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treasure-mimic · 7 months

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So, let me try and put everything together here, because I really do think it needs to be talked about.

Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.

For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.

But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.

"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."

He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".

So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.

A few hours ago, Unity posted this announcement on the official blog.

Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.

Now there are a few red flags to note in this pitch immediately.

Unity is planning on charging a fee on all games which use its engine.

This is a flat fee per number of installs.

They are using an always online runtime function to determine whether a game is downloaded.

There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.

I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.

Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.

This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.

Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.

It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.

Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.

Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.

They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.

Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.

[IMAGE DESCRIPTION: Hey Gamers!

Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.

Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.

That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.

And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!

This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.

On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.

I fucking hate it here.

-Aggro Crab - END DESCRIPTION]

That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.

[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]

Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.

Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.

While I'm looking at this page as it exists now, it currently says

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

Screenshot for posterity:

That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.

Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).

And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.

Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

Again, again, doubled down in the FAQ.

Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!

Okay. I think that's everything. So far.

There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.

A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.

On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.

I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.

So, with all that said, what do we do now?

Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?

(I fucking hate it here.)

And that's not mentioning the indie devs who are already talking about abandoning the engine.

[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]

That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.

The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.

Anyways, that's that, I find having these big posts that break everything down to be helpful.

#Unity #Unity3D #Video Games #Game Development #Game Developers #fuckshit #I don't know what to tag news like this

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yamujiburo · 18 days

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Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs.

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

#hanamusa #hanamusashipping

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chuluoyi · 2 months

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✎ stupid liar

- gojo satoru x reader

no way. impossible. you couldn't possibly be jealous of gravure idol gojo likes so much now... or could you?

genre: jealous!reader vs slightly jealous!gojo, crack, and obviously, fluff !!

note: based on this post :))

a part of gojo's love entries

series masterlist | oneshot masterlist

"Look, Suguru~ Isn't she pretty?"

Your eye twitched at the sing-song voice, lips twisting into a scowl as you glanced at him from the corner of your twitching eye.

No. You don't care. Not in the slightest.

You stabbed your fork into your cheesecake with more fervor than necessary though.

"Eh?"

"Inoue Waka!" Satoru exclaimed with an enthusiasm that felt almost too bright. "This is her in her newest issue!"

‘Newest issue’ being a bikini special, with the said model lay sprawled in the most revealing piece possible. That indecent photo had also become the wallpaper and lockscreen on your boyfriend's phone, and he shamelessly showed it off with pride.

You steeled yourself. Again. No. It's not a big deal. You weren't jealous, especially not over some... heavily-altered picture of a porn actress!

"Ahh, she does look nice..."

You attacked your now-mutilated cheesecake again, feeling your mood plummet further after hearing Suguru's response. Now you were convinced, all men are dogs!

"—but not exactly my type," he added quickly, his gaze darting towards you. His interest lay more in your reaction, which was why he stirred the pot further: "Is she your type, Satoru?"

Your boyfriend, whether oblivious or intentional, erupted into giddy laughter like a kid. "Ehh... why of course!"

His enthusiastic agreement seemed to echo louder in your ears than it probably should have. The cheesecake, once a treat, now felt like lead in your mouth.

That's it. One more time and—

But then, Suguru's voice cut through your irritated thoughts again, clearly amused. "Well, but I've always thought real beauty lies not just in appearances but in strength of character. Wouldn't you agree, Satoru?"

You knew it, Suguru was indeed the best. You dared to glance up from your plate, curious about your cocky little clown’s response. But you really shouldn't, because Satoru, the absolute cretin he was—

"Why are you getting philosophical all of sudden?" he sullenly grumbled. "Important thing is if she's hot, then she is hot." You could have sworn he briefly side-eyed you before saying, "And no one is hotter than Inoue Waka."

Stupid. Idiot. Insufferable.

Standing up, your patience dissipated into thin air. Your brisk pace made Shoko, who was beside Suguru, to quirk an eyebrow. "Oh, leaving already?"

"I'm going back. Have a practice."

"Ehh? You didn't say?" only now did your shameless boyfriend turned to you fully. "It's still break time—"

"Nanami is waiting for me, goodbye."

You didn't look back even once, too annoyed to notice that Satoru was gawking at your words.

Satoru couldn't believe this. You ignored him. You actually did… in favor of Nanami!

He was starring daggers at how the two of you conversing so amiably across the hall. You were his girlfriend already, but he could barely able to make you look as sweet as you were with Nanami just now. You were always prickly with him!

Okay, but rest assured—with Suguru he may have doubts, but with Nanami, he was convinced he outshone him by a wide margin, perhaps even ten or twenty times over!

"Why are you sparring with him?" he was sulking when he caught you on the way back to the dorms after school. "Why not Haibara instead?"

You scoffed. "And why do you idolize Inoue Waka and not Yuzuki Tina?"

Oh, so that's what this is about. Suddenly, he didn't feel as miffed as a stupid grin split his face. "Ooh, you're looking into gravure idols too?"

"..."

"Heh, if you're doing it for research purpose, that's totally okay~"

"..."

"Pfft, you're so jealous it's so great to watch—"

You halted abruptly, your annoyance now at its peak. Facing your infuriating boyfriend, you leveled a piercing glare at him that caught him off-guard. "Gojo, from today onwards, we're having a ban."

"Whoa, hey—"

"—and in the meantime, you can print Inoue Waka out of your phone, hang her in your dorm and kiss your wall instead—"

"Just a minute!" Satoru interjected, eyes rounded with slight alarm. "Don't be too hasty!"

He looked at you, really looked at you, and saw that you were actually upset.

A twinge of... what is it? Some kind of guilt, he supposed, pricked his chest. He didn't like seeing you like this, especially knowing he had played a part in it. You should be smiling sweetly and catching his heart with it, not frowning like this.

"Hey," he started, his voice softening as a small, sincere smile crept onto his face. You continued to look away, a stubborn pout fixed on your lips. Darn it, how did you manage to look cute while angry too?

"Look at me, I'm all yours, okay?"

That got you to shoot him a sharp glance, and boohoo!—the ice in your heart thawed slightly as you met his smile, which soon evolved into a toothy grin.

But then, in one swift strike, he pulled his phone out and took a snap of your very-not-ready face.

"Satoru!" you screamed in panic, trying to climb over him to pluck his phone. "No! Delete that!"

"Ah ah," he crisply snickers, raising his hand with the phone high above where you couldn't reach. After pressing a few buttons, he triumphantly showed you his phone screen, now displaying your flop picture in all of its glory.

"That's seriously awful!" you grimaced, a look of horror in your face. "Satoru, for real—"

“You’re adorable,” he countered almost immediately, his smile wide and unabashed—the very winning smile that won your heart. “My girl is cute as heck and you know what the best part is? She’s mine.”

. . .

—okay, you were now positively melting. This was irritating, how can you forgive him this easily?

You huffed, raising your chin high to cover the very sizzling heat in your cheeks. "Hmph. Keep that photo then. But I'm still sparring with Nanami though."

"Mm-hmm, whatever. I hope his foul hairstyle won't affect you—"

"Don't badmouth him! Wait, don't tell me... you feel threatened by him?"

"Wha? Why would I!? I have the better face, better wallet—!"

Together, you walked back to the dorms, the evening air somehow felt lighter around you. Satoru's hand found yours along the way, and the two of you kept up a playful banter, followed by shared giggles afterwards.

. . .

What you didn't realize, however, was that there was another reason behind Satoru's happy laughter... his secret little mission had been a smashing success~

Epilogue

“I put too much faith in Y/N. I’m disappointed.”

“We are paying Gojo, damn it.”

Suguru and Shoko let out collective sighs, looking at the two of you. They witnessed your little outburst and that sealed everything.

You used to not give in to so easily. Unfortunately now, you were whipped for that idiot too, enough to get jealous over him.

As Suguru opened his wallet, a realization struck. “Shoko, now that I think about it… why am I always losing these bets?”

“You could just suck… or maybe," she glances him over before letting out a snort. "Your bangs just bring bad luck?”

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purplealmonds · 10 months

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This is my tribute to the late Technoblade. I'm well over a week late to the anniversary of his passing, but I think it was worth the wait. I wanted to get this right.

The story I want to tell is of time's passage after his passing, and the set dressing of this space is a symbolic amalgamation of various aspects of his life depicting that concept.

I have a lot more to say about this painting - three pages just for the symbolism alone. If you're interested, please let me know and I'll share my analysis on a separate post! Edit: I caved. Aight, prepare for a massive info dump below the cut!

DISCLAIMERS:

Although I put a lot of research into this piece, my knowledge is likely flawed and incomplete. If I missed or misinterpreted a reference, it’s because I’m new to the Technoblade community. If I got a symbolism thing wrong, it’s because I relied on Google search for answers. I fact checked where I could. And with this analysis, I hope I can clear up any misinterpretations!

—

OVERVIEW:

There’s lots of imagery to unpack so I’ll try parsing it in a structured manner. Let’s first examine it holistically.

The story I want to tell here is of time’s passage after Technoblade’s passing. As such,the set dressing of this space is a symbolic amalgamation of that concept.

Prominently featured are the various medical equipments - a nod to the grim reality of his cancer. But let’s not linger upon that aspect of his story.

Of equal importance are the more mundane objects - his gaming setup, the couch and pillow which Floof sat upon in that one photo, the plethora of paraphernalia of branded merchandise, and references to his exploits in Minecraft. These are relics and mementos of his legacy.

All of these elements intermingle in flooded, lushly overgrown room looking out to a rose-tinted exterior. Is it dawn? Dusk? I’ll leave that interpretation up to the viewers.

The third and final component is the plant life representing his community -us. We beautify this metaphorical space with where it was once laden with tragedy. Yet, despite these riotous blooms, we never quite encroach on the bed - the empty space left behind by him.

—

SET DRESSING:

Much care was taken in selecting the blossoms and placing them in symbolically significant locations. And this neatly transitions us into the analysis individual details.

Foreground:

In the foreground, ivy crawls through a lamp and white clovers thrive atop a pile of pillboxes. The lamp base, once a shining bronze-like finish, is heavily tarnished. The lampshade is overgrown with moss and ivy. Even if the greenery has yet to damage the electric wiring, the damp surely has finished the job. Even if the bulb is replaced, the body is too far gone. The light’s never coming on again.

I was initially put out that my painstakingly 3D modeled pillboxes became entirely obscured, but I think it works in favor of the piece’s overarching theme: the beautiful wilds overtaking a space that once reeked of the desperate fight to prolong life.

White clover blossoms meaning “thinking of you” is paired with the ivy meaning “everlasting devotion”. It’s an apt combination. It has been over a year since his passing, and we still remember and carry on his legacy.

Nestled amongst the foliage is Techno’s compass. It was once used to hunt him down in the Dream SMP. But now, it’s an odd comfort. Even though he’s no longer with us, he’s still somewhere far, far away– or is he? The original idea was for the needle to point heavenwards, but it is currently pointing…sideways? I’ll get to the reasoning a bit later.

The Flood:

Moving deeper into the space, we hit the floodwaters. These once turbulent currents are now tranquil enough to nourish this verdant place. The thriving plant life hides much of this darkness. It is beautiful, hopeful, even. But always bittersweet, because everything that grows here is laced with an old sorrow.

White lotus rise from the murky depths. That is us, overcoming our grief. Breaching the surface, we gain a new vantage point to contemplate this loss. Perhaps we can also find a more comforting perspective of it.

Submerged amongst the blossoms is a rusted oxygen machine. I wanted to decorate the machine with stickers, much like one would personalize a plaster cast for a broken limb. It is deliberate that the “Technoblade Never Dies” sticker is in shadow, while the “So Long, Nerds" is in light.

Immediately to the right was meant to be a box of assorted Technoblade apparel. But then I flooded the space for narrative reasons, rendering that idea unusable. I eventually converted it into a Welch’s Fruit Snacks box, because apparently Technoblade liked them? It’s one of the shallower references here but it is what it is.

And finally, there is a little cameo floating somewhere in the waters. An Easter egg, if you will. I wonder if you can find it?

Furnishings from Home:

I found the couch and Technoblade’s gaming setup during my trawl through the Technoblade Reddit page for reference photos. Balancing this space full of impersonal medical equipment with more personalized belongings is grounding. These areas insert familiarity in this strange environment.

Gaming Setup:

The gaming setup is bare bones - just the monitor, keyboard, and mouse. There was no space to add more iconic elements like his Blue Yeti microphone or the steering wheel from that Minecraft challenge. Hanging above but heavily obscured by overgrowth are two framed pictures of Technoblade’s cabin and a potato minion. It is a blink-and-you-miss-it detail, placed in a dim space and requiring close examining to notice. Without the context of the rest of this environment, it is easily mistaken as generic set dressing.

That’s the point, though. This was a space where he streamed and created videos much beloved by his community. This space was the means of creation, not the creations themselves. Without the creator at the helm, this setup becomes insignificant. Does one dote over the easel on which paintings were created, or the paintings themselves? So now it sits in darkness, a footnote of Technoblade’s legacy.

Nostalgia Corner:

On the other end, we have the sold out Youtooz plushies and the Agro Pig plush from the recent merch drop sat atop the couch. If you look closely, you’ll see a Skeppy coin leaning against one of the plushies. Behind the couch is a shelf. A generic shelf, but the important bits here are the sellout bell, Youtube plaque, and vinyl figurines.

This corner of the room is nostalgic and soft. Everything is bathed in rosy pink light, and it is filled with things that are comfortingly familiar. All across the world, people in his community have these pieces of merch to remember him by.

The red poppies that also grow here have multiple meanings. It represents the battle - one against sarcoma - which was fought here. It symbolizes death, but also resilience in the face of grueling conditions. It is said that they grow in former battlefields where of fallen warriors. I believe of all the flowers here, this one best represents Technoblade.

The Hanging Mobile:

Strung up above it is a rather last minute addition to the environment - a hanging mobile fabricated from totems representing each member of the Sleepy Bois Inc. friend group. First and foremost is Technoblade’s iconic MCC crown, aptly placed at the top. Although it is untouched by the greenery, the gold and jewelry are somewhat muted and tarnished by time.

This is not the case for the objects below. TommyInnit’s music disc shines iridiscent green and purple - Cat and Mellohi merged into one. To is right is a sky-blue guitar pick with the LoveJoy logo engraved onto it for Wilbur Soot. And finally, below it all is Philza’s Friendship Emerald - sparkling and refracting light - with Elytra feathers fastened at the bottom. They, suspended and isolated from everything, maintain a pristine vibrancy which strongly contrasts against everything else in this space.

IV Stand:

Next to the computer setup is the IV stand. It sustains life which is incapable of continuing on without intervention. The butterfly milkweed growing on it, in contrast, says “let me go.” The latter, overtaking the tangle of tubes and powered off patient monitor, is victorious. The hooks stand rusted, and the IV bag empty from disuse.

Sat atop the patient monitor but almost blending into the walls is a pig figurine featured in Dream’s latest music video. It stands on a high perch, yet is unassuming as to direct focus on Technoblade, or rather, his absence.

Hanging from the wired basket is an air freshener tag. If you look on the official website, this is one of the only products which has what I can only call interesting flavor text. Most are merely descriptions and specs of the product. To quote it verbatim:

“Yes, this is a real product. And no, this ‘air freshener’ has no discernible fragrance. ‘Why’ you ask? Because Mr. Technodad and our team agreed this was exactly the sort of air freshener Alex would have found hilarious.”

As morbid as it sounds, I feel like this air freshener tag would not have existed before Technoblade’s passing. It is so unlike any other merchandise I’ve seen in any other branded merchandise store. It’s like an inside joke, secretly shared within the descriptions for the world to eventually discover.

Window:

Unlit candles line the window sill - the aftermath of a candlelight vigil. It is a versatile symbol. It raises awareness of a disease or illness. It pays tribute the dead. Judging from the melted wax dribbling down the candle shafts and the wall below (the opacity was reduced so it looks less like bloodstains), this has been done many times over. But there is so much more candle to burn, representing the people still continuing this ceremony, albeit in the privacy of their own homes.

Above the candles are some broken blinds. When grieving, it would have been so easy for Mr. Technodad to hide away from the world in his grief. It’s understandable, to give into that primal urge to flee from prying eyes when he’s at his most vulnerable. He had the difficult task of reading out his son’s final farewell to us. This barrier between him and us dismantled by this gesture so we can remember Technoblade together.

