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gamepanicplay · 3 years

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Design Report: Immersion

How enemies help to immerse the player

The importance of in game enemies. this is a detailed explanation on how they important and therefore imperative for immersion in different styles of games.

Enemies can turn the most boring of dungeon crawlers do an exciting impactful adventure and those tense moments and exhilarating action. To make these enemies truly immersive in the gameplay required these three important steps.

· mechanical Immersion

· Spatial Immersion

· narrative Immersion

Mechanical immersion is usually associated with small Untold Stories that are found in the background. These types of stories are not converted the player by npcs they are visual cues that allow a player to interpret the story differently from what is originally presented these are usually hidden to give the players a semblance of Mystery.

I shall give you a scenario of this "you are in a big dark room all the windows are boarded up from the inside and all the plates and dishes are strewn About shattered on the floor and Scattered around, you see drops of blood leading from the cabinet leading to A Door can you see more blood Pooling under the door frame”.

There are other forms of immersion you can acquire immersion from voice clips or in game files , ones that can be found within a book or notes and most commonly from prodding at npcs and even npcs talking with each other a good example of this is how Skyrim npcs interact with each other and the player and sometimes you can acquire quests by Simply listening to npcs talking and you can outright miss this Quest if not paying attention. And these games these forms of information like they can be found as physical objects you can interact within the games you don't just get a PNG of text you actually get a three-dimensional item that you can look around for more clues.

Spatial Immersion is predominantly described with the featuring of this type experience where players experience seasons and topography of the game like far off mountain treading off into the distance that you are allowed to explore on foot, deep gorgeous that's when you fall in them you gradually increase your speed until you hit the bottom, and endless Fields where the player can experience peace with the calm sounds of nature with the gentle sounds of footsteps on grass. The best way to allow people to experience these forms of immersion or it is better if I say the best say the ways in which this shatters immersion is with the dreaded loading screens the more loading screens and the unexplained invisible game walls where the player is individually told they are not allowed to go there. The player experiences the more it pulls him out of the game.

Some of the player base debate about how far must immersion go?

Some people seem to agree that in some games there is way too much realism, and this type of realism can actually pull some people out of the game a common problem did people like to talk about is carry weights do they help immersion or do they break immersion.

Ideally, if you want a player to go through a specific area and not take any shortcuts you would use the actual enemies themselves to block the players pat through that area to gently lead him to the early wish him to experience first.

Mentioning the enemies let us talk a little bit about the enemies and what their purpose basic is it is not that simple as enemies stopping the player from proceeding to make it more difficult it needs to be a smart placement so that you do not frustrate the player, everyone knows you cannot just drop an insurmountable wall to your player otherwise they might leave the game.

Now there are games where there extremely difficult enemies but those specific enemies specially were made like that for the purpose of that particular game and the main mechanic of the game like for example:

“shadow the Colossus” (In this game is about gigantic creatures that requires multiple strikes in specifics places while you are climbing them to be able to kill them.)

They are very important criteria to making a good enemy. For the best example, I can present where the grand majority of the ambience of the game is within its enemies Subnautica.

“Subnautica” (A game where you are free-floating through the ocean trying to survive giant sea monsters trying to eat you.)

What Subnautica has is that you first land in the safe Shallows and what this area is a spot where very few hostels to allow to spawn and until the player integrates with this new environment then he can go deeper where he could find bigger and stronger the enemies. In broader terms the enemy should be appropriately levelled of the current level of player it's ok to have weak enemies at the beginning of the game your Player does not know how to play it so you can forgive him that early And this smoothly leads us to narrative Immersion narrative immersion is someone deceiving because it doesn't only refer to immersion from the story but can also be in the way of how your characters are written a good way of doing this is when your enemies have a specific job some people called them enemy classes find the most common ones being The Archer and bruiser there are different varieties of these enemies and because of their specific abilities they look different from each other. To change the player the enemy doesn't just need to be spammed to lose all of its HP there would be intelligent ways of killing enemies with player made traps or with pre-existing traps they make the enemy Trigger.

The most important thing an enemy need memorable is personality good ways to give your anime personality are physical differences in the different jobs said they are assigned this is not just a stylistic choice this can also help players in coming up with different tactics according to the enemy you could have an enemy type does run away from the player when alone but the text to player when in a group. It is very important that is your characterisation of the enemy is very closely related to how they look and that their weaknesses are clearly visible for it to be easy for the player to realise this week point these weak points don't need to be obvious they just need to be clear.

While making an enemy be very careful of how the enemy looks within the level design you may you could have designed one of the most beautiful and creative enemies but it doesn't matter if they don't fit the place you've put them in or if the level is not built for them and with this you need be very careful the enemy needs to fit in the overall narrative and game play style you have created, if you have a very slow-moving game where the player needs to be slow and cautious to go through puzzles do not throw in a quick enemy where do player doesn't have time to react to it. It might be frightening yes but it could completely ruin the player’s experience.

While making the games enemies keep in mind when you are making these enemies of how they will react with each other will they be hostile, or will they be friendly or will they team up to kill the player. Enemies do not necessarily need to be hostile to the player they can also be there to serve as a problem for the player to solve.

