Redessinnage d’une planche de one piece car , déjà , elle est stylée et parce que je voulais m’entrainer à faire une bd
penser à utiliser un format plus grand que le A5
voici la page en question ↓
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2 years worth of wild moss/seaweed overgrowth in salty sea air. Sanji malfunctions.
@uniquetosmbody had such a galaxy brain prompt in twitter and my samurai aesthetics loving brain inhaled the bait, hook and sinker immediately. : D Thanks for being an inspiration! <3
Reference under the cut~
/casually foams/ How dare this man de gozaru
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i can't by any means take credit for finding this, a friend who saw it noticed elsewhere pointed it out to me, but the rhythm of the drums of liberation is in the party scene at the end of skypiea. it's the same sound effect as whenever they're being denoted in the gear 5 sequence: ドンドットット/dondottotto. there's even the little music notes at the end in both scenes!
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I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next
I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.
I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool
i edited a small bit of the original scan to show what i mean
original:
with the edited layer:
heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it
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Still not entirely sure if im happy with how this piece is going or if im really done with it yet, but here's some more progress scans of my most recent watercolour thing (first post link). + also a scan of my swatch sheet for it cause some of the gradients on there turned out super pretty even if i didn't manage to capture them on the actual painting lol
(Discoloured splotches on the swatch sheet are courtesy of a can of soda getting knocked over during a catastrophic studio furniture incident. Thankfully there were no other casualties, other than a few of my paint pans needing a wash...)
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yall they gave him uggs
[ID: Two colored illustrations of the protagonist Monkey D. Luffy from Shōnen Jump series One Piece by Eiichirō Oda. Luffy's appearance throughout is derived from his newest outfit change in Chapter 1063 of said series. The upper lefthand drawing is in portrait form and depicts him turned to his right and talking to someone off-camera. The rightmost drawing is a full body shot of Luffy sitting down and eating a sandwich while talking to someone off-camera; unlike the upper lefthand drawing, this one is colored in varying shades of black and white. End ID.]
Spoilers for One Piece Chapter 1063 under the cut!
IM LOSING IT OVER THIS OUTFIT I LOVE IT SO MUCH
[ID: A black-and-white panel featuring protagonist Monkey D. Luffy from Shōnen Jump series One Piece by Eiichirō Oda; specifically Chapter 1063 of said series. He wears a knee-length futuristic-looking hooded dress with the label SSG on the lower left-hand side of the dress and the Vegapunk logo on his left arm. He is presumably wearing leggings and sports matching futuristic-looking boots with the cuffs tapering off, making the soles look significantly bigger and clunkier. The shoes have antennas on the outer sides of their respective boots. He has a futuristic earpiece over his left ear and his signature straw hat hanging off his back. Luffy says, "Whoa...this thing is so light! It also feels so cool!" Someone offscreen replies with, "!!!". End ID.]
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