Coincidentally, the window frame itself somewhat resembles the kitchen window featured in Technoblade and Technodad's cooking videos. Completely unintentional on my end, but fitting in a way since in both those videos they're pulling back the metaphorical curtains for the audience to peer into a small aspect of their private lives.

To the right of the window is a nondescript clock, forever stopped at the 6:30 as a nod to the date when the "So Long, Nerds" video was published. The minute hand is accidentally left out removed to signify that time will no longer move forward for Technoblade. In contrast, the rest of the world - represented by this space - continues to grow and change around his absence.

A wind chime hangs just outside the window. It is said that the soothing sounds produced by them is a healing balm during tumultuous times. Where there is wind there is stirred up emotions, but it is motionless on this calm, breezeless day. A rare respite, where remembrance overrides grief.

On a more amusing note, there is an interesting looking moth perched on the window glass. Upon closer inspection, the wing pattern may look somewhat familiar. In Chinese culture, when a huge moth visiting your home is the embodiment of your recently deceased loved one checking on you. Remember the compass in the foreground? Well, here’s why it is pointed sideways instead of upwards. This idea came up rather organically during a VC session in the R/Technoblade Discord server. My handful of viewers and myself affectionately dubbed this doofy looking moth TechnoMoff!

Venturing further beyond the windows, ferns grow with wild abandon. They represent eternal youth, and from a certain point of view, he will remain youthful forever at the age of 23. He lives on through us carrying on his legacy and spreading his story.

Everything outside is tinged with pink. After someone dies, we start seeing them less as a person and more as a legacy. It is the natural course of things to start seeing the deceased through rose-tinted lenses - hence the artificially pink hue of the outside contrasting with the more grounded color palette of the inside.

Bed:

And now we circle back to the centerpiece of this entire composition: the bed and the things that surround it.

In front of the bed is an over-bed table with a single object: an incense bowl filled to the brim with burnt sticks of incense. A simple shrine for Technoblade. In Chinese culture, we light incense at the altar to honor our loved ones. We may live separate lives and not cross paths often, but we all come together to leave our marks through this ritual. It is proof that he is still very much loved and missed by us all.

The bariatric bed frame is typically seen in hospitals. It allows the patient to comfortably sit up or recline without expending valuable energy. Encased in this frame is something more personal - the mattress and cushions which Technoblade laid upon in his photo with the Youtube plaque. Their unique patterning is a foil for the impersonal receptacle it is caged in. It is spotlit by the window light, emphasizing its emptiness. Not a single blossom dares to encroach upon this space, because to do so would be to erase the space where Technoblade last resided. Like I mentioned before, this is story is about the space around him as much as it is about him.

Cradling this bed frame are several flowers. Rosemary and forget-me-not’s for remembrance. Appropriate, given its proximity to the bed. Morning glories, for resilience. That’s us, again. For a while, we meander and spread in the upper walls of this space, avoiding the floodwaters which symbolize grief. But eventually, we gather the strength to meander down to the bed, where grief was the strongest.

—

CONCLUSION:

There is that cheesy quote from that one Marvel TV show – “What is grief, but love persevering?” While this reframes our perception of dealing with loss, grief is not some thing that should linger. The absence of grief does not equate to the lack of love. Instead, I would like you to consider this: remembrance is love persevering. And with our combined perseverance, Technoblade will never truly die.

#technoblade #Technoblade never dies #Technoblade fanart #techno fanart #sleepy bois inc #tommyinnit #philza #wilbur soot #qsmp chayanne #skeppy #dream #mcyt #mcyt fanart #fan art #purplealmonds #2023

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luciddownloading · 4 months

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Venus-Ascendant Aspects and Venus-Midheaven Aspects 💋

VENUS conjunct, square, opposite, sextile, or trine ASCENDANT

💞The majority of people with these aspects never had an awkward phase growing up (especially those with the conjunction). They looked like little models in their high school yearbook pics

💞A ton of celebrities with these aspects started their careers as models. A few of them even played supermodels in their early roles (like Angelina Jolie or Alexander Skarsgard)

(Side note: most celebrities seem to have Venus either in their 1st/in aspect to the Ascendant or in the 10th/in aspect to the Midheaven. Since a significant part of fame is about appeal and attractiveness, this isn't surprising)

💞Rarely, if ever, single. Feels most comfortable in a relationship

💞Cultivating their personal style is very, very important. Even the ones who claim to be "anti-fashion" make it look very distinct and can even accidentally set trends (like Kurt Cobain).

💞 Very pleasant and charming personalities. But, being nice can also be a defense mechanism of sorts, as they either hate conflict or being thought of poorly

💞They have distinct voices. They may be very soft-spoken or speak in a really husky or raspy tone. Many of them make decent to great singers

💞 Typically, these are highly attractive people. A lot of the time, it starts with their looks. But, even if they're not conventionally attractive, their charm and aura and kindness really captivate people

💞They accept their "pretty privilege" as a fact of life, even if they don't like it or have insecurities that make it hard for them to agree with it. Not everyone with these aspects are vain! They may know they're pretty in others' eyes and use that to their advantage but not see it themselves

💞 Those with the square can actually be very hard on themselves, in terms of their appearance/body image, and struggle with self-worth. They can seek a lot of validation to make up for that. Real compliment-fishing (like saying "Ugh, I'm hideous" just so others can tell you you're not)

💞The ones with the conjunction or trine are the most likely to be a little conceited. Or a lot. But, it works for them. Having a "hottie/baddie" persona and owning it is part of their charm

💞They MUST look after their skin, especially as the years go on. They usually have great skin but it is also very sensitive. Finding a skincare routine that works for them and sticking to it is crucial

💞Very feminine individuals, especially in how they present/appear. The ladies tend to be girly girls, possibly even hyperfeminine, and can really shine with an aesthetic that's either high/casual glam or Barbie-like. The men usually have a "pretty boy" vibe: polished with softer features and much more effort put into their appearance

💞Their huge love of beauty manifests strongly somewhere in their everyday lives, whether it's a love of fashion, being an artist, being really into makeup, living for home furnishing/design, etc. Somehow, they flaunt their Venusian ways for all to see

💞 Very sensual people but save it all for their relationship. "I'm a hoe but only for one person" energy.

VENUS conjunct, square, opposite, sextile or trine MIDHEAVEN

💸A lot of famous people with these aspects find great success by starting their own fashion, fragrance or beauty line (Rihanna being a perfect example). They may also become such fashion icons that they form special relationships with certain designers or have their pieces/outfits/hairstyles copied by everyone

💸 Celebrities with this influence also get ahead most by either being a sex symbol, capitalizing off their looks/sex appeal, or the "charming boy/girl next door". But, even those with these aspects who aren't famous feel this pressure from people to be the really attractive and/or really likable person everyone wants them to be

💸 Regardless of if they're in a high profile position or not, people in their community tend to look at them and treat them like they're a celebrity

💸 They'll approach their romantic relationships in one of two ways: 1) being super-public and showing off their boo all the time and making them a part of their "brand" or 2) being super-private and protecting their mate and relationship from too much scrutiny. Either way, their many admirers will be very jealous of the lucky guy or girl

💸 Would be most successful in: the arts, the entertainment industry, finance, interior decorating, counseling, fashion/beauty, or anything done in collaboration with a good friend or significant other

💸 Those with the square may struggle to feel as if they are truly beloved, popular or appreciated, even if they clearly are. They may have a big problem with taking public criticism very personally and overinflating it

💸They are meant to cater to a predominantly female audience (likely gay men, too, lots of main pop girls have this aspect). Their most loyal fans/followers will probably be women or feminine people. Stereotypical straight men won't really get them or be as supportive.

💸Their image is an expression of their femininity. The women will give off a very sisterly vibe, very "girl's girl", like the gorgeous bestie you wish you had. The men are known for either being very artsy/aesthetic/refined or having a striking type of male beauty

💸 Having the conjunction or the trine may make you a bit too aware of your public image and too worried about people not liking the projects you put out or what you post online

💸Has a special, distinctive appeal and charm that only they can get away with, whether it's being awkward or blunt or eccentric or mysterious or diva-like, etc. It very much becomes their "thing" and others may try to duplicate it to achieve their success/popularity but it only really works when they do it

💸A lot of chatter may exist around their sex life or romantic life. Because they're viewed as so desirable, people that they were barely involved with may be super-eager to claim them or act like it was much more serious. Or they may be constantly believed to be seeing people they're not (much like celebrity gossip). They are actually very selective, either in terms of sexual or romantic partners, and often much more single/unattached than most expect

#astrology #astro notes #astro observations #venus ascendant aspects #venus midheaven aspects #venus conjunct ascendant #venus conjunct midheaven #venus square ascendant #venus square midheaven #venus opposite ascendant #venus sextile ascendant #venus trine ascendant #venus opposite midheaven #venus sextile midheaven #venus trine midheaven #venus #venus in astrology

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harmoonix · 4 months

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🎇Fairytale Dream🎇

• Astrology Observations •

2024 CELEBRATION 🎉🎉🎉🎉🎉

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Natives with Midheaven (MC) in the 11th house can usually have a lot of friends because this placement indicates popularity, you can have friends even at your place/job

💎 - I just know people with Libra/Leo placements always wanted to live in a castle when they were younger, honestly you can't blame them because it's their thing with royalty

💎 - Cancer/Moon in the 6th house are very adorable when it comes to pets, they love animals a lot and they can create a special bound with the animals

💎 - Jupiter - Neptune trine/sextile/conjunct i know these natives are the fairytale themselves, they are dreamy, they are with their head in the clouds, they are magical, and they are kind. The perfect fairytale

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾🌾𓆉🌾𓆉🌾

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Asteroid Medusa (149) - In Libra/7th house. Be careful because people are gonna be jealous/envy on your partners/partnerships/relationships, you gonna attract really good partners

💎 - Juno aspecting Medusa can be another indicator of attracting envy/jealousy because of your relationship/partners (boyfriends, girlfriends)

💎 - Psyche (16) or Vesta (4) in Water signs are artist souls. For them art is everything and their soul can embody "piece of art" definition. They can be so much attracted to music because their souls want that

💎 - I know Cancer/Capricorn placements love to spend time with their families a lot, for some of them their family can be the most important thing in their lives

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Venus/Moon in the 3rd house can indicate a good relationship with your siblings, you can have that "you can always count on me" thing between you

💎 - Virgo Placements (esp Sun or Moon) love to words of affirmation, like tell them good things and treat then good and they are gonna be yours forever. They also love to hear people talking nice about them

💎 - Jupiter/Venus in the 4th house can make great parents (Moms and Dads) these placements can actually indicate a good family life and the one family you gonna create with your specific person

💎 - Aphrodite (1388) in the 5th house or Leo they are having such a beauty, you love life. You love yourself. They are very very verry royal/bold

💎 - Aphrodite (1388) in Gemini or in the 3rd house, I know one thing about them and that is their voice, their voice can charm anybody and they can be very flirty (I actually believe Aphrodite can feel good in these placements)

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Aphrodite (1388) in Scorpio/8th house are very magnetic, they are having a charisma that can pull people close to them

💎 - Capricorn Sun/Moon/Rising = Good face structure. Also strong bones/body most of people with those placements can become models because of their body

💎 - Sun at 6°, 18° degrees can talk about a native who can prioritize themselves a lot, they can be very nurturing and sometimes can end up a bit criticizing probably as their dark trait

💎 - Sun at 2°,14°,26° degrees can talk about a native who may love to be grounded. Who may love to spend time in the nature and to love going in places where they can feel close to nature

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Sun at 12°,24° degrees can talk about a native who dreams a lot and has a lot of wishes, they may having a lot of personal desires and a very free spirit

💎 - Sun at 8°,20° degrees can talk about a native who can be a very loyal person and a person who is very capable of keeping secrets, like with them or not them your secrets will not be heard by anyone else

💎 - Sun at 10°,22° degrees all I hear i money, dreaming money, sleeping with money 🤑💰, jokes aside they are very respectable by others and very serious when it comes to specific things

💎 - Mercury in 9°,21° degrees or in Sagittarius natives can have a really great humour and good jokes, they love to make other people to laugh and to make them feel good

💎 - Saturn in the 9th house/Saturn in Sagittarius natives may have to an important lesson to learn about their faith and the way they believe in things

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Part of Fortune in Aquarius or at 11°,23° degrees can be successful/popular in online. The media can be so much focused on them

💎 - Part of Fortune in Scorpio or at 8°, 20° degrees can have a lot of fame because of their Image, they may also have some controversy in the media. You're magnetic girl don't worry about the controversy

💎 - "You got me feeling like a Diamond rich" - Leo placements esp Sun/Moon or Rising in Leo 🦁

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

💎 - Neptune in the 1st house can really have a soft skin. Also they can be sensitive to the sun's light, does it happen to have irritations of skin in summer?

💎 - "Is very important to let yourself free" - Aries and Sagittarius placements because they are the most adventurous people I i know

💎 - People with prominent 3rd house placements can like cars a lot, some of them may like cars some of them may have a love for other vehicles like a van for example

💎 - People with Mars - Uranus aspects are great at dancing and they have a good chance for becoming professional at some specific dances

🌾𓆉🌾𓆉🌾𓆉🌾𓆉🌾🌾𓆉🌾𓆉🌾𓆉🌾

🎇 HAPYY NEW YEARS EVERYBODY!!♥️♥️♥️♥️♥️♥️♥️♥️♥️🎉🎉🎉 OFFICIALLY THE FIRST POST FOR 2024!!!!🎉🎉🎉🎉🎉♥️♥️♥️♥️🎉🎉🎉♥️♥️♥️♥️🎉🎉🎉♥️♥️🎉🎉🎉🎉🎉🎉🎉🎉♥️♥️♥️🎉🎉🎉🎉

🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉

I hope everyone out here will have the best YEAR🎉🎉🎉♥️♥️♥️♥️♥️♥️♥️♥️🎉🎉🎉🎉🎉🎉

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thethingswedotomorrow · 5 months

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Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.

But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.

And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.

One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies

"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."

"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"

"Oh, I see, suddenly it's only inaccurate when they've got you wrong."

The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire

Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake

As if Crowley wouldn't move literal mountains for the angel

*He did, actually, do that once.

In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes

"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."

Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand

When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area

If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.

Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum

In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention

And it certainly was not an inaccurate model of a 18th century tea set

But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.

He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation

Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale

Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment

And once Crowley experienced those things, he never wanted anything else

He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet

He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words

So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent

Crowley stayed and got well and truly drunk. As he did best.

He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another

It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing

Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight

But, as many of his worst ideas started, he had nothing better to do and too much time to think

So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day

Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.

But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.

He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.

He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?

He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.

Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor

He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.

But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs

Crowley wrote for a long while, and found that the writing helped the pain.

Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.

And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.

He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.

He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.

And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.

Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.

And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages

Until he realized that they had, in fact, also collected HIS mistakes.

In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago

And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own

And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.

All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.

Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.

But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.

Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.

Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.

He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.

"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"

Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes

"Angel, I-"

That's all Crowley can get out before Aziraphale is walking towards him with a purpose

And suddenly Aziraphale is very close to him

Very very close

And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.

By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.

He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love

Not one bit of it is at all comparable to the real thing.

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peachypinkygloss · 7 months

Text

dior girl ✰ park jimin

Park Jimin is one of a kind. When he wants something, he gets it, no matter how hard it can be. He's not scared to get his hands dirty. If he had any morals, maybe he'd consider his obsession with you getting out of hands. But this man has absolutely no morals.

୨୧ pairing: designer!jimin x model/fem!reader

୨୧ genre: strangers to lovers, age gap (21 & 38), smut, slight angst

୨୧ word count: 8.1k

୨୧ warnings: unrealistic depiction of the fashion industry, alcohol consumption & mention of drugs use, manipulation & corruption, jimin isn't a good person (especially not to oc lol <3), violent sexual thoughts, jimin's a sadist (my fav headcannon :D), heavy dom/sub dynamics, hard dom!jimin, unprotected vaginal & anal sex, anal play (use of a buttplug), my new headcannon: jimin likes giving anal, dacryphilia, praising & degradation, oral sex (m), face fucking, aftercare ig because yes jimin's a sadist but he still has a heart.

a.n.: yup so idk if you guys were expecting that... but i did say none of the characters were ethical lmfao so 🤷🏻‍♀️ i really, really hope you like the first part, i've worked hard on it even though it's not super long. so please, reblog and tell me what you thought about it! <3 as always, don't like, don't read.

