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#or anne Hathaway's filmography
iliadette · 1 year
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I love your pfp 🥰 Anne is my queen istg
It's a truth universally acknowledged that you've got excellent taste. Comfort actress blessing the world with comfort movies fr. 💗😩🥰 She's so dreamy and kind and funny and talented, and I love and admire her so much.
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people-of-the-stars · 1 month
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Beautiful Pictures.
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Anne Hathaway.
Anne Hathaway, born Anne Jacqueline Hathaway on November 12, 1982, is an American actress known for her remarkable versatility. Her impressive career has spanned a wide range of film genres, from whimsical fairy tales to thought-provoking dramas and delightful comedies. Let’s delve into her fascinating journey:
Early Life and Background:
Anne was born in the Brooklyn borough of New York City.
Her father, Gerald, is a labor attorney, and her mother, Kate (née McCauley), is a former actress.
Interestingly, she was named after Shakespeare’s wife.
Anne has two siblings: an older brother named Michael and a younger brother named Thomas.
When she was six years old, her family relocated to Millburn, New Jersey, where she spent her formative years.
Career Highlights:
As a teenager, Anne made her breakthrough by playing the lead role in the Disney comedy “The Princess Diaries” (2001).
She transitioned to adult roles with the 2005 drama “Brokeback Mountain”.
Her portrayal of a recovering addict in the drama “Rachel Getting Married” (2008) earned her an Academy Award nomination for Best Actress.
Anne’s commercial success soared with the comedy-drama “The Devil Wears Prada” (2006), where she played an assistant to a fashion magazine editor.
She portrayed Catwoman in “The Dark Knight Rises” (2012) and won an Academy Award for Best Supporting Actress for her role as Fantine in the musical “Les Misérables”.
Her filmography also includes hits like “Interstellar” (2014), “The Intern” (2015), “Ocean’s 8” (2018), and “Love & Other Drugs” (2010).
Anne has hosted events, sung for soundtracks, and even won a Primetime Emmy Award for her voice role in “The Simpsons”.
She is a passionate advocate for gender equality as a UN Women goodwill ambassador.
Accolades and Impact:
Anne’s accolades include an Academy Award, a British Academy Film Award, a Golden Globe Award, and a Primetime Emmy Award.
Her films have collectively grossed over $6.8 billion worldwide.
In 2009, she was featured on the Forbes Celebrity 100 list.
Anne Hathaway remains one of the world’s most talented and influential actresses.
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sailor-aviator · 6 months
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i can't believe they didn't do the avocado masks! 🤣
jake and javy would be so scandalized if amelia said she'd never seen ella enchanted and would force her to watch anne hathaway's entire filmography.
penny has definitely adopted the two of them and they're now amelia's big brothers. maverick is NOT invited to any girls nights because he's lame and boring (amelia and javy's words)
I like to think Ice is invited though, and Maverick is INCENSED by this news.
"Why am I not allowed to join, but Admiral Kazansky is?"
"Your vibes are off."
"Lieutenant Machado, what the hell does that even mean?"
"I'm not sure exactly, but Amelia tells me that vibes are important, and I'm inclined to agree with her, sir."
"Unbelievable."
"For what it's worth, sir, I wanted to invite you."
"Don't like to me, Hangman. Penny told me all about how you tried your hardest to avoid me on the days you had these little sleepovers."
"It's just a very exclusive event, sir. You understand."
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passed-out-real · 2 years
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Anne Hathaway Filmography Part 1
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The Princess Diaries (2001)
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The Other Side of Heaven (2001)
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The Cat Returns (2002)
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Nicholas Nickleby (2002)
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Ella Enchanted (2004)
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The Princess Diaries 2: Royal Engagement (2004)
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Havoc (2005)
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Brokeback Mountain (2005)
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Hoodwinked (2005)
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The Devil Wears Prada (2006)
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RHYS I have blankets for everyone. Tell me what movie/show we're watching, and what in that media is going to distract us so much that we stop paying attention (character, plot, etc)
oh man okay wow. i think i was recently talking about devil wears prada and wow what a fun plot. i think we get distracted talking about anne hathaway’s filmography (is that the right word??) and how she doesn’t fucking age, but i feel that at some point emily blunt and meryl streep would also have words. in general i feel like i always get distracted trying to find gay characters and assigning everyone present a role
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likesummerrainn · 8 months
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tagged by the darling @m00sebaby! rules: post 10 of your favorite comfort movies and then tag 10 people (i can't promise ten people but i CAN promise ten movies!)
