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#one day I will learn how to draw dynamic poses
sysig · 9 months
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What if Peepers got left behind with the main duo tho (Patreon)
#Doodles#Wander Over Yonder#Wander#Commander Peepers#Sylvia#Dynamics ✨#Technically I have more to this idea but it ended up a bit meandering so y'know how it is lol#One of these days I'll learn how to draw the actual main characters but it's not today lol#That said I am very pleased with how Sylvia turned out in the first panel lol her Snoopy poses always get me bad <3#She may not Like the cutes but she Is the cutes so there ♪#This is basically just a character swap The Little Guy but also that episode already happened? Idk I'll figure it out as I go lol#The important parts to me were Peepers in a position with no authority and already-established dynamics with these two#Westley growing to trust them is fun and all but Peepers already knows them interpersonally - from fairly early on! The Prisoner et al#He's not in danger - at least with Wander there lol he turns his back and Sylvia rears back and he turns again and Peepers is cowering#Poor lad haha ♪ They'll go off to fight by themselves at some point#Both of them having a proper sparring partner they're not afraid to hurt tho?? This is why their dynamic works honestly lol#But just the thought of him being equal parts defensive and trying to use them for safe haven until Hater comes back to get him lol#Unlike Westley they really can't function without him so they'd make a return trip once they noticed but how long would that take ♪#So until then he has to get cozy! (Impossible)#But really the thought of no Hater acting as his alarm clock no force to manage no paperwork no schedule - I think it would stress him out#He's a creature of habit! He's lost without his familiar-and-knowns! Waking up to birdsong and bright sunshine is alien and wrong!#Hell even sleeping to crickets and the soft and warm breathing of other bodies - it's all strange and uncomfortable ♫#Probably gets up in the middle of the night - carefully - to lay a trap that Chekov Gun-style foils him or Hater by the end lol#Anything to settle him! It would take way longer than the Skullship returning to sway his deep-rooted habits hehe
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c28hunter · 10 months
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So, I made some doodles
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Obviously, it had to be Käärijä and Bojan
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ralofofriverwoods · 4 months
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When you fully force yourself to learn how to draw horses to make a secret Santa gift 😭
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velnna · 1 month
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I'm curious to know how you mastered anatomy? I mean, look at the subtle shadows around Roy's shoulder or the details along Staeve's arms or even the ups and creases on Astarion's face, I am truly amazed and see it and it makes your art style so good but I can't understand how you do that...
I know I lack that specific little details in my own art style but idk how to comprehend it, so did you actually study anatomy? Or did you like, vibe around? Or try to feel and visualize while drawing what the body feels like?
Amazing amazing artist you are mate, love you for sharing this with us!
It's honestly just been a matter of actively trying/learning to recognise muscle groups and joints over the years (plus a lot of my biggest artstyle inspirations are HEAVY on anatomical lines and accuracy). Also, as I've mentioned a bunch of times, I've always been involved or interested in high performance sports, acrobatics in particular, which made me pay a lot of attention to people's bodies from very early on (in a purely artistic way lmao)
These days a lot of it comes intuitively, but if I'm ever struggling or need a fullbody/more dynamic pose my first step is to outline the muscles in the sketch to see if anything's out of place. To aid me in this I sometimes have écorché (skinless) references either as pictures or in 3D. This sort of thing:
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There's a lot of online resources for this as well! I personally love this one
In my head things get converted to a puzzle of sorts, kinda like what these study notes look like (not mine, artist handle in the pictures):
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And then it's a matter of weighing in how thick a character's skin is (indicator of a bunch of things including age) and what the fat-muscle ratio looks like, to decide which structural lines stay and which ones go or become less prominent.
And yes this also explains why I have so many fit/lean characters. I get a kick out of drawing muscle groups lmao
All that being said! I'm still very far from my anatomy goals haha it's a work in process for all of us. Hope this helps!
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shewreckz · 2 months
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Hey your art is pretty whimsical and radical my gender non specific broseph, per chance would thou be able to enlighten us on how you draw such bodacious fine art? Like how you draw bodies and fave and what have thee. (Fr tho your art really cool and I'd like to see how you make it)
okay i have whipped up a quick little visual of my thought process while drawing!! it might not be the best cause im not the greatest at teaching but if anyones curious ^_^
first lets start with how i draw bodies
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a lot of people like to do the "skeleton" method which is where you draw lines and circles to plan out where the limbs should be. honestly i really dislike doing that because i like to always have volume and shape in mind when drawing bodies, but if it works for you thats great.
instead i separate the body into different pieces, kinda like an articulated doll. i think it helps visualize all the moving parts in a 3d space and makes posing and perspective a lot easier. i can also always add the detailed anatomy on top of this basic model like you see on the left. its always important to work from simple -> complex. drawing a pose while being too worried on anatomy will really hinder your drawing process.
to improve doing this it really just takes practice and observation. i could be here all day talking about proportions, and how many heads high a person is, and each specific muscle group, but i reccomend you go and watch videos and study professional artists on your own. as someone who has been drawing and studying these things for so long, i barely think about how many heads high a person is when im drawing a body. its kind of like learning how to play and instrument or driving a car. it becomes second nature eventually, but you have to apply those skills and work through that period of time where youre still trying to program it into your brain.
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after you get a hang of the basics you can take this basic model and draw all types of body shapes with it. i say its always important to play around with making your body types diverse. its not only fun to do but helps make all the characters you draw unique and recognizable. (dont be like vivziepop).
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dynamic posing can be the hardest thing to master for a lot of people. the best way to learn how to pose is to not think about it too much and just doing it. for example in my figure drawing class we had to sketch out gesture drawings from a picture in 15 seconds. excercises like that help a ton in making you feel more comfortable when drawing from a reference. you should definitely reference a LOT when it comes to poses, it helps build this visual database so that eventually you can get to the point where you can just draw accurate and dynamic poses from memory. after getting to this point eventually you kind of start thinking of your canvas as this tangible 3d space and considering your characters in 3d space helps make the poses feel a lot more realistic and interesting.
ok now a quick little tour into how i draw different faces yaaaayy!!!1!1!1
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main thing with my art is that i LOVEEE drawing dynamic face shapes i think its so important to avoid drawing the same slim faces over and over. shape language plays a big role into this. like for example the face on the middle is more square, the one on the left is more oval and the one on the right is more circle. shape language helps communicate so much about your character without even saying a word about them and just helps differentiate people from a glance.
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facial features also play a huge role into making your faces different. these are all drawn from the same exact face shape but look like entirely different characters by adding variety in the features. different noses, eye shapes, lips, etc. can make such a huge difference
i think before any of that its important to learn the anatomy of the face though. again im not gonna go into how many eyes wide a face it or how far the nose is from the mouth but like its always important to learn the fundamentals before stylizing stuff. again the face is a 3d space and if you dont consider your face a 3d plane the features will kind of just look like theyre floating on your characters face like soup...theres a lot of great resources and tutorials online take advantage of those!!! and reference from artists you like too it helps a ton.