[dior girl moodboard] ["older" masterlist]

His studio is his sanctuary. It's the only place in the world he can spend hours in without even noticing the moon setting or the sun rising. In his studio it feels like the time doesn't exist or that it's just a futile detail that doesn't have much importance.

When he's creating a piece, nothing around him matters. The only things he's willing to give attention to are the placements of the needles on the fabric, the little lines that form the pattern of the clothing, and the way his scissors cut through the satin material of the dress he's designing.

He's thought about this design for so long and he finally got the opportunity to make it. He's thought about the colours of the dress and also of the seam, about the length of the hem and the sleeves, how deep the neckline should be and if lace would be suitable.

He doesn't even recall how many sketches he's made of the dress. At some point it was consuming his entire mind, this dress the only design he could draw and think of.

Now that he's finally creating it, he has the feeling that it's going to be the best piece he's ever made. He already sees everyone talking about it, saying how much of a genius Park Jimin is. It's going to be the design of the year — of the century.

He still misses something, though, and it might be the most important part of the design. He needs a model, the perfect body to wear his piece and present it to the fashion world.

It can't be anybody, it must be someone who's confident, who always has their head up and who radiates elegance and sports a unique beauty.

Jimin still hasn't found this person. He constantly searches for them, but never finds them or when he thinks that he has, he discovers flaws he cannot unseen.

All the Dior models are great, but not enough. They don't spark anything in Jimin when he watches them strode down the catwalk. He's checked upon the apprentices and the newer models the company has hired, but he saw no one extraordinary.

Until today.

He hears steps against the wooden floor of his studio, entering the place without knocking. "Ah, there he is!" A manly voice exclaims, Jimin immediately recognizes it as his friend's, Sungwoon. "I have someone to introduce you."

Jimin raises his gaze up from his working table and looks at Sungwoon who's accompanied by a beautiful, young woman. He's then suddenly interested, contrary to usual where he doesn't really care about the many girls Sungwoon brings, claiming each one as the new phenomenon of the fashion industry.

When Jimin turns around, he eyes you up and down, barely glimpsing in Sungwoon's way. It's all it takes, one simple glance and he knows you're the one he needs — the one he wants and has to ruin.

Sungwoon introduces you both and when your name is pronounced by the man, sounding so charming and delicate, he's certain you're the model he had been waiting for since a long time.

You seem shy, arms locked behind your back, but you stand up straight and have a polite smile drawn on your face.

"I thought maybe you'd like to get to know each other, right?" Sungwoon raises his eyebrows in Jimin's direction. "Everyone's fond of her," he smiles and pats your back, encouraging you to speak up.

"Thanks," you smile back at Sungwoon before glancing back at Jimin who still hasn't looked away from you. "I've been a big fan of your work since I was a little kid, Mr. Park. You've inspired me to become a model."

The way you say his name has his cock twitching in his pants, filthy thoughts of him spanking your butt while you cry his name invading his mind.

He can sense your vulnerability, your willingness to submit. Who would he be to deny you that? Him, who is so eager to dominate the ones he's attracted to, to break but also repair them.

He knows it when someone's fragile, hiding their weaknesses under fake confidence. He doesn't know you, but he recognizes the pattern almost instantly. What can be broken can also be repaired and you're asking him to break you.

"I'm glad to hear that," Jimin says politely, a slight smile tugging on his lips. He's not the type to smile — stretch the corner of his mouth upward to imitate the person in front of him, he finds it useless. But for you, he'll do it, just so you trust him because you're so desperate to give yourself to the opposite sex.

"Park, you were wondering who'd be part of the fall show this year," Sungwoon begins, looking at you like you're the most irradiant ruby in the world. "Well, you have her in front of you." You giggle softly at the man's words, nodding your head at him and then looking at Jimin as if waiting for some praises.

Jimin faintly smiles, seeing your eyes glimmering and he curses himself for not finding you first. You'd have been his by now, his to praise, to kiss, to fuck, to destroy. But he swears, if he happens to break you, he'll gratefully keep you safe close to him.

๑♡՞

T H E N

"Careful," Jimin softly says as he catches you up from falling on the floor. You let out a high pitched laugh, as if all of this is a big joke, and push him back with a hand on his chest.

"I'm fine," you answer, shrugging him off with a flip of your hand. You stagger from left to right, leaning against the wall when you almost fall a second time. You laugh it off again, halting your steps.

Jimin looks at you with a cringe expression, eyeing the people behind, sporting worried looks on their faces.

You all went out after the show; models, designers, directors, stylists... everyone. It wasn't your plan to get drunk, Jimin knows that because you're not supposed to drink alcohol since you're on a very strict diet. A glass from time to time isn't so bad, but your consumption clearly surpassed just one glass tonight.

It's not really your fault, though. Technically yes, since you're the one who swallowed all of the glasses of wine, but you had a little help.

A little help from Jimin himself.

When you weren't looking, he poured more alcohol in your glass and to his satisfaction you've noticed nothing and gulped everything. Sure, you got a bit suspicious, wondering how you had only drank so little when you remembered swallowing more than that.

But Jimin assured you it was only your first glass, so you drank, and drank, and drank... Until you were more than tipsy.

You've received nasty looks from your colleagues, especially the other models who weren't drinking a single drop of wine, and yet, still weren't awarded with the status of the 'face of Dior'. How ironic that the drunkest girl in the room was the face of Dior and the little protégée of Mr. Park.

Years and years of training, countless sleepless nights, meals that are as nutritious as birds seed... All of the efforts in the world to have your biggest dream stolen by a model who is in the industry for less than six months.

Their rage is understandable, but Jimin couldn't care less. In fact, everything is going as planned and he can't fuck things up now. No, because if he does, all of the things he has done until now will be completely irrelevant.

"I'll... I'll bring her to our room, you can go out without us," Jimin announces, watching you sit down on the floor in the middle of the corridor.

"Will she be okay?" A stylist asks.

"Of course. I'll take care of her."

He waits for everyone to be gone before he gets you up from the floor and leads you both to your hotel room. When you're in the room, he sits you down on the bed.

You don't say anything as he takes off his jacket and loosens his tie. He crouches down in front of you to remove your heels and he does the same with his shoes, leaving them at the entry.

When he comes back, he sees you quietly crying, the features of your face contorting into a sad expression. You've slightly sobered up, harshly coming back to reality, realizing how much you've embarrassed yourself tonight.

"What did I do?" You ask, looking up at him with teary eyes. "I fucked up, didn't I?"

Jimin sits down beside you, lifting your head up with his index under your chin and his thumb over it. "There's nothing that can't be repaired," he states in a soft voice, so low it sounds like a sweet whisper — a secret, a confession only you can hear. "Right?"

You sniff, wiping your tears away. You nod your head in agreement, slightly reassured, hoping Jimin will fix your mistakes. Your foolish mistakes, done by the carefree of a twenty-one year old.

"Shh, baby, shh," he softly murmurs, cradling your head in his hands and gently laying your face against his chest. You wrap your arms around his waist, hugging him tighter and tighter til suffocation.

He strokes your hair delicately, placing a sweet and warm kiss on the top of your head.

Someone as vulnerable as you contains a lot of emotions. He has to deal with them, which doesn't bother him at all. He wants you the way you are; sad and pitiful.

"Everything's going to be fine," he promises, but it's not entirely the truth. Not everything will be fine, though it'll be in the end, he thinks — he hopes.

You eventually pull away from his embrace, just enough to look at him. It seems like you're searching for something or maybe waiting for something, your eyes desperately staring at Jimin as if his simple presence will make all of your problems fly away.

You throw yourself at him and kiss him on the lips, fingers pulling on the hair at the nape of his neck. He reciprocates it, knowing you like your kisses sloppy and messy, wanting Jimin everywhere on you to remind you that he's always there.

You bring him closer, crumpling the material of his white shirt between your fists, moaning and whining as your teeth clash together at how roughly you kiss each other.

Jimin breaks your exchange first, both catching your breaths. His eyes observe you quietly as you look at him like you're still waiting for something.

"Did you do what I told you to?" He questions you, referring to your conversation of a few days when you came to his studio to try on his dress.

You were a bit stressed out, putting on the clothing like you were scared you'd rip it. He still remembers the way the satin was sliding up your body, hugging your waist and ass perfectly. He was baffled at how incredibly well it suited you as if he had made it exactly for you.

And maybe it was made for you, after all.

Because when he saw his creation on you, he knew you had to wear it for the runway. It has to be you, he'll accept no one else.

Jimin will make you walk the runway wearing his dress — the last time you'll ever step on the catwalk. After that, he'll keep you away from the rest of the world. He'll refuse anyone to see you because you're going to be his.

His forever.

"Yes," you nod your head, trapping your bottom lip between your teeth.

"Tell me what you did," Jimin softly demands, holding your chin in his hand, mouths inches away from each other.

You're too shy to say it out loud and that's why he wants you to tell him. Also to be sure you did everything correctly, but mainly because he wants to see you embarrassed.

"I prepared myself for you..." You begin, holding eye contact even though you feel your face heating up just thinking about all the things you've done per his request. "I... I used lube both on me and... the toy," you continue in a shy tone, so low Jimin wouldn't hear you if he wasn't so close.

"Where on you, sweetheart?" He interrupts, wanting each detail, each little thing you normally wouldn't have done if it wasn't for him. And all while thinking of him.

You swallow, "On my ass, Jimin," you answer in a whisper. "I stretched it out for you, using the toy like you told me," you finally admit.

"Good girl," Jimin purrs. "Let me see it then."

You proceed to strip off of your dress, now used to be nude in front of him, and slide your panties down your thighs, discarding them away on the floor.

You get back up on the mattress and position yourself on all fours close to the edge of the bed. Jimin stands up and goes behind you to have a closer look at your ass.

His veiny hands pull your cheeks apart, revealing your rim to his insatiable, sadistic eyes. You glance over your shoulder, curious of what he has in mind and what he has prepared for you.

You softly gasp when he spits and lets the globe of spit drip down between your asscheeks, rolling over your puckered hole. You clench around nothing, relieved to have his attention, to finally feel his hands on you instead of the usual touch of yours.

He sees that your ass is a bit looser than the last time he saw it, but it still clearly needs more preparation to welcome his girthy cock — though it's not like he cares that much if you're prepped enough or not.

He passes his thumb over your tight muscle, circling it and smearing his saliva over it. He wants to fuck it so bad, destroy it and do unbelievably violent things to you. Should he tonight? Should he show you his dark and evil side?

He's choked you before — smacked your ass hard til you felt your skin stings, overstimulated you to the point your orgasms were just spasms passing through your body, fucked your throat while you were drooling all over yourself, and tied your legs and wrists together to restrict your movements.

So fucking your ass can't be that bad, but the thing is Jimin wants it to be bad. He then wonders what would happen if the line is ever crossed. Would you endure it, would you defend yourself? Would you shut the fuck up and take it like you're asked to?

But you trust him so much — with all your pathetic being — and he thinks you'd let him cross any lines he desires to. He probably already has crossed multiple lines, and being the poor, sad girl that you are, you said nothing.

You truly are extraordinary.

He gives a slight slap to one of your asscheeks, groping both of them after, feeling how soft and tender your flesh is. "You did good, sweetheart," he comments in a honeyed voice that has you mewling, sounding so smooth and sweet. "How about we play with it a little?"

He lifts up a brow at you and you nod sheepishly, sinking your teeth into your bottom lip. "Yes..."

"Great," he says in a low tone, running his hands one last time over your ass before going to take something from his suitcase.

"What is it?" You question, your curious eyes landing on the small object he's holding.

Jimin brings the object to you, something made of metal, the end having the shape of a cone and a pink gem placed on the top. "A gift for my princess," he replies, opening the bottle of lube he brought as well.

He applies some lube around your tight hole and on the butt plug, and carefully pushes the head of the toy in your ass. You gasp softly, feeling it slowly stretch you out, sinking in gradually as Jimin holds your cheeks apart.

"Mmh, feels good, Sir," you moan, arching your back and pushing your butt closer to Jimin.

When the plug is all the way in, the pink gem peeking out between your two globes of flesh, he smacks your other cheek, making it jiggle from the harsh hit.

"Is that so, dirty girl?" He wonders, gripping your hips and colliding his hips with your butt, sensing his big bulge pulsing under his pants. "You like it when your little ass gets stretched out?"

"I like everything you do to me," you say with a content sigh, pussy clenching around nothing as your ass gets used to the small butt plug.

Jimin genuinely thinks he can't find better than you. You were so shy in the beginning, looking like a lost puppy wherever you went. You just needed someone bigger and older to show you the way — though you were too dumb, and still are, to realize he was leading you to the wrong path.

It's not like you seem to mind, anyway.

After all, you both got what you wanted; you, male attention, someone to rely on and be protected by, and him, a woman to break and keep with him forever.

He lets go of your hips to unbuckle his belt, pulling the leather material out of the gold loop with the luxury Dior logo on it. He lets the two ends of the belt hang off, not bothering to remove it completely, and tucks the fly of his pants down.

He finally frees his cock from the confines of his boxers, springing up and slapping against his stomach, the bit of pre-cum escaping from his tip dampening his shirt.

"You're so good to me, princess," he praises as he wraps a hand around the base of his engorged cock, aching and begging to be nestled in your cute little pussy.

His head pushes at your entrance, never fully entering, only teasing your hole and stimulating all of your sensitive nerves. He watches how his cock stretches your cunt, your walls expending to receive his bulbous tip and then closing down when he pulls out.

"Sir, please, want more," you beg him, pushing your ass on him to have his dick back in you. You let out a little whimper when Jimin holds your hips in place, stopping you from wiggling your butt side to side against his thick cock.

He hums and slaps your ass harshly, your skin stinging after. "Want my cock in your needy little pussy, baby? Is that what you're crying for?" He asks, teasing even more by swiping the head of his penis between your pussy lips, a string of your arousal sticking to his angry tip.

"Yes," you say back quickly and desperately, arching your back, literally presenting yourself to Jimin. "Been so good, don't I deserve it, Sir?" You softly murmur, still looking over your shoulder to see his gaze fixated on your quivering pussy, cock head sliding up and down over your sex.

"You do..." He responds distractedly, licking his plump lips, his fingers touching the pink gem peeking out from your ass. You're always so good and obedient for him, he even wonders if you ever did something that genuinely pissed him off before.

When he really sinks in, his head passing the barrier of your sweet pussy, he groans deeply, feeling your walls deliciously enveloping his hard cock tightly.

You moan in unison as he bottoms out in you, his balls touching your wet and warm pussy. He bends his back over yours, running his hand up your spine, feeling all the little bumps of it until he reaches your head and shoves it against the mattress.

You whine when he starts pounding into you, his girth stretching you out so well, leaving you panting and moaning loudly. His other hand holds your hip against his dick, fingers digging into your skin, leaving permanent marks on your body — as well as on your mind and your soul.

He already sets a hard and rapid pace — fucking is never soft or loving with Jimin, it's violent, long, and agonizing. It's a way to be himself, the real and dark version of himself he hides in public and releases when he gets intimate with you.

You surprisingly got accustomed to it, embracing it as if it was your destiny, the reason for your existence; to be his personal slut, the little toy he likes to play rough with. And you've accepted it, like you had no other choice but to be fucked into oblivion by Jimin whenever he feels like it.

"You like that, baby? Huh?" He growls, as if you're the disgusting one for liking the way he treats you, ravished and delighted to have his girthy cock sliding against your velvety walls. "You like it when I fuck you hard like this?" He repeats and grips your hair, pushing your head against the bed covers with more strength.

You babble out something, voice caught in your throat, too out of breath to formulate a simple sentence. You then only nod, your cheek squished against the mattress, Jimin's hand still pushing down on your head.

His mouth hangs open to let out heavy breaths and his eyes are focused on your face, watching the little translucent pearls fall on your face and on the covers. Your pussy swallows all of his girth, clenching so tightly it has him groaning and saying profanities under his breath.