In no particular order:
The Brothers Bloom (2008) surprise surprise right? I watched this first in 2012 while going through Mark Ruffalo's filmography and I fell in love with it then and is one movie that just always kinda stuck in the back of my mind all these years. I rewatched it a couple of nights ago since I'm now going through Adrien Brody's filmography and I am happy to confirm that I was right in 2012. Best movie ever tbh I'm obsessed. It's also a Rian Johnson film and i just love that i loved his movies before i even knew it.
See How They Run (2022) It's a whodunnit! There's nothing I love more than a clever little one-off whodunnit! Sam Rockwell does an English accent Saoirse Ronan is so fun and keeps her own accent Adrien Brody is a sleaze bag it's based around an Agatha Christie story it's literally everything I'd want in a movie??? Truly don't think anyone cared about this movie as much as I do which is kinda funny I won't lie
Howl's Moving Castle (2004) Even if no one else got me i know Howl's Moving Castle got me. I watched this movie for the first time last year while i was sick and it has been a comfort ever since!
Far From The Madding Crowd (2015) Everyone has a Period Piece that is Theirs. and this one is mine! Literally my favorite period movie ever I know everyone talks about pride and prejudice but THIS movie man!!!!!!!!!!!!! Wish i had more to coherently say about it but I don't all I can say is Matthias Schoenaerts.
Oceans 8 (2018) Listen. This is the best movie of the Oceans franchise. This one and Oceans 11 are the best okay. I dunno I just adore Sandra Bullock and Anne Hathaway in this movie specifically!!!!
Birds of Prey (2020) BEST SUPERHERO MOVIE EVER TO BE COMPLETELY HONEST!!!! The beginning of my love for Margot Robbie! It's just SO fun and SO exciting and I just think all comic movies should be this bright and fun and exciting and silly.
Logan Lucky (2017) Heist movies remain the best kind of movies. It's literally the FUNNIEST movie I've seen in a long time my mom and I can't stop quoting it.
Bullet Train (2022) Everyone said this was a shit movie but I can't hear them over how hard I laugh every time I watch it like is it stupid??? sure yeah but is it hilarious???? absolutely!!!! Also. Hiroyuki Sanada and Andrew Koji. That is all.
Young Frankenstein (1974) Literally. Best movie ever made. Funniest movie ever made. There's nothing else to say
John Wick 3: Parabellum (2019) It's my favorite of the franchise tbh? I've watched this one more than the others cause I just love this one the most
Tagging! @roderickstrong @werewolves @red-dipshit @saltydornishman @krischamplander
and anybody else who would like to do it! i'm always looking for new movies to watch
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limmastyles · 2 years
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i’m surprised she didn’t think that an animated movie was beneath her or not her caliber, cause all you ever see these days is “professional” filmmakers like her shitting on animation as an art form.
When you’re a 38-year-old actress who has never done anything remotely impressive and her acting career and hasn’t had a decent role since 2010 you will take anything. And looking at Olivia’s filmography she does take anything that comes her way. when you’re that old as an actress and there are millions of other actresses in your age group that are better than you at are doing bigger things and you never get those rules you take anything that comes your way. That is exactly why Olivia switched to directing. It wasn’t because she just wanted to it was because she saw she wasn’t getting the rules that she wanted and she was never booking anything so she’s thought it’s better to be behind the camera than in front of it. And she puts her self in every movie that she’s in because that’s the only way She will be able to book rules. You look at Anne Hathaway, Emily Blunt, Jessica Chastain, Rachel McAdams, Scarlett Johansson, Amanda Seyfried, Mila Kunis. Those are actresses in her age group who have all done really impressive and amazing things and then you have Olivia who started her career around the same time as the doctor says and who has never done anything impressive because she’s not a good actress and is barely a pretty face. With that forehead it’s a miracle that she’s made it this far.
Agree…but if she doesn't change her attitude to her career in general or to directing, then she will lose it all forever, although oops, she has already lost everything
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misa-liveblogs · 2 years
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As of note, I’ve already been working on Michael Eklund’s filmography/TV show equivalent before the creation of this blog.
In summation:
The Day: Literally one of the (slightly, and only just -- and that’s because this is a Strange and Unusual situation) more positive depictions of The Horrible Cannibals trope that is ever so prevalent in post-apocalyptic zombie media. Also Eklund is incredibly handsome here and I need to remember to gif him here because... man.
