytherin in CoM. Lea was probably more of a Ravenclaw. Axel acted more like that around Roxas and Xion.

Many didn't see that Axel was hiding so much of himself with them. In many ways, he was putting on a performance. It just made him that much more interesting and realistic to me. Real people act differently in different situations. Axel was smart enough to know that he can't show certain aspects of himself to certain people. So he wore a mask with the kiddies and of course hid his sentimental side from everyone else. He was still the same character, though. I can totally see Axel befriending someone who can’t talk if he and his best friend were used as a human guinea pigs in the past, and his best friend was left unable to talk afterwards (which is what I think happened). That makes perfect sense.

Days was the fallout, and any shred of nuance his character had was gone. There's like, a tiny bit of it when he has to go to Castle Oblivion and has a "don't ask me about my job" vibe with Roxas, but that's not enough to make up for the rest of the game in which he's this sad puppy trying to befriend other sad puppies.

You bring up a fantastic point by saying he could've been friends with other members: one of my gripes with Days is that from the outside Roxas, Axel and Xion seem like this snob trio that doesn't even try to give other people a chance. Axel ditches possible companionship with people he's known for years and that are much closer to his age and possible interests because as soon as he sees this mute and unresponsive kid he's like, completely in awe. (Axel truly was the first "must protect precious cinnamon roll" person). And you can FEEL how much Roxas wants to get away from every single person who isn't Axel or Xion.

It’s sad that it was never shown that Axel was not in the organization by choice. It was obvious that he had a tragic past, but it still should have been shown. He never wanted to be an assassin. The Subject X retcon totally contradicts all of Axel’s past behavior from every single game. It blows my mind that a large portion of the fandom can uncritically accept that Axel was simply looking for a random girl for the last ten years. I can see how Roxas seemed like a “precious cinnamon roll” to Axel. The fandom certainly treats their relationship that way, which I find cringeworthy. But I don’t think that was supposed to be the idea. Axel seemed "in awe" of Roxas because he had a heart. He didn't act like a sociopath. The organization chews people up and spits them out. That’s what happened to Lea. Axel saw his past self in Roxas, so he felt compelled to protect him.

BBS only shows him in an irrelevant scene (sorry, it was completely unrelevant and unnecessary, but ok), and it start to try to change it into someone who cares about sad puppies and want to "be remembered forever". Well, Axel always kind of like to work in the shadows, but he likes to show of too. Alright. He seems to pet the dog when he can, even if he is also willing to kick it, too. Whatever. Not really adds nothing to me.

How is his scene in BBS irrelevant? It showed that he used to be a totally normal kid. Ya know, like Hayner's group? Not someone who is going to join Xehanort by choice. After I played BBS, I understood that after he snuck into the castle, he was kidnapped and forced to spend the last 10 years of his life in a cult surrounded by heartless criminals. Of course he would be drawn to two innocent children. He can vicariously relive his lost childhood through them. It just made him seem that much more complex.

Axel got turned into this caricature of himself because I think the series lacked the skillful writing to keep him around as one of the good guys while also mantaining his character intact.

So as soon as he started to become a positive figure he was turned into yet another acolyte of the Church of Friendship and Every Good Thing. Kingdom Hearts has too much black and white philosophy to handle a grey character like OG Axel without having to rethink and retell a lot of events. And he became the comic relief because I guess someone had to be when Donald wasn't around.

So much of what we saw of Axel was a persona---a facade. Including him talking about friendship. He was a multifaceted character. He was smart enough to fool not only the other organization members, but a large portion of the fandom, I guess. In my opinion, it wasn’t that the series wasn’t capable of making Axel a good guy while keeping his character intact. It’s that KH3 was catering to what fans wanted. KH3 went with the superficial facade version of his personality because the fandom has too much trouble with black-and-white thinking.

I never thought his character change worked either. I thought it was funny that people didn't want Isa to be redeemed despite all the horrible things Axel himself had done in CoM and KH2.

I had a pretty long discussion with someone who said Lea didn't seem concerned with Isa at all in KH3D. He only cared about Roxas. I didn't understand how anyone could play KH3D and come to that conclusion. I could tell Lea cared about Isa long before I ever read the novels. I guess a lot of people just don't do well with subtlety in storytelling. Apparently a lot of people didn’t even want Isa to be redeemed, despite being Norted as a child. I have no idea why. Because Saïx was an asshole? Because they didn't come right out and tell you Isa was a Nort? Isa jokingly called Lea a loser, so clearly that meant he was always evil (an opinion I have seen). If you ask me, Axel got turned into a caricature of himself because of the fandom, not because Nomura was incapable of pulling it off. Not the fans in that topic necessarily, just in general. The fans that KH3 was pandering to. Nomura could have easily pulled it off, lol. He almost did.

And while we're on the subject of Axel's intelligence, this is why I genuinely cannot fathom how people interpreted Axel as having romantic interest in Roxas. Even ignoring the age difference and amnesia, you really would have to dumb Axel down a LOT if you wanted him to look at Roxas like that, lol. Roxas was simply not in the same league as Axel when it came to intelligence, amnesiac or not. Axel could run circles around him on his worst day. Teenage Lea seemed a LOT more intelligent and mature than Ventus, too. I always felt like Roxas, a relatively simple teenager, was the protagonist for the target demographic of KH. But Axel, a complicated adult, was the "protagonist" for Nomura. He was able to put a lot more of himself into Axel, and probably related to things from his perspective far more than Roxas's. It's why I liked that game's story so much.

Saïx was very smart, but to be fair, we don’t know how much of that can be attributed to Xehanort’s influence. We do know Isa liked to make witty quips. I think he and Lea were likely in the same ballpark, which is why they had so much chemistry together. Speaking of Isa's intelligence, you bring up Axel's eidetic memory. He has an amazing ability to recall things. I think these two things are related. The imagery of the sunset is so important to Axel because Isa told him why the sun sets red. Isa was probably a know-it-all who knew a lot of random facts like that. He probably liked to act smug in a playful and charming way. I am doing a post on why that is such an important memory.

Now that I think about it, it would have been the exact opposite of his dynamic with Roxas and Xion. Axel had to explain everything to them, like you would with a small child. Axel longed for the companionship of someone who could challenge him and who knew things he didn't. Someone who could understand his complexity. My headcanon is that Isa must have been incredibly smart, and that's why he struggled to make friends. He went to the Realm of Sleep a long time ago. Once he was revived, he was still going to be Lea's BFF. Lea and Isa are now adults. That's probably why Jiminy's Journal described him as mature beyond his years. And that's why Lea liked him.

#kh axel

9 notes · View notes

bushybeardedbear · 6 years

Text

So Season 7 of Voltron Legendary Defender... Oh Boy...

I had so much spoiled before watching it. Thanks email alerts. So after seeing so much spoiled already, I started lurking in Tumblr again. By the time I’d actually got round to watching the season I felt like I’d already watched most of it and was primed with all the various thoughts and opinions people were sharing online. In the days beforehand I was up and down like a yoyo on a rollercoaster. Hopeful one day, thinking it’s not even worth watching the next. Hovering my finger over “delete” on both this blog and my fics at points... Even contemplating that right now if I’m honest. Maybe I should have been Bushy Bearded Drama-Llama?

In any case, having finally sat down with rock bottom, possibly even sub zero expectations and watched, here are my thoughts now season seven is over... Well... In short, I think it suffers a lot from being so rushed. And before you say it, no, going in with low expectations wasn’t a self fulfilling prophecy. Psychologically speaking the opposite is true. If we go into something with low expectations, we tend to have a better opinion overall than we would have if we went in with sky high expectations. And whilst it may seem like I hated it so far...? Well, no. I didn’t hate it. There were some parts that didn’t gel with me, but to say I hated it would be an insult to everyone involved. But that doesn’t make it free from criticism. If you care what this bear’s about to growl about, strap in, it’s not a short one. Not kidding. This is long. But I guess I needed to get my feelings down and hopefully have someone patient enough to read it and see that I’m not completely insane. And, thought I shouldn’t have to say this... None of this comes from a place of hate. No, I don’t think regardless of how you feel about this season that hatred to the creators is ever acceptable. If you feel you must, then voice your grievances calmly, rationally, but the second you resort to hate you have already lost. Though what I would suggest is to just accept this season as it is and move on. Moving on is partly why I’m compelled to write this post. Maybe if you are going to read this monster, bring some caramel to counteract the salt...

The Season Itself

So within the first episode, I’m already full of mixed emotions. Yes, the Plance moment was great. Yes, the dynamic between Hunk and Romelle was cool. Coran was great, supportive Crolia, the none too subtle dig at Prometheus as Lance and Pidge ran from the grass... (Don’t think we didn’t spot that you writer rascals! Run at an angle!) I remain in Sheith Limbo trying to reconcile they met when Keith was literally a child and relationships can grow and develop with a worried dash of will people misinterpret this as grooming if they got together...? But a lot of it was by the by. Honey I Shrunk The Paladins was a great fun start to the series interspersed with great emotional character building for Shiro and Keith. It fleshed them both out in ways I wish we’d seen sooner and as others have pointed out drastically reframes a lot of the protective over Shiro moments in the context of his degenerative disease. And yet, it doesn’t make Shiro a victim, nor Keith a white knight, it keeps them both flawed yet strong heroes. Tiny cute paladins, Lance’s cargo pilot reference. As always the design of the planets is gorgeous. Lance sharpshooting. The attention to detail with little things like in scale surface tension! I can’t overstate how much time, effort and thought has gone into this! The narrative parallels of the speeder bikes. Honestly, there is SO much to unpack in just one episode that could easily be overlooked as silly and/or filler. But it’s so much. Keith’s growth is such fun to watch, confirmation of certain fan theories is great yet so sad at the same time...

It allowed Romelle to actually have a character that wasn’t just “Lotor Plot Delivery Service” and her interactions with Hunk were pretty adorable. “Are all ancient Alteans like this?” Was a great subtle piece of world building as well. And yeah, pretty sure I saw @hailqiqi mention this already, but Hunk and Romelle are so the audience surrogates. The one and only thing that bugged me, given the fact that so much of Voltron has had to be rushed or cut for time... Did we really need the flashbacks in this episode shown twice back in the quantum abyss episode...? Couldn’t that time in the QA been used for something else...? But that’s a very minor gripe. Overall, I massively enjoyed this episode but I’m still nervous given the priming from the fandom going forward... But that last hug? Saving Shiro with his voice / quintessence maybe?