It's sick how it makes his cock so fucking hard, leaking so much pre-cum in you and twitching avidly by seeing you struggle to breathe. You crumple the bed sheets between your little fists, doing everything in your power to keep your ass up for Jimin and not slump down on the bed from the hard thrusts he's inflicting on you.

He snaps his hips against your ass and the entirety of his length is covered in your wetness, a white ring made of your cream circling the base of his cock.

His hand holding your head descends to your neck, enclosing it with his fingers, the coldness of his silver rings contrasting with the hotness of your sweaty skin. He squeezes a little, just a bit so you know who's in control, so you never forget Jimin controls you — that he controls your life and thoughts.

With a grip on your hair, he brings your torso up, arched back against his chest. The material of his shirt sticks to your skin, coated in a thin layer of sweat. He continues to pound into you, his cock sliding in and out of your pussy rapidly, as he holds you by the throat, lewdly licking a long stripe along the side of your face.

You shudder in desire, hair standing up on your delicate arms. "You're my little whore, aren't you, baby?" His mouth is right beside your ear as he whispers dirty things to you, his lips touching your hair, damp at the nape of your neck. "So fucking compliant... You want to please me so bad like the slut that you are," he mouths the words against your hair, cock pulsing hard in your cunt.

His free hand that doesn't have a hold around your throat slides down your body, passing over your belly and reaching your puffy clit. The sharp zipper of his pants graces the flesh just under your ass, irritating your skin and making it itchy.

You clench around him when his digits find your sensitive bud, circling it sensually and slowly, the complete opposite of his hip thrusts.

"Yes, want to please you, Jimin," you gasp, bucking your hips at the feeling of his rough fingertips on your pussy. He grunts when you address him by his name, loving how it sounds on your tongue, so sweet and timid.

He remembers the first time you moaned his name; you were sprawled across his expensive leather couch, blindfolded and hands attached together with his black tie. Intense for your first time with him, but it was also the last time he's ever been that gentle with you.

It was when his cold fingertips graced the skin of your stomach that you let out a squeak followed by his name, said in the quietest moan. He had then stopped his movements and looked at your face, an expression of distress painted over your features.

He had realized how frail and weak you actually were, needing your most important sense to be at ease. That's why he had blindfolded you, to show you how dependent you are of him, how impossible it is for you to live without him to guide you.

He pushes your jaw to the side so your lips can meet his in a feverish kiss, wet tongues mingling together, drool dripping down from the corners of your mouth. He continues to ram his cock in your now soppy and messy pussy, the sound of skin against skin resonating in the hotel room.

He traps your bottom lip between his teeth, making you whimper and close your walls around his girth once again. Your little hands grip the material of his trousers, keeping him close and holding on to something because the hard cadence of his hip thrusts push you forward, breasts bouncing up on your chest.

"Fuck," he curses and he suddenly stops, steadying his hips against your butt. You let out a whiny moan as Jimin lets go of your face and hips.

You're sad to have your pleasure ripped away from you so hastily, but you don't have the time to complain, Jimin slipping out of your cunt and pushing you down violently on the mattress.

You turn around on your back to see him unbuttoning his dress shirt and throwing it on the floor, revealing to you his beautiful chest and defined abs. He gets rid of his pants and socks after, finally removing his boxers, the only things remaining on him being his rings and the watch crowning his right wrist.

His cock glistens in your juices, more pre-cum leaking from his swollen tip and twitching avidly against his stomach. Even though him fucking you while being all dressed and you completely bare is a way to humiliate and degrade you, he also likes to be naked sometimes.

He loves skin to skin contact, how your bodies stick together because of all the sweat coating you. It's addicting, it's rougher and it creates more friction — more pain.

He doesn't mind being naked too because he knows how to dominate you either way. He doesn't find it embarrassing, on the contrary, it makes him scarier and hungrier. While you shiver without your clothes on, curled up on yourself, Jimin is imposing, his cock thick and girthy enough to split you in half.

He crawls back to you, hovering over you like a predator had caught his prey, boring his eyes into yours. You look at him in awe, always waiting patiently. You feel his cock against your thigh, thick and veiny, your hole pathetically quivering — missing his size stretching out your pussy.

He sneaks a hand between your legs and reaches the little pink gem, ready to get it out. "Take a deep breath sweetheart," Jimin instructs and you inhale deeply.

He doesn't waste a second, pulling out the butt plug out of your ass. You scrunch your eyes shut at the pain, exhaling when it's done. He carefully sets it on the nightstand, coming back to you after.

He bends your legs over your stomach and looks at your ass, just begging him to fuck it, shining with lube and arousal that leaks from your pussy. His erect cock is just so close to it and Jimin could slide right in with one movement of his hips.

He lets go of one of your legs to grip his engorged erection, a little gasp escaping your lips when he presses the head of his cock at your tight hole, threatening to sink in.

"Sir," you sigh, not sure if you're ready for that. It always burns no matter how good you prepped before and he knows that. That's why he's so tempted, that he's staring so obsessively at your rim.

Will it hurt you? Will you grip his biceps in an attempt to dissuade him? He wants to see those tears falling from your eyes again, he wants to lick them and tastes your pain. He feels more blood rush to his penis at the mere thought of hurting you.

Give him all of your pain, he'll fucking take it whole and cherish it. He wants it — he needs it. Accuse him for having a sick and twisted mind, accuse him for everything you've ever been hurt by because he'll gladly take the blame.

"I know you can take it," he says in a low tone, glancing up at your face as he applies just a bit more pressure to your ass hole. "Can you, baby?" Jimin asks, waiting for you to admit how much you want it, how badly you want him to destroy you.

"Yes..." You whisper back, a long shiver running up your spine as his eyes pierce through you.

"Yes, what? Tell me, sweetheart," he demands, and it's as if he doesn't care about your response whatsoever because the next thing he does makes you yelp in pain.

His tip has entered you, the burning sensation forcing you to scrunch your eyes shut, your instinct thinking it'll protect you.

"Yes, I- I can..." you stutter and as expected, you dig your nails in the flesh of his biceps — only fair to hurt him in return. "I can take your cock in my ass..."

You take a sharp breath, eyes slowly opening, all watery and painful. Jimin groans at that, stuffing more of himself in your hole. "Good girl," he praises, voice raspy, ending with a deep grunt.

He stretches you out completely, his dick in no comparison to the toys you've used to prepare yourself. You open your mouth as he pushes himself in gradually, tears streaming down your face when you blink.

The tears roll down the side of your face and Jimin can't help but be turned on, leaning in to kiss your face and collect some of your tears, tasting the saltiness of them on his tongue.

"Jimin...!" You look at him with the saddest and most hurtful gaze, tears rolling down your face. "It burns," you add in a quiet voice, now scratching his back, leaving long red trails on his skin.

"I know, baby, I know," he softly murmurs in your ear, a husky moan leaving his mouth when he's completely nestled in you, balls touching your ass. "You're so tight, fuck," he sucks air through his teeth, not moving until he estimates he's waited long enough.

He gives warm and wet kisses to your neck, descending to your collarbones and groping your breasts, slowly starting to move his hips. You lock your legs behind his back, wanting him as close to you as possible despite the pain he's inflicting on you.

He loves knowing it hurts you because it makes it more pleasurable to him somehow. The pain will go away soon anyway, that's why he doesn't bother to stop or slow down. You have to get used to the feeling first.

He wouldn't go too far to hurt you. The choking, the hair pulling, the smacks... He keeps it for the bedroom, but he won't lie that there's a part of him that wants to ruin your life, ruin everything you've accomplished so far just so he can see those sad eyes of yours and hear you ask him for help out of desperation.

It's not even sexual, he just wants to break you, that's all he desires. Though your life is something he wants to destroy, it's more of a way to have you dependant on him after. If your career is no longer successful, your solution is Jimin because he's the only person in your life capable of taking care of you both emotionally and physically.

His teeth chew on the tender skin of your neck while his hand travels all over your body, many veins popping out along his strong arm. The cool sensation of his rings on your stomach makes you shiver, his finger gently circling your clit to make the pain more bearable.

His cock slides in your hole back and forth, your ass slowly but surely taking the size of girth. Many curses leave Jimin's mouth, your ass probably the best he's ever fucked. You feel so good around him, you're tight, but you loosen easily, making it so, so pleasurable for him.

His hand that was roaming over your body comes to close around your throat and he turns his head to your side, lips brushing over your temple. "Yeah, just like that, baby," he mutters under his breath, his nose pressing down on your hair as he murmurs the words to you. "Just like that..."

A choked moan is all you can respond, eyes rolling back in your skull as Jimin splits your ass open, fucking his thick cock into you. His hot breath hits the side of your face, his chest heaving rapidly while you claw at his back, white scratches appearing on his skin.

He sweetly kisses your temple as he pounds into you, not tightening his hand around your throat, just holding you in place — always letting you know that he is always in control.

Your tits slightly bounce up and down on your chest, little whines coming out of you each time Jimin bottoms out. It starts feeling good for you — really good — and you think that this pleasure is totally worth a bit of pain at the beginning.

You grip the hair at the nape of his neck and bring him in for a kiss. He accepts it, kissing you back as if he wants to possess your whole mouth, biting and licking your lips. You moan into his mouth, twisting his hair between your fist and sinking your nails into the flesh of his back.

He backs away from you a little, his plump lips glistening in both of your saliva, and places his two palms on your boobs. He feels your perky nipples under his hands, just loving how plushy your breasts are, fitting perfectly in his palms.

He keeps thrusting in you as he gropes your tits and you bring your hands over his, looking into each other's eyes. He lowly groans, holding eye-contact with you.

You feel his veins under your palms, your pussy clenching around nothing but air while you run your hands all over his arms. You enjoy the sensations of his pulsing veins under your small fingers as you sink your teeth into your bottom lip, staring into Jimin's dark eyes.

"Jimin..." You moan his name, throwing your head back and closing your eyes, just enjoying the feeling of his hard cock entering and exiting your tight hole. Jimin takes the opportunity to smooch your neck again as you expose it to him, his full lips delicately pressing down on your throat. "I love it," you sigh pleasantly.

He hums, the sound coming deep from his throat. He wants to hurt you, yes, but he likes it even more when you love the pain. He just knew you were exactly like him when he first saw you. He had the feeling that you needed someone like him, someone that'd push you to your limits and make you discover a new type of pleasure.

And he was right because there's not one time where you told him to stop.

"My dirty girl," he purrs in response, bringing his lips up to your jaw. He slowly rolls your nipples between his fingertips, pinching and pulling on them. "You're stupid, but so, so good for me, baby," he groans in your ear, gritting his teeth as he feels his balls tightening.

He slowly halts his hips movements, letting out heavy breaths as he eventually pulls out of you. You gasp when he does so, already missing his cock stretching out your ass.

You're both trying to catch your breaths, Jimin raising himself up from you and getting out of the bed. His erection stands tall against his stomach, bouncing up as he walks to the front of the bed.

You watch him getting away until he orders you to follow him. "Come here," he says softly and you don't make him wait. "On your knees," Jimin commands when you're facing him, sinking down to your knees after.

He places a hand behind your head and the other around the base of his dick, guiding the head of his cock toward your lips as he pushes down on your head.

"Here, baby," he instructs in a low voice. "Take it in your mouth." You part your lips to welcome Jimin's length, his bulbous tip shining in pre-cum and your juices under the light of the hotel room.

He immediately moans when he enters the warmth of your mouth, his heavy cock sliding on your wet tongue. He doesn't let you have much control, pushing his dick in your mouth until your nose touches his pubic hair.

You relax your jaw for Jimin, allowing him to stuff your mouth full of his cock. He looks down at you, watching the way your lips wrap around him tightly, your eyes starting to water. He still holds the back of your head with one hand, guiding you over his stiff erection and you moan obscenely around Jimin, drool dripping down on your chin.

He begins to fuck your mouth, forcing you to take the whole thing each time he bottoms out. He moves his hips back and forth, obsessed with the way his girth appears and reappears between your lips as he uses your mouth as he pleases.

"Shit," he hisses when you hollow your cheeks, making it more pleasurable for him. "You're a fucking cockslut, aren't you, baby?" He says breathily, his eyes not once leaving his cock penetrating your mouth over and over again.

You whine around him, surely agreeing with what he said. It sends deliciously vibrations through his entire body, the sounds of your moans and hearing you gag around him is so arousing to him. He wants to hear more so he literally uses your mouth like a toy, snapping his hips against you, his balls slapping your chin.

He lets out a deep moan, your cheeks now damp and eyelashes all wet because of your tears, eyes stinging as Jimin fucks your throat like a mad man.

"Stroke your clit," he manages to say between two heavy breaths. "You can get off by yourself, right? I know you're soaking wet just by letting me use that pretty mouth of yours," he mocks you, but he knows he's right. Whatever he does, your cunt is always dripping wet.

You whimper again, doing what he told you to and sneaking a hand between your thighs to play with your pussy. You part your legs wider as you circle your clit with your finger, Jimin's hooded eyes lazily watching you playing with yourself.

Your right hand is laying on his thigh while the other is operating between your legs, pleasuring yourself to the sounds of Jimin's moans and the feeling of his stiff cock weighing down on your tongue.

You do your best to breathe through your nose, swallowing around his length and flattening your tongue underneath him. Your juices drip down your inner thighs, your finger flickering over your sensitive bud smoothly because of your arousal.

The whole room is smelling like sex, an odour that Jimin can't ignore, loving it so much. Your lips glide so easily over his hard cock, completely covered in your spit and still some of your wetness, tasting yourself on him.

"Ah, fuck," he curses, his head rolling back on his shoulders, eyes still strained down on you. He feels the familiar burning sensation at the pit of his stomach, indicating he's really close to his orgasm. He stops thrusting in you. "Go on the bed, baby."

You're taken aback, but you follow his order, pulling him out of your mouth and laying your back down on the mattress close to the edge. You beautifully moan when Jimin penetrates your pussy a second time, bending your legs over your stomach.

"Oh, god," you cry softly, being pounded onto the bed by him right away, tits moving up and down on your chest.

His hands are positioned on each side of your shoulders, snapping his hips against yours so harshly you feel your skin stinging. You keep doing circle motions on your clit, now faster and impatient to reach your high.

You let out a high-pitched moan when Jimin suddenly steadies his hips over yours, dropping down to his elbows as he hides his face in the crook of your neck. "Holy fuck," he grunts, gripping the bed sheets tightly in fists beside your head as his cock twitches in your pussy.

"Yes, yes," you quietly exclaim, your clitoral orgasm passing through you, making you arch your back and buck your hips.

Your hole clenches repeatedly around him and he finally comes undone into you, shooting long, thick ropes of cum deep into you. He empties himself in your wet cunt, cumming just after you.

When he slips out of you, more spurts out of his tip, landing on your pussy, covering it in his creamy cum. You moan at the warm sensation, always loving how it feels both in and on you. Some of his seeds dribble out of you, dripping down to your ass.

He stays above you for some time, catching his breath and looking at the mess he made on you. He stares up at your face, seeing how fucked up you look, hair in a nest and eyes reddened.

Later, Jimin is in the shower, washing his hair and his body, passing a soft cloth soaked in soap over his chest. He lets the water fall over his head, wetting his black locks. He stays maybe a bit longer than normally, staring at the tiled wall.

He thinks about you, about all the things he's planned. He revised everything in his head, imagining you walk on the podium wearing his design, people looking at his piece with admiration in their eyes.

He thinks about all of that that will go down for you after the show, getting fired, losing your career and your fans. Many articles talking about your excessive use of alcohol and drugs, saying how tired and sad you look beside Jimin.

You won't last long, you're too weak anyway. A downfall like this is unconquerable, nobody recovers from that, and surely not a model who will be thrown out of the industry as soon as you turn twenty-five.

Jimin knows the industry, he's been in it for years now. He's aware of how cruel it is, how difficult and harsh it can be on fragile little girls like you.

But that's why he's here, to take care of you once nobody will want you anymore. That's the goal, after all; you to be finally his — solely and completely his.

"Jimin?"

Your voice reaches him, turning his head in your direction, seeing you hesitantly entering the shower with him. He opens his arms, inviting you to come closer and you do, hugging him and laying your head down on his wet chest.

"I love you, sweetheart," he softly murmurs against your hair. "I'll never leave you, you know that, right?"

You nod your head, looking up at him and meeting his gaze. "I love you, too."

