i think what i adore about ladynoir beyond high school age (18 and over) is the opportunity it leaves for some of the most DELICIOUS best friends to lovers scenarios. because, like, two people who've been fighting side by side for years? who've known each other long enough to make jokes about it, haha remember when we were fourteen and you-- we AGREED to never speak of it!!!! who've spent so long learning each other inside out, even, in chat noir's case, getting over feelings, that the idea of anything romantic between them is so far off the radar that they don't feel the need for certain boundaries, because why would it matter if they made jokes about how attractive they find each other, about getting married, about how they could totally mess with the rest of the miracle team by pretending they're hooking up because it's so far out of the realm of possibility.
but then there would be that imperceptible shift. the moment where one of them makes a joke and it feels just a bit more loaded than it should. gazes lingering where they never lingered and playful smiles turning curious. the sudden awareness that, while maybe they were cuddling on a rooftop with their best friend, they were also wrapped up in the arms of someone they trust with their lives, and is extremely attractive, and, wait, if the only reason it was platonic before was because there were no feelings, what does THIS mean?
THE TENSION. THE PINING. THE INHERENT MESS OF BEING IN YOUR TWENTIES. PLEASEEEE
Not a day goes by where I do not think about the advent of medicine like PrEP and wonder just what the people - especially queer people - who passed from HIV/AIDs during the AIDs crisis would think
And then, I read this survivor's testimony and it just makes me emotional. I think this is the closest answer we have. HIV has changed, and we must always remember the people who didn't see that change before it happened.
pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
[ Transcript continued ↓ ]*
–
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
do you want to know the most horrific thing about them?
the lords did nothing to make them the way they are.
yes, the jerry jr was turned into the axeman because of the witchwood, which does what it does because of the lords, but everything leading up to that is just human nature. i see the "girl jeri is nibbly" or "they were influenced by a lord to do the thngs they do" and i need people to understand that that's just. not true. they're just like that. they were taught to be like that by their parents and, more accurately, their church. it's horrifyingly accurate how religion has shaped them into non-functional human beings, who would rather potentially lose their child to the many, many dangers of the literal woods than admit that they had sex outside of marriage.
it's only because it's hatchetfield that jerry jr grew the way he did. there was no lord's intervention in their decision to keep the baby, or to drop out of school to care for him, or to keep him seperated from any other people, or to revolve their lives around the idea that they'd committed a sin and needed to pay by pushing celibacy rather than. i don't know. properly raising their child. it was the way they were taught. the toxic pushing of overexaggerated christian ideals is what molded them. can you imagine being in their place? being a scared teenager and knowing that if you told any of the people you care about most your secret that they would shun you and disown you?
the only people they felt any kind of safe around were each other; of course they're going to be codependent. and even then, they're disgusted by each other for leading them to sin. they're stuck together unwillingly, because without the other, they're alone.
i mean this in the like... nicest way possible, but there is no way to post your writing and/or art on the internet without running the very high risk of it getting scraped, whether you post it on tumblr, pillowfort, or ao3. sites being 'anti ai' does not mean your art cannot be scraped. it is simply almost impossible to prevent, much less guarantee that. I'm not saying this to be a pessimist or to stop people from being rightfully pissed about this. it sucks. massively so! but if the idea does in fact bother you that much, you should know that moving sites won't fix the issue. ao3, as far as we know, has been scraped/is getting scraped. you can set your fics so that only logged in users can access them, but it only makes scraping one step more difficult, and by no means impossible and the otw has stated this clearly.
which, again, this sucks! i don't have a great solution either!! but tumblr is relatively honest, at least, when it tells you that it cannot prevent, only discourage it. ao3 said the same thing. any site promising you otherwise is, to the best of my knowledge, lying to you.
I've been seeing a lot of posts lately talking about how no one comments/reblogs/replies/etc anymore, and, as someone who comments regularly on a lot of fanworks, it sometimes makes me wonder if my efforts are worth anything. Then I remember how much happiness I get from comments on my own work/posts and how much the community of fandom can matter, and I remember the power that can be found in spreading joy instead of disappointment.
So -- to everyone who comments on fanfiction: thank you. You make the writing process worthwhile and so very rewarding. You make people happy every day.
To all the people who reblog art and gifsets and meta and anything else with enthusiastic tags: thank you. You make people smile and promote interesting conversations and make being on Tumblr so much more fun.
To anyone who sends people asks about their works, whether it's unprompted or part of an ask game: thank you. You give people reasons to talk about things they love and feel like a part of a community.
To the people who makes reclists: thank you. You give us more to read while showing the author how much their work is loved and appreciated, benefitting so many people.
To everyone who organizes events and groups and blogs and dedicated to fandom: thank you. You build community and love and excitement so effectively and it's wonderful.
To all the authors and artists who respond to comments and build community: thank you. You make people smile with your work and then again with your response.
To everyone who contributes to fandom and community in all the other beautiful, varied ways that I can't even begin to list: thank you. You are why we're here.
And, finally, to every writer, visual artist, gifmaker, cosplayer, maker of edits, writer of meta, or creator of art in any other form: thank you. Your work is wonderful and you make fandom what it is, regardless of who sees your art or how much response you recieve.
Keep going, everyone. You are a part of something beautiful.
Guys what if Soap's skull mask is red because he wants the enemies to focus their fire on him?
Like he's a Sergeant, he has people under his command, under his protection, we've seen him focus on saving people in that first mission, I think he's very protective.
I also think he's not very careful with his own well being, unconsciously thinks of himself as less important than everyone around him.
So what if he spray paints that mask bright red to make sure that if anyone there is spotted and shot it will be him? And if he's hurt, or dead, but everyone else is fine, then he's happy with that.