Now let us talk about how to make a game enemy while using these four aspects difficulty, specific, personality, synergy.

CHARACTER CREATION

Let's begin by talking about the environment you're in some kind of cave, now let's say that at the beginning of the game this is going to be a 2 hit kill enemy, where the enemy lets you do a mistake in you getting hit by him immediately kill you the best way to convert these enemies dangerous, is by making him big and angry-looking preferably with big claws that face towards the player now we will start by doing something that will go against realism instead of making our enemy dark give him a bright colour so the player can see him early this will not make the game easier it will make the game fairer for the player.

Now we have a basic description of how the character looks, now we should ask how he will act. The enemy should be aggressive and following player true out the Maze with him giving up after a short while with more of an aggro range this will allow the player to be able to Backtrack if they are in the wrong section of the Maze.

Now we have a description of an enemy. Is only one I know you could create word create synergy with this character I would suggest small but quick anime does very little damage to the player that would not attack the player when alone what would group up and attack the player.

Another section I put focus on is by designing the characters sound like for example the addition off enemies that make insects sounds start the insect phobia of some people and for the bigger enemy large booming steps to show how large this creature is compared to the player this will also help the player not necessarily see the anime first but rather hear him first.

References

Design Report: Immersion

Cheng, K. and A. Cairns, P., 2005. Behaviour, realism and immersion in games | CHI '05 Extended Abstracts on Human Factors in Computing Systems. [online] Dl.acm.org. Available at: <https://dl.acm.org/doi/abs/10.1145/1056808.1056894> [Accessed 2 May 2021].

Youtube.com. 2017. Before you continue to YouTube. [online] Available at: <https://www.youtube.com/watch?v=A2gIE5gyA6s> [Accessed 3 May 2021].

Frasca, G., 2010. Rethinking agency and immersion: video games as a means of consciousness-raising. [online] Taylor & Francis. Available at: <https://www.tandfonline.com/doi/abs/10.1076/digc.12.3.167.3225> [Accessed 3 May 2021].

Katelyn, P. and Clint, B., 2011. An Examination of Flow and Immersion in Games. [online] SAGE Journals. Available at: <https://journals.sagepub.com/doi/abs/10.1177/1071181311551455> [Accessed 3 May 2021].

Calleja, G., 2011. In-Game. [online] Google Books. Available at: <https://books.google.com.mt/books?hl=en&lr=&id=KIQKV_MXvBAC&oi=fnd&pg=PP1&dq=immersion+in+game+enemy&ots=ykriU7XAE2&sig=VRgi57MxF2RLFdKMYuv_4dusnvc&redir_esc=y#v=onepage&q&f=false> [Accessed 4 May 2021].

Youtube.com. 2017. Before you continue to YouTube. [online] Available at: <https://www.youtube.com/watch?v=nhU4xywyWU4> [Accessed 7 May 2021].

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rodem · 2 years

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I reached the third major area in SMT5 recently. And here are some updated impressions/thoughts:

I think the novelty of the semi “open world” level design is starting to wear off. The first three areas look largely the same expect for the different colored filter over them. And the repeated assets in the environment are becoming more and more noticeable. (Not that I expect the developers to make like 400 different models for each destroyed building and what not). Well since this area seems to be a big turning point in the story it might not stay this way for the future areas.

I think my biggest issue with the game so far may just be based on my personal preference. In that the fun of filling out each square of the map is gone due to the map being automatically filled in when you reach a certain point. And due to that I can’t tell which corners and alt paths I already explored so I end up accidentally revisiting them over and over....

I also wish there was a way to mark which treasure orbs were already opened but still there because your inventory was already full of that item.

Well other than those minor gripes, the game is still tons of fun. I’m very invested in Miman collecting.

I really need to fuse some new demons cause alot of them have been in my party for a while. I want to fuse Idun specifically for that unique healing skill. The game really wants you to use the Doi demons lol. I had Chiro in my party for a long time due to his buff skill, and I still regularly use Anahita because of her all target ice skill. I don’t like Idun’s actual art very much but she looks better as a 3d model. And I have animations off so I don’t have to view that obnoxious idol animation she supposedly has.

In terms of story/characters, Ichiro is still the only character I’m currently invested in. His patheticness is endearing and he’s def the most realistic chara... Also he’s got tons of law flags so far.

There’s no way the miko-esque girl is truly dead, cause it would 1. be anti-climatic as fuck, and 2. reminds me too much of the smt1 resistance leader heroine’s death, and she got reincarnated. But Tao’s self sacrifice for the mc had me screaming cause that’s the most cliché way for a female character to die sdfsfsdf.

Ok now that I think about it, the one other endearing character to me is Aogami. I just think it’s really funny that pre-release media made me think he would be like a wise mentor type character. And it turns out he’s more like the protagonist’s pet.

There is a ton of red flags for the prime minister dude. The most telling that he will eventually be revealed to be bad and thus be subsequently killed, is the nameless npcs talking about how much of a great leader he is. Can’t wait for all the potent social commentary on the Japanese government/PM.....

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