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and then you mix that all together and Boom you have cool and interesting faces. you will best that same face syndrome in no time if you take my advice Trust...
anyways yeah thats the soda design philosophy hit that like button if you liked it or douse me with tomatoes and kick me off the stage if you think i give bad advice ill leave the decision up to you
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romana-after-dark · 7 months
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Blessed Be The Fruit: Part 2
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Commander!Joel Miller x Handmaid!Reader
Series masterlist Join dark!Romana's tag list Dark!Romana's Masterlist
(sorry if you get two notications, accidentally posted this to my mainlol)
Summary: A few decades into Gilead’s conception, you head into your first posting as a handmaid after an affair with a guardian landed you in trouble. Determined to keep your head low in order to keep your son safe, you take on the moniker of OfJoel. Commander Miller has very little to do with you and mrs. Miller regards you with disgust, however you find solace in an unlikely friendship with Commander Miller’s daughter from a handmaid 14 years ago, Ellie who just got done with wives school. You and your friend, Ofthomas start teacher her and her friend Reilly under her mothers nose. Slowly, Commander Miller begins spending time with you and you begin to learn more about the man he was before and an affair begins outside the confines of the ceremony. Although initially you go along with it out if survival, you find yourself falling for the version of Joel you saw in these late night rendezvous.
Which Joel is really him, and how will he react when his own daughters secrets are revealed?
Content and Warnings: DARK JOEL! DUB CON!
Although no violent rape happens like in TWW, reader is under systemic misogyny and a society of ritualized sex abuse. Everything other than the violent rape scenes, everything that happen in either The Handmaids Tale book or show are liable to happen here including but not limited to discussion of rape, child abuse, child marriage, ritualized sexual abuse, sexual abuse in general, acts of violence, major character deaths, mentions of miscarriage but never shown and never pregnancies we know of. Big ole homophobia warning, specifically in regards to lesbophobia. As for Joel, PIV sex, breeding kink, degrading (slut, whore etc but thing like Raider!joel) forced breeding and breeding kink, power dynamics, Joel is not the good guy but he’s also not the worst, slightly rough sex but not violent. Warnings are liable to be added as the story goes but I’ll always update. As always if I miss something please tell me, but i extensively label my warnings and in the end media consumption is your own choice. If you would like to know if this is a happy ending or not you can message me and I’ll tell you that way I don’t spoil for everyone but you can decide if this is for you.
Immersability: Reader has long hair, can conceive children theoretically. At one point, she has to pose as Ellie's mother and I know this can be loaded in terms of skin tone. I am no genetics expert but I know dark skinned parents can have white passing children, like Lional Richie and Nicole Richie. It's up to you to see if this is going to take you out of the story or not.
Support writers, reblog and leave comments!
Additional warnings: forced blowjob but reader is into it. Still dub con bc the nature of everything.
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It was a strange feeling, knowing the entire household was keeping track of your monthly cycle. Mrs. Miller had been cued in by Aunt Lydia of where you were at last week, and since then you were told the date of the next ceremony; the night during the highpoint of your fertility. You wondered, not the first time, why the ceremony was only once a month, not during the entire time of ovulation, or why not two or three times a day… but you supposed that’s where the wives would draw a line. No rights to reading or education, no voice, no power. One wrong move and you too can become the victim of ritualized rape… but no, your husband fucking a random woman more than *checks notes you aren’t actually allowed to read* once a month is too far. 
Internal humor is how to cope. The reality of the situation was terrifying, but it’s not like you were shocked by the idea. You had grown up your whole life knowing this would be your fate if you strayed; well, if you strayed and you were fertile. That fertility is what landed you in this problem in the first place.
It wasn’t love. There was no grand story to it. You were married at 15 to a man in his 20’s who hit you, as was his right. Even that wasn’t as dramatic as it could have been, just slaps, shoved into furniture, things of that sort. When a local guardian made advances, you took him up on it. The sex was fine, and eventually produced a baby; your son, who looked just like his real father. 
The guardian was sent to a new local and seemed indifferent to his son who was placed with some commander and his wife. You didn’t even get to say goodbye to him. He probably has a new name now, something biblical, and you often wonder what it is, what word it is that calls his attention. Babies recognize their name around 6 months after all. Benjamin? Levi? Asa? You named him… well, that doesn’t really matter now. It’s a name he’ll never know as his.
Angela had a better story. There was a group of you, a few other handmaids in your region and Angela rallied you all together, sharing your real names and stories. She had lived one hell of a life, always brave. As a low ranking wife she went behind her husbands back for the underground resistance at the young age of 16 and was pregnant a few times, none of which made it very long. For ten years she fought against Gilead, continuing the tradition of her youth. Hell, even before Gilead’s official formation she fought, being a part of pro-LGBT and women’s rights activism since middle school. After her husband was killed in war a guardian attempted to rape her and Angela stabbed him to death. Badass. Gilead didn’t see it that way, despite espousing wanting to protect women. She was going to be hung, of course, but a pregnancy test reviled she was pregnant again, a baby she carried to term, this time. He died of illness a few months later. Regardless, she’d had a healthy baby, and was sent to Thomas Miller’s for her first posting last year.
Aunt Lydia had told Angela that this commander Miller would suit her temperament and you understood what that meant. Angela had confirmed the impression that you had gotten early that week.
Thomas Miller had kind eyes. The kind of eyes that warmed you, relaxed you. You bet he was a charmer in another life. The brothers seemed close, Joel- Commander Miller you mean, lighting up around him like you only see with Elizabeth.
Commander Miller adored his daughter, that much was clear. Many men in Gilead only viewed their children -especially daughters- as possessions or pawns, but it was clear it wasn’t like that between them. You wondered if that closeness is why she wasn’t married yet. At 14 she had been out of wives school for a few months, and it was time to at least get her betrothed. God forbid she waste of moment of potential fertility. Yet, Commander Miller didn’t even seem to be looking.
 Few knew more than him how dangerous it was as a woman in this world, and Elizabeth wasn’t a woman- she was a child, still. Commander Miller also seemed aware that Elizabeth was… particular. She only had one friend, Riley, a child from before the handmaid system who was married already. Mrs. Jones, she was called by Lisa, you and Mrs. Miller (who always tried to do things by the book). Joel refused to call her Mrs. Jones, saying “I’m not addressing a child who I’ve been forced to play dolls with as Mrs. anything. She’s Riley to me.” Outside though he did things right. Can’t be too familiar with another man’s wife, even if he’s known that wife since she was in pull ups. 
The ceremony was tonight, and it seemed like everyone knew. Angela did, but only because you mentioned it.
“Got any questions?” She asked you, always the older sister, even if she only had a few years on you.
“Believe it or not, I’m not a virgin.” You joke back.
Angela laughs and nudges you with her shoulder. “I know, it’s just your first ceremony. I mean, it��s pretty straightforward to what they teach you in the Rachel and Leah Center, only-” She seemed to shut herself off with that, but you urge her on.
“Only what? You can’t leave me there.”
She swallowed thickly before attempting again, somewhere between a cringe and a childish giggle. “Well, you know, genetically-”
“Angela.”