๑♡՞

A F T E R

The runway went incredibly well. Celebrities and journalists were all gathered for the fall show, totally amazed by every design and the models that were wearing them.

But there was one specific piece that everyone was willing to say was the best.

Jimin was satisfied to see that his name stood out among everyone else's, being called more times than Dior itself. He predicted it; it was the creation that every guest remembered, the dress that the fans were only talking about.

He'd take all the credit, he was the one who imagined it and then sewed it after all, but he has to admit that you had contributed to the fame a lot.

Being the beloved face of Dior only made people talk more about it and that was what Jimin needed.

But everything has an end, doesn't it?

When Jimin comes back to his apartment, the place is silent except for the TV playing, as he thought it would be. You're looking through the window, watching the city living at night while it's raining. You're sitting on the sofa, not even acknowledging his presence as he enters, getting rid of his shoes.

You're not much of a talker since you've been fired from Dior a few days ago just after the fall show. He understands your wish of remaining silent, needing a bit of space to process everything that has happened the past weeks in your small head.

It was going to happen soon enough anyway. You've been to your photoshoots completely drunk, sometimes just going in with a hangover, but of course it didn't help your case at all.

Jimin was guilty for letting you drink alcohol so soon in the morning. No need to deny it, he was even the one for dropping you off at work like that. Well, he had to do it if he wanted people to notice how far you've fallen.

He doesn't feel bad, though. Your career wasn't going to last with Jimin's sabotage or not. He did you a favour, you should be thankful.

You can't handle being a model. If you could, none of that would have happened. You wouldn't have gained weight, you would have been suspicious of the amount of calories Jimin was feeding you. The bottle of wine wouldn't have been so tempting and smoking weed wouldn't have ever occurred to you as a good idea.

Some people can, others can't and you're one of them. You shouldn't be ashamed of it, sometimes things just don't work out like we would have wanted them to.

"Did you see the article they wrote about me?" You ask, already knowing he's walking up to you without looking. "You surely did, I bet that's all they're talking about..."

He sits down beside you and you eventually turn around, facing him. You care so much about what others think of you. It must be so tiring having such a low self-esteem. He can only imagine it; seeing you look through the window like a sad puppy, your life finally making sense when Jimin comes home.

"I did, but nothing of that matters to me," he answers, the most honest he's ever been. And even if he had to lie, it's not like you wouldn't have believed him. You always trust whatever he says.

You don't reply, your head still filled with many thoughts.

"Hey, come here," he softly tells you, patting his thigh. You straddle his lap, setting your hands on his shoulders. He cups your chin, forcing you to look at him as you keep avoiding his gaze. "Whatever they say, whatever their name is, nothing will ever be more important than you."

Because who is he if he lets some article affect the way he sees you? He's known you since the beginning of your career and he stayed til the end of it.

He knows you better than everyone else. He was with you during your highs and lows and he'll still be there for the next ones. There's nothing in the world that could make him leave you. After everything he's done to have you, there's no way he'll go away.

How cowardly of him if he does. He can't leave when he's promised he'd heal you — close all of your past wounds and create other ones.

He may be selfish, but there's one thing that he isn't and it's a fucking liar. He sticks to his words, and when he says he'll never leave you, that means he'll never, never abandon you — he'll never leave your side, not even once. He can't risk it.

๑♡՞

taglist: @mcsalterego @blueberryarchive @gyukookswhore @bloopkook @ot72025 @mrsminho @ownthesunshine @dahliadaenerys

#bts fanfic #bts fanfiction #bts fic #bts smut #bts x reader #bts imagines #bts scenarios #jimin imagines #jimin fanfic #jimin fanfiction #jimin smut #jimin x reader #jimin fic

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wombywoo · 6 months

Text

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

#tutorial #my art #art tutorial #since people have been asking #I remembered to save my process from this latest work~#enjoy 🙆‍♀️

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glammiketrash · 9 months

Text

Monty didn’t attack Bonnie. Freddy did.

This post is not a joke: Ruin gives us enough clues to know that Bonnie was attacked by Freddy the day he disappeared, and Monty saw the attack.

Word count: 2457 words.

Yup, I wrote an entire essay with pictures to take the blame from a fictional gator that became my comfort character. If someone from Steel Wool is reading this: Yes, I’m ok, thanks for asking. If you want to send a cute Monty picture to my inbox, it is open and I’ll be all over the place if you do it.

Now, let me take you with me on this wild ride, because this theory fits the narrative of both Security Breach and Ruin so well that I have to clap at Steel Wool if it is actually correct and not me playing with the puzzle pieces incorrectly. So, here we go!

Bonnie, judging by the golden eyes and his travel pattern, was protecting someone like Freddy did with Gregory. Important damage was directed to the stomach hatch, where a kid could hide.

He has claw marks there, but Monty didn’t got his until the first was decommissioned and was then modified to play his bass.

The scratches in his hatch are green, but also the cracks over it. It looks like it is his base color instead of paint left by the attacker. The next video is from FazFriends, where they look at every single detail in the Ruin animatronic models. Their analysis are totally worth your attention if you like SB!

youtube

Monty has black nails, even before he was modified to play Bonnie’s bass. They also are kinda blunt, and the marks the attacker left seem more clean and sharp in the ends.

Now, there aren’t lots of animatronics that have claws. We have Roxy (and I’m guessing Foxy, if he ever existed as an animatronic different to her), The mimic/Burntrap, who doesn’t really seem an option because he’s slow and in life support in SB and sealed in Ruin, and… there’s Freddy. But, and here’s the twist, not normal Freddy, who couldn’t get through gates like Monty until he got his claws.

I’m talking about this thing.

Not only do we have environmental clues that confirm this attack, but also a key clue that wouldn’t make any sense otherwise.

Let’s start with the Prototype itself!

Check those claws. They are sturdy enough to survive all the damage this model has received, and extremely sharp at the end. Now compare Bonnie and its hand together…

It’s a perfect fit. The metal is a bit bent in the left, but if you could lower it, the finger length, the palm, even the distance and shape between the thumb and index are the same than the hole in Bonnie’s chest.

If that detail is true, all pieces of the narrative fit together. Here’s what happened, which I will explain further adding sources:

Monty saw Freddy’s prototype attacking Bonnie (who was in safe mode) in Gator Golf’s catwalks. The hurricane hole-in-one was activated, causing them both to fall. He could see the prototype losing its head and taking damage to its leg, but Bonnie was nowhere: he was either able to go back to Bonnie Bowl by himself using the distraction or the fall knocked him out and was dragged there, where he was heavily damaged.

This next part is not so clear, so I’ll give you my version of what I think happened that night: Bonnie alerted police that a kid was in danger. They show up, but Vanessa sent them away, claiming she was the only person there and it was a prank call (False Alarm message in SB). Vanny uses Bonnie’s trust on Freddy against him: she sends the prototype to go after the kid and him. He makes it to Monty’s, where the hurricane causes damage to the prototype, and is then finally attacked and disassembled behind his attraction to silence him and bury any clue or what happened (his parts are all over the place, one of his arms has weel marks, and Ruin follows the PQ ending where Freddy is disassembled. In SB, endos come out from the lines to attack us, and in Ruin we see the zone where his vanity is infested with STAFF robots, both in its normal version and in VR, where a giant STAFF robot is seen being dragged to a door while it leaves scratch marks on the floor).

Fazbear Entertainment pretended they actually looked for Bonnie and found nothing at all. As a final punishment for his disobedience he was actively being erased from existence: most of his art was removed, and some ask for a re-theme of his attraction (Re-theme SB message). They make Monty the main bassist, giving him his green room too.

These changes are being quickly pushed after his decommission: Bonnie still has power when we find him, Monty falls from the catwalks “a month ago” and snaps in half, a place where he goes every time he skips a performance (Monty Mischief SB message), people constantly ask for Bonnie and there isn’t an approved answer to give, the bowling alley still wasn’t given a re-theme after taking out most of Bonnie’s images.

Despite FazEnt efforts, Bonnie is remembered, specially by a depressed Monty.

His body was modified, he was given his bass, his glasses, his room, his role. The higher ups clapped thinking about the possibility of him being even more popular than Bonnie, his disappearance becoming yet another opportunity to make money.

And it was Freddy’s prototype’s fault. His normal life, the person he admired the most, his own body, were taken from him because of him.

From that day, and after getting new claws, his attitude becomes obsessive, endlessly searching for what was left of Bonnie after the rest gave up: destroying fences to explore the undergrounds, constantly missing shows and always being found in the catwalks, even after being snapped in half by the hole-in-one bucket, trying to guess where his body was. His last known location was his attraction, so he should still be there somewhere, isn’t it?

Let me repeat this: he prefers looking for Bonnie in the catwalks even at risk of his own integrity than performing.

There are more details that show us he does care for him: there are four official images left of Glamrock Bonnie in the PizzaPlex, three of them in Monty’s ride, the last one at the entrance of his own attraction, where some animations can still be seen. These cutouts are in perfect shape, while Freddy’s is light off.

There is also a headless Freddy statue that once you go to FazerBlast screams “prototype”.

It looks like it’s been decapitated by a hurricane, some “cables” coming out of its head like the prototype, which has cables coming out of its neck.

This damage couldn’t have been caused by the earthquake: the head should had fallen to the ground instead of being pinned on the hurricane. Plus, it doesn’t match the theme of the ride, based on cutouts, and while the rest of the elements are placed in scenarios and their composition is clearly studied, this statue breaks the symmetry of the hurricane’s eye element, that is supposed to give you the illusion that you are entering its eye and being pushed out to the main attraction.

What’s more, in a story exclusively about Monty’s past and how he became a solo bassist in the PizzaPlex thanks to Bonnie, attracting the same amount of people than the Glamrocks themselves, a Freddy statue at the end doesn’t make any sense sense at all… Unless it was put there with a very particular purpose.

I like to think it’s part of an environmental story telling from Steel Wool, specially when you read the rest of clues together.

There’s more to say about this statue than the lack of a head: look at its leg damage, and how it matches the prototype’s heavily damaged one, and how the hand that is visible reflects the light making it look like it has long claws despite Freddy having short ones like the rest of the band.

It also has two blue long lines through his chest that resemble the ones in Bonnie’s.

If you still have doubt about how it is part of a scene representing the night of the attack, then you should know there is an easter egg here: if you follow the part of the tornado that goes up, you can see a Bonnie cutout at the very top of it. He’s far away from the rest of the scene and he looks like if he was being knocked by the tornado. If you zoom to look at his face, you can see he has a worried expression.

Monty didn’t destroy any of the images of Bonnie or his previous iterations, not the cutouts, not this poster, not the bass that belonged to him, even after causing damage to his room.

There is a detail in Gator Golf that is easy to miss: An intact poster of the original Bonnie near a log he uses as a hideout in Ruin (we see him quickly going out of it when we approach it).

He looks similar to the illustration at the entrance of Bonnie Bowl, but this image is not very charming. He looks half dead, yeah...? If you then go to Bonnie’s, some big screens are still on and advertising pizza. When you wear the mask, they change to a glitched version of the Bonnie animation, where his eyes go blank in a similar way to this poster.

This spot couldn’t have been used by Vanny: it is decorated exactly like the rest of Gator Golf in the base game, which ends with us saving Vanessa and exiting the PizzaPlex together.

The poster also has a drawing of Freddy stuck on it. In this chapter you can also find the Bonnie’s piñata collectible, the first time we can see his Glamrock design and the first clue of him having suffered an attack (it has a big gash in his chest).

He could have easily taken it down if he wanted, specially when it is so close to his hideout and he’s in such a volatile state, but he keeps it right beside it.

But the real Freddy (or, at least, things that resemble him) seems to cause some kind of reaction even in the base game, yes?

The most common example in Security Breach is the arcade version of Monty’s Gator Golf. There are two possible readings for it, depending on if you think it represents Monty’s mind or if you think it has been hacked to change his behavior.

Hole 1 depicts Freddy separated from the group, a big distance between them. Hole 9 shows him in a dumpster, and Chica, Roxy and Monty playing together. He’s never part of the group, so either Monty hates him or he was hacked so he would hate him, right?

But the main show were he looks happily at him while playing, the fact that he never attacks him even after being hacked, the presence of images of him on other holes all perfectly light and ok like this balloon, and the eye color difference between Hole 1 and 9, make me think Steel Wool is trying to tell us a way different story.

The Freddy in the dumpster is the only one with golden eyes. Hole 9 represents what is happening the night we play as Gregory, the AR part of the AR-cade, and of the main reasons the Monty taking down theory was so popular.

That night, Roxy, Chica and him are working on finding the kid to the point that their cases crack and get dirty, while Freddy not only glitched at the start of the show hours before, but is now also walking around the PizzaPlex doing NOTHING instead of helping (apparently).

It’s the animatronic equivalent of a group project were one of the members does nothing, so you have to do their part and then they show up and are praised. It makes sense he would be angry at the situation and think he’s trash, but even so, there are no real confrontations between them.

But what about Hole 1, then? The answer is the fireflies. There are some fireflies at the left part, but the right, where Freddy is looking, has other set of lights. If you calculate the distance from Chica to him, the center is almost where the hole is, the part of the arcade that is supposed to drag your attention. Having an empty space there feels uncomfortable and a very questionable decision from whomever designed the scene, but if this one is a reflection from reality or Monty’s current mind state, why aren’t Freddy’s eyes gold?

Well, I don’t think he is separated from his band.

I think someone is missing from the picture instead.

Bonnie was erased from the Arcade.

As it was said, these changes were quick and non-planned: they deleted his model from the arcade, but had no time to move and reprogram the positions of the rest of the characters so the space between them was filled. As a consequence, when you play this level, your attention is taken from the hole to the distance between them.

It is void, awkward, it makes you uncomfortable. You know something is missing, but you can’t quite tell what it is yet. It makes you wish there was one more character there even before you knew there actually was.

Once you learn what happened, how his story ties to the place this scenario represents, the void he left in Freddy and Monty specifically, Hole 1 gains a new meaning, and it hits you. When you go back to the PizzaPlex as Cassie and play the arcade, there’s no joy left there. No fireflies, no Glamrocks, just ruins. Two pairs of red eyes and a pile of Nightmare STAFF bots. That’s all that’s left.

But if you still need one more clue to convince you that the prototype was the one that attacked Bonnie, then let me tell you there is a final one that wouldn’t make sense otherwise:

The AR collectibles dialogue.

Cassie always makes a commentary about the things she finds: Monty’s AR plushie being very glitchy, how she wants to add Roxy’s one to her collection, how the her father wouldn’t tell her why they replaced Bonnie and how he was his dad’s favorite…

But she also asks him what happened to him, and gets an answer when she gets the last collectible.

The AR Golden Bonnie is hidden in Bonnie Bowl, next to a Wet Floor Sign bot.

She hasn’t been to Fazer Blast yet.

But the description answers the question that she asked him: a prototype.

Bonnie was decommissioned by Freddy’s prototype.

And the only ones that know are a kid lead to her death that can hear his agony through the Wet Floor Bots and unreal collectibles, and an animatronic blamed for his death and told he’ll never be him, obsessed with his loss and with finding whatever is left of the person that he admired the most and helped him become the star he once was.

#ruin spoilers #cassie fnaf #fnaf ruin spoilers #fnaf spoilers #montgomery gator #bonnie bunny #glamrock bonnie #ruin dlc spoilers #security breach #Monty didn't decommission Bonnie #fnaf theories #Glamrock Freddy #prototype freddy #ruin prototype #monty gator #the monty is innocent tag

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st4rrth0ughts · 1 month

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Aventurine character study that I spewed at my friend posted here bc I despise whoever portrays him as a useless blonde 24/7 horny twink as his canon self (i will throttle you through the fuckin screen)

A/n: I think the 2.1 trailer is helping me regain my writing motivation, expect inbox asks from Jan- Feb to be coming out soon :)

WRITTEN BEFORE 2.1 This post will contain leaks, 2.0 Trailblaze quest spoilers, world quest spoilers, Aven's slave life in canon, disgusting people saying Aven's a sex slave, under the cut! Please proceed with caution if any of these trigger you. Thank you, and enjoy my yap session on one of the best characters in this game.

Aventurine's story is much more than just looking and acting like the typical rich blonde playboy, as much as he gives off those vibes. Looking at his child self in the 2.1 trailer compared to all of his current models, its very obvious that many, many things happened that caused all the light to poof from his eyes.