The Road home starts off well, though the idea that still nobody knows or comments on Katie’s name being such did disappoint me a little... The space road trip starting up was so cute, even if Lance’s logic of passengers is lost on me...aside from maybe cutting Pidge some slack. Let me Headcanon that little touch of unconscious favouritism, yeah? Though his taking charge in the battle here, being the right hand man, was really nice to see here. From the audience perspective, he may be stating the obvious, but in canon, that’s what we call battlefield awareness. Imagine season 1 Lance doing this? Nah. Buthe’s had no growth, so people say... “It’s super dangerous, it’s perfect!” Wonderful! And Keith’s leadership! Great stuff. (Almost) Everyone getting a chance to shine in the cave combat was also awesome. Full on frenetic energy, a little flourish of comedy from time to time, great characterisation, calm before the storm leading to a sudden yet satisfying cliffhanger? Full on Voltron to a T.

"I will help you look for that passage.” Is a cute Plance moment that others are overlooking I feel. Coran’s memoirs are something I would personally read the hell out of. I don’t know about the rest of you. But seeing the entire saga retold through Coran’s eyes...? I’d love to see it. I’m also kinda happy to know how “Acxa” is pronounced! The slow reveal of the time skip up until the reveal at the end is nice, though honestly not as mysterious as the show seemed to think it was. Maybe it was just that I got spoiled? Evil power couple were great as well and it was nice to see the ice pop mystery solved. A return of Altean shapeshifting was nice to see. “Sweet on that one with the flippity hair” and “your favourite paladin” “never wanted to kill him” “true love”? Seems a little out of left field. Unexpected? Maybe not, just rushed? Axca and Keith seemed a little sudden. To me felt like they just needed to pair a spare and keep Kieth and Allura apart. Which, I get into later. Keith being able to transport his bayard seems...fine...? Why are people complaining about this? Paladins summon their bayarads all the time. He just did it from a few extra feet...? I do wish Coran had a chance to play to his strengths though. Aside from his courage. He has brains and feels like he needs to use them more or be written in scenarios where he can use them. The three year time skip, when revealed, seems like it was just a convenient way to avoid the immediate aftermath of Lotor losing the throne. It works in that regard I suppose. But by the end of this episode I wasn’t really sold on it.

Nice new haircut though Axca. Really sells the redeemed rebel former baddie archetype. And thank goodness for your exposition. Tell don’t show, am I right? One of the ways we can see the show was rushed I feel. Though again, maybe just being picky...

The Game Show Episode. I was expecting this later in the season honestly. It was good for comic relief I guess, so it served it’s purpose. Seeing the first family of the Galra along for some comedy was great if only for Neil Kaplan having such fun. But it felt like it was missing something. I can’t quite put my finger on what. It was nice to get insight into how the Paladins feel about each other but again, it felt like a way to get those ideas and characterisations out into the open without having to, y’know, show them in natural narrative progression. It’s probably the weakest of the comedy episodes so far and it felt a little like it was all just happening until it eventually stopped. It didn’t feel like the little hints of “tv flickering” implying something artificial were necessary. In fact, as soon as I saw the concept I thought “so, all powerful being captures them for reasons?” and that’s pretty much what we got. It was...ok. Just ok. And y’know what...? After seven seasons, maybe we do need to drop the “Lance is the dumb one” joke? I mean, yes, he’s not as smart as the rest of the team. No doubt. But if he’d been given a chance to shine on his own terms, with his own abilities, if they’d subverted the goofball archetype rather than doubling down on it I think this would have made for a more interesting episode. Just because it’s comedy doesn’t mean it doesn’t have to be compelling. The Voltron Show for instance literally dealt with Coran pushing himself so hard to help the Paladins that he was willing to resort to what was essentially a mind altering drug and forcing himself to kick the habit. Where was the actual plot in this episode? Funny moments need a framework and this kinda lacked a framework in my opinion.

Really episode 5? A Kobayashi Maru scenario...? Indeed, running a simulation when the lions are running on fumes...? Ok, you do you I guess... Little self referential humour from Coran was nice, but a little on the nose. And honestly, I think these episodes are starting to feel like, I dunno, filler material? Like, nothing is really being furthered in terms of the massive plots they still need to deal with. Did the journey back to Earth really need to take so many episodes, or could these have been more efficiently used to deal with countless plot threads that remain unresolved...? It’s a strange thing to be feeling at this stage, but maybe there’s more to come...? And...it felt like another clip show filling out the backstory of the three years of Voltron being missing... Maybe it’s just me, but if you have written yourself into a scenario where the only way out is repeated massive exposition dumps... Maybe you need to rethink your story just a touch...? The fact it was also told from an unreliable narrator also means it wasn’t just exposition...it was literally pointless exposition that was likely mostly a combination of lies and half truths. And I’m sorry but, were people really clamouring for a rematch between Keith and “That One Nameless Druid...?” Really? You won’t hear me denying it was cool fight scene, yes indeed, but the set up wasn’t exactly great in my opinion. As for how Keith managed to win? Ok, sure, I guess summoning the Bayard from a few feet was a build up to something else, something even more special that may or may not get resolved this season. I’m writing these as I go. Or will it be one more plot point that will need to be resolved in the next season with limited time and episodes to do so? Keith and Krolia’s goodbye was sad. I do hope for a reunion, but honestly don’t expect it. I imagine she’ll die off screen for shock value. Sadly, I already know the fate of Altean colony and why Haggar has forsaken her druids, so, no real hook for me there.

So the halfish way point. Lost in space, desperately trying to force plance out of every interaction... And ultimately, just getting bored. I mean, yes, I get that they need to reconnect with each other... But there are countless ways it could have been resolved other than this. It didn’t really feel like there was need for this particular journey into the darkest cave. It also feels a little forced that after saving countless realities by working together, they now all get forced apart...? Hunk saving the day, saving the team, great. Really wonderful stuff. He’s been overlooked for so long. But the idea that they needed to become friends again...? To reconnect...again...? I don’t know that it felt necessary. If after all these years, literal years together there isn’t already a profound connection...? I just can’t really buy that. And again, it felt like a filler episode. And Hunk Priming the audience for the concept of passing the torch? Yeah, that didn’t go unseen. Maybe it’s just me, but after six episodes where it was already established that they can travel at crazy speeds to be told “yeah no, it’s not that the lions were drained, it’s just these people who’ve literally saved the universe together aren’t quite best friends enough...”? That just feels silly. And yes, I know “silly” is relative when we’re talking about a powerful group of robot magical cat things that are powered by love and freindship. BUT what I feel was silly was the idea that their friendship was strained at all. It felt as though the season wanted there to be this divide between them but...the comedy episode just a little while ago established they’re all willing to sacrifice themselves for each other....

That’s just....fundamentally contradictory. Are you guys barely even connected as friends or are you willing to die for each other? You can’t be both... It makes the whole “struggle” of getting back to Earth feel false because it’s predicated on the assumption that they’re a fractured team this episode yet there’s been literally no sign of that until now... Still, as always, the visuals were cool. The Space Angler Fish is a great concept. The music was great. The voice acting was on point. Everything was so SO good except...the writing... The writing in this particular episode in the context of everything preceding it just felt... Bad. Rushed. Forced. Contradictory. Drama for the sake of drama. Artificial... What’s going on guys...?

So a multiparter? Let’s see. Ok. Seeing how awesome Sam Holt is, fine. Seeing him reunite with Colleen. Also fine and dandy and cool. And it tugged at the heart strings... But do we really need him to literally tell us everything we already know in a power point presentation...? The audience doesn’t need to be caught up on the events.We don’t need a massive chunk of the episode’s run time devoted to playing catch up. We have the time for this, but apparently - according to the spoilers - we don’t have time to establish that Allura is getting over Lotor and Falling for Lance...? Not even a throw away line, or a glance, or a suggestion of that fact that needs establishing after her season six reaction to the mice... But we do have time for the events of the show to be repeated to us...? What!? I am literally bewildered at this choice. Flabbergasted. Gobsmacked.

The worst thing about this so far, is that under all the EXPOSITION there’s a great story that wants too be told. I think we’re only seeing fragments of that story. Sam and Coleen struggling to find their children again and fighting against political nonsense. But real talk... This was all stuff that could have done just fine implied. The Paladins arrive on Earth, they see the new ships piloted by their inevitable replacements in the new series they seem to want to make, Lance asks, “What are those?” Sam responds, “A fusion of Galra, Altean and Olkari tech. The culmination of months of Earth’s greatest minds working together. It was a struggle, but we got them made in the end...” BOOM. Done. Efficient use of what is obviously painfully limited time. Did we NEED the power point, the montages, the backdoor pilot for the new team...? Did we - good as they were - even need the Holt Family suffering...? Couldn’t Coleen’s transmission to everyone on Earth have been enough to get the point across that they’re awesome...? In my opinion, we didn’t need this. Not like this at least. It could have been done so much more efficiently, so much less padding. But we did get to see snippets of the messages back home. That was nice. But it doesn’t change the fact that the majority of the first episode felt really... Unnecessary. But that’s just how I feel after part one... So, the first half of the second episode? Superb. Can’t fault it, good heroic stuff, Sam stepping up. A realistic invasion of Earth, ie, we lose that’s rare to see in most media. Can’t fault it. Then the second half kicks in. The four archetypes we’ve been barely introduced to, go on a mission that narratively speaking is utterly unnecessary. I know that the Atlas gets built thanks to spoilers. But even if I didn’t, what function does this part serve? We may not be able to build a thing. Later on, that thing will be built. Do we need to into the minutiae of how the supplies were gathered...? Well, I suppose we do. But not because of how it serves the overall plot of Voltron Legendary Defender, but how it sells these new kids to us for the new series they obviously assume they’re making. But if it wasn’t for that?

Then it defaults to more exposition... More information that could have been relayed to the audience in much more engaging ways.

This could have been, rather than a messy and kinda redundant two part episode with occasional brilliance, it could have been trimmed down to a truly brilliant single part. I’m not invested in these new characters. Let me get there or not when I see them in their own show. And if they’re literally just there as homage to the sequel series from the 80′s...then they don’t need this much focus. The actual paladins and their interpersonal dynamics do. Rift creatures do. Lotor’s fate does. Why are we wasting the limited time that remains on this unless it’s a back door pilot? Why should the current series suffer just to promote the next one...? It’s just exhausting and disappointing. By the end I was agreeing with Keith. What are we waiting for...? The continuation of the series we came here for. What kept us waiting was either an advert for the next series or a massive misstep in pacing.

And now, finally back to the real story and after two episodes establishing that Earth is screwed over, Earth can barely contact other parts of itself, Earth is on the brink of collapse, Earth is holding on by a thread... In the first scene we have Earth, somehow, triangulating a jamming signal into the outer edges of the solar system and remaining undetected as they do so...? Even assuming they are “just” sending commands to satellites and installations elsewhere in the solar system, The Galra would detect that command signal. And given how much we’ve had it stated, overstated, hammered home that Earth is in such bad shape...that feels like a real ass pull.