“Brothers have similarities-”
“Just say it!”
Angela stopped, pulling you in to whisper. “Tommy has a massive cock.”
You stand there frozen in shock until a guardian shouts at you to keep moving and stop whispering. There was a lot there, including the implication that if they share genetic similarities, Joel might be harder to take than expected, especially without foreplay, but the thing that really struck you, the thing that sent your mind whirling was how Angela phrased it. She called Commander Miller, Tommy.
*
He was handsome, Commander Miller. At least there was that. Another handmaid, Ofglen, was stuck with a 70 year old man. Several girls had commented in hushed whispers that you and Ofthomas were luck; the Miller brothers were a dream posting, comparatively. So many men were ugly, old, or cruel. Ofhim had scars from lashes on her back. Some of the wives were worse, Ofcole’s wife would starve her when her monthly cycle proved the ceremony useless. Mrs. Miller was a pain and was rude, but she’d never take anything like that into he own hands. She wanted to play the part of dutiful wife so bad. That didn’t stop her from constantly making digs at her daughter.
Mrs. Miller requested your aid in her garden once, using you to dump all her feelings. She confessed the reason you were here was her doing; Elizabeth had proven a failure in her eyes, and she wanted another child to raise, to start over. She said her father spoiled her, let her get away with to much. Commander Miller refused to physically discipline her, and Mrs. Miller was insistent that that’s what the girl needed. Commander Miller reminded her she was just a teenager, and Mrs. Miller countered that she is a woman, not a child. You were married off young and it had seemed fine. You felt like an adult. But now you look at Elizabeth and think ‘did I look that young? Did I seem that childlike?’ 
Mrs. Miller had expressed that she had hoped wives school would fix her, or that maybe after coming back, Riley’s influence would be good. Ellie’s friend, Riley, was 16 and was married to a man in his 20’s, both children from before who had been taken from an unworthy family. An age gap, but certainly not the worse you’d seen, certainly, but now you were near her husbands age the the idea of marrying a 16 year old…
All this to say, Commander Miller was a blessing. You’d been lying if you said you never thought of him when you masturbated. And of course you masturbated. His sweaty body all encompassing around you, brown curls falling on his face, his facial hair on your skin…
*
It was time for the ceremony, you and Mrs. Miller were in your respective positions, you laid up between Gina’s spread legs in her blue dress, her hand gripping your arms with your legs bent. Commander Miller emerged from the bathroom and your chest tightened at the sight of him, knowing what was coming. The pomp and circumstance had passed, the prays having been done in the living room with members of the household: You, Commander Miller, Mrs. Miller, Lisa, and the driver, Isaac. There had been a passive aggressive spat between Mrs. and Commander Miller on the idea of Elizabeth attending the prayers.
Mrs. Miller: “She needs to participate in household activities”
Commander Miller: “It’s bad enough she knows whats going on, I don’t need her to participate.”
Mrs. Miller: “She’ll be a wife soon enough herself, god-willing she’ll have a handmaid of her own!”
“God-willing she won't need to!”
Mrs. Miller scoffed. “As if God would find her worthy in her state!”
Commander Miller grew deadly calm, jaw set in a tense gaze as he stared at his wife, you and Elizabeth standing on the other side of the room. “Woman, you do not speak about her like that again, understood?”
The intensity of his eyes must have been warning enough, Gina backing down. “Yes sir.”
He straightened up. “Ellie, you are excused. Gina, drop it.”
The tension had carried over into the bedroom, the air thick with it as the reality of what was going to happen settled in. Commander Miller’s bulge was prominent even in his dark pants, having worked himself up alone before coming out here and undressing once again. Just pulling down his pants and underwear, god forbid you see him shirtless. This wasn’t for your pleasure, you filthy whore, this wasn’t even for his. This was for you to bare him and his wife a child. A son to lead the family in righteousness, or a daughter to bare more children and so on. This was a job.
You hear a spit and the distinct sound of masturbation, then a few more spitting sounds. It took everything in you to not look at him, keeping your eyes glued on the ceiling but the picture was clear in his head. The tall, broad, powerful commander furiously jerking off the the site of your body spread of before him. Was that for you? Or was he looking at his wife? He sure didn’t seem very fond of her, but there was no denying she was beautiful.
“Joel, do you really need to do that? It’s obscene.”
“Well you can’t expect her to take it dry when you can barely-”
“Joel!”
“Well unless you want me to-”
“JOEL!”
You couldn’t help it, opening your eyes to see him, his face scowling but eyes with a glint of mischief. He was fucking with her, purposefully embaressing her infront of a lowly handmaid to get back at her for what she said about Elizabeth.
When Commander Miller slid into you, you were suddenly acutely aware that this was going to be difficult. Slowly he moved inside and the inches just. Kept. Coming. Your breath hitched and you bite down on your lip trying to keep any possible sound from coming out, no gasps of pain that could be mistaken for pleasure. The stretch was unbearable by the time Joel was fully sheathed inside of you, thrusting as the tears pricked up in your eyes. It would be quick. There was no presence of needing to last, at least. Just get it done. Fill you up and hopefully you conceive. Problem was… the stretch.
 It wasn’t your fault, really. It was natural, wasn’t it? Even under these circumstances. Or maybe you were a harlot, only redeemable by producing a child for a high value man. That's why you were in this position, right? You could feel yourself getting wet and you wished he would hurry up before the smell of sex and arousal fill the room, before the fucking sound became impossible to ignore. The warmth in your belly grew, tightening, the feeling of being filled so completely was just dizzying and you needed him to finish, now.
Then it happened, the orgasm hitting you so hard your eyes rollback in your head and it takes everything you have not to cry out. You can only pray Joel isn’t looking at your face as you attempt to stifle every bodily reaction as you pulse around him. Warmth floods your insides when he stills inside you, a light groan from his lips. He’s allowed to make a few sounds; he’s the man, after all. It’s supposed to feel good for him, but for you? This was wrong. This was bad, and you were going to be in a fuck ton of trouble now. Aunt Lydia never said anything about orgasming. Did the law have a specific article about this, or was it left up to the commander's discretion? You hadn’t seen Joel raise a hand to Gina yet, but you were only a week in. You open your eyes, daring to take a peak at Commander Miller in order to gauge your future. 
You can see him smiling at you before tucking himself back into his pants to go clean up. Mrs. Miller instructed you to lay there for a while, bettering the chances of it taking, and left the room. When Commander Miller exited the bathroom and returned to the bed chambers, he excused you with a soft “You can go now, darl’n”
*
Another 2 weeks went by without incident, and it appeared Commander Miller wasn’t going to do or say anything about your embarrassing indiscretion. Angela had told you to play with yourself before the ceremony to get yourself wet, but you had been too scared of this exact scenario happening. Fat lot of good it did you, huh?