First, his homeland, Sigonia. Aventurine's home planet's is uninhabited, and perhaps even destroyed completely. Aventurine is the last of his kind left. His parents, his sister, his possible friends and relatives, hell, even all the people he doesn't know have all perished. The IPC took him in, I presume, but most definitely not out of kindness. In fact, it may not matter that Aventurine is one of the Ten Stonehearts, he is not a person to the company. He is just a asset, a piece for them to dispose if he fucks up.

In the 1.4? Belobog quest where Topaz goes to Bronya about Belobog's massive debt to the IPC, and at the end, we get our first crumbs of Aventurine's character. A important thing to note in this dialogue between the two of them is that he asks Topaz to the project manager on his project in Penacony, because if he knows better than everyone that if he fails to get Penacony back into the IPC's grasp, he'll die. There's no way around it, unless he gets someone he has a somewhat close bond with, Topaz, to lighten his fall.

The tattoo on his neck, is a symbol of his slavery to the IPC. How he's bound to them. How no matter how hard he runs or hides, he will never escape their grasp. In fact, he knows damn well, if anyone gets wind of this alongside his Sigonian history (Sigonians are notorious for being wolves in sheep's clothing, bad people in most eyes'), it is very well possible that his rivals and enemies will use his past to their advantage. Thats why he freely shows it to the world. So that no one can dig it up and use it against him, because how do you use something that he so freely proclaims to everyone he meets?

Aventurine is a man who gambles as well. Not just simply gambling for the thrill of it or his earnings. He says it himself, he sees the world, life itself, as a gamble. High reward, high stakes. Even going back to his conversation with Topaz, its only shown on how he tells her he warned her about taking Belobog as her project because it was high risk, but low return. Aventurine wants the best outcome not just for himself, but because if he doesn't get a good outcome, the IPC has no use for him.

Aventurine is a man who knows how to get what he wants. he knows how to take risks, get out of high stake scenarios with him being the winner. Its obvious in his lightcone, 'Final Victor', his conversation with Dr. ratio in the Penacony 2.0 Trailblaze quest, and his conversation with Himeko and Welt about giving up his room for the Trailblazer. He's confident, cocky, if you will. But for good reason.

In the lightcone, its implied it doesn't matter for Aventurine dies or lives. He will always be the winner. Every move is calculated, precise, carried out with clockwork precision and most importantly, planned so well that whether you like it or not, you're letting him win. He manages to get the Nameless, the widely regarded faction, in his debt. He knows damn well how to play his cards. It is extremely impressive. But he is the Aventurine of Stratagems. He knows what he wants and needs, and he will go any length to get it.

The lightcone, again, also shows just how far Aventurine risks, just for him to gain Dr. Ratio as a asset for him to benefit from. He could have gone any route, but what does he go for? Thats right, Russian goddamn roulette. Just for the (I assume) slim chance of Dr. Ratio's trust, or at the very least, cooperation. "I will always be the final victor." I am repeating, but just bear with me here, this just solidifies the fact he is confident in his skills. He doesn't flinch at all when he shoots 3 blank rounds right into his heart, even though there's the 1/6 chance he'll die. He takes risks. Its his character. He doesn't have anything or anyone, much less his own life, left to loose.

The lightcone is also not 'haha funny gay story', as much as it is funny, i wont lie, the memes are fun to look at, but it is not that. Its a story where Aventurine's suicidal tendency shows through, perhaps not so clearly, but its very much there if you look past the story and read into it. Again, Russian roulette, he could have gone for anything else, like a contract or smth, but he knows he has to go through extremes, and this just solidifies the fact of how Aventurine will do anything for assets and trust in him, so his plans can come to fruition.

Aventurine's personality is complicated, like a intricate, deceiving web of lies and emotional barriers to keep him safe. He hides behind the facade of smiles and is unreadable, and his past is all but cheery. A slave, (not a sex slave, twitter+Tiktok users need their brain fucking reworked i will cry) a man branded by the IPC, bound to the till his death is what Aventurine is. The IPC is ruthless, evident from multiple world quests, such as the Aurum Street Alley quest, Belobog's debt quest, Chadwick's quest in Penacony, paints them as bad people, a bad organization in general. Hell, even though Topaz isnt like the assholes we've seen, she's far from an angel herself.

Aventurine has gone through many things to have lost the sparkle in his eyes. Take Childe/Tartaglia from Genshin Impact for example, whom fell into the abyss for months, seen all the horrors of it, had to learn to fend for himself because I'm very sure Skirk did not care for him in a healthy sense. We can either assume Aventurine been through something on the same level during his younger days or perhaps, worse.

And no, he is not Dr. Ratio or Sunday's sex slave, I'm looking at a certain artist on Twitter (fuck off I'm not calling it X), its disgusting. Whoever genuinely enjoys sex slave Aventurine is sick in the damn head, no he would not enjoy that kind of Roleplay, as much as i am downbad and indeed filthy with some of my fics with him.

Aventurine doesn't have anyone he can truly call a friend, ship him with Dr. ratio, Sunday, Boothill (yes, its a thing), Caelus/ Stelle, whoever, but in the end, you cannot say he (as of 2.0, this may change) has any true friends he can trust, not even just a bit. Bonds he forms are transactional, maybe not too much on Dr. Ratio (as evidenced by his dejected his looks after Ratio leaves, either from the insult or bc he truly though Ratio cared) and perhaps on the Astral Express's part, but his bond with Sunday? Yeah, its transactional, 101% unless it changes in 2.1.

All in all, Aventurine is my favourite character, i have never wanted to read, write, understand, watch, hell, I've never wanted to farm and pull for a character as much as him. He is a complex, heavy and deep character that I do not believe many can grasp upon properly when writing stories, headcannons or even smut/nsfw works with him in it (shoutout to those who does tho, I love y'all <3).

Draw or write his fanon self, make him a himbo, tsundere, a rich man who's just a playboy, or a blonde with a pretty face, but you cannot say that is him in canon. I may despise some fanon interpretations, but fuck those who merge fanon and canon. He will never be any of the fanon interpretations i mentioned above, and he never will be in canon. Hoyoverse put their whole soul into this man, i can see it, and its brain damaging on how so many people fetishize his past and water him down.

In speculation of 2.1 and 2.2, if Aventurine does live (he prob will, its unlikely he'll be killed before release, Tingyun is a exception because she released before her death), maybe he'll learn how to start to open himself up again, start to fully trust, starting with Trailblazer as his first true friend. Its cliche, typical protag power bullshit, but it will no doubt, be a huge step in shaping Aventurine back into the man he could have been if his planet wasn't enslaved.

Conclusion: He deserves better, both in- game and how the fandom treats him. I love him, he's my adorable pookie wookie shmookie <33

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wyllsravengard · 28 days

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there's a lot of discussion and speculation about the fact john doesn't speak of arthur in rdr1. logistically it's not hard to understand that rdr1 just came out years before rdr2 and thats why but . But.

but when you think of rdr1 with the additional context two, there is something quite... in line with john trying to forget arthur. wanting to. or burying him. not just in metaphor or in soil but in his memories and in some way failing to do it but in another succeeding

you think of john and his commitment to his son and wife and you think of his willingness to do anything for them. moral or not. righteous or not. and you think of the fact that john didn't know at the time the sort of man arthur believed him to be, but he perhaps modeled himself in the image of his older brother. near incidental. he has so little in common with arthur really. john's broody and lacking remorse and at twenty-six he's inconsiderate entirely in a way arthur never was.

but time is a thief and one day, he turns 38. he's older than arthur when he dies. and john doesn't remember well what he looks like, and all he can feel when he thinks of arthur is grief. grief that never ends. thats the thing about all of it, you'll realize - is that john knows arthur best in the retroactive.

the sort of complicated, odd man arthur was revealed to him in the creases of pages and keepsakes. in the carving of his guns that john finds after arthur is gone. in the ring of the woman arthur loved long ago. in the confessionals to his son isaac and the regret in the letters he wrote to their psuedo father. you realize john knows more of arthurs stagnant ghost that can't guide john into manhood the way he so desperately needs. and it's all he has to go by to make a man of himself.

john never finds out what kind of man arthur believed him to be and he has to infer the real good man arthur was. in grief there is love. john loved arthur enough to want to be like him. and in burying the living, breathing man arthur was he's forced to cling to his spirit. has to piece together the kindness of his older brother through memories and diary entries and secondhand stories. and that's how he models himself in rdr1 to me. where arthur is moral john becomes dutiful and where arthur is kind, john is helpful. he becomes the shadow of arthurs best qualities. he can never be arthur. no one could ever be arthur, even if arthur had given them the page by page instructions of how to do so. this is all he has. all he knows. all he can do.

john misses his brother. so he tries to embody him. but he can't really in the same way he can't grieve him. so he makes a home for arthurs ghost to return to in himself. john never mentions arthur because it dregs up painful what-ifs, but they share so many mannerisms and bastardized qualities. john has fashioned himself based on those loose memories.

one day, a stranger meets john and says. "why would you remember me, friend? you've forgotten far more important people than me" and john will remember all the ghosts he's ever loved briefly. there will be a blurry face and a forgiving voice and it will sound like a memory and it will linger in johns ribcage like a moth. and john won't remember. he won't. he can't. he buried his brother without ever doing it.

john says a lot of things. feels a lot of things. he shoots his gun to the stranger who calls his memory into question and the thing jams and the bastard roams free. john will taste blood in his mouth. he'll feel a cough in his lungs and well, he won't remember his brother still. buried men must stay buried.

of course. of course john never mentions arthur. he can't remember him, even though he's inherited so much of his manner. to speak it of him would be admitting to his existence. its admitting: i miss you. im sorry. it was my fault.

of course john never mentions arthur. he's made all this effort in forgetting him that even when his body and his gesture and his character betray the fact he's forgotten - his mind will soothe the pain and blur out his face.

and instead of remembering in life even once, he'll die the same way arthur did. alone. protective. contented. redeemed. john loves arthur like most brothers do - with muscle memory.

even if john cuts the necrosis of arthurs memory off of him, his body will twitch at the phantom feeling of his existence. john remembers even when he can't. arthur his only brother. the most important man he's ever forgotten.

#z.gen #arthur morgan #john marston #rdr1 #rdr2 #rdr1 spoilers #rdr2 spoilers #im feeling soooooo miserable about them you wouldnt believe

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mickyschumacher · 8 months

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hi! I love the way you write and I’d love to see some Daniel Ricciardo or Oscar Piastri content!! Older brother’s best friend and something including model!reader or figureskater!reader. I also cannot begin to describe how much I love your Taylor song based fics. I was hooked on Style and Dress, thank you, have a wonderful day :)

𝐈 𝐂𝐀𝐍 𝐒𝐄𝐄 𝐘𝐎𝐔 .ೃ࿐

𝐒𝐔𝐌𝐌𝐀𝐑𝐘: you don't have much in common with oscar piastri other than three things: you're both rare talents, you know each other through your older brother, and that, unknowingly, you both really like each other.

𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒: older brother's best friend trope! (although not heavily enforced), suggestive but nothing crude, poor ice skating knowledge, mentions of the spa track, crashing and DNFing, reader likes to blame things on alcohol, lily (oscar's current gf) is his ex (oops), slight diss of tsitp, jealousy!!!, scene of harassment and a creepy man, a physical altercation in which oscar gets physically hurt, attending the wounded scene! (sobbing rn), a cute and horribly cheesy, fluffy ending!

𝐏𝐀𝐈𝐑𝐈𝐍𝐆: oscar piastri x figureskater!fem!reader, arthur leclerc x reader

𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓: 5k+ (um srry hehe)

𝐀/𝐍: i wanted to this was oscar but since he's kinda young, i did a one year age gap bc the territory of 'the older brother's best friend' for piastri is alarming to say the least. i also assumed it was a female reader due to my other works, hope that and this whole piece is okay!!

𝐏.𝐒: if you couldn't tell, it's loosely based off of taylor swift's 'i can see you' bc i ended up losing track lmao. sorry for taking FOREVER but coming back from holiday, going straight back into uni, and having writer's block is the worst combo 🤧 as usual, poorly proof read!

𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

⋆ •°. 。 .°• ⋆

In a world of billions, quite strangely yet only logically, there were many talented people across the globe. But very few were be a World Champion let alone the opportunity. You were part of this few. The Youngest World Champion in figure skating in history, a two-time World Champion and the 2022 Olympic winner.

You were a living legacy in your town.

Of course, you couldn't do it without the support of the people you loved. Your parents attended all your competitions. In fact, your father was the one who had brought you to the ice when you were three. And your brother, no matter how much of a menace he was, he was your number one fan. Despite all the things he had to do, he was always there for you.

Your brother was one of those Australian boys who had turned their passion for dirt biking into a career for motorcross racing.

Naturally, he had found a friend who was also very interested in racing. However, instead he loved driving a open wheel single-seater formula racing car at crazy speeds. That friend was Oscar Piastri. A childhood best friend of your brother's and a sort of acquaintance slash family friend of yours.

It worried you two see some of the most important people in your lives risk death almost every day but you enjoyed watching them do something they loved.

You could see it in their eyes when they raced. It was the same passion you had for the ice. The slivers of ice that occasionally touched your skin thrilled you was the same excitement that coursed through the two Aussies when they felt their engines rev.

It was odd. You could've sworn a few days ago, you were all kids playing in the backyard of your house; your brother riding his toy bike while Oscar raced him on foot and you commentated in Oscar's favour to piss your brother off. And now all three of you were leading your careers: you were a competitive figure skater, your brother was slamming the MXGP and Oscar was one of the best rookies introduced to F1 in a while.

Where time had gone... you could not even begin to wonder. Heck, once upon a time you were staring down Oscar in the school hallways because for some reason you could only talk to him outside of school. And now... well, it was complicated to say the least.

You had always liked Oscar. It was difficult not to. He was always around you. The boyish charm, the small smiles, the puppy brown eyes, his offers to help you with your homework, you visiting him when he raced... everything had built up inside you. It was festering.

But that's how you liked it. You didn't want to cross any lines. As heart-racing and flustering as your crush on him was, you could not bear the idea of telling someone who was brotherly to you that you liked him.

It was repulsing.

And as far as his dating history could went, Oscar didn't like you. Oscar wasn't a player but he definitely didn't like being single from what you could tell.

To be honest, considering you didn't see him that much due both of your schedules, nothing between the both of you would've ever happened if you're annual family holiday hadn't happened.

Your family and the Piastri's took time out at least once a year to relax together. And this year, your brother and Oscar's breaks overlapped, and you had persuaded your coach for two weeks off. That was all the both of your parents needed before booking a trip to Greece. Everyone wanted to go when they were younger and now they could finally go.

Two weeks... not much could happen. At least so you thought.

The moment you saw Oscar in Greece, your heart thumped against your chest like it had never before and you knew you were screwed. It was ridiculous. How after all the time did you still like this stupid driver? He was the root cause of your lonely love life. Which for most figure skaters was not a big deal... you had prospect lovers falling left and right. Especially the guys in pair skating. But no... you were head over heels for Oscar out of all people.

With the firm boundaries you had made, you ventured to not make a big deal about what you were feeling and pushed it to the side. But the thing about pushing things away, they have a funny way of coming back up.

━━━━━━━━━━━

On the first night of your much needed vacation, you had found one of the most popular restaurants in Santorini while endlessly browsing through social media and decided to get everyone out of the lovely AirBnB you had rented. Upon arriving, your parents and Oscar's were cooped up on one side of the dining table, leaving the 'kids', as your mother calls you three, on the other.

You released a sigh of content, feeling the crisp breeze dance past your skin in the warm summer evening air while your sip of assyrtiko (Greek white wine) slipped past your throat far too easily. Thank God you had chosen an outdoor restaurant tonight. Every time you were on holiday, you couldn't be more grateful to get away from all the stress. If you could live like this every day, with the warm breezy evenings and the amazing architecture, you would.

"So," your mother started, her voice hitting your direction. You flickered your gaze over to her, raising a brow. "How are my kids' love lives? Are you getting down?" She waggled her eyebrows behind her glasses.

A wave of heat pricked your skin at your mother's words. "Mom!" You hissed out in disbelief while your father and Oscar's parents chuckled.