I am being nitpicky, yes, but this is the second time this has happened on such a large and frankly contradictory scale. So I’m calling it out again. First The Paladins are willing to die for each other, or at least be trapped for eternity, then they are barely friends. Then, Earth can barely contact it’s own countries, but sending an undetectable command signal to at least three satellites in the solar system is fine...? Why not just have Voltron get the signal sooner!? Why not have Pidge send a jamming signal...?

And in terms of introductions to the new team? What we got after the drone attack? Perfect. It didn’t need to be an entire episode of establishing them because it isn’t their story. But the Paladins meeting their families? The reconciliation with Iverson? Shiro grieving for Adam. Where was all this before now? Why hasn’t our focus been where it belongs. On the Paladins? Now, I don’t really want to get into the whole debate about unfair representation of LGBT characters. I can see both sides of the argument as being valid. Shiro remains a strong canonically gay character even if the man he once loved is gone. Adam, though dead, is not immune to tragedy just for being gay. What we did see though was a man openly crying for his lost love. There’s plenty to be critical of the series for. But personally, I don’t feel the treatment of Adam and Shiro is “queerbaiting” so much as it is a couple unfairly separated by the horrors of war. A canonically and unambiguously gay couple. That’s representation. Just it may not be precisely what everyone wanted. But don’t let me stop you writing out impassioned critiques, don’t let me stop you airing and venting your grievances. I’m doing that right now, aren’t I? Just please please please don’t send any more hatred at the creators...

Now, this whole section of the Altean enhanced tech...? Why is this being reiterated again? This could stand on it’s own as an introduction to the concept of Earth meets Alien tech. Why are we being shown the same things twice, first in the two parter in depth and again now...? Why do this when there is so much else that needs addressing in ever dwindling episodes...? Though aside from that, Hunk and Keith connecting is great. Hunk finally having a dedicated arc to save his family also great. Hunk being the outsider to the Garrison Trio dynamic and spending time with Keith again? Also great, wonderful even. So where was all this previously...? But even this, even this has to be if not overshadowed then frankly hijacked by the new characters they want to sell to us. It’s getting tiresome. I don’t want Hunk’s moments overshadowed, his spotlight taken... But damn, if he doesn’t still stand proud regardless. This is the Voltron I’ve been missing for most of the season.

I was going to post the image of him crying, but couldn’t do it... So here, Happier Hunk.

Don’t know how I feel about Hover Hand. I get they’re setting it up for the final conflict with Sendak, so that Shiro will be his literal and visual antithesis...but...hover hand looks kinda goofy. And being the counterpoint to your nemesis doesn’t need to be so literal all the time. And again, the new characters forcing their way into the story with a half baked excuse to sell you them. I think from now on I’m just going to comment when Team Replacements don’t force themselves in...Even the fact one of them was Veronica felt a little frustrating, because Lance’s family dynamic with her is overshadowed in my opinion by her being part of the new forced team of replacements. Allura giving up her crystal tiara for Shiro was a nice moment.

Okay, now imagine the whole infiltration section without Team Replacements. Just the Paladins, doing their thing. Let’s assume their resident tech genius has a way to stop the sentry drones sending out distress calls.

What did they contribute other than a few quips? Are we really expected to believe our paladins, the protagonists of the story need these people...? No. It was just written that way to force the new guys in. What we need to wonder is why and the answer is most likely... Back Door Pilot. Over multiple episodes. That undermined the series I was already watching. And finally, despite it being the supposed new canon ship in town, we see our first indication that Lance and Allura might be interested. Or do we? No, we just see Lance checking her out and being teased. Then immediately afterwards we see Pidge implementing Lance style silliness and even a Lance style distraction with her own spin on it. But no, let’s focus on the blushing and the eyeballing. I’m not salty. I’m dead sea levels of salty. But I’ll put that aside for now... And roll my eyes at the Wilhelm scream... Ok, so I was all ready to be excited about the plan, but then the super forced Allurance twin blush happened. Was it...was it really supposed to hit home when there was no build up to it this season...? Or was checking her out through the sniper sights enough to replace any hint of them coming closer or Allura setting aside Lotor...? Sure, she’s bound to do it in time, but all I’d want is something to suggest as much on screen. Just a throw away line or two... Is that so much? Cut a scene or two with the Replacements and give us more Paladins.

As the paladins all fly to their thematically and elementally appropriate battlegrounds, I want to agree with some posts I’ve seen arguing that Pidge doesn’t just look concerned, or in the zone as the other paladins do. For at least one shot she looks sad. Troubled. Maybe I’m reaching. Probably reaching. Almost certainly reaching given the almost immediate Allura calling to Lance moment... The sequence of connecting with the lions though? And Lance protecting Veronica? Pretty much resigned to die before being saved by red...? Yeah, heavy and cool stuff.

But Admiral Asshole somehow getting in touch with Sendak? Betraying the entire planet? No. Just no. She can be a thorn in their side and an antagonist without being so utterly stupid. At this point she’s gone from concerned alternative view but essentially a good person trying to save the planet in her own way, to being pantomime levels of stupid. What a daft choice. What a needless choice. You know what would have worked better...? Sendak baiting the Paladins. It would play into his military genius archetype. He didn’t need intel from Admiral Asshole if the entire purpose of the planet killers was just bait for the paladins... We didn’t need admiral asshole to make a faustian pact with the people responsible for planetary genocide. Some of the choices this season just bewilder me.

Well, at least no combining sequence before the Big Zapper Cannons hit. That’s something. I guess they can occasionally cut unnecessary scenes for time.

The Paladins are asleep and it’s time for the replacement team to take centre stage again. Even with their own repeated launch sequence animation. Guess they can waste time after all. Admiral Asshole...

...yeah. Who would have thought that the mass murdering alien wasn’t to be trusted...? Except anyone written with an ounce of sense. I won’t deny, I completely and utterly lost interest during the Team Replacements moments. If you like them? Great. They were kinda written to be made valid off the back of the existing series so, I guess it worked for some, just not for me. I might even have been more keen on them myself ha they been secondary characters. But this season, they have so far felt like the focus. Yet also, they felt so undeveloped that they were like filler. They took up far too much focus that should have been on the Paladins. The characters I’ve been watching for six previous seasons. The characters I’m invested in. Even the launch of the Atlas - is it supposed to be a reference to The Gotengo in ship mode? - being powered by the Castle Crystal felt like a passing of the torch moment. There’s still a season left guys, can we wait until after this series ends maybe...?

Can we do The Paladins justice in their own series and make them the focus in their own series? Can we do the replacement team justice by making them the focus of their own series...? No? We’re going to try to do both at once and ultimately make both the worse off for it? Great, ok. Seems like a plan... SIGH

Soul-riding the lions? Now that’s a cool extension of the lore. That’s a cool new addition. That’s building more upon and actually watching Voltron again. Have I mentioned that it sometimes feels like I’m not watching Voltron any longer this season? Because, yeah, that. But during the parts where I was watching Voltron, it was great. Shame I couldn’t care more about Admiral Asshole’s sacrifice. They went beyond the pale with her outright betraying Earth. Noble sacrifice for an act of stupidity was just...meh. Didn’t feel like she’d be any additional motivation for the Paladins that earth already was.

But damn does Shiro look good as the captain of a starship. Kudos where it’s due. The artists did a damn good job.

So, the final episodes... Great set up for a final confrontation. Yet within the first half of the first episode. Oh no. Voltron has been pinned. Oh no. The Atlas can’t do stuff. What will we do? Oh gosh I hope the new team of plucky do-gooders can save the day. Whatever would we do without them? I hope we can buy their toys soon. Stop it. Why won’t they just stop it...? Stop making them such a major focus. This isn’t their show...or yeah, maybe it is now. Maybe the Paladins are the side characters now? Sometimes it feels that way. They spent a lot of time out of commission, damaged, pinned or otherwise unable to act except in montages.

“Lance, I’m coming to help!” Yes, because Allura is just there to support and look shyly away from lion glances. Sigh. Can we have Allura who didn’t need to be defined by a love interest back please?

Then again, Shiro had some time to shine which was really appreciated. The Sendak/Shiro fight was...ok? I mean, it had a lot to live up to after the Kuron / Keith fight. And it just fell short in my opinion. And much as Keith saving Shiro is kinda the default... Given how they were building Shiro up to be the anti-Sendak, it felt like the final blow was robbed from Shiro just a little.

Then of course, we get The New Robeast. More powerful than anything they’ve dealt with before and utterly unannounced. Ok. Well at least they didn’t just go to sleep for a bit and let the new guys do everything. But they still found a way to force them in even now. Wouldn’t have shocked me at this point though if the new group had just beaten the robeast. The twin swords are cool, but sadly a Plance moment it wasn’t. Maybe it would have been in old Voltron. Formed by a stronger bond between the two. But not so much now. Just a thing that happens. Like Pidge’s new gun thing. Thing that happens. No build to it really, just happens. No lesson, no moment of clarity, no greater connection, just, happens. How does the Atlas have back up generators that can make it functional when it’s already been established the only thing that can power it is the castle crystal? It was a pretty big plot point. Until it was just forgotten about. The Atlas mech formed by Altean magic was pretty cool. Shiro has a lot of moments with Allura leading to it as well. More than she had with Lance even. I’ll come back to that. Fake out Pala-deaths was cheap. And if they only reason they put the focus on the new guys was for that fake out...? Screw that. What a waste.

Seeing Hunk and Shay reunited was nice but too brief. Nice to be wrong about Krolia, but I’m not expecting she’ll last the next season. Shock factor you see. Watching Earth change and develop in flash forwards and montage now makes me wonder why that couldn’t have happened earlier. And my answer is, probably to sell the new team. And that sucks. I’m not really looking forward to another season of the Paladins taking the back seat. I do kind of expect it though. In fact, I expect it will only get worse.

And of course, now in a mere 13 episodes we have to wrap up Lotor, Haggar, the rift creatures, any and all ships, don’t forget set up the new team, because I think there were a few subtle hints there’s a new team they want us to care about. How about that new team guys? New team! And do all that without it feeling like a giant rushed mess. Heh. Won’t hold my breath.

Overall? Season Seven as others have said for many reasons, is Voltron Legendary Disappointment. Now to be fair, the art, the music, the animation, the voice acting - even given some guff lines, kudos to Josh Keaton for making “Their very home” not sound stupid... All of that was great. All of those staff members involved? A plus, amazing. But the writing...? Oh my good gravy the writing is all over the damn place. Yes, I just write silly fanfics and they’re professionals so what do I know? Their paycheck invalidates my opinion, right? But to be frank some of the mistakes and I do mean mistakes are elementary continuity gaffs. Redundancy. Repetition. Over reliance on exposition. I mean, if this is considered professional then standards have dropped... That’s not to say there weren’t moments of great writing. Moments where it felt like I was actually watching Voltron again rather than an advert for the new guys. But for the most part...? It was odd choice after odd choice. Daft move after daft move. Mess after mess. Forced and contrived plot point after forced and contrived plot point and if I was judging the series solely on the writing... I’d ask why nobody proofread the first draft.