Unfortunately for everyone involved, you got your period as expected. One would think you didn’t want to get pregnant. The odds of dying in child birth had increased despite growing technology. It was the pregnancy complications and the insistence of home births even when the pregnancy was warning them not too. Gilead’s obsession with rituals meant that there was also an extensive one for childbirth and that obsession rendered many women dead. In addition to that, there’s the horror of growing a child inside you, and even if it was a healthy pregnancy and that child lives, after a period of breastfeeding you are taken away from the life you created to go to another posting.
If you produce a child and remain behaved, when you are no longer of birthing age, you get to retire in peace. Whatever that meant. You weren’t sure you entirely cared, one way or another, but the idea of the wall was scary. 3 postings, 3 years per posting, this was your window.
You often heard Elizabeth sneaking downstairs after the household went to sleep; always after Joel went down. Your room was right by the stairs, so you heard it all. God knows you aren’t sleeping.
You were bored. So bored. Bored enough to sneak downstairs after Ellie and go investigate, so you do. Slowly and carefully you go down stairs and find Commander Miller’s office, creeping up to the door to listening. You hear music. Music that was supposed to have been destroyed a decade ago, and you take a moment to enjoy the sound. Steady acoustic guitar, soft male singing.
“Can we listen to it again?” Ellie’s voice spoke from behind the door.
“After your lesson.” Commander Miller.
“UUUGGGHHH”
“I thought you wanted to learn?”
“I do…” Ellie acquiesced, and you can hear the sounds of pulling a book off a shelf and opening it. Biology. Commander Miller was teaching Ellie biology. This was unheard of, especially for a commander's daughter, a woman who was supposed to be getting married off soon. She didn’t need to learn science, to listen to ungodly music? So why was a high ranking Commander not only allowing it, but teaching her?
You move to go back upstairs where you belong, but the creak of the floor gives you away. White-hot panic, the kind where everything runs hot and the world suddenly feels funny floods your system. You freeze, hoping to God no one heard you. That goes out the window when the door flies open, Commander Miller spotting you and yanking you inside the room by the dress.
“What the hell are you doing here?!” He shouts, loud and angry and so close to you that you can smell his breath.
“Dad?” A panicked Ellie stood to the side, drawing your attention. She looked terrified, and you felt sorry for scaring the poor girl.
Joel gripped your face, fingers digging into his skin as he forced you to look at him. “Eyes on me. You don’t look at her.” Keeping your face forward, Joel turned to Ellie. “Go upstairs, I’ll take care of this.”
“But dad-”
“Ellie. I got this, you go to your room, it’ll talk to you in a bit, okay?”
Ellie nodded, going out the door and only stopped to eye you for a moment.
Joel turned back to you. “What did you hear?”
“Nothing-”
“Liar!” He screamed, fingers pressing harder into your skin.
“I heard the music! And, and some of the lesson, but I won’t say anything I swear-”
“Of course you won’t,” Joel chuckled. “Who are they going to believe? A commander and the first daughter of Gilead, or a handmaid who cums during the ceremony.” Your eyes go wide at that, the way Joel’s grip loosens but never leaves, thumb slowly beginning to trace at your cheeks. “Yeeeah, that’s right, I felt you. Little bitch in heat couldn’t help cumming on cock? Didn’t even need any build up, huh? You just take whatever's given to you. Little whore, all pent up…” 
God, he looked good like this; towering over you, broad shoulders closing in on you and making it clear there was nowhere to go. When he placed his thumb at your lips, you didn’t even hesitate to take it in your mouth and begin to bob your head, eyes closing just a little. “Dirty, dirty girl…” Joel taunted. “Just need to get filled up. All that pent up slut, nowhere to go. Tell me, sweet thing… Do you think of me when you touch yourself?”
Your sucking stopped, but Joel continued moving his thumb in your mouth. “Yeah, I know you do. Get on your fucking knees.” He didn’t wait, shoving you down to your knees, his cock entering your mouth before you had a chance to think.
The stretch pried open your mouth, pulling at your chapped and dry lips. The bulbous tip hit the back of your throat and made you gag, but he wasn’t stopping.
“Dirty fucking whore, that’s how you ended up here, isn’t it? Needed to be constantly filled, your husband wasn’t enough?” He thrust into you with vigor, your sputtering sounds only spurring him on more while you breathed through your nose, you couldn’t help but whine, preening at the sensation of a dick in your mouth once again. It felt, so, so good, despite the circumstances. “Don’t you worry, I’ll fill you up alright, fill you up enough you stay full.” His pace began to falter after a few more minutes. “Fill you up with my baby, fulfill your biological destiny like the pretty little whore you are.” You wriggle, trying to get some sory of sensation between your legs as you hungrily sucked at him, desperately needing his cum inside you.
He spilled into you, salty and thick and so fucking good, you swallow down every goddamn drop.
With a hand fisted in your dress, Joel pulled you up and to your feet, shoving you back against the wall as he cleaned up. “You are going to apologize to her, and after that.” Joel was close up against you again. “You are going to keep my daughter’s name out of your fucking mouth.” His tongue flicked out to lick at the corner of your mouth and swiped his tongue over your lips. “After tonight, we on’t be wasting one more drop in your mouth. Every last bit of me goes to filling you up, but this-” He patted your stomach where his cum was heading. “Should keep you satisfied until next time.”
Until next time.
Joel pulled you upstairs and into Ellie’s room where he shoved you forward. You fold your hands in front of you and bow your head, hoping she can’t see any evidence of you being a whore for her father on your face. You doubted Joel would’ve allowed that.
“I’m sorry for intruding, Miss Miller. It won’t happen again.” You are careful not to imply you heard anything, know anything, and certainly not imply that she did anything wrong. Joel wouldn’t stand for that.
“Yeah, whatever.” Was all she replied before Joel sent you out of the room, and all you hear as the door closes is “It’s okay, baby girl. It’s handled.”
But your thoughts were swirling on something else, how turned on you were, how dominant he was, how fucking hot he is, but most important, those last few words.
Until next time.
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We get to the spice nice and fast ayyyyyyyyeeee
We love Joel being protective of his daughter <3
Let me know your thoughts!
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lightspringrain · 2 months
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Some Drawing Resources
I saw @freesia-writes asks for some drawing resources and I thought I would share some that help me along the way. List is below.
Some drawing programs (prices may vary):
Autodesk sketchbook (free)
Krita (Free)
Adobe Photoshop ($11 USD A month)
Clip Studio Paint (80 USD a year)
Procrate ($10 USD) For tablet
3D Programs:
Blender (free) - great for learning anatomy and 3D space of a figure.
Maya ($300 USD for 100 days) - used to be a lot cheaper but not anymore.