The Call: My autism butts its head here: I cannot adore villains in a typical way. Michael Eklund is so wonderfully unhinged here, and his character gets his just desserts, contrary to what reviews see. I have been rewatching his audition tape for... months at this point. That video just rubs my brain the right way, Eklund giving a very careful eyedropper worth of audience sympathy for his character.
Mr. Right: In regards to Anne Hathaway -- “Hey, it’s that actress from that musical movie! /pos” This is some weird combination of action and rom-com that it’s chaotic in a weird way. Also the movie that made me realize how beefy and athletic Michael Eklund is. His abs are... something to eat out of.
The Divide: ...This is apparently a “special interest” territory because I haven’t quite moved on into the movie in spite of initial thoughts. I’ve watched more horror and thrillers thanks to my newfound Michael Eklund hyperfixation (and in spite of me being extremely jumpy at loud noises) and it absolutely checks out that I’ve finally watched a movie that’s something that I’ll probably never watch again due to how hard it is to watch. Never find yourself trapped with 9 New Yorkers, because you’d end up like these guys at the end.
Arrow: Before properly starting to watch more of his stuff, I hyperfixated on the Dollmaker and Barton Mathis: not just the Arrow version, but his much more family (”family”, lol)-focused counterpart in his comic version. Michael Eklund turns Arrow into a horror for an episode, and he’s delightfully creepy. Too delightful. I’ve written a fic about Barton, XD
I’ve also watched a couple of episodes of Wynonna Earp, but I’m gonna express judgments about characters and opinions in the liveblogs themselves. Only interesting thought about a certain possible relationship is...
wlw?
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pretzelogic1 · 1 month
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The fan fictionifacation of movies must be stopped. That stupid Anne Hathaway fake Harry styles romance movie should be hidden and be stricken from her filmography. Make fan fiction a hidden shame again.
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buxberg · 3 months
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En 2007, la filmographie de Sandra a été complétée par le drame mystique "Premonition", dans lequel l'actrice a obtenu le rôle principal
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Le personnage de Bullock, Linda Hanson, se rend soudain compte que sa vie n'est pas chronologique.  Sachant que son mari est en danger de mort, la femme cherche à empêcher un terrible événement.  Ce film est devenu le deuxième de la biographie créative de l'Américain, où le personnage central tombe dans une boucle temporelle.  Le premier de ces projets était le film "House by the Lake", dans lequel la célébrité a de nouveau joué en duo avec Keanu Reeves.
L'année 2013 dans la vie de Sandra a été marquée par le succès du drame oscarisé Gravity, désigné par la critique comme le meilleur film de l'année.  Le travail de Bullock a été reconnu comme le plus fort de sa carrière - elle a reçu le Screen Actors Guild Award, Saturn, Oscar, Golden Globe et BAFTA.  Le partenaire du personnage principal était joué par George Clooney.  Avec un budget de 100 millions de dollars, le thriller techno a rapporté 723 millions de dollars.
Un autre projet au box-office dans la biographie créative de l’artiste est la comédie « Ocean’s 8 » de 2018, qui a plus que quadruplé son budget de 70 millions d’euros.  Le casting vedette, qui comprenait, outre Sandra, Cate Blanchett, Helena Bonham Carter, Anne Hathaway et Rihanna, a assuré l'intérêt pour le projet.  Malgré des critiques positives mitigées de la part des critiques de cinéma, le film a reçu de nombreux prix, dont 4 Oscars.
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hunrising · 4 months
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https://twitter.com/FilmUpdates/status/1737871173822841335
The tattoos 😭 they said Harry has ugly tattoos
anne hathaway with an otherwise impeccable filmography….. why is she doing this to me
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denimbex1986 · 9 months
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'Few – if any – filmmakers in the world right now command quite as much interest as Christopher Nolan, and the auteur has another hit on his hands with the recently released epic Oppenheimer.
A three-hour immersive character study of the 'father of the atomic bomb', the new film boasts a career-best turn from Cillian Murphy – and has hugely outperformed box office expectations on the back of a wealth of rave reviews.
But the question is, how does Oppenheimer compare to the rest of Nolan's filmography? Since debuting with the ultra-low budget Following in 1998, the director has made twelve features – each of which has further cemented his reputation as a modern master.
From his expertly executed non-linear thriller Memento to his gritty reinvention of Batman with The Dark Knight trilogy, and from his operatic sci-fi epic Interstellar to his stirring Second World War flick Dunkirk, Nolan has tackled all manner of subject matters and themes while developing a number of instantly recognisable trademarks and motifs.
And so, with the new release putting Nolan back in the spotlight, we at RadioTimes.com got together to rank all his films in order of preference – read on to find out which took the top spot.