But to literally everyone else involved in the show from the voice actors to the background artists to the intern fetching coffee...? You all did an amazing job with the mess you were given.

The Obligatory Over Long Shipping Bit

It’s not all about the ships, but... To some extent, it kinda is a little. Maybe even a very BIG little... At it’s most basic, a story, any narrative, has three parts.

The Beginning: The Status Quo, the ordinary world.

The Middle: A Challenge To The Status Quo, conflict, introduction of the special world.

The End: A New Status Quo, conflict resolved, special and ordinary world merge or become aligned to create a new standard.

And ships? Well, they’re an aspect of both the conflict in the middle and the New Status Quo at the end. Ships matter. The connection we feel to two or more characters and the connections they gain with each other? They matter. They are the story. So when I bang on about ships beneath, keep that in mind. Keep in mind that watching characters grow and grow closer is an integral part of narrative, romantic, platonic, whatever. Watching dynamics develop and shift between characters matters. That includes ships. And, I’m not calling the show bad because ships. The show itself is flawed, but overall still good. still very good in fact. All I want to do here is share my disappointment and frankly my confusion at the way that all the ships seem to be playing out right now.

But to start... Allurance.

Let me say, emphatically state, that if you enjoy this ship I have no beef with you. I am not against you enjoying it. I am not trying to tell you you’re wrong. If you and I having different opinions on this is enough for you to unfollow me, then fair enough, goodbye and have fun elsewhere, no hard feelings. However, my opinion remains as it has done from the start. Whilst this could have been a solid canonical ship if things had been written differently, as it stands... I can’t support it and feel it’s the worst outcome for these two characters.

Now, I’ve seen the argument that “maybe it all happens off screen” and that I addressed in a post here. The long and the short of it, I want to see characters develop on screen rather than off screen. That is literally what I watch for. The On Screen Developments. Not off screen assumptions. On screen this season, Allura had more bonding moments with Shiro than with her supposed new love interest. Does that make sense to you? Because it doesn’t to me. Then there’s the argument that Lance’s feelings have grown and matured and changed. But honestly, on some level, if Allurance becomes canon, it feels like they haven’t. Let’s go through it on a very basic level.

Allura and Lance meet, he hits on her. - Lance wants to be with her. They work together. He continues to hit on her. - Lance wants to be with her. They keep working together. He hits on her and is jealous and possessive of anyone who even comes near her. - Lance wants to be with her. Lance tones it down a little. Starts to be supportive. You’re the heart of Voltron etc. - Lance wants to be with her. Enter Lotor. Lance remains jealous and possessive, but plays it off to Allura as a joke. “You need a third wheel?” But to everyone else, including the mice, he makes it very very clear this makes him unhappy. - Lance wants to be with her. He makes that speech to the mice about wanting to be a better person, how he’s unworthy etc. etc. etc. - Lance wants to be with her. Allura finds out about this, seems less than pleased. - Lance wants to be with her. Allura breaks up with Lotor after finding out the man who changed her life is a genocidal space vampire. - Lance wants to be with her. Lance does the supportive hug scene. - Lance wants to be with her. Some stuff off screen presumably and Allura is suddenly over it. - Lance wants to be with her. Dual blushing scene, soft gazes lion scene etc. - Lance wants to be with her and suddenly Allura wants the same thing.

Now, to me at least, I never felt like Lance’s feelings for Allura changed. What changed were his tactics in pursuing that desire. The ultimate ulterior motive of wanting to be with her at no point altered. To me, that severely undermines his and Allura’s growth together. It re-frames the supportive friend hug in season six into the only possible on screen moment that she fell for him and to me that makes Allura seem weak willed, flighty and frankly weak as a character to be rushed into needing a new man so soon after Lotor. It makes Allura into the opposite of what she has been all along. It reframes Lance as being a creep who’s not being entirely honest and is just hanging on to get some Altean Action. It’s unwittingly supportive of the concept in toxic masculinity of No Doesn’t Mean No and I think that’s a dangerous message to be sending these days. We should know better. No means No, it does not and should not mean pursue them like an object you want to possess. In reality, that attitude being normalised can lead to obvious and dangerous extremes. In a story, the pursued partner loses their dramatic agency and is reduced to a prize or else wants to be possessed and is thus framed as less capable. I think the idea of Lance and Allura shifting their dynamic to “genuine romance” between seasons and off screen is cheap. Overall, I feel it devalues both of them rather than enriching them as a ship and an end to two character arcs should. Maybe, like resurrecting Shiro / Kuron early being down to executive meddling, the same is true here? Maybe the plan was for Lance to break the mould of the stereotypical nice guy waiting in the wings? Maybe Lotor being bad was also executive meddling? Or maybe that’s just the scapegoat for the roads we missed out on? The potential lost...

Now, the weird thing is, I’ve seen the argument made that you wouldn’t say that about allurance if allura was a guy. Well...yeah I would. Because if nothing changed except Allura’s sex and/or gender but the events were otherwise identical then it would have exactly the same narrative issues. It would still be undermining both character’s growth and arcs. Chasing someone who isn’t interested is still toxic behaviour regardless of who does it to whom. But if you want to assume that I’m just saying this “because Allura’s a woman” then I guess I can’t stop you, but I hope you take my honest statement that it’s not the case as far as I’m concerned. On the other side of this argument of well if x was y you wouldn’t z, well, that’s just you creating and answering a hypothetical question. Let’s say someone shipped, I dunno Keith and Cosmo. And the defence was “well you wouldn’t call it bestiality if cosmo was human.” And yeah, I suppose if something was changed so drastically there wouldn’t be a problem. But Cosmo is a wolf in Canon. And Allura is a woman in Canon. Maybe nobody would be saying Allurance has problematic elements if Allura was male or maybe the would. I feel that I certainly would see the issue regardless. But that argument is purely hypothetical and anyone who makes it has no way of proving it or supporting it.

There is however another issue in Canon that nobody seems willing to address. Alteans live for centuries. Centuries versus decades of lifespan. That kind of relationship will have the functionally immortal one watching the person they love ROT before their eyes. It will have them mourning their true love for CENTURIES or else callously moving on. It will, if they have or adopt kids, leave the functionally immortal one, watching their own descendants die. The functionally immortal partner will see their love reflected in their descendants eyes and faces. Forced to relive their loss generation after generation. I don’t want to contemplate that end for characters I care about. But that’s what would happen between Lance and Allura. I don’t want to think of Allura watching generations of hers and Lance’s kids and great grand kids dying like flies and thinking of her reliving that loss every hundred years or so as their next batch of descendants die in front of her. Maybe you see it as romantic? I see it as horrifying. And if the issue of Human vs. Altean ages is never dealt with on screen, I’ll assume the creators either didn’t think about it or assumed the audience wouldn’t care. Well I’m sorry, but you made characters that we love, they are part of a lore that we paid attention to. We do care and it does matter.

What I will admit is that maybe, just maybe the way I’m interpreting things isn’t what the creators intended. As much as I am a proponent of Death of the Author, I won’t disregard authorial intent. To those of you who don’t know, Death of the Author essentially states that; all media is a collaborative experience between audience and creators. That no one interpretation of a text is more valid than another. That interpretations can shift and change based on the time and context through which the text is viewed. That interpretations the author never intended are valid. Now, a lot of people seem to have this idea that “Death of The Author” means audience interpretation matters more than that of the author and completely overlook the idea of shared meaning and no one true interpretation. I’m coming at this from the point of view not that the audience owns the text but that we all, audience and author, equally share it and it’s infinite valid interpretations.

So that said, the authorial intent may well be that Lance and Allura’s relationship isn’t and was never meant to be a creepy guy being persistent. That it wasn’t meant to suggest that despite being rebuffed, he should carry on chasing. Maybe it wasn’t meant to seem like he was dishonest, swooping in after a break up to pick up the pieces. Maybe we’re supposed to ignore the ulterior motive to get into her pants that never changed from season one episode one? It may well be their intent was to show a relationship developing healthily and organically but they were rushed and it ended up feeling incomplete? But, that less positive interpretation is just not how it comes across to me and many others. Intent or not, we can only interpret what we see. We don’t hate the idea of these two characters being happy, we just feel like the way it’s portrayed so far doesn’t seem strong enough or doesn’t make it explicit enough that there has been sufficient growth and change on screen to really make us buy it. You may disagree. That’s perfectly valid. The authors may disagree. That’s perfectly valid. I disagree with those opinions and that too is perfectly valid. I don’t hate any of you for feeling the way you do or for reading the text the way you do. Everyone interprets media differently. Please do me the same courtesy and don’t hate me for my interpretation. We can both make valid points yet still disagree. There is not one true and absolute interpretation.

I suppose that leads me here. At this point, given the way that almost every ship possible has been hinted, teased, alluded to or given time onscreen... I wouldn’t be shocked if there aren’t any canonical ships by the end. Just hints. Forever hints. Because if nothing else, the Allurance shippers don’t deserve to be baited and switched. Even if I disagree with the way it’s been portrayed, even if I feel it was rushed and needed time on screen to develop, those shippers deserve a decent payoff if the show is going to tease it so damn hard and so damn obviously. The Sheith shippers have had plenty of hints as well. Kallura looks on the cards half the time. Hunay, Hunelle, Hidge/Punk all got hints at the possibility this season. Keith and Acxa, I was thinking they’d pull that as soon as Keith found her in the weblum. Plance, I may or may not have strong feelings about. Who can say?

