the thing about doctor/river is that the blatant romance is a defense mechanism. it’s playacting it’s how they sketch out the boundaries of their relationship because they can never be sure of how the scales of intimacy are balanced - they love each other, sure, but they are so rarely in a place where they both know enough about each other for mutual trust. so you get these really interesting juxtapositions like how eleven is in full flirty mode for impossible astronaut/day of the moon to the point where it feels like they’re about to make out every time they’re in the same frame but at the same time he dismisses her with “trust you? seriously?” and is shocked when she actually kisses him goodbye. in let’s kill hitler they flirt like hell when she is literally trying to murder him but not at all when they save each others’ lives. in the wedding of river song kovarian complains about them being lovey-dovey in front of her but right after that the doctor attempts to reset the timeline and river has to drag him kicking and screaming into respecting her enough to tell her the truth. in angels take manhattan we get both “just you wait till my husband gets home” (flaunting their relationship to grayle) and “never let him see the damage” (she doesn’t trust him to love her as a flawed, mortal person). they’re out of sync all the time, so sincerity is off the table except when it’s a necessary shortcut to trust that doesn’t exist yet - river whispering his name to him in the library when he doesn’t know her yet, their literal wedding being a tool the doctor uses to convince her to let him “die.”
the thing about “hide the damage” in particular is that river was responding to the doctor’s own fear of seeing the damage. she lied to him because she was trying to give him what he wanted, even if he couldn’t admit it. and it applies both to the broken wrist and to their relationship in general. every time he looks at her all he can see is the pain of her death, and she can see that he’s holding back even if she doesn’t exactly know why. this was always going to be a barrier to true intimacy between them unless they could be linear for long enough to know and see each other as they are, not as they’re going to be or as they were.
that’s why husbands of river song is such a perfect resolution for them. the only way river would ever be honest enough to let him see her insecurities is if she didn’t know who he was, so it had to be twelve and not eleven. and it specifically had to be twelve fresh from losing his memories of clara, so that he’d stop running away from confronting her death and just give them those 24 years together on darillium to really get to know each other, to see the ugliness and the imperfections and stay together anyway. it makes perfect sense that after that they could reach the level of love and trust river has for “her doctor” in the library, in a way that just isn’t possible with a relationship built on whirlwind dates done out of order and nothing else.
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A silly little idea I came up with (or actually I’ve had it for a while) when I was talking to Kazin, and as always, she drew it out for me… xD
The idea is that if Yuma goes into (or is forced) into a Mystery Labyrinth while he’s sick; in the Labyrinth, the illness temporarily disappears since they are in an alternative dimension. So while healthy, he can solve the mystery with no obstacles.
However…when he leaves the Mystery Labyrinth? His condition worsens. Depending on how long he was in there, or how much energy he used, it’s all transferred to his body outside, and…yeah he practically collapses.
LATER…
Shinigami knows exactly what she did.
What a little jerk x’D
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Okay, but like
As someone who personally disliked the fandom characterization of Mangey as a child who is basically a wild animal
Which of course meant that (even though this standard was not applied to other equally feral boscage maze characters) if you even dared to have ships involving Mangey it was considered "beastiality"
Season 3 was so vindicating for me. Like as someone who always characterized him as selectively mute/largely nonverbal and with less palatable autism, it was so great to see the proof in the pudding that he is just as capable of being more than just the group dog thought like any other mobian and the hilarity of him being surprisingly adept with technology. Like god those few Sails/Mangey interactions were so so good
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I JUST WATCHED ALL OF THE EPISODES OF MURDER DRONES THAT ARE CURRENTLY OUT
OMG I LOVE IT SO MUCH
THE ANIMATION IS WONDERFUL, THE LIGHTS ARE REALLY PRETTY, AND EVERYTHING ELSE!!! IT WAS OVERALL JUST A JOy tO WATCH!!!
10/10 WOULD RECOMMEND
(before checking it out please note that there is a lot of robot gore)
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-Remembers how T’Pring looked as she watched Spock & Chapel vanish into the bathroom together after seeing them kiss on the bridge (which she knew was for a mission and didn’t hold against them but perhaps she could sense something there since they do have feelings for one another), maybe attempting to calm herself and her suspicions as she’s left alone again (and later finds she’s been left out entirely this whole time) and how she doesn’t know that Spock almost told Chapel he loved her then and there, with T’Pring in the other room waiting, and how Amanda and Sevet both think she could have more confidence in herself and how T’Pring thought that she and Spock were in this together (her holding his hand, subtly letting him know to pour slower so the tea flowers would bloom correctly, a whispered ‘well done’, the ritual is over mother) and how mere hours after she expresses to Spock how she feels: Like he doesn’t trust her, like he doesn’t care to include her in his life, how she’s trying her best to show him that she will accept him wholly, how she wants to be his partner instead of an adversary or an obstacle, after all this he’s found Chapel within the hour and is kissing her.-
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Anytime I try to think of Gil as a priest all I can picture is an AMC Preacher AU
Just
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