Books:
1. *** Human Anatomy for Artist: The Elements of Form - by Eliot Goldfinger *** (Must have)
2. Anatomy for Sculptors: Understanding Human Figure - by Uldis Zarins (fan fave)
3. Figure Drawing: Design and Invention - by Michael Hampton
4. Classic Human Anatomy: The Artist's Guide to form, function and movement - by Valerie L. Winslow
5. Classic Human Anatomy in motion: The Artist's Guide to the Dynamics of Figure Drawing - by Valerie L. Winslow
6. Dynamic Human Anatomy: An artist's Guide to Structure, Gesture, and the Figure in Motion - by Roberto Osti
7. Anatomy: A complete Guide for Artists - by Joseph Sheppard.
Online Art Pose References (where to find):
Artstation Marketplace (not free)
Deviantart (mostly free)
Pose Space (pricey)
Gumaroad (not free)
Background:
I actually have a degree in 3D and 2D animation from on the the top art schools in the USA. However, I really didn't learn much about drawing in school. I learn more about 3D/2D programs and how the 3D animation industry works. I learned how to draw/paint mostly on my own.
I started out as a digital artist and still am a digital artist. It not so much the medium in which one draws on but what one is learning how to draw. Much like music - doesn't matter which instrument one is learning how to play, one needs to learn their scales. In art those "scales" are learning anatomy (which nobody learns), color theory (which is my pride and joy), perspective (super hard), gesture and form (super fun once you get it).
Remember, everyone learns differently and at their own speed. Find what makes you want to learn and a fun way to learn for you. Hope this helps! Best of luck on your art journey.
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soundbluster · 17 days
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for a while since i got into transformers 3 years ago and i loved the franchies instiantly even since i was a kid especially the designs of transformers and Seeing fan arts and fan Designs and fans make thire own continuity made me me want to start learning to draw when im ready but i don't know how to draw cybertronians so do you have any tips and advices for someone who want to learn to draw transformers characters both Traditional & digital art?
Biggest advice I can give is: "Break a character apart into simple components!"
Drawing bots is honestly not that difficult, I find it much easier than people because you can more easily break a character apart into simplified blocks.
When it comes to designing characters it can take a few times to get one you're happy with so doing lots of basic sketches can help. References are always useful too! Every artist uses references.
Here's how I do it (In this case I'm doing an alt design for tfe Nightshade):
(It's not a definitive guide as you kinda have to figure out what works best for you both in terms of technique and art style. I'm aware my art style is definitely not for everyone, as it veers more on the cartoony side. I've had comments about how my faces all look effed up etc XD)
Initial sketch
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Break a bot down into basic shapes, circles and sausage shapes for more rounded characters and boxes for squarer ones. I normally start with the head and draw the rest of the body down from it (torso and arms then legs then any back kibble that might be visible) Think of it like the protoform beneath the armour.
To help with figuring out a pose I'll often use my toys. It can help you visualise where their arms and legs etc go along with whether part of a bot is actually visible from a certain angle. For example in this case:
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(Yes that's my cat chilling in the background)
This can help you to figure out if a certain design can pull a given pose, for example would a bot with kibble on their hips or arms be able to move their legs or arms a certain way. I used POTP Elita one as a reference for my SG Megatron a lot for example as they've got very similar builds. But this is not essential.
(There are mannequin apps on mobiles etc. you can use to help with pose references too, and image searches are always useful for references.)
For more dynamic poses it helps to think about how the character is moving, so add a curve to the torso/spine to add to any implied motion etc.
Details
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Once I'm happy with the basic shape and pose I typically add the armour over the top. Again the head is usually the first bit I do. You can see I got a bit lazy with their left hand and just did a scribble here XD
Inking
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Normally when inking I do the edges of each armour piece first then add any details on afterwards in a finer pen. Generally I'll do one body part at the time eg. fully ink the arm before doing the head etc. Its best to make sure you do parts that are in front first!
Here's the finished picture:
Though it'll need some digital cleaning up at another time.
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As for digital art...
I can't really give much advice on starting a drawing digitally as I never quite got the hang of it (colouring and corrections I do digitally but all my line art is traditional), I need the feedback of a pen in my hand and pressure on the paper to get it right.
These days the Hardware I mainly use is a refurbished huion art tablet (it was about £120 when I bought it) that's probably the cheapest your going to find a graphics tablet with a screen. BUT it's really not essential to get one especially if you're just starting out. Basic graphic tablets without a screen (just a pen and a pad) are much cheaper or you can use a mouse. I used a mouse for ages when I was first starting out.
In terms of software, for colouring and edits on the PC I use GIMP (I've been using it since like 2009 so I'm not really going to change any time soon!). It's freeware software and can do a lot of stuff, but it's user interface isn't the most user friendly especially if you're not familiar with graphics software but there are plenty of tutorials available for it. I'll try to remember to make a post showing how I use that another time :) as I'm not at my computer at the moment.
There are plenty of alternative image manipulation/graphics software to use as well, some free, some free but with ads, and some paid for (either one off payment or subscription). It's best to see what other artists have to say about them though as I've never really used them!
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pixelatedtaken · 1 month
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Alastor, Vox, and their Rivalry
...or the nothing it gave us
S1 Analysis
this is based on information the show's s1 gave us. this can and will most likely change once the next seasons release.
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disclaimer: this is not a ship analysis. you can read it however you like, but it's not intended for ship purposes
SPOILERS AHEAD ↓
Even before Vox was introduced, it was made clear that Alastor has a... distaste for modern electronics. Even so, he seems to know how to navigate them. He's familiar with TVs and their mechanics, watching and making commercials.
So let's start with:
Radio vs. TV
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By default, both represent different eras of media: the Radio and the TV.
It's a very old classical tale of old vs. new that to this day, there's debates on it. Alastor and Vox are exactly that. The debate of which is better. The old and reliable way or the new developed way. The one that doesn't appreciate the changes being made and the one who embraces it. A Radio Demon and a TV Demon.
And they are that simple old vs. new dynamic. Different but similar.
Alastor vs. Vox
Vox first gets mentioned through the title of the Vees by Sir Pentious. And even with Alastor's response, "Oh, nobody important." we're hinted at a dynamic, in this case indifference, which is mostly how Alastor tends to treat and act towards Vox. Mostly...
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On the other hand, Vox is obsessed. From knowing that Alastor was gone for 7 years, the hate drawing, the 'fuck alastor' mug, the cameras, the ripped photo, you can even go as far as saying their outfits– he's not subtle about it.
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As soon as Vox learns about Alastor's return, he has an overdramatic response with his nails digging into the table, voice changing, and his cameras instantly on Alastor. In general, Vox has cameras probably all over hell, but keeping an eye on Alastor is tricky when the man glitches every time he's being recorded etc, etc. This is also stated by the fact that in the 7 years Alastor had been gone, not even Vox knew where he was.
And Alastor is very aware of the fact that Vox is watching him. So aware that he even posed for the camera (you can argue all you want, he posed). Midly encouraging the behavior as such. Either by the pose or by saying that Vox needs to try harder in his endeavor.
This is where I say that Alastor is also obsessed. In a different way but not any less.
Here's a core attribute the two demons share: Attention.
They want attention, to be the center of it. And although Alastor barely, if at all, provides Vox with it... Vox certainly does provide to the fullest, and Alastor is more than happy to let it happen. With that being said, when Vox was broadcasting the tarnishing of his name, it was a different story. He went back to his tower as quickly as possible - grabbing a cup of coffee on his way - and more or less owned Vox's ass.