12. Following
Nolan’s first feature marked him out as a sharp talent keen to experiment with structure and twisty narratives – a skill that he’s been developing and refining ever since. Shot in streets familiar to Nolan from his time as president of the film society at University College London, and starring uni friends Jeremy Theobald and Lucy Russell, Following is a lesson in how to create a piece of art on next to no budget.
Given the limitations, it’s tough to compare favourably to what came later, when Nolan began to work with the financial backing and behind-the-camera personnel that allowed him to dream a little bigger. Looking back on the black-and-white, 69-minute debut, the themes of memory, identity and deception have been explored to greater effect in the director’s later films, but that doesn’t take anything away from this impressive calling card. – Christian Tobin, Production Editor
11. Insomnia
One of Nolan’s earliest films, Insomnia feels as such – even though it is still an impressive achievement, particularly as one of the director’s first films, he hasn’t quite lasered in on his best qualities as a director. Insomnia is also distinct in that it is the only one of Nolan’s films for which he does not have a writer’s credit, and you can tell.
For some who are put off by the writer-director’s love of complex storytelling and interest in subverting narrative structure, this may be a blessing, but for those of us who love Nolan’s bold vision and distinct voice, it’s something of a disappointment.
That’s not to say this is a bad film – far from it. As a thriller, it really works, with some shocking reveals, a compelling concept at its core and some stunning central performances, particularly from the late, great Robin Williams. It just remains a lesser light in Nolan’s canon, thus finding its place near the bottom of this list. – James Hibbs, Drama Writer
10. The Dark Knight Rises
Nolan’s third and final Batman entry arrived with impossibly high expectations after the brilliance of The Dark Knight, so it was perhaps inevitable that the follow-up felt like something of a comedown. The set-pieces are still strong – the aeroplane extraction, the stadium explosion and Batman’s back-breaking showdown with Bane are among the most impressive scenes in the trilogy – yet the whole package is disjointed and unusually plodding.
Anne Hathaway is a standout as Selina Kyle, and although Tom Hardy gives it his all as Bane, the character is simply less interesting as a threat than what’s come before. Elsewhere, Joseph Gordon-Levitt is largely wasted and poor Marion Cotillard has a thankless role even before that much-criticised death scene.
And while even Nolan’s best scripts aren’t 100 per cent watertight, The Dark Knight Rises requires more suspension of disbelief than usual (every available police officer in the tunnels… really?). – CT
9. Tenet
Many have longed for a James Bond film directed by Christopher Nolan - perhaps even Nolan himself - and the influence of these films is evident in his work. However, the closest we have come yet to Nolan’s own espionage adventure has to be the ambitious science-fiction puzzle that is Tenet.
With arguably his sexiest cast to date, Nolan zips across glamorous locations and narrative tricks with style and pizazz (but with some slightly questionable sound mixing). John David Washington is suitably enigmatic as The Protagonist, while Robert Pattinson’s charisma jumps off the screen as the dapper Neil.
Elsewhere, Elizabeth Debicki offers a textured turn to what could be a one-note role as “the wife of evil villain”, while Sir Kenneth Branagh is at his scenery-chewing best as Nolan’s take on a Bond baddie.
While the logic of the film may be off-putting - and some areas are needlessly complicated - it is hard to not get swept up in the tension and gravitas of Nolan’s Tenet. – Lewis Knight, Trends Editor
8. Memento
After first making waves with the ultra-low budget Following, this was the film that really launched Nolan's career and announced him as a cinematic force to be reckoned with. Based on a short story by his brother Jonathan – who has also co-written several of his other films – it tells the story of an amnesiac insurance investigator desperately attempting to piece together clues from tattoos and notes he has left to himself.
The film's fascinating non-chronological structure, which like the newly released Oppenheimer makes excellent use of scenes shot in black-and-white, has become the stuff of legend – although perhaps ensures that no rewatch will ever quite live up to the thrilling experience of solving the puzzle the first time around. But complete with neo-noir trappings, a mood of distinct unease, and an impressive turn from Guy Pearce in the lead role, this was a major step up for Nolan – and it speaks to the strength of the rest of his filmography that it finds itself outside the top half of the list. – Patrick Cremona, Senior Film Writer
7. Dunkirk
This 2017 Oscar nominee is a Second World War film as only Nolan could have made one, following the 1940 evacuation of Dunkirk from three different perspectives: land, air and sea. With help from some superb practical effects work, tremendous sound design, and another terrific Hans Zimmer score, Nolan crafts an immersive spectacle brimming with tension.