But given that the series so far has given so many contradictory hints, even assuming the caveat of multiple interpretations, how could anyone be happy by the end? I mean, if Plance happens and I still believe it makes the most sense for Lance and Pidge’s journeys and character arcs... Well what about the Allura / Lance dual blush moment...? The Allurance fans will ask that and rightly so. Why even include that if it isn’t going to go anywhere...? Chekov’s Gun. I can’t even deny myself that if the plan really was for Lance to move on, this would have been the season to explore that to make it feel organic. If Lance ends up moving on in the next season, then that will suddenly feel forced as well. The amount of ship baiting going on is a little frustrating. I can’t see how it could end in a satisfying way for every baited ship. So, maybe they’re just going to have nobody end up with anybody canonically? At this stage, part of me would rather have that than have my OTP confirmed in canon. Because if what has happened so far is anything to go by... I’m just going to be disappointed at it feeling rushed and artificial. Unearned and pulled out of left field at the last second. With all the build up to Allurance, whether I think it hit the mark or not, it feel like it would be cheap and rushed to have him suddenly move on in the next and last season. Plance might end up feeling not organically developed, just, info dumped into existence for time constraints. I’ve been seeing hints between Lance and Pidge since episode one. Waiting for them to change their dynamic for all that time and seeing hint after subtle hint, seeing how perfectly their two stories align. They literally and narratively complete one another. And yet, if it comes down to it that one line or one half baked scene or even one future still image in a montage at the end of the series, is the confirmation of them hooking up...? Then even I won’t feel like my ship was worth coming true in canon. I’d rather have it never come true than have it come true as badly, as forced, as potentially interpreted as toxic, as contrary to the narrative and as ultimately unsatisfying as Allurance seems to be right now. I have no issue with Allurance being the end game. I would just have wanted to see it done justice and right now... It just isn’t. Don’t agree? Ok, well...

Compare and contrast... One person in this series, Allura creates - using Alchemy - a means to be whole again. A weapon capable of overcoming a nemesis in visual dramatic parallel. Having learned Alchemy through tainted means from her Evil Ex, she’s now able to put it to physical tangible use for a new person. Not only that but she sacrifices her crown, her symbol of office, one of her last remnants of her dead home world in order to make that creation whole. She has shown this person nothing but respect and kindness otherwise. Another person she barely interacted with aside from telling him to shut up then in the space of one episode they’re all blushy because reasons.

I’m being a little facetious, but let’s be honest.... What this shows is that Allura literally has a more meaningful and narratively significant set of interactions with SHIRO than she does with Lance this Season. Shiro’s arm represents her turning the bad experience with Lotor to good. Her giving up her symbol of Altean Royalty shows she’s willing to sacrifice anything for him. And through that bond, she grants him the power to turn the Atlas into a giant robot. Where she created the Sincline out of a dishonest partnership, the Altas-Mecha is formed by honest...well, it looks like LOVE to me. Now I’m not saying I ship them. But if you showed me this season out of context with any of the rest of Voltron, I would be shipping Shiro with Allura even though he’s Gay. Because frankly, in the story told on screen this season that actually makes way more sense than shipping her with Lance. Even out of context, even assuming no Lotor, no previous issues, Lance and Allura being hinted just seems...out of nowhere this season.

Maybe I should just wait for the sequel series where everyone ends up with total randoms off screen that nobody is happy with? Maybe the ships that make the most sense and have been hinted at the most will be forgotten or end up with off screen unhappy marriages as some vague and irksome attempt at being “mature”. Yes, I’m still salty about Toph/Sokka as well as Kataang, what of it? Sometimes you just want the characters you have grown to love and adore to have a happy ending together. Is that too much to ask...?

So, season 8 predictions...?

After a heartwarming episode that teases Coranecker, Lotor will finally get his redemption arc. And by arc I mean, episode. There will be an entire episode devoted to info dumping how he wasn’t really a space vampire the whole time and Romelle got the wrong end of the stick. This episode will tease Lotura again as well as hinting at Hungar, Huntor, Hunlia and Huray, the Polyship of Hunk Coran and Shay. Haggar, having now established herself as the dark queen of the Quantum Abyss will send wave after wave of Altean-Robeasts at Voltron, before the series finally ends in, you guessed it, another big battle with another new big robot. There will be a “we won” montage, Sendak will somehow be resurrected or a void creature will emerge from Daibazol to set up the Big Bad for the sequel series. Maybe both. Nobody will end up with anyone and the next series and/or movie will be hinted at. We might end up with a cliffhanger to tease the sequel series. And we’ll all go away a little disappointed and a little happy all at once. Oh and Black Paladin Kaltenecker of course.

Salty semi-joking aside, at this point given how rushed the series has obviously become, I really would not be shocked if Lotor DID get a redemption plot that was dealt with in a single episode. Or a single sentence. Just like the way he was turned into a Genocidal Space Vampire in a single episode, I’m sure they can turn him into the Space Pope in a single episode. Maybe blame it all on a rift creature? Or maybe save that plot thread for the next series, given that in 13 episodes there’s no way they can cover everything they want to AND cover it as well as they want to. Or just never mention them again. It’s not like they were set up to be majorly important or anything.

Also, if the whole of Voltron Legendary Defender is now going to be a backdoor pilot for Voltron The Garrison Guys or whatever, that seems disappointing more than exciting. Voltron Legendary Defender should be it’s own show first and a sequel should organically follow based on success or failure. If there was always a plan to have more seasons as a sequel series then...

USE THOSE EXTRA SEASONS TO GIVE THIS STORY THE ROOM IT NEEDED!!!

Make VLD the best it can be before assuming we need a sequel series at all. We wouldn’t have half the problems we have now of story lines feeling rushed if, get this the story lines had more episodes to not be rushed! We could have had more Past-Paladins. Keith’s backstory could have been explored as a full episode or two not spoon fed to us by time flashbacks. Allurance could feel less forced and artificial. Lotor’s betrayal could have been given more than a single episode info-dump. We could have actually explored Allura’s feelings and hr process of getting over one of the most important relationships in her life turning to shit. Give this story the time and space it needs to breathe and grow. Let THIS story be told in a well paced way rather than being forced to rush to hit the deadlines for the sequel series. If VLD ends up being less well received owing to bad or rushed writing, we may just end up with zero interest in the sequel series anyway. It’s self defeating!

Don’t have entire episodes devoted to characters who show up, info dump and then are mute for the rest of the season. Don’t have entire plot threads be rushed and resolved in time less than they deserve! And if you can’t do that...

THEN TRIM THE FAT!!!

We can probably all point to a bit that felt “rushed” or “forced” or “out of left field” and that all comes down to a single fact. So far, there has been far too much story to tell in far too few episodes. So certain plot threads end up suffering as a result. Not being fully realised. Not being given anything more than flashbacks and montages rather than full episodes examining in greater emotional depth and deeper narrative exploration.

I would rather see a simple story well told than a complex story rushed for time. What we seem to get in seasons 6+ of Voltron are attempts to tell the entire story they wanted but being forced to cut it short for time. Sadly, what would have been better than telling the full story badly would be telling as much of it as you can save well and discarding the rest. Maybe that’s already happened? Wouldn’t shock me.

Lotor deserved better. Allurance if it becomes canon, deserved to have been built upon to make it seem more deserved, less creepy nice guy. Allura deserved to have on screen time to adapt, grieve and move on from Lotor. Matt could have had time to develop his relationship on screen. Plance if it becomes canon deserves time to shine, because for many fans out there if it does becomes canon in season 8 then for them it will seem rushed, sudden, forced. Or worse, Pidge will always seem like Lance’s backup girl... As Said before, even me as a hardcore Plance Shipper feels like it can’t possibly be given the time it deserves to feel earned when we have just one season left to tie it all together.... So again, maybe all they can do at this stage is shrug and only ever give hints as to whom ends up with whom in this massive cast...? And then just spew out the sequel series. Because we gotta sell those new toys.

I cared and invested in the VLD characters. I wanted their story to be their story and not just a vehicle to sell the next series that, to be honest, I’m probably not going to be remotely interested in.

The Salt Floweth To An End

There is SO much potential in VLD that was squandered by things being rushed, compacted, cut and yet also being massively bloated despite this. Then there’s the obvious executive meddling that can’t have helped for a second... It just ends up making everything messy and unfocused. This season was a mess. Entertaining, yes, compelling, yes and damn good overall but with so many moments that just hit shy of the mark the creators obviously were aiming for. Almost all of it down to the writing. Because the animators, musicians, actors and all the other cast and crew did an amazing job. But the writing was...just a totally confused mess.

Overall, it ends up being Great rather than Exceptional which breaks my heart. Because the first 5 seasons? Exceptional. Every aspect. Especially the writing. But from Six onward? Everything seems to just crack and fray around the edges, the polish wears thin and the whole thing feels just slightly less like everyone involved gave 100%. Maybe a solid 90%, and some still went above and beyond... But things, in my opinion, shifted. Sometimes in service of “surprises” and sometimes just because they needed to rush. Whatever the case, it feels like somewhere along the line the writers stopped caring as much. If at all. Will I watch season 8? Sure. But I’ll always know it could have been so much more if they’d been given more time and more room to let the story flourish. At this point I doubt it’s possible given the already obvious lack of focus in the writing, that we’ll see every plot thread tied up to satisfaction. I’m not even going to kid myself that they’ll do it all well because that’s just not going to happen. I’ll be shocked if they manage it at all. Frankly I’ll be shocked if the last season doesn’t focus more on the new team again... I am not looking forward. It feels like a chore now. Will I watch the sequel series if there is one. No. Probably not. I wanted Voltron Legendary Defender to be given all the time it needed to be exceptional. I didn’t want to watch an advert for the next series and the next group of characters and toys. Especially if we’ll just end up seeing them all wasted, rushed and never allowed to live up to their potential as well. I was invested in VLD and it sucks that my investment is used as a marketing ploy for a potential new show before being discarded. Ah well. There’s always fanfics I guess... Though even that tastes a little bitter now... Like I'm just another part of the Voltron Hype Machine and not even getting paid to do it... Sucks and it taints what I plan to do and what I already have done... I do want to continue supporting the show and the ship I love along with all the fans out there in The Garden, but right now... I’m left feeling so conflicted. In two minds about how much I enjoy this show and yet despite that, how often and how glaring some of the errors, missteps and plain crazy choices they seem to be making along the way... It’s hard to feel 100% positive, but I did make this post and I stand by it. If the Voltron writers won’t give us the reality that makes the most sense? We make it ourselves. I did make these three posts and I stand by all of them as well. Even now as it seems like the writer’s minds are falling apart like chunks of wet cake, I still maintain that Plance makes the most sense in the story for those two characters I loved. Will it still make sense at the end of the series? Honestly, yeah. I’m sure it will still make more sense than whatever the writers eventually decide to churn out. Here’s hoping Season 8 is...something...