Speaking of the song, it's worth noting that Alastor perfectly responded to the part of the song that was never broadcasted, the beginning. It could have been for thematic purposes. It could have been that he somehow knew, the how alludes me.
Let's bring up a certain picture:
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Throughout episode 2, much of their relationship was hinted and kept mostly hostile, but this picture gave a whole new meaning to it all.
Alastor, the demon that distorts devices and renders them unable to capture him on film, has a photograph taken of him without any glitches. And next to him in that photograph is none other than Vox.
Meaning:
Alastor allowed the picture to be taken.
Alastor and Vox were close.
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They had formed a bond, and the closest thing we can call it, is a friendship. But between the then and the now, something broke that bond.
One thing could have been Alastor's dislike for modern technology vs. Vox's like for evolution, which could have played a role in their fallout. As such, a chain reaction of events begins to unfold.
If it was that dislike, resulting to disagreements, where it started or not, we don't know, but we do know that their relationship fell apart after Vox asked Alastor to join his team, and he refused. They became hostile towards each other, most likely beyond repair since, before Alastor disappeared, they had a fight.
We don't know how brutal the fight was, but we do have the line, "You still pissed he almost beat you that time?". Keyword: Almost. Alastor ALMOST beat Vox but decidedly did not. From Alastor's backstory, we know he's more than capable of defeating overlords without a second thought.
Here's a question: Why didn't he kill Vox?
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Maybe it's for stupid reasons. Maybe it's not. Who knows, but we know that he didn't kill him and that Vox was resilient enough to not be easily beaten.
One thing is for sure, the picture re-contextualizes behaviors and actions.
Although at its core, their relationship is a rivalry, adding a possible friendship changes the initial view they gave us of them.
And I'll end it by saying that Alastor calls Vox 'old pal'. If that means something or absolutely nothing, I don't know.
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BTW! Calling Alastor obsessed isn't in the same context as Vox. Alastor is obsessed with the never-ending attention while Vox is obsessed with Alastor himself. Just a clarification. Though I wonder how many people stuck this long to read, it's not like I'm saying something new here. I can't wait for all of this to be trashed and debunked somehow in the future.
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jojo-schmo · 1 month
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I really like your artstyle. Especially whenever you draw Dedede. It inspired me to make this:
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It's artwork I made nearly two years ago. The left is remade artwork.
How do you stay consistent with your style?
- Jocket
Oh wow!! That's a true honor to hear, thank you for telling me this! Both drawings are so lovely!! But I love how dynamic and in motion everyone's poses are in your new one, and the expressions and colors are so fun!! :D Keep drawing, it's looking great! <3
And that's very kind of you to say that about my artstyle! It's funny you say that, I've been feeling a slight struggle with my consistency these days. (But that's also probably my own perception :P )
I think... whenever I struggle with consistency, I aim for confidence. Confidence in my sketches and the lines I draw. Reminding myself that while the art might not look exactly like the image in my head, I'm doing this to the very best of my ability.
Even when I feel like I'm not drawing something "technically correct." Like backgrounds or perspectives or something I haven't drawn before. I try to remind myself, "This is the very best I can do right now, and it's better than having drawn nothing at all! Because this didn't exist before I put pencil to paper, or stylus to screen. And that's pretty magical!"
Also just studying new things to draw and plenty of practice, I suppose! Practice makes progress! I mean, I didn't draw Dedede AT ALL until I was like 24! And I've been drawing Kirby characters since like, age 11! I just learned to get over my own mental blocks that I created over time. Before, I thought that if I couldn't draw a character "well," I shouldn't even try at all. And that reluctance to leave my comfort zone when I was younger caused me to miss out on a lot of growth in my technical art skills! So I try to remember that mindset more these days.
And hey, maybe consistency isn't the ultimate end goal for everyone's art styles. I mean, art styles are allowed to evolve as much as an artist wants them to! I think I'm personally happier with my progress in my confidence than my progress in consistency. But I'll keep working on both.
I hope that all makes sense :) Keep up the wonderful work!! Your art is something only you can make! And I think that's beautiful!
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viktor asks his family a question [if the colors are hard to see/read here’s the black+white vers]
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i have always headcannoned viktor and lila as tumblr users. it’s just the vibes bro
i swear i have actual art to post soon guys 😭
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if anyone reads this: hi ^_^
ramble ramble :D this stuff isn’t very well thought out it’s just random thoughts. hope u liked the comic
listen idk where/when lila was raised and ik they have the whole technology thing that i think is really cool
but viktor was made for tumblr? and so was lila. they were there to witness dashcon and nov 5 2020 and now goncharov
something i want to do but would never cus i feel like i wouldn’t be able to do it well is do a 17yo viktor tumblr acc. if anyone has seen any osemanverse stuff like heartstopper, it would be like that. for context one of the characters in alice oseman’s novel solitaire was stated to have tumblr and she actually has a tumblr blog that would rb stuff and answer asks lol. anyway it would be funny lmao
i made this in a day cus goncharov has been getting lots of attention cus of the whole zepotha thing (tiktok /negative) and it’s what made me finally go through the steps i had to take irl to get tumblr after lurking for years (through google keep 💀 i need to put this on my blog somehow it’s too funny)
this was a lot of more dynamic arm/hand poses practice and also just drawing most of the crew.
the day i learn how to draw stbaley it’s over for you guys
have a great day!!!!!!
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solarisricefield · 4 months
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take that you fucking lake
confession i have never gone skipping stones on a lake and don't know what it is
am i even supposed to ramble on art posts. who knows. i'm doing it anyway though and none of you can stop me. /lh
do you ever just really get very motivated to draw to the point where you're finishing multiple pieces a few days in a row. it's so funny bc the other day i posted about "how do other people post finished pieces every day" and then i proceeded to get the motivation to do the same thing. hopefully i didn't just jinx it oh dear oh god am i gonna end up burnt out
honestly not too proud of the art for this one but i thought of drawing this incorrect quote for a while and it's just a meme post so ¯\_(ツ)_/¯
went for a 'chibi' look because i learned that it's difficult to make 'idle' (ie non dynamic) full body poses work in my regular style lmao. either that or i should really draw these two more. also wanted to put a background but i cant draw backgrounds so sketchy painted ish
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persefida · 4 months
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Hello, do you reckon you’d ever do a video showing how you make your animatics? I absolutely adore your work! Thanks for reading
Hello! Thank you C:
I don't have any plans on making tutorials, sorry. Maybe one day, but not now c:
Though I can tell you how I'm learning to make animatics!
I use ToonBoom Harmony. So, the first thing to do is to learn basics of the program you use. For TBH I recommend ZeBirdBrain.
Then, it's really useful to learn about camera angles, so you can make more dynamic poses. Giving a variety of camera angles will make an animatic so much more interesting! (for ex. this video).
And the last thing: references!!! Use as many as you need. I constantly search on youtube any videos about how to walk with a cane, or sword fights. It could be tutorial video, shots from films, just google images. I also like to analyze anime.
That's it. A big part of drawing is a constant analysis of what was already created.