"What? You guys never tell me anything anymore! I used to be the holder of all your secrets and now... now I am an old woman!" Your mother cried, wiping an invisible tear off of her cheek.

You and your brother blankly looked at her and then towards each other. To say your mother was a character was an understatement. She enjoyed her theatrics far too much for anyone's liking, more specifically you're liking.

Oscar grinned, reaching out his hand to hover over hers. "You could never be an old woman. Always young in my heart."

Your brother snorted at Oscar's cheesiness. After you and your brother, Oscar was your mother's son and Oscar was a suck-up. He liked being in the good books, especially that of your mother's.

"Of course," Your mother chuckled softly, patting Oscar's hand gently. She sucked in a sharp breath. "What happen to you and Lily? I heard you two broke up? I thought you liked her a lot?"

You could see Oscar tense at the mention of his ex, your own body rigid. It wasn't a surprise to you but you actually hated hearing about Oscar's love life. Unrequited feelings were already a bitch and you didn't need to make it any worse.

Oscar cleared his throat, a small smiling tugging at his lips. "I thought I did too..." He trailed off, falling into his own trance momentarily. Suddenly his eyes flickered around his surroundings before they landed on you. "I guess I just saw something I else I liked a lot more."

A slight shiver crept down your spine and your heart travelled towards your ears. You pressed your lips tightly together, furrowing your brows.

What the fuck?

You snapped your eyes away, firmly placing them on your empty plate that suddenly held your entire world. Oscar had never ever looked at you like that. Any time you looked into those puppy browns, they were usually some mix between happy, anger, annoyance, sadness, humour, and the God forbidden 'I-see-you-as-my-sister' type love.

But this... this was something else entirely. The softness of his gaze, his words, the timing of it all; a perfect execution of sorts... it was a first.

Maybe you had taken one too many sips of the wine. It was the only reasonable explanation behind your obvious hallucination.

Sooner or later, the sun would set, a main reason behind your picking of the restaurant. The parents and your brother were at the front of the house, arguing about who paid for tonight's dinner. You were more than happy to wait it out on the balcony and revel in the last few rays of light, eyes closed and the breeze dancing across your skin.

"Well don't you look happy," Oscar voice stated, nearing you.

You opened your eyes, slightly turning your head to the side only to look back a few second later. Oscar and sunsets... you enjoyed that combo far too much for your liking.

"That's because I am. Sometimes being off the ice is refreshing," You told him, taking in a breath of the fresh evening air.

Out of your peripheral vision you could see Oscar tilt his head, eyes raking over you with a small grin tugging at his lips. You ignored the pace of your heart as he nodded at your remark, settling in next you with his hands on the balcony bar, a mere inch away from your own.

"I hear that," Oscar sighed, looking out at the horizon.

You forced yourself to look over at him, trying to read his mind after hearing the burdened sigh he released. "Oscar... I hope you know you're doing well in F1 right now. You're doing pretty good compared to Lando's rookie year."

Oscar smiled gently. You knew him far too well. "I know. I just... I feel like everyone's expecting so much more of me. Podiums... race wins... like everything else I've done. And then Spa came along."

You winced at the mention of the track. Oscar had collided with Carlos on the very first lap. Carlos said Oscar was too optimistic about making that turn and Oscar said that he didn't even know what Carlos doing; that the Spaniard turned as if he wasn't even on the track. Nevertheless, the collision resulted in both of them DNFing.

You snorted. "Spa is a shit track," You dismissed Oscar's current pessimism with a wave of your hand.

Oscar chuckled at your crudeness. He couldn't disagree with you. Spa was one of those tracks which felt auspicious to any driver. The one where you hoped you at least passed the finishing line. It didn't matter what your position was... as long as you passed it, you were okay.

"Guys come on! We've finished paying," Your brother called out.

The both of you turned around. Oscar pushed himself off of the bar, heading towards your brother. "Who won this one?" He asked in amusement, hands gliding past his waist. Ever so gently, in his walk, he teetered towards you, letting his hand brush past your own, sending a tingle down both of you.

You gulped at the racing feeling, immediately pulling your hand closer to yourself. This hairs of your body stood straight and your fingers felt numb. Heck, you felt numb.

Damn, you thought, this is some crazy good wine.

━━━━━━━━━━━

The thing about your inclination to blame everything on the alcohol you consumed was that it only actually worked if you consumed alcohol. You were lucky if you could extend to the remaining bits by a day with the claims of a hangover.

But right now, you were sober as hell.

An unfortunate event, to say the least.

"Y/N, wake up," Oscar's voice pounded against your blanketed, muffled ears.

"Ugh, no" You groaned, cocooning yourself into your blanket and pressing your head further into your pillow, savouring the warmth.

You always had such early mornings when you trained, waking up at ungodly hours only to workout before heading to the rink. Being on the ice was the only thing you loved. Your fans were sweet but everything else after that, the press, the workouts, the food, sucked. So you cherished the late summer morning in Santorini. And no person, let alone a boy who announced his F1 team to you by saying "I'm driving for a papaya", was going to ruin this for you.

Oscar put his hands on his hips, eyeing you with a twitch in his eye. "But breakfast is ready. I cooked!"

You laughed into your sheets lightly. "Oh boy, that's even worse!"

Oscar looked at your peeking head and humoured eyes blankly. "That," he started to say as he began to literally pull you out of your bed by your arms, "is very very rude thing to say to the chef."

"Oscar, no! Let go!" You begged, hands flailing to attach themselves to anything. Falling on the hard cold floor was not the ideal morning for you.

At least not alone.

You jutted out your leg, nudging Oscar's to the side, making him stumble over his steps. As he quickly realised he was losing balance, he threw his body under yours, creating a soft landing for you as you both fell to the floor.

You were laughing too hard to realise Oscar's one hand had even moved to your waist and the other to your head, as if it was to protect you from getting hurt.

"Oh my God! You should've seen your face! It was like–" You turned to mimic his expression but you couldn't find the words. All the air around you had been seized, your throat was dry and you were breathless.

When had Oscar's face become so close to yours?

You couldn't remember the last time you were this close to him. Probably as a child. He was cute back then as well. But growing up changed the both of you. The most apparent reminder of how old you were was the tiny short hairs from his chin that he always tried to shave off. His eyes were still as brown as ever, less big because he grew into his face. And his lips... they were kissable.

His face was also littered with freckles here and there. You didn't even realise your finger had shot out to play connect the dots with them until you could feel his faint warm breath from how close you were.

Your eyes trailed up his face to find his gaze firmly planted on yours. Suddenly you could feel where his hands were and your skin burned at his touch. The current heatwave in Europe had left you in some thin pyjamas. You didn't regret it last night but you definitely regretted wearing them right now.

Hypnotised, you found yourself leaning in naturally. Oscar's head also nudged forward. Your lips were barely a centimetre away from each other. You could hear your name slip out of Oscar's lips as the faintest whisper. Like it was a struggle to say your name because he couldn't think.

His woody and amber scent engulfed you and for a second, you couldn't think.

Not until you could hear your brother scream both of your names from the kitchen, demanding you to come to breakfast.

You blinked, falling out of your trance as quickly as you fell in.

Oscar felt you jerk in his arms suddenly, pushing yourself out of his hold and attempting to stand up. "Y/N, I–"

No. God, no.

You weren't ruining a friendship over this.

You could pretend. Yes. Pretend. You can't see him.

"We're coming!" You yelled back, feeling your cheeks redden with embarrassment and annoyance; both vexing feeling for yourself.

God, what a day to be sober.

━━━━━━━━━━━

Honestly how this holiday had gone from zero to a hundred was beyond you.

Pretending like nothing had happened in your room was harder than you thought. Not when Oscar looked at you with these burdened eyes and like he had something to say to you, right on the tip of his tongue.

You considered avoiding him. But doing so on a family trip was easier said than done. Besides, it would've been pretty obvious to everyone else and knowing your family, they would've made a big deal out of nothing. Because that's what it was: nothing.

But alas, you have a brother. And normally, he's stupid and self-obsessed to the point it bordered on unhealthy. But as your brother, it seemed he had some sort of sixth sense for these sorts of things. Something about the older sibling being superior or whatever lies he convinced himself with.

"Why are you being weird with Oscar? Your brother asked you while you ate some ice cream and caught up with the new season of 'The Summer I Turned Pretty'. At first, you couldn't fathom watching a character called 'Belly' out of all things but somehow you got hooked.

You paused the scoop of ice cream you put in your mouth, letting it slowly melt away as you stared hard at your nuisance of a brother. "I have literally no idea what you're talking about."

"Ha, nice try. You're supposed to use 'literally' when you deny it the second time," Your brother smiled at you smugly.

You pressed your lips together, feeling your teeth slightly grind against your spoon. You couldn't decide whether you wanted to smack the shit of your brother with a spoon or bury him in a six-foot deep hole.

"Come on, lil sis, you can talk to me. Everyone's out of the house right now," He partially jested while being entirely serious.

Burying him in a hole it was.

"I have nothing to say to you," You stated, eyes reverting back to your show.

Your brother narrowed his eyes, grabbing the remote to pause the episode. Ignoring your exclaim of annoyance, he sat down next to you and took your ice cream and spoon away from you to dig into the pint for himself.

You shuddered in disgust. You were not having that flavour for a while.

He pointed your spoon at you. "I know you think I'm stupid, which I may be, but I'm not entirely an idiot. What happened with you and Oscar? You were all happy buddies a few days ago. Now he looks like a lost puppy and you look like you saw Pennywise in the hallway."

You bit down on your lip to prevent yourself from laughing. You couldn't actually let him know he was funny.

"Did he do something to you? Y/N, if he did something wrong to you I swear to God... just tell me and I will end him."

Your eyes widened at the sudden change of the conversation. Sitting up, you waved your hands in urgent dismissal. "No! Oh my God, nothing like that! Holy shit."

Your brother let a relieved exhale fall from his mouth before furrowing his brows. "Then what happened? Is it your stupid crush on him?"

"I–what?" You asked dumbfounded, looking at your brother incredulously.

"Your crush? Like the one you've had since you first laid eyes on him. You know everyone knows right? It's kinda obvious. Well, everyone but Oscar," your brother said nonchalantly.

You blinked blankly at him. "Before I throw myself off of a cliff, I can give you the generous choice of how you die? Personally I'm thinking asphyxiation, arson, or murder."

Your brother gulped, slowly putting away the ice cream. "Okay, first off stop watching Criminal Minds so much. Second of all, you don't need to feel embarrassed. All of us have been secretly rooting for you. Especially mom and Oscar's mom. You should've seen how happy they got when I told them Oscar and Lily broke up. It was seriously creepy."

You sighed, falling onto the couch. "It doesn't matter how creepy it was. We almost kissed! And then you called for us. Any later, I would've ruined our friendship. What's the point anyways? He doesn't like me. I'm gonna die in the friendzone," You dramatically sobbed out.

"Well you can start by not turning the other direction when you see him. Poor guy looks like you killed his dog. Do you think a guy who's dog was killed has any guts to speak to their murderer? And that's beside the fact that he may like his murderer."

Where was that shovel again?

"You know what you need to do? Do something that makes him talk to you. I got it! I could set you up with Arthur! He's in Santorini too! Oscar would hate it."

"Oh my God... do you want me to die?" You asked, slightly horrified at the look of pure joy on your brother's face .

Your brother grinned. "Of course, I do. Would I be your brother if I didn't?"

━━━━━━━━━━━

For as long as he could remember, Oscar was a peaceful guy. He didn't really get angry quickly. He was usually calm and usually could think before he acted.

But all those characteristics were thrown out the window, well into the air of the music festival everyone decided to attend, when he saw you walk into the event with Arthur Leclerc. His former teammate out of all people.

"Is that Arthur? Why is he here?" Oscar asked your brother.

"Hmm?" Your brother turned around, pretending to squint at the two of you briefly before catching your piercing gaze. "Oh yeah... that is him. He told me he was in Greece. Guess he found Y/N first. Makes sense I guess."

Oscar looked at your brother dubiously. "I... what does that even mean?"

"I don't know why but I always got the feeling he liked Y/N," your brother shrugged.

Oscar blinked. "You're taking the fucking piss..." He huffed in disbelief.

"What? Oh? Here they come."

Truth be told, Arthur was more than happy to oblige with your brother's game. He hadn't seen Oscar in a while because they were in different championships now. Getting the opportunity to play with him a bit was a hard offer to turn down.

"Ozzie!" Arthur cheered, bringing him into a hug.

Oscar raised a brow at you. That pet name originated from you when the three of you decided to become superheroes for a day and you decided to name eight-year-old Oscar, 'Ozzie the Mozzie' after he got bitten by one. No one else on Earth called him that but you.

"I was telling Arty here about that mozzie that bit you and he really liked Ozzie the Mozzie," You chuckled softly.

Arty...

God give him strength because Oscar wasn't sure how much longer he could bear this.

To be honest, you weren't much of a music festival type of person. It was always crowded, hot, and filled with some sort of drugs even if you couldn't see it.

But aside from that, you enjoyed the serenity it could bring; the indie music that was well on it's way to becoming pop; the calming breeze; the warming sun.

Well you would enjoy it more if a certain Aussie wasn't staring daggers to the side of your head–Arthur's head.

You felt a tap on your shoulder and you turned around to see a stranger. A somewhat attractively creepy stranger but a stranger nonetheless. You raised your brows and gave a small smile. "Yes?"

"I know you don't know me but I just saw you from over there and I wanted to say you're really pretty!"

You blinked, feeling the three boys around you stiffen at the compliment. You nodded slowly, putting on a grateful smile. "Oh, thank you so much," You responded, laughing awkwardly.

A moment of awkward silence settled in the air as the guy still remained in front of you.

"So... I was wondering if I get could get your number?" The guy asked with an odd glint in his eyes.

The alarms were ringing in your head and an uncomfortable shiver went down your spine. "Uh, I'm sorry. I... I don't really want to. But thanks for your offer," You politely declined.

"Oh come on. I called you pretty... that's gotta be worth your number. Come on."

Oh.

Honestly, you were speechless. Your number which for him was the leeway into your intimate life was worth a compliment.

"Yeah, I don't think so," You quipped sharply, gritting your teeth.

"Come on, baby girl. Let me show you a fun time." The guy stepped forward, his hand reaching towards your body.

You froze at his words. You wanted to move but you couldn't.

Out of the corner of your eye, you could see Oscar, Arthur, and your brother step in front of you.

"Mate, fuck off. She doesn't want you," Oscar pushed the guy away from you.

Your brother snorted. "I don't think anyone wants him."

The guy sneered, making you wince. He raised his hands in a feigned defence, beginning to turn away from you. Thank God. "Fine. I didn't want a girl like you anyways. All these guys around you... a whore."

Arthur and you, as the pacifists you were, watched in silent horror as your brother poked his tongue in his cheek and Oscar's head quickly whipped towards the guy.

"Oscar..." You warned meekly as Arthur tried to get your brother's attention.

The last thing any of you needed was famed athletes on the front page of ESPN, cited as the cause of a brawl.

"What did you say?" Oscar raised a brow, ignoring your pleas and walking towards the guy. His tone was dark and the total opposite of what he normally sounded like. He was raged.

"The truth," The guy chuckled. "I said she's a whore. Why? What are you gonna do about it, little boy?"

Yeah see, the guy most definitely had a couple of inches on Oscar and you brother. You weren't really keen on seeing them get pummelled to the ground.

Oscar said nothing in response but raised his fist, slamming it into the side of the guy's jaw.

Oh for fuck's sake.

As if the guy had lightening reflexes, the guy quickly pulled his head back up and got a hold of Oscar, getting into a cycle of punches.

Your heart dropped at the sight. Your brother, thank God, and Arthur quickly realised that Oscar wasn't winning anything here, stepping in to push the two men apart. A small crowd began to gather, some thankfully aiding in trying to stop whatever was going on.

Arthur pulled Oscar away and towards you. You held Oscar against you, clutching him tightly as your heart raced in your ears. Somewhere in the muffled sounds you could hear your brother.

"We're going home. Now."

━━━━━━━━━━━

Your brother and Arthur had decided to go explain the situation the both of your parents who were out having lunch because you couldn't blame all those bruises and dry blood on Oscar's face by saying he fell. This left you to clean up Oscar to reduce the risk of your parents having a heart attack.