#vld season 7 #voltron spoilers #voltron season seven #voltron season 7 spoilers #spoilers #salt #bear writes a dissertation on a cartoon #voltron legendary disappointment

38 notes · View notes

dammitadolfnomorecake · 6 years

Text

Everyone is writing depressed Lance on the way back to Earth (and I just want to feel included) omega Lance

Lance was gutted. He felt like a worthless fool. A worthlessly embarrassing fool. He'd slipped. He'd let let whole team have a glimpse of a side of him he'd rather they'd never seen. He was Lance. The comic relief. The seventh wheel. The temporary Red Paladin who'd stupidly fallen under Allura's spell! He didn't get it. He couldn't figure it out, no matter how he thought, it all came back to, why?! Why had he let himself develop feelings for someone so... perfect, and brilliant and so far out of his league? Hey gorgeous personality, her beautiful appearance and enchanting smile... he'd thought he'd loved her... but he'd never realised to what degree... they'd been so close, now it all they had was awkwardness. And since when had all his pretending become reality?! He might have flirted with Allura since day, but he'd known he never had a chance. He was just a boy from Cuba... and a boy who's heart already belonged to another. So now, here he was. Listening to the others chatting, as his shook. Crying silent tears so as not to burden the others. They were all so happy. So happy that Keith had come back... even if he wasn't the Keith remembered. The Keith he remembered was barely the same height as him. He was the Keith with a quick temper, always baited by the slightest quip... but this Keith... he didn't know what to do. What to say. Keith had come back radiating an aura of maturity. An aura telling Lance his feeble jokes and bad flirting weren't going to be appreciated. He was now someone Lance didn't recognise, yet his stupid feelings wouldn't leave him alone. His verbal banter with Keith had kept him going. When everyone was busy, all it'd take was a look, or a gentle teasing of Keith's mullet and that was it, they'd fall into an almost family like fight, no real bite in their words, but nothing akin to love. That had been enough, but now he didn't even have that. He was alone in Red, Kaltenecker his only companion, and the memories of his death to keep him company. He was lonely and miserable. Hating himself for how desperately he wanted one of them to reach out, to simply ask if he was ok. It was pathetic. He was pathetic. They were going home, but what happened then? Shiro was back. Which once again meant there were more Paladins then lions. If they were to build a new castle with the help of Earth and the Galaxy Garrison, then they'd insist on staffing the castle with their people. Most suitable Paladin's would be selected, though it was up to the lions if they accepted them. None of them had asked to be Paladin's, yet the others... the others filled their roles so perfectly. There really was no space for him. Hunk's laughter filled Red. Pidge teasing him over something trivial, while Hunk spluttered and laughed. It hurt to hear. They were all so happy. So full of hope. While he was alone. He didn't even know if they knew he'd died. He could still feel the coldness nested in his heart, at first he'd thought it from Allura accidentally breaking it, but now he was sure it was from his death. He was supposed to be dead. He was supposed to be dead and now he was sitting here like some abomination "Paladins, we'll set up camp for tonight on the planet ahead. We need to plan our trip home, and there will be much to do along the way" "Alright Allura. Because you asked so nicely" "Don't be hangry, Hunk. We'll feed you once we get there" "I'm not Hangry" "Sorry Hunk, I've got to agree with Pidge on this one" "Ha! See. Even Shiro agrees!" "Shiro, man. I thought we were friends" "I think we could all use some rest and food..." "I don't know if I'm ever going to get used to this confident Keith" "Don't start on me Pidge" "I'm just saying! You've changed" Allura giggled as something rustled in the background "Of course he's changed. He was gone for two years!" "And he comes back with such a pretty girlfriend" "Shiro, Romelle isn't my girlfriend" "Why not. She's pretty" "I can't believe you. I save you and this is how you repay me?" "What can I say? My little brother is so grown up" "Keep going and I'll put you back in a pod" "Now boys, no need to fight" "That's right. I'm recovering, go easy on me" "And he's only got one arm!" "And grey hair! You've gotten old!" "There's nothing wrong with my hair!" "Yeah, nothing a little dye wouldn't fix!" "Shiro, ignore Pidge. I think your hair suits you" "Shut up, Matt!" "Thanks, Matt" See. They didn't need him. They hadn't needed him when they'd stopped on Olkarion to explain the situation. They hadn't needed him when Matt had decided to join them. None of his friends had even noticed when he'd returned to Red ahead of time, only caring that he'd been in his pilot seat when they took off. It wasn't like he hadn't asked if there was something he could do, but Hunk had brushed him off, while Pidge had told him to leave it to the "big kids". He hadn't said a single thing to any of them since, that was a nearly a movement ago... * Landing on the planet, the others had landed so there wasn't actually any space for Red near them. The plateau they occupied was nestled between two sharply sloping rises, neither of which had enough space for Red, and the next closest space was a good three to four hundred metres away. Whatever. It was better this way. No one would hear him crying in his sleep, and no one would bother making the walk. He'd just get some sleep, and be yelled at in the morning for keeping them all waiting. Standing, Lance ran his hand over his pilot's chair sadly. He was going to miss Red. Even if she might not feel the same "Red, can you please open your mouth? I need to let Kaltenecker out for the night" Obliging, Red lowered herself, opening her mouth and allowing a cold gush of fresh air to fill her cockpit. Kaltenecker mooed, not at all impressed over the frigid air "I'm sorry girl. You know the rules" Kaltenecker went out at night, otherwise she'd mess up Red's cockpit in more ways than one. Leading his stubborn cow down, he tethered her right beside Red's jaw, before backtracking and grabbing her water pale "I know girl, but you've got plenty of grass?" Kaltenecker looked so completely done with him. He really must be pathetic "Don't worry. I'll make sure you go to a good home when we get back to Earth" Flicking her tail, she turned her back on him. Opening the doors to the cargo bay, Lance looked at the pathetically small piles of belongings he had. He'd tried to make the effort to keep things neat and organised in a manner that would make Shiro proud of him, but what was the point when he never talked to them? Back home, his mother had always been on his case about making his bed. About how an omega needed to know how to run a household. How to cook. How to clean. What to say. What not to say. What to wear. What to be. Every part of his life was ruled by his secondary dynamic, and it wasn't until he'd joined the Galaxy Garrison that he'd realised he was incredibly lucky to know everything his mother had taken the time to drill into him. Male omegas were a joke. An abomination. They weren't even permitted into the Galaxy Garrison, but Lance had gotten his letter of acceptance before he'd ever had his first heat. No. That came two weeks later when his mother and father were away on a business trip and he was supposed to watch the house with his older brothers, but they both had girlfriends and he'd been left alone. The moment he'd realised what was happening, he'd been filled with terror that just thinking of the memory still triggered that same terror. His mother had come to find him half dead, unable to care for himself during his heat. His brothers had been been smacked with her shoe until they'd both been reduced to tears, while he had been taken to the doctors and given a new and highly experimental shot, designed for long term suppression. He still got "heats" but instead of loosing control of himself, it instead consisted of a week of cramping and headaches, while his own sweet scent was completely obliterated. Something he considered a small price to pay to achieve his dream of being a pilot. Scents were one of the first things noticed when finding and selecting a desirable mate, but he couldn't smell the difference between an alpha and beta, or even a omega for that matter. The only scents he could pick up were from deodorants, or soaps, or shampoos. Things like that. When Hunk and Pidge had incorrectly assumed him a beta, he hadn't corrected them. Being a beta wasn't exactly high in social standing, but it was miles higher than a male omega. Shaking his head over the state of Red, Lance ignored it completely, making his way over to the pilot of blankets that now served as his bed, and crawling into them without even bothering to undress, or bothering to eat. The Olkari had made sure they were all stocked with enough rations to last them a phoeb. His having magically appeared one day in Red's cockpit without his knowledge. He would have liked to have thanked Ryner, but she was always so busy with everyone else that it always felt rude to interrupt. Now he'd probably never have the chance. Curling around his Bayard, he cried himself to sleep. Lance was awoken by angry pounding. His heart was racing, being woken by anger was perhaps the scariest way to wake. When his dad had lost his job, he'd drowned himself in drink. Being the youngest, Lance hadn't known to run and hide like the others. His father had knocked him around more than once, before his mother had thrown him out to get sober. When his dad had come home, things had gone back to normal... but the fear remained. It was an irrational fear his seven year old self couldn't understood. Every time his father would raise his hand, even if it was to ruffle his hair affectionately, his heart would race as he flinched away. Veronica had let it carry on for your years before finally explaining to him. He didn't hate his dad for hurting him, his dad hated himself enough over it for the both of them. But trauma is a funny thing. Climbing to his feet, he wrapped his arms around himself as he walked over to door in Red's mouth, pressing down on the hand pad to reveal a very pissed Pidge "What the fuck, Lance?!" "What..." "Don't what me. Your stupid cow was down at camp this morning. If you can't look after her, you never should have brought her with you" "Is she ok?" "No she's not. She's cut her back leg on something. Allura's going to take her so Romelle can treat her wound" "I..." "Just get your act together, and stop sulking. You're not the only one hurting right now" "I get it. Sorry, Pidge" "So you should be, we don't need the stress right now. We're heading out, so try not to fall asleep" He knew Pidge wasn't a morning person, but shit. He'd made sure Kaltenecker was tethered properly. He'd even double checked she was. Now she was hurt, and it was his fault... Once again the kept their coms at they flew. With no teladuv, they'd fly for six or so vargas, land on whatever moon or planet was closest for a short "lunch" break, then fly for another 6, before making camp for the night. As usual everyone was chatting off and on around him, while Lance stared down at his Bayard. Allura has said he was meant for greatness, and he supposed idiocy counted. The world's greatest idiot. That was him "So Lance, what's the first thing you're going to go when you get home?" Lance jumped at the sound of his own name, taking a few ticks to place the voice. Keith's mum... why was she talking to him? She should be happy with Shiro and Keith... she'd practically adopted Shiro on the spot "Knowing Lance its going to be something stupid, like chatting up girls by telling them he's some big space hero" "Either that or he's going to stuff his face. I can smell the garlic knots from here" Everyone laughed, Shiro pointing out that Hunk was probably going to be the one to stuff his face. Lance's face burnt. Keith had probably told his mum just how much of hopeless flirt he was, and about all the times he'd been rejected "Ha ha, good one guys" "See, he doesn't even deny it" "Seriously man, there's more to life than girls" When he didn't reply to Matt, Pidge giggled "Awww, I think we hurt his feelings. Lance, its ok. I'm sure someone out there will like your bad jokes" "It's fine. I'm going to take a nap" "Food and sleep! What a life!" The conversation moved on from him, Lance crawling from his chair, making his way to behind it as he hid his face against his knees. He just needed to make it home. If he made it home, he'd never see any of them ever again. When that nights planet was decided, he was the first to land, turning his coms off and heading out of Red before the others had even finished powering down. Relieving himself quickly, he ignored how light headed he felt. He probably should bother to eat, but it was just so much effort. Walking back to Red, he could see the others already making camp. Shiro supported by Krolia, Keith standing beside the protectively. It was a bitter feeling. Heading back into Red, this time he actually bothered to find a ration pack, and bottle of water. If he got sick, they'd all get madder at him. Settling down in the back corner of Red, he picked at the granola like bar with disinterest, while trying to figure out how to actually contribute to the team. He didn't want to be dead weight anymore. Lance was crying softly when something wet ran up his face. His breath caught as he tried to escape the situation, only to be yipped at as something solid pressed against his chest. Wiping his face, the omega blinked, sniffling as he realised it was Keith's wolf "Did you get lost again? I'm not Keith..." He couldn't even remember the dumb dogs name, but staring right into his eyes, it lowered itself down, huffing as it did. It's two large paws firmly against his chest, so there was no way he was going anywhere. Thumping it's tail, the wolf nuzzled at his face "I'm not your human..." Lance hesitated before wrapping his arms around the beast, nuzzling its soft coat as his soft cries turned to sobs. This was the first real warmth he'd felt in quintants that hadn't come from a cow "How come you're here? Keith's gonna be mad when he realises you've been slumming it with me" Carding his fingers through the blue fur, the wolf didn't pull away, though it did stop nuzzling at his face, instead resting its face on his shoulder "Sorry. I should let you get back" When Lance's fingers loosened their grip on the fur, the wolf let out a whine, as if telling him not to let go "Do... you maybe want to stay here a little while? I was going to go to sleep" Keith must have taught the wolf "sleep" as it pulled away, before laying beside his leg "What am I going to do with you?" Sliding down his bed, Lance tentatively snaked his arm around the wolf, burying his face back again the fur as his he pulled a blanket over the pair of them, and settled down properly "I don't know if you can understand me, but thank you... all I ever do is mess up... so.. thank you" That night was he first night since his death that Lance didn't wake from a screaming nightmare. Instead he woke to Keith's wolf liking at his face, and pawing at his chest "Alright, I'm up. I'm up!" Yipping, the wolf disappeared and reappeared, playfully lowering its self before each jump "You need to go back to Keith. He'll get mad" The wolf cocked it's head, as if telling him he was stupid "I don't have much for breakfast..." The granola bar from the previous night was still beside his pillow. Pulling the wrapper off, Lance threw the bar, the wolf catching it happily "You need a name. I don't know what Keith calls you, but I'm going to call you Storm. Thanks for last night, but I'll be ok. Go back to Keith before he gets too worried" Yipping again, the wolf disappeared, this time not reappearing the cargo hold. Today's topic of conversation was Keith's missing wolf. Lance hadn't turned on his coms until after they'd left the planet, so had come in late to the conversation "She was gone all night" "She probably just found a rabbit" "Her fur was damp... Coran, didn't you say that planet was devoid of water?" "Right you are, Keith" "Which means she was off getting into trouble" "She seems happy enough" "Maybe she's been raiding the supplies?" "Don't even joke about that, Pidge" "Why don't you follow her?" "Because following a magical disappearing space wolf is just that easy" Lance didn't even realise what he'd said until it'd slipped out. Allura had been asking a simple question "Wow Lance, someone's salty" "Lance, you didn't need to be rude to Allura like that" "I'm sure Lance has his reasons" No! Why was Allura making it sound like she deserved it... "That's not what I meant..." "It's fine, Lance" "Way to bring down a mood. Wanna play "eye-spy?"" "No, you cheat" "I do not cheat! You just can't match my level of intellect!" "Oh I beg to differ, Katie" "Are you challenging me, Matt?" "I just might be" "Bring it on!" Someone groaned, but Lance didn't want to hear it. Cutting the transmission, he pulled out his Bayard, activating it. Staring at the blade, he placed it in his palm, balancing it while sighing. He'd suffered with depression for years, even before presenting, but he'd never hit a low like this. Each time he'd felt low, he'd always forced himself to carry on, but if he was leaving them all, what was the point? He'd never tried to hurt himself intentionally, outside of punching the occasional wall or door, but maybe that's what he needed. Inside Red, he was safe. His emotions numbed to some degree by their mental link. Maybe that was why he was feeling so disconnected? He just wanted to feel something other than depressed, and pain... that wasn't sadness. With his shirt hiked up, and his pants unbuttoned, Lance had his bottom teeth captured between his lip as he stared down at his right hip bone. He'd always been so gangly. Too tall to be an attractive omega, and his curves were barely existent. Pressing his blade to his hip, he hissed as he nicked the skin, and drop of blood rushed to form. Shit... he'd actually... he didn't want to do this... yanking the blade back, the tip caught on his hip bone, cutting through his skin for a good inch and a half before he even realised what he'd done. He'd never been great with a blade, but now he'd panicked uselessly and done the very thing he'd decided not to. Blood poured from the wound while Lance cursed himself. Pressing his hand firmly to the site, he forced himself up, gritting his teeth as he stumbled into the cargo hold. Leaving bloody hand prints across his supplies, he finally found his first aid kit. Who the quiznak thought letting him a blade was a good idea? It took him nearly half a varga to dress the stupid wound because the bleeding didn't want to stop, and then his pants rubbed against the gauze, making him yelp each time he tried to move. The others would love this. He'd hit the bottom, tried to hurt himself, scared himself out of it... only for him to hurt himself and get blood all over the place.