Good luck C:
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tomatoart · 1 year
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mwah your art is good and nice :>
can I ask for some advice? no worries if u don't want to answer.
do you have any tips on how exactly to practice art? everytime I ask for art advice everyone always says "practice" but idk what to practice first! do you have any strategies for learning how to draw something? do you do excercises? and if so how do they work?and are there any beginner mistakes I should look out for and change specifically?
thank you so much!! have a wonderful week :>
thank you so much! im ok w answering! i dont want to speak as if i am an expert on how to draw things in general as i am learning as well and definitely am not completely learned, so i might not be the best person to ask since im not very professional w my art as I do it as a hobby (and I can only speak on mostly digital cartoon matters) but i reallly hope to try and help u out even a lil ! im really happy that you’re eager to draw :] I wish you so much luck muwah muwah
i also hated when ppl told me “just practice” and i dont wanna inflict tht on u EITHER LOL but also thats just what i ended up doing for awhile but i tried to find some things to help ^_^
tips for practice: My number one rule is that practices should be challenging but still fun, I know it can get frustrating trying to redraw a pose over and over trying to get it perfect. And over time it rlly is all about muscle memory, the longer you draw the more your eyes will pick out specific shapes in everyday life and convert them into its own vision of them! or at least its good to look at life that way, try to pin point key shapes and stress less on details in practices. after you look at key points, THEN you can go over what you have and draw in and over it to make it more “complete.” To stop practices from getting too stressful I recommend starting out drawing what you want a little more simple looking than ur desired finished product. This helps eliminate the pressure of everything not looking “perfect” and keeps your art more loose and fun. Doing this a few times is gonna get ur brain to recognize patterns in art and how things look/flow in anatomy and such. dont get stuck in ur own head abt perfecting everything to the point you either 1) give up bc ur not at a level capable of it being 100% “perfect” or 2) focus so much on making it perfect that you end up saying the work looks “wonky” or stale in dynamics, So while I do think studies help, don’t get too lost in them. I always practice with media I enjoy too, whether it’s characters or fashion I enjoy.
Strategies learning to draw something: people get mad abt this one but I think tracing reference photos is great. its been awhile but When I tried learning to draw hands better at first I would trace them then put the traced image to the side of the canvas, then try and replicate what my mind saw as its most important angles and aspects. Same for clothing folds/hair/etc! I think it’s maybe not the best idea to trace the ref and use the tracings as is, because you learn more from tracing it then trying to replicate and simplify what u learned into the style you’re working in. Find what shapes you like from them and don’t over detail it. you may have to go by eye and think “what parts of this ref photo should i simplify to fit my style” and for me, its usually adjusting the length of the torso and then the limbs by associations. i dont recommend feeling like u need a reference for every art you make though, its ok to let ur own head try out its own sometimes too while trying to learn this, see if it remembers any call bad from the past referenced sketches! over time ull remember where everything goes more, these days i rarely kick myself to use refs but im sure they still would help to use, but figure drawing simple blobby figure in a bunch of random poses was a big thing i used to do as well to get better at full body art + overall dynamics (still does this). also paying attention to silhouettes is great 
Exercises and how they work: I WANNA HELP U SO BAD BUT to be honest, all the works on my blog ARE exercises! i rarely actually do finished pieces, if u scroll thru my posts ull notice most r sketches. i usually just fill up a page and call it “warm ups” then i get attached to some of them, take a few, and just line them up pleasingly on a smaller page, then color them in (or sometimes fix the lines to be more clean too). im not rlly a person who “exercises” to practice, it more so happens from just me drawing a lot for fun as a hobby! but i really should. i will tell u this has humbled me a lil i need to start practicing too 😭 LOL but a good exercise is to look at what ur inspirations do, and study it. Make a collage and write out what you like most abt their styles/what u want to gain from them. For ref Here’s a page I did awhile ago when someone asked me abt my insps:
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i also look at fashion magazines and as well as anime figures and take insps from that sometimes with learning cool poses and compositions to convert into my own things
Beginner mistakes to look out for: its hard for me to pin point “mistakes” beginners make, as sometimes we cant avoid all of them or even notice them, progress comes from growing out of old ways. some mistakes are even the foundation of ur future amazing cool style! but i think some things to look out for could be these, from my own old art experiences
Hands were the first thing I learned bc i liked drawing them. I don’t know if that is the best way to go but I think it is smart to practice sooner than later, here is a lil guide thingggyyy wingyyy from awhle ago
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i see beginners shy away from drawing signs of age in people, sometimes adding too much detail on an older person in cartoon art makes it look weird, so i try and hit the key markings on ppls faces of age.
Too thin of lines. sometimes its a stylistic choice to use thin lineart, and it can look amazing ! but sometimes it can flatten an image if ur not familiar with its flow. im not saying use thick line art, but more so to keep in mind the weight of ur strokes, adding depth with a thick thin combo of line art can do SO much for the simplest of pieces. heres a visual from a while back when i talked abt my brush + more abt lines:
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but if ur desired style is thin lineart that is cool too! tbh it was just harder for me as a beginner
sometimes artists think they need to do full lineart for everything and then hate how it looks compared to the sketch, do not fear i will introduce u to my bff: painting over a sketch, extractinging the lines, then calling it line art. i only do this sometimes but its a fun exercise-ish thing to do in a pinch. example:
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finding what shading fits ur art. sometimes ill see ppl starting out who have a style thats very simple, but they use a very detailed rendering process on it. this is not something id ever police of course, art is each persons own choice! And it CAN work. It can be so cute! but sometimes mixing two very contrasting mediums of art can throw off the “put together” look of it. i use to abuse the airbrush tool thinking it made my simple style look super cool and detailed, but looking back on it now those pieces looked a little off, having such a simple style have somewhat more realistic shading. dont get me wrong the ability i see ppl use rendering like that is so insanely talented! but i found cellshading to be a good match for cartoony art like my own. a tip i learned way too late abt that is rather than shading each layer by color picking a darker color, instead use a clipping mask over the entire art (above line art too as I color my lineart) and lasso tool the areas u want shaded + fill it w a saturated purple then set to multiply + lower opacity. also, sometimes coloring can come out chalky looking when u meant for it to be smooth and transitional, i think this comes from overshading and overlighting pieces without reason. pay attention to where the light source is, and focus on making the shaded and lighter areas nice shapes that cover the necessary areas, then u can add additional shading to the smaller details of what should have a casted shadow/light  
its good to spice up ur art now rather than later, focusing making ur art pop more w backgrounds will help ur coloring skills look better too! i dont mean detailed huge backgrounds, a small lil color pallet and design rather than a blank white bg. like this will make u feel better abt it or at least it helped me *sweats* yeah:
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beginners tend to draw blank faces like “:)” but I think a good thing to do is try and get silly with expressions early on. It’s okay if the mouth hangs off the face cartoonishly with joy or shock, it’s ok if the eyebrows are super high in surprise.
tracing and pasting it as is (already said this but I’ve seen ppl do it a lot with hair styles and it makes it look alienated from the rest of the style) (final fantasy fans found critically injured) n if need a ref for a pose, using a real humans anatomy as-is doesn’t look quite right on a cartoonyish drawing. Shortening torso and legs usually comes out of this for me!
flip ur canvas i promise u it’ll be less embarrassing over time!
using guidelines for perspective and foreshortening is GREAT. Do it stylistically rather than realistically to add some groove to it...yay. Having silly perspective in art can make it look like a 10 so easily opposed to a normal front facing sketch. Look at cool poses from fashion magazines! Don’t be scared to draw something you don’t feel confident in conveying perfectly, this is why progress redraws exist :)
Drawing the hairline b4 u draw the hair is great, it helps u understand where their hair flows from, where it starts and stops, AND prepares u for drawing bald ppl. Also don’t make the head too big, the skull IS bigger up top, but sometimes I see an alien head affect.