You clenched your jaw, holding the first aid kid and a wet cloth to your side as you walked towards the seated racing driver who had found a lot of interest in the floor all of a sudden while icing his face.

"I can't believe you," You mumbled in annoyance, taking a seat next to him. You gently grabbed his chin, putting side the ice bag, trying to decide on where to start cleaning but you could only wince at his face. His bottom lip and his brow was slightly torn, the side of his jaw and the top of his cheek had started to bruise, and his nose was a blood fest.

All the pain Oscar felt began to disappear as he felt your hands gently graze past his skin, scouting all the damage that had occurred. He looked at your pained eyes and internally sighed. He hated seeing you in pain. "He was disrespecting you. I wasn't going to just let it go."

You rolled your eyes, slowly wiping away the dry blood. "He was like six foot two, Oscar. You're like five foot. He could've ki... he could've really hurt you," You jested before your voice fell into a bare whisper.

Oscar's heart clenched as you went back on your words, watching you grab some antiseptic with shaky hands. He grabbed your hands, holding them with his own and softly looked into your eyes. "But he didn't. I'm fine. See?" He smiled widely before wincing at the pain shooting through his face.

You snorted. "As if."

"Hey, you're talking to a guy who crashes at most craziest speeds. Bet that guy can't do that," Oscar shrugged nonchalantly.

You narrowed your eyes. "If you weren't already hurt, I would've smacked the shit out of you right now. Just so you know."

Oscar grinned at you. "Ah, there's the ever kind Y/N I love."

You rolled your eyes before processing what he had just said. As friends. Friendly love. Right. You shook your head out of your trance, removing your hands from his and returning back to the stupid first aid kit next to you.

Oscar mended his brows together. "Hey," he tapped your thigh, "you heard what I said right?"

"Hmm? Oh, yeah," You said idly, opening the tube of antiseptic cream.

"What? I..." Oscar sighed, taking the cream out of your hands before pulling you closer to him. His hands held your face, looking you dead in the eye. "I said I love you, Y/N. You know... the type where you look at someone and all you know is that you can't breathe without them? The one in your books?"

Your mouth felt dry. You blinked blankly. Your hands felt clammy. You chuckled nervously. "Pfft, what? You don't love me. You mean as a friend, right? I think you need some medicine. Maybe there's some in this kit." Your eyes darted down, frantically looking around the box as your heart thudded against your chest.

"Hey, hey," Oscar called, using his hand to turn your chin towards him. "I don't. I mean, I do love you as a friend, but no. I love love you."

"Well... what about about Lily?"

"As I said... I realised I loved someone else more," Oscar told you, letting his confession sink into your mind. "You know... if your idiot brother didn't call us that day, I definitely would've kissed you."

Oh.

Well.

That was something.

This was real. You weren't dreaming. You hadn't died. Oscar, your childhood best friend and your brother's best friend, was confessing to you.

"Huh... well, if it's any consolation, I probably would've kissed you too," You retorted, trying to keep your quirking lips at bay before you began smiling for too much for anyone's liking.

"Probably? That kinda sucks. Are you sure you wouldn't have definitely kissed me?" Oscar grinned, grabbing your waist and seating you down on his lap.

"Hmm... I mean maybe. This current environment is nowhere near as enticing as my bedroom. I mean what is sexier than me waking up, am I right?" You joked, trying to cover up the fact that you were dying at the proximity between you two.

Oscar pushed a lock of your hair behind your ear, letting his fingers trail down your cheek, holding your jaw while his thumb grazed your lips. "Well, I can think of a few other things."

You silently watched as Oscar leaned in and pressed his lips against yours. His lips were softer than you could ever imagine.

You blinked, taking a mere second to register what was going on. Oscar Piastri was kissing you. Holy shit, Oscar Piastri was kissing you!

You kissed him back, feeling his hand wrap around the back of your neck and the other holding you steady against him. Your skin burned at his touch, feeling his fingers snake past the hem of your shirt and rest on your hot skin.

Oddly enough, despite your heat, goosebumps sprawled across every inch of your skin as his tongue darted out, exploring your own, giving you access to his mouth.

You could've sworn you were walking on fire. One more step and you could've combusted. Your thighs clenched at the moan that slipped from Oscar's mouth as your teeth tugged on his bottom lip, your hands roaming around his chest and his arms.

Oscar's hand wrapped around your hair, enjoying the softness he had wanted touch ever since he realised he had feelings for you. His pants felt tight as he felt your hand brush against his bare torso. Fuck. You were going to do him in. He fell back further into the couch, holding you tighter against him.

The desire you had was blinding you. Your other hand fell to his cheek, forgetting about his injuries till Oscar murmured an "ouch".

You retracted your hands, pulling back from his lips, a move Oscar clearly didn't enjoy as his eyes followed your lips. "Shit!" You exclaimed, "the antiseptic! Sorry!"

Oscar paused in his trance, realising what you were talking about. He smiled softly, lips widening even further when he saw your swollen lips and flushed cheeks.

You carefully applied the cream to his brow before moving to his lips. "The diagnosis for you Mr Piastri is no more kissing for you," You grinned.

Oscar looked at you dumbfounded. "I–what? For how long?"

"Mmm... a week?"

"A week?" Oscar repeated in exasperation. "There is no way I can last that long. Not after this. Besides I'm pretty sure kissing actually helps you heal faster."

Your skin warmed further at his confession. You cleared your throat and held his hands. "I am confident that is not scientifically true."

Oscar narrowed his eyes, lips quirking in amusement. "You need to read better medical journals, doc."

You tilted your head to the side, leaning in further. "I think I have an alternative."

"Yeah?" Oscar's eyes danced across your face, smiling softly. "What is it?"

"It's less practical, more theoretical. Confessional, if you will," You shrugged, letting your forehead rest against his.

Oscar shut his eyes, enjoying the warmth of you. "Oh really? Don't let me stop you."

"I love you, Oscar. I've loved you since we were little heroes running around in the backyard."

Oscar opened his eyes, hands wrapping around your waist. He smiled widely at you. "Are you sure you said a week?"

You rolled your eyes, hitting his chest playfully. "I'm sure."

#mickyschumacher #f1 x reader #f1 x you #f1 imagine #f1 fanfic #formula 1 #oscar piastri #oscar piastri x reader #oscar piastri x you #oscar piastri fanfic #oscar piastri fluff #oscar piastri imagine

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mostlysignssomeportents · 2 months

Text

Amazon’s financial shell game let it create an “impossible” monopoly

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TUCSON (Mar 9-10), then San Francisco (Mar 13), Anaheim, and more!

For the pro-monopoly crowd that absolutely dominated antitrust law from the Carter administration until 2020, Amazon presents a genuinely puzzling paradox: the company's monopoly power was never supposed to emerge, and if it did, it should have crumbled immediately.

Pro-monopoly economists embody Ely Devons's famous aphorism that "If economists wished to study the horse, they wouldn’t go and look at horses. They’d sit in their studies and say to themselves, ‘What would I do if I were a horse?’":

https://pluralistic.net/2022/10/27/economism/#what-would-i-do-if-i-were-a-horse

Rather than using the way the world actually works as their starting point for how to think about it, they build elaborate models out of abstract principles like "rational actors." The resulting mathematical models are so abstractly elegant that it's easy to forget that they're just imaginative exercises, disconnected from reality:

https://pluralistic.net/2023/04/03/all-models-are-wrong/#some-are-useful

These models predicted that it would be impossible for Amazon to attain monopoly power. Even if they became a monopoly – in the sense of dominating sales of various kinds of goods – the company still wouldn't get monopoly power.

For example, if Amazon tried to take over a category by selling goods below cost ("predatory pricing"), then rivals could just wait until the company got tired of losing money and put prices back up, and then those rivals could go back to competing. And if Amazon tried to keep the loss-leader going indefinitely by "cross-subsidizing" the losses with high-margin profits from some other part of its business, rivals could sell those high margin goods at a lower margin, which would lure away Amazon customers and cut the supply lines for the price war it was fighting with its discounted products.

That's what the model predicted, but it's not what happened in the real world. In the real world, Amazon was able use its access to the capital markets to embark on scorched-earth predatory pricing campaigns. When diapers.com refused to sell out to Amazon, the company casually committed $100m to selling diapers below cost. Diapers.com went bust, Amazon bought it for pennies on the dollar and shut it down:

https://www.theverge.com/2019/5/13/18563379/amazon-predatory-pricing-antitrust-law

Investors got the message: don't compete with Amazon. They can remain predatory longer than you can remain solvent.

Now, not everyone shared the antitrust establishment's confidence that Amazon couldn't create a durable monopoly with market power. In 2017, Lina Khan – then a third year law student – published "Amazon's Antitrust Paradox," a landmark paper arguing that Amazon had all the tools it needed to amass monopoly power:

https://www.yalelawjournal.org/note/amazons-antitrust-paradox

Today, Khan is chair of the FTC, and has brought a case against Amazon that builds on some of the theories from that paper. One outcome of that suit is an unprecedented look at Amazon's internal operations. But, as the Institute for Local Self-Reliance's Stacy Mitchell describes in a piece for The Atlantic, key pieces of information have been totally redacted in the court exhibits:

https://www.theatlantic.com/ideas/archive/2024/02/amazon-profits-antitrust-ftc/677580/

The most important missing datum: how much money Amazon makes from each of its lines of business. Amazon's own story is that it basically breaks even on its retail operation, and keeps the whole business afloat with profits from its AWS cloud computing division. This is an important narrative, because if it's true, then Amazon can't be forcing up retail prices, which is the crux of the FTC's case against the company.

Here's what we know for sure about Amazon's retail business. First: merchants can't live without Amazon. The majority of US households have Prime, and 90% of Prime households start their ecommerce searches on Amazon; if they find what they're looking for, they buy it and stop. Thus, merchants who don't sell on Amazon just don't sell. This is called "monopsony power" and it's a lot easier to maintain than monopoly power. For most manufacturers, a 10% overnight drop in sales is a catastrophe, so a retailer that commands even a 10% market-share can extract huge concessions from its suppliers. Amazon's share of most categories of goods is a lot higher than 10%!

What kind of monopsony power does Amazon wield? Well, for one thing, it is able to levy a huge tax on its sellers. Add up all the junk-fees Amazon charges its platform sellers and it comes out to 45-51%:

https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos

Competitive businesses just don't have 45% margins! No one can afford to kick that much back to Amazon. What is a merchant to do? Sell on Amazon and you lose money on every sale. Don't sell on Amazon and you don't get any business.

The only answer: raise prices on Amazon. After all, Prime customers – the majority of Amazon's retail business – don't shop for competitive prices. If Amazon wants a 45% vig, you can raise your Amazon prices by a third and just about break even.

But Amazon is wise to that: they have a "most favored nation" rule that punishes suppliers who sell goods more cheaply in rival stores, or even on their own site. The punishments vary, from banishing your products to page ten million of search-results to simply kicking you off the platform. With publishers, Amazon reserves the right to lower the prices they set when listing their books, to match the lowest price on the web, and paying publishers less for each sale.

That means that suppliers who sell on Amazon (which is anyone who wants to stay in business) have to dramatically hike their prices on Amazon, and when they do, they also have to hike their prices everywhere else (no wonder Prime customers don't bother to search elsewhere for a better deal!).

Now, Amazon says this is all wrong. That 45-51% vig they claim from business customers is barely enough to break even. The company's profits – they insist – come from selling AWS cloud service. The retail operation is just a public service they provide to us with cross-subsidy from those fat AWS margins.

This is a hell of a claim. Last year, Amazon raked in $130 billion in seller fees. In other words: they booked more revenue from junk fees than Bank of America made through its whole operation. Amazon's junk fees add up to more than all of Meta's revenues:

https://s2.q4cdn.com/299287126/files/doc_financials/2023/q4/AMZN-Q4-2023-Earnings-Release.pdf

Amazon claims that none of this is profit – it's just covering their operating expenses. According to Amazon, its non-AWS units combined have a one percent profit margin.

Now, this is an eye-popping claim indeed. Amazon is a public company, which means that it has to make thorough quarterly and annual financial disclosures breaking down its profit and loss. You'd think that somewhere in those disclosures, we'd find some details.

You'd think so, but you'd be wrong. Amazon's disclosures do not break out profits and losses by segment. SEC rules actually require the company to make these per-segment disclosures:

https://scholarship.law.stjohns.edu/cgi/viewcontent.cgi?article=3524&context=lawreview#:~:text=If%20a%20company%20has%20more,income%20taxes%20and%20extraordinary%20items.

That rule was enacted in 1966, out of concern that companies could use cross-subsidies to fund predatory pricing and other anticompetitive practices. But over the years, the SEC just…stopped enforcing the rule. Companies have "near total managerial discretion" to lump business units together and group their profits and losses in bloated, undifferentiated balance-sheet items:

https://www.ucl.ac.uk/bartlett/public-purpose/publications/2021/dec/crouching-tiger-hidden-dragons

As Mitchell points you, it's not just Amazon that flouts this rule. We don't know how much money Google makes on Youtube, or how much Apple makes from the App Store (Apple told a federal judge that this number doesn't exist). Warren Buffett – with significant interest in hundreds of companies across dozens of markets – only breaks out seven segments of profit-and-loss for Berkshire Hathaway.

Recall that there is one category of data from the FTC's antitrust case against Amazon that has been completely redacted. One guess which category that is! Yup, the profit-and-loss for its retail operation and other lines of business.

These redactions are the judge's fault, but the real fault lies with the SEC. Amazon is a public company. In exchange for access to the capital markets, it owes the public certain disclosures, which are set out in the SEC's rulebook. The SEC lets Amazon – and other gigantic companies – get away with a degree of secrecy that should disqualify it from offering stock to the public. As Mitchell says, SEC chairman Gary Gensler should adopt "new rules that more concretely define what qualifies as a segment and remove the discretion given to executives."

Amazon is the poster-child for monopoly run amok. As Yanis Varoufakis writes in Technofeudalism, Amazon has actually become a post-capitalist enterprise. Amazon doesn't make profits (money derived from selling goods); it makes rents (money charged to people who are seeking to make a profit):

https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital

Profits are the defining characteristic of a capitalist economy; rents are the defining characteristic of feudalism. Amazon looks like a bazaar where thousands of merchants offer goods for sale to the public, but look harder and you discover that all those stallholders are totally controlled by Amazon. Amazon decides what goods they can sell, how much they cost, and whether a customer ever sees them. And then Amazon takes $0.45-51 out of every dollar. Amazon's "marketplace" isn't like a flea market, it's more like the interconnected shops on Disneyland's Main Street, USA: the sign over the door might say "20th Century Music Company" or "Emporium," but they're all just one store, run by one company.

And because Amazon has so much control over its sellers, it is able to exercise power over its buyers. Amazon's search results push down the best deals on the platform and promote results from more expensive, lower-quality items whose sellers have paid a fortune for an "ad" (not really an ad, but rather the top spot in search listings):

https://pluralistic.net/2023/11/29/aethelred-the-unready/#not-one-penny-for-tribute

This is "Amazon's pricing paradox." Amazon can claim that it offers low-priced, high-quality goods on the platform, but it makes $38b/year pushing those good deals way, way down in its search results. The top result for your Amazon search averages 29% more expensive than the best deal Amazon offers. Buy something from those first four spots and you'll pay a 25% premium. On average, you need to pick the seventeenth item on the search results page to get the best deal:

https://scholarship.law.bu.edu/faculty_scholarship/3645/

For 40 years, pro-monopoly economists claimed that it would be impossible for Amazon to attain monopoly power over buyers and sellers. Today, Amazon exercises that power so thoroughly that its junk-fee revenues alone exceed the total revenues of Bank of America. Amazon's story – that these fees barely stretch to covering its costs – assumes a nearly inconceivable level of credulity in its audience. Regrettably – for the human race – there is a cohort of senior, highly respected economists who possess this degree of credulity and more.

Of course, there's an easy way to settle the argument: Amazon could just comply with SEC regs and break out its P&L for its e-commerce operation. I assure you, they're not hiding this data because they think you'll be pleasantly surprised when they do and they don't want to spoil the moment.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/01/managerial-discretion/#junk-fees

Image: Doc Searls (modified) https://www.flickr.com/photos/docsearls/4863121221/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

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