5 notes · View notes

hopesoldcomicblog · 6 years

Note

whats th best way to get into scooby doo

OK so this might be a long post given that I own almost every piece of Scooby Doo media except for a few comic runs and WrestleMania 2. I’m going to break this down into shows, comics, and movies(live action and animated).

Animted Shows

Scooby-Doo, where are you? (the original and most iconic series. not very plot based and super wacky. a good place to start. very dated.)

basically, any episode of this series is a good choice, they are all funny and wacky. They are simplistic and relatively easy to find at libraries and online. My favorite episodes are “Which Witch is Which?”, “Spooky Space Kook”, “Nowhere to Hyde”, “A Tiki Scare is No Fair”, “Haunted House Hang-Up”, “Make a Beeline Away From That Feline” and “A Menace in Venice"

The New Scooby-Doo Movies(these for the most part are awful and super dated. these episodes are fairly long about 45 min and feature a lot of pop culture stars from the seventies)

my recs are: "The Dynamic Scooby-Doo Affair”, “Wednesday Is Missing”, "The Ghostly Creep from the Deep", “The Caped Crusader Caper”, “The Haunted Showboat” and “The Weird Winds of Winona”

The 13 Ghosts of Scooby Doo

this is a super silly, short series. Scooby and Shaggy unlock a box of demons and travel the world aided by a warlock voiced by Vincent Price trying to get the demons back in the box.

A Pup Named Scooby Doo

silly short series about the gang growing up. I don’t have any episode recs. in particular but the show overall is full of cringing 80s tropes and is a great time.

What’s New Scooby Doo?

simple plan sing the OP. Super cheesy show from the early 2000s. great time. all of the episodes are good. no debate. all good.

Scooby Doo: Mystery Incorporated

best scooby doo show ever. you need to watch all of it. it’s wacky and full of an amazing plot. has no right to be as good as it is. has a twin peaks meets stranger things meets x files meets classic Saturday morning cartoons sort of vibe. if you only watch this Scooby show you will have lived a good life. full of classic Hanna Barbera references(Jonny quest, speedbuggy, captain caveman and the funky fantom show up)reruns are shown on boomerang, used to be on netflix.

Be Cool, Scooby Doo

silly, wacky, fun. not too much plot and good if you just want a taste of scooby doo. all of the episodes of it that I’ve seen are good.

Animated Movies

-Scooby-Doo and the Ghoul School(think Scooby doo and monster high crossover, wacky but good)

-Scooby Doo Zombie Island(great movie, great animation, great music, great overall)

-Scooby-Doo and the Witch’s Ghost(it has Tim Curry. great plot)

-Scooby-Doo and the Alien Invaders(wonderful cross-species love plot while Fred, Daphne, and Velma try to fight an alien abductee)

-Scooby-Doo! Legend of the Phantasaur(don't be fooled by the name its one of the best Scooby movies of all time)

-Scooby-Doo! Music of the Vampire(a musical that makes fun of Twilight. good time)

-Scooby-Doo! And Kiss!: Rock and Roll Mystery(…this is great. I love it.)

-Scooby-Doo Moon Mystery Madness(the crew put far too much effort into this)

-Scooby-doo: mask of the Blue falcon(Adam West makes fun of gritty batman reboots while hanging out at comic con with Shaggy and Scooby)

honestly, any scooby doo movie from like the last ten years are great starting points. some are on Netflix and Hulu.

live action movies

-all of them.

you think I’m joking? Velma’s a lesbian in all four and is Asian in two, Shaggy’s a stoner, Fred’s a fuck boy and Daphne is played by Buffy the Vampire Slayer in two. the 2002 and 2004 movies are on Netflix.

Comics

ok so, for the most part, the current comic series are for the most part self-contained so you can just jump in. a lot of them are really thought out and have funny pop culture references. one makes fun of Hamilton and another makes fun of trump. they are great and pure.

actual recommendations: the recent Hanna Barbera DC crossover titles are all great. please read them. but the Scooby-Doo apocalypse title is great because it’s the edgy zombie apocalypse AU we all asked for. it’s funny and the art is fantastic. there’s a lot of thought put into it. I love it. the trade paperbacks just came out. (also Future Quest and Wacky Raceland are great)

Podcasts and other stuff

-The gameable Saturday morning podcast Scooby Doo episodes(two tabletop gamers go over how to run a Scooby Doo roleplaying game)

-Crystal Cover Radio

- JelloApoclypse’s Youtube Vid on Scooby-Doo (https://www.youtube.com/watch?v=n4-k2n5hlTU)

-the Lego shorts and games

-Harvey Birdman Attorney at Law “Shaggy Busted” (https://www.youtube.com/watch?v=eCkwhd23S7Y)

-Venture Bros “ ¡Viva los Muertos!”

- Batman: The Brave and the Bold "Bat-Mite Presents: Batman’s Strangest Cases “

_________________________________________________

Wow! okay, that took longer than I thought it would be. If you have any other questions message me.

#asks #scooby doo

5 notes · View notes

alexilulu · 6 years

Text

10 Games I Played in 2017, Roughly Ranked

This is wildly long lol so have fun, idiots

#10: DESTINY 2

This is sort of awkward. Destiny 1 was a game I enjoyed with small reservations; it was obvious how hampered they were by their own backend in creating new content and design spaces to explore, prior to The Taken King. Even then, it had shining moments of joy for me. I adored the goofy dead ghost hunting like halo 2/3 skullfinding, using every trick at your dispoaal to find another morsel of insane, well-crafted tidbits of lore for this world that the game itself rarely even touched on, let alone explored. Destiny 2 was supposed to be the "we listened and we're fixing it" for that game, and a needed jump to a new backend that would free them to create the things they dreamed of.