Anatomy is an interesting mistake that beginners make a lot, but it’s one they find harder to notice! When I started out, all my art would be SO wonky, but I didn’t even realize it! It still happens today too! specifically though I see beginners struggle with the arms in this department. My advice is to try and measure them out and make sure they don’t go past the knees, and are the same length as each other when Unfolded. asking for criticism is hard but it helped me realize when i would make something bigger/longer than it should have been in my art, and stuck with me being able to go “oh... i see it LOL” 
clothing wrinkles- do not over do it! Too many wrinkles and shading can look unpleasant and wirey- like a plastic table cloth all bunched up which isn’t exactly what ppl wear. pay attention to gravity too
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I hope this helped even a lil im sorry tht I’m not very good at explaining or didn’t have much to sayyy! If u have any troubles no guarantee I’ll have the answer, but ur always free to ask!
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leidensygdom · 23 days
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Ur strength is definitely color and line work. Something I would say needs some work is definitely your full body drawings and poses. Your poses are always static and rigid and (especially when in motion) it takes me a moment to figure out what the character is supposed to be doing. Your anatomy is fine, its the stiffness of the over all pose thats the issue. It makes your pieces lack energy and any real umph. Your beautiful use of color and line usually covers for this but for me (someone who also struggles with this) it pops out like a sore thumb.
To practice, id suggest doing gesture drawings (1 minute sketches of action poses) to really understand how the body moves fluidly and to practice capturing that energy. Id also suggest doing 5-10 minute studies of full body figures in which you specifically observe how the pose affects the distribution of weight. How the torso curves in relation to the pose (your torsos are often very vertical and stiff) and how their muscles, fat, and clothing stretch, bulge, or fold depending on the pose.
Try to keep things loose during these studies and focus on capturing the energy of the pose over perfect anatomy. Focusing on anatomy can often be a distraction and can actually detract from capturing the fluid movement of a pose when you are first learning. You dont want to be thinking about anatomy during a 1 or 5 or 10 minute study if that is not what you are trying to learn.
While doing gesture drawings, its important that you move fast and dont get hung up on details. Get the line of action in there and the general shapes of the figure. Focus more on the movement of the figure over anatomy or details. Feel the rhythm in the pose and do your best to capture it. Id suggest doing 10 or 20 of these at a time. Sites like Line of Action are great for studies like this.
For 5-10 minute studies you want to build on the rhythm you developed during the 1 minute studies. Again, you want to focus on the movement of the pose over the details. Keep shapes simplified and force yourself to think in the abstract. A vibe i get from looking at ur art is that you get focused on the small details while losing sight of the big picture (might be wrong bout this but its something i also struggle with lolol) so during studies its important to keep ur mind on the bigger picture. Focusing in on small details adds to the stiffness of a piece as instead of one singular piece, it’s made of many smaller pieces. Idk if that makes sense lololol. Id do 1 hour of these 5-10 minute studies.
But yea id say this is really the main thing holding you back right now. Once you figure out how to capture the rhythm and energy in a pose id say ur golden lololol good luck! I hope this helps XD
oh gods yeah I need to whip some referencing for poses and specially dynamism, I tend to make things a bit too stiff. I think I cornered myself into making very static poses since I do a lot of character ref oriented work, and showing the design and outfits is a priority over the dynamism, and like, I need to get working on that.
It sucks to realize how I've let social media performance guide a bit on what I draw and I practice. People like their fullbody character designs with a grey background, and I've let a lot of What Isn't That fall apart, and it's bad! I gotta get better!
I need to find a way to maybe get a way to do these practices and still post it, bc even when I've done them, they stay in a folder and never get to see the light of the day. (Also, I saw the other ask and I'm gonna check that one soon! I struggle so much finding good refs for that!)
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lukellios · 5 months
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Really curious to know how you got so good at art? Bc you've improved so much in the last few years but even back then you were really good...
Hmmm I'm not sure about which "back when" you're referring to 🤔 I've been drawing seriously for over thirteen years so I've got a few "stopping points" of skill
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This is about where I started, if that gives you a good reference point. It's... bad. I am pretty sure it was my best attempt at a stylized human face, but it was not supposed to have cartoonist anatomy. At this point I was going for realistic proportions, and it was a struggle. It's not awful but it's got a lot of room to improve.
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A year or two later and I'm in my adventure time phase, but I have a better understanding of form and posing. Human faces are still hard for me so I avoid them, animal faces are easy enough that I'm trying to experiment with more difficult angles. My digital art knowledge is very very low.
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I branched out into bots for the next couple of years and that gave me a much better idea about form and perspective just because it was trial by fire. Mecha are incredibly hard but I had (and have) brain worms so I did it all out of love. It was challenging but fun (and rewarding), I tried a lot of new color palettes and tried to figure out how to make digital art look better.
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Even going back to something I hadn't drawn in a long time after drawing bots showed I'd made significant improvements overall, but drawing human faces was still extremely hard.
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At the end of the bot era I've massively improved, but I still shy away from humans. My traditional lines are very controlled and uniform, my digital lines still leave a lot to be desired.
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I finally have to learn how to draw humans but it's a struggle. I draw every day, not vigorous traditional studies but just small sketches, practicing over and over. I'm starting to understand digital art a little better and I have a much better sense of posing and framing characters
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Around this time I finally have a firmer grasp of how to draw humans and how to use a tablet. I want to show this piece even if it wasn't my favorite because I still wasn't happy with it. My composition is better and there's a lot of improvement on my line steadiness and varying width, but even the two profiles were giving me trouble. The movement felt dynamic but disconnected.
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I redid this piece a year ago because I could finally see what I was unhappy with and change it. The profiles are much better, the hair and clothes are following the same direction of wind, the clothes have weight to them, and the shoes have much better form. Everything is also just a little more polished, and I didn't even have to change the background from the first attempt.
Really over the years it's just been about fixing a few things at a time by branching out and trying a lot of different things. Dipping my hand into a lot of subjects and really challenging myself has helped me learn a lot. Even though I wasn't always studying the same thing, learning as I went helped me in a lot more areas than just the ones I was focusing on at the moment. Hope this helps, if even a little! It's a really hard question and there's no one right way to improve, so take a mixed bag of advice and try it all c:
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