I dunno, I think unearthed trauma suits him. And I think it's funny that Soap's way of dealing with it is by being self-sacrificial, and Ghost way of dealing with it is the exact opposite, unconsciously leaving people behind if there's the slightest chance of them being dead because he can't stop or he's gonna die too (and he can't be back in a coffin and fire's a no go also so he just can't die period), and then being so deeply overwhelmed with guilt that it sends him in a spiral...
Makes for quite a funny couple dynamic... And honestly I don't even think Price would say much about it because you know he's just as fucked up and if he recognizes that they're fucked up then he has to acknowledge that he is too and he's barely hanging on as it is, but he can't break because what's gonna happen to his kids if he does?
I think in this case it's a job for Laswell, she's fucked up as well but has a very comforting wife and a therapist, so she's working on herself at least.
thinking thoughts about things and such but I do wonder if cas had, say, an amnesia moment or whatever and dean did dean things which would include kidnapping him and keeping him in an underground bunker etc etc you understand. like if and when cas does come back to himself. i do wonder. if his freaky ass would be so into it that he'd jump dean's bones about this violation of human rights. i do wonder.
It's another holiday, which means I'm going to make my favorite fictional Austrian go through the holidays as well. First was Fasching, now it's Easter! If I have to celebrate it, then so does König, except he gets to have a better time doing it!
I wouldn’t be surprised if you’d meet his family during Easter. It’s a tradition of his to go to his parents’ home during that time for a visit and a chat, he only sees them maybe twice a year, so he can appreciate having a small get together with them. He normally gets along well with his parents, but he’s lost most of the contact he had with them ever since he hit his mid 20’s, but he does look forward to seeing them. Naturally, he’d take you along for the ride, regardless of whether you actually know German or not. He can play interpreter for you, it’s not a problem for him. But if you know German already? All the better, that way his parents and you can just talk to each other with no problems. He does hope that you’ll get along with them, they did play an important part in his life when he was younger.
König genuinely hopes that you will like the traditional Osterjause*, though. He’s loved Easter for that reason, and for the freshly baked lambs, but mostly for the best Brettljause*. In fact, he’s probably called his mother two weeks before his visit to let her know what kind of meat and sausages to get for him and you as well so that there shall be plenty to go around. If you’re not from around, then you likely don’t know what a “Gsöchts”* or “Schweinsbratn”* is, but he will assure you that it’s something delicious. König could rave on and on about that one farmer’s “Hauswiaschtl”. In fact, if he can, he’d love to go to the farmer’s market on Friday with you just so he can get you something to eat. Not above grabbing some Bauernbrot* and Krenn* either while he’s at it. Mans needs his Krenn when eating his Osterjause. Although it will have been a while since he’s seen everyone, he will introduce you to all the farmers there since he knows a good chunk of them growing up.
Naturally, he’ll be drinking a few beers here and there as well. He’s Austrian, it’s in his blood. Will have you try everything off the plate, from the Nuss* to the low-fat Karree*. Loves having you with him and will actively try to involve you in any conversation there may be so that you get to talk as well. Again, it might be a bit awkward if you don’t know any German, especially since he’s not the most reliable translator, but you’ll get by somehow. His parents have been curious about you for a while now anyway and have been wanting to meet you.
Although he claims to be far too old for that sort of thing, he wouldn’t mind looking for an “Osterkerberl”* with you. It’s a nice tradition that he used to love as a child and he wants you to experience Austrian Easter with him, so he likely asked his mother to hide one for you somewhere around the yard so you can go find it. She won’t give you any clues as to where it could be found. It’s childish, but it’s a lot of fun. In fact, if König were to ask her to prepare a Kerberl* for you, then chances are she prepared one for him as well, for old time’s sake. And then the both of you, two fully grown adults, will run around the yard, looking for the basket. Once you found it, you had to admit it was rather cute, filled with a few hand painted eggs, some colorful chocolate, a baked lamb and some crafted chicks and bunnies. Clearly, his mother put in a lot of thought into what goes into such a small basket. In fact, even the “grass” was made of edible paper, it seemed.
König would feel somewhat stupid, looking for a basket of all things during Easter, but it did remind him of his childhood, so he wouldn’t outwardly complain. Besides, you walking up to him, all happy with your little basket, does something to him. The sight was just too adorable, so he’d likely ask you, the master sleuth, to assist him in his hunt. Once you’ve both found them, you’d return back to his parents’ apartment and continue just chatting while occasionally eating a bit of the Jause*.
_________________________
Osterjause - Food that’s been prepared for Easter. It usually consists of meat, sausage, cheese, tomatoes and horseradish.
Brettljause - Same as Osterjause except it can be eaten at any point during the year.
Gsöchts - Geselchtes - Salted and smoked meat.
Schweinsbratn - Schweinebraten - Specifically prepared roast pork, eaten cold in this context.
Hauswiaschtl - Hauswürstel - A hard sausage.
Bauernbrot - A special type of bread.
Krenn - Horseradish.
Nuss, Karree - Types of meat
Osterkerberl - Osterkörbchen - Easter basket, a basket filled with easter themed food. Sometimes has a gift in it as well, mostly for children.
Kerberl - Körbchen - A basket
Jause - In this context it refers to the Osterjause.
Alright. I want you all made perfectly aware that I have completely cut support for Wilbur soot and any associated projects. I find his "apology" to be disingenuous and trashy damage control, and it undermines whatever desire he has to improve, however genuine that is.
I 100% support Shelby and any victim of such disgusting behaviour, i commend them for their courage, and I wish them nothing but prosperity, support, and happiness. I will always value their peace over whatever art he made. I'll find other fucking art.