The grimoire was removed wholesale, those bits of lore still true presumably but inaccessible in the game again. Instead of finding ghosts, you examine objects in the world, getting a 2-sentence Nolan North quip that usually is more funny than it is educational about this sprawling world they created. And it doesn't save that anywhere. We actually moved backwards in term of the lore's accessibility to the player, somehow. The game itself is still Destiny, helmet popping and aiming down sights and kicking balls around the tower, and it's storyline was ambitious in a way the original was not, actually making you feel at least a little weak for about 10 minutes before you're back to killing Fallen and then doing donuts on your Sparrow on top of their corpse. The game treats itself as both too serious and totally unserious in the same breath, a monologue of serious consequences punctuated by Cayde cradling a chicken and petting it gently. It's good, but it remains to see if it'll reach the same comfortable spot Destiny 1 got to by the end of it's lifespan.

9: NIOH Here's where I admit that some of these games I've played, in that I played it for a few hours and haven't had time to return to it. I have it on good faith that Nioh is an incredible game, and from the bits I've touched I know that to be at least probably true. I've heard it described more as a Diablo-esque loot-game pretending to be a Dark Souls ball-busting difficulty monster than vice versa. It's something I'm hoping to come back to, and if I'd been able to spend more time with, I likely would have put much further up the list.

8: Dishonored: Death of the Outsider Another game I fuckin' haven't had time to complete, Death of the Outsider is the thing I and several friends have wanted for years; Billie Lurk fucking shit up. And her powerset rules. I'm only like 2 missions in, but I'm looking forward to finishing the rest sometime before Christmas, hopefully. Dishonored 2 was definitely a game I was thrilled to play, and I know this will be more of the same.

7: Resident Evil 7 What could be better than the creeping horror of a deranged family out in the Louisiana Bayou? Resident Evil 7 was honestly so unbelievably effective at learning from the last 5+ years of immersive horror games while still, at it's heart, being a goofy Resident Evil game under that. That style clashes at times; The moment when you go outside to the courtyard of the mansion and find a double-keycard locked door when the most advanced thing in the whole house before now has been the goofy projector-doors that hearken back to the ancient history of the series. I think it sticks it's landing well, with a good lategame twist and plenty of goofy superscience in between. I've been meaning to go back to it for the Chris Redfield DLC, but I don't know if I actually want to, to be honest. That game was a fun ride, and they did their best to add the usual replay stuff like a NG+ gun and such, but I think I'm okay leaving it where I left it, on good terms.

6: Tacoma I bought the hoodie that came with a LUNAR TRANSFER STATION TACOMA patch Fullbright sold long before that game had it's transformation following feedback from beta testers, and I never stopped looking forward to it coming out. Gone Home was like a...I won't say formative, because it isn't true, but it was definitive for me. A story about two girls falling in love together doesn't come around that often, and the attention to the setting and feel of being in this old, deeply lived in house. Tacoma shows that same love of character and place in spades, giving you an even more intimate look at the world the crew of the Tacoma lived in together. I honestly lost it when I noticed during a scene that next door, their cat was asleep on the shelf above the laundry machine. Just the smallest details and love shown for everyone involved broke my heart and put it back together in a different shape. A vision of a world utterly fucked by corporatist greed such that they are essentially their own extragovernmental entities, and people live on anyway, just being people. It's so sad, but still sort of hopeful? Even if the world is garbage, people will keep on living as best as they can. It's very millennial of myself to find solace in that idea, honestly, but that's this game for you, one crafted based on the excesses of the last decade spiraling out of control.

5: Final Fantasy XIV: Stormblood In any other year, this game would be #1. You're gonna hear me say that a few more times here before we're done. Final Fantasy 14 has been a constant in my life for the last 3 years, delivering again and again the sort of joy that only comes from a game lovingly made by people dedicated to their own love of the genre, the setting and their playerbase. That's the only way I can describe it, lovingly crafted. Naoki Yoshida loves this game, and so does his team, and every inch of that game radiates this. The storyline itself is a little meandering, jumping from a failed revolution to formenting a successful one, to returning triumphant with new armies and allies at your back. Everyone in that game is, again, a joy to be around. It has a somewhat similar roadtrip feel to Heavensward, but never treads the same ground in the same way. It's more like...taking your friend abroad to another country, while Heavensward was a road trip across a state that stops and starts in fits and spurts. I don't know if this expansion will hold my attention in the same way that Heavensward did, or that A Realm Reborn did. I don't know if I have that part of myself that's willing to ride with an MMO across the lifetime of it's expansion this time. I want to support this game, and the people who make it, and my friends who do still ride with it. But this might be my last expansion.

4: Tales of Berseria If this came out any other year, it might be my game of the year. You'll hear that 2 more times before we're done. I've never been a Tales person. I know people who are, and I understand the mystique, but I never Understood it until repeated praise (and some very cute lesbian ship art) forced my hand into buying it. I don't know if I'm gonna be ok when I finish it. The game is very baldly about doing bad things. The protagonist is a demon on a blatantly self-destructive revenge quest against the self-appointed savior of the world, aided by a demon swordsman who wants to kill his brother, a witch with existentially depressed ennui, a boy who barely knows who he is, a pirate cursed to bring ruin to those around him, and a pure maiden with a tragic backstory trying to do good in the world who has fallen in with them through a series of missteps so comic they're mostly just sad. Together, this totally uncohesive group of misfits abandoned by the world, rejecting it and destroying everything that stands in their way. It crushes my heart on the regular. This is definitely a 60+ hour JRPG because I just got to hour 20 and there's absolutely still so much left to go. They've introed villain after villain, placing the shotgun on the mantelpiece for Velvet to mangle herself with just to kill them in the blast. This game breaks my heart. The world it's in is awful, every party member has been utterly ruined by some facet of it that happened to conflict with a totally normal thing they wanted. They're the devil's rejects. And I love every single one of them.

3: Butterfly Soup Remember all the praise I gave Gone Home back there? This game is like that for me this year. You can just make a game about some queer girls playing baseball and being in love, and I'll love it with all my heart. It's not hard for me to peg why I love it; Akarsha is like a fucking mirror pointed directly at my face with a moustache painted on it, Diya's anxiety and gay panic is so deeply relatable that I very nearly cried the first time she said the word Lesbian to herself and immediately tried to convince herself she's not gay. Brianna Lei's depiction of young, messy, goofy girls living with all the problems that happen to kids their age; insane parents, abuse, self-discovery, a lot of bad jokes and getting all too real at a moment's notice. I honestly cannot wait to see what else she can bring to the table.

1 (TIE): NieR: Automata If this game came out any other year, it would be #1 without effort. The original NieR did something at just the right time, with just the right amount of feeling. A rejection of the trend of father figures rescuing their child and getting the good ending, NieR was a quest to protect a girl to the detriment of everyone around the protagonist, including the girl herself. The final ending of that game ends with you erasing yourself from the world so that you never existed, to save someone who deserves to live and would have if not for you. NieR's destructive quest to protect his daughter literally destroys the world around him, disrupting millennia of careful planning and manipulation by people far smarter than him. All because they took his daughter. Damn the world, he wanted what was his. NieR: Automata follows another 10,000 years after that, in the same world, scarred by a war that broke out centuries ago. The game frequently lies to both you the player and you the protagonist, but the protagonist already knows better, and simply doesn't let on. The game focuses, instead, on the ways that something built by humans craves to become like its long-gone masters. Androids are built to be physically ideal, sexy and at times loving to one another, because that's what humans did. It's unclear if they chose this for themselves or if humans did it to them (and obviously Yoko Taro chose for them to be like this, human choice or no), but it's how they live. The machines they fight do the same, playing a phone game across millennia of what humanity was, trying to fill the holes in their life with gender binaries, sexual intercourse, children and family and love. What separates them from us? Are we any different? Do we deserve to be different? Do they? I don't know how to talk about this game coherently. There's so much there. People recently have been talking about it again, as lists like these come up, and so many bad takes are floating around that it crushes my heart. 2B's sexy, so the game is horny. It's bad because you have to replay it 5 times (no, wrong, bad). It's bad because 9S is a softboy and 2B could have been a lesbian with any of the women throwing themselves at her (come on, dude, at least try). I'm not gonna try to rebut any of these, because the game itself doesn't need my defense. It stands on its own. It's the best game I've played in the last 5 years, in all likelihood. It's definitely my favorite of the last decade.

1 (TIE): Persona 5 If this game came out on any other year, it would be #1 with a bullet. This game had an insanely tortured development cycle. Pushed back again, then again, then again. Remember that February 2012 graphic that used to go around, and likely will right around Valentine's Day? Characters were revamped, removed, redesigned 5 times in the case of Haru (who started out as a boy, somehow). But it's exactly the game I needed in 2017. I was a transplant in Texas in 2004, going into high school in a new state where we knew no-one and nobody. I was quiet, spending most of my time outside class reading the 6th Dark Tower novel, Song of Susannah, a 2 inch thich hardcover beast. Because it's high school, rumors started about whatever they thought I was because I was quiet and wore a hoodie to school regardless of the weather, hiding guns or knives or what have you. Akira's experience touched me, in ways I never thought I would be a decade after graduating. Shit, everyone touched me in some way. Yusuke's quiet acceptance of the abuse and labels applied to him by his teacher and his fellow students. Futaba's isolation in the wake of her mother's death hit me in the heart; I dropped out of college when my own mother had a spinal cord fusion in her lumbar spine that ruined her life, left her with 10% her previous mobility. I mourned for years. Haru's quiet demeanor and the immediate, effusive joy she displayed whenever she could be with her friends, no matter the context. Ryuji's bristling rage at authority that ridicules him. Even the side cast struck me in ways Persona 4 and 3 never did. Kawakami's tiredness with the world, her exploitation she brushes off as a fact of life. Takemi's cool acceptance of being forced from the job of her dreams into treating bruises and being blackballed by the world she worked to survive in. Sojiro's struggles with cruel family that would destroy the daughter he loves as his own. Persona 5 is a game about the ways that society is designed to strike down the odd man out, casting them aside as worthless or ridiculous. The simple girl run into a cult, the daughter of a model forced into a role she never asked for, the typecast and the downtrodden, who deserve so much better than the world they've been given. This is a deeply flawed game. Within hours of Ryuji standing side by side with Ann to defend her from the casual sexism of Kamoshida or any other number of aggressions, he becomes a slavering hound doing the same thing to his best friend. The writing, when it's not inconsistent, simply isn't there; Haru's final and rather grand entrance peters off into maybe a dozen lines she has in the main story following her introduction. 6+ years in development can do some bad stuff to a game. But I love it, despite all of that. I can see what this game could have been, with a less tortured development, with a director who didn't ask the character design to make all of the female confidants "cuter". With a more focused vision, a clearer goal, and a better route there. All of that said, I still love my satanic crime ring. And I probably always will.

2 notes · View notes