Nolan's attention to detail has always been a key part of his appeal, and it's arguably never been better than here – with the director employing historic boats and period airplanes to create a sense of realism that puts the audience firmly in the thrust of the action.
Meanwhile, in addition to boasting impressive performances from a handful of relative newcomers – famously including Harry Styles – the film's cast also features many of Britain's finest thespians, with Mark Rylance, Kenneth Branagh, Cillian Murphy and Tom Hardy chief among them. But crucially, none of these stars take centre stage – this is very much an ensemble piece speaking to the collective heroism of the evacuation, building to a stirring conclusion that proves Nolan can do emotion just as well as technical brilliance. – PC
6. Batman Begins
The first film of Christopher Nolan’s foray into mainstream popularity and the first in his Dark Knight trilogy, Batman Begins is the director at his world-building best. Never has Gotham City felt so alive, visceral and gritty.
The outing introduces us to Christian Bale’s stellar playboy Bruce Wayne in an origin story that feels fresh, emotionally fraught and strong in character. Nolan regular Cillian Murphy puts in a memorable turn as the Scarecrow, while Liam Neeson defies expectations in his performance as Wayne’s mentor and later nemesis.
With a strong ensemble including Sir Michael Caine and Morgan Freeman - and, yes, even Katie Holmes - Nolan gives a Batman outing that feels show-stopping yet character-driven at the same time, and began a new era in superhero filmmaking.
Coupled with Hans Zimmer’s now iconic theme for Nolan’s Dark Knight, Batman Begins stands as a real testament to Nolan adapting and redefining the modern blockbuster – LK
5. Interstellar
Few sci-fi films have felt as epic in scope in cinema history as Nolan’s Interstellar: A glorious visual feast of a film that features an emotional odyssey across time and space, but is grounded in a heartwarming relationship between a father and his daughter.
Matthew McConaughey offers some of his best work as roguish astronaut Cooper as he ventures out into deep space for humanity’s salvation, promising to return to his daughter Murphy, played by a tearjerking Jessica Chastain as an adult.
While its sentimentality and scientific exposition may not be everyone’s cup of tea, rarely has the usually cold filmmaking of Nolan ever had such heart, and for a film covering such complex ideas, Interstellar feels oh so personal.
We cannot forget the mesmeric score from Hans Zimmer, either, which serves as one of his best collaborations with the director. All of the operatic storytelling and jaw-dropping filmmaking techniques build to a finale that will leave you breathless and feeling ever so tiny in the universe thereafter. – LK
4. Oppenheimer
Nolan’s latest film is also one of his best – a stirring rumination on one of the most crucial, deadly moments of the last century, and an epic in every sense of the word. Nolan brings all of his technical know-how, developed over almost three decade of filmmaking, to bear here – there’s the time manipulation of Tenet and Memento, the mind-boggling practical effects of Dunkirk, and the heart-stopping tension of The Dark Knight, all of which have been perfected.
He also benefits from his years of experience and acclaim allowing him to cast every available acclaimed movie star in even the most minute of roles. Robert Downey Jr, Emily Blunt, Matt Damon, Florence Pugh, Tom Conti and more are all exceptional in the film, but Cillian Murphy is truly extraordinary, giving a performance for the ages in a role which is written with nuance and complexity to spare.
Some minor pacing issues aside, when you leave the film you’ll likely be gripped by two sensations – a drive to find out more about Oppenheimer’s unbelievable story and a deep sense of existential dread. Don’t say we didn’t warn you. – JH
3. The Prestige
The Prestige might not have initially opened to quite as rapturous a reception as some of the other films in the upper part of this list, but its reputation has grown over the years to the point that it's now rightly regarded as one of the finest offerings in Nolan's impressive oeuvre. A period piece set in 1890s London, it follows two rival magicians played by Christian Bale and Hugh Jackman as they attempt to outdo each other with increasingly outlandish – and dangerous – tricks.
Consistently engrossing and drenched in atmosphere, the film intelligently explores themes of rivalry and obsession while delivering a typically intricate plot that packs all sorts of twists and turns into its runtime – including a corker of a final reveal that reframes everything in a completely different light. Bale and Jackman make for perfect foils and there are also impressive performances from Rebecca Hall and Scarlett Johansson, but it's arguably a supporting turn from David Bowie as Nikola Tesla which is the most memorable performance in the film. This truly is a feat of movie magic. – PC
2. The Dark Knight
The Dark Knight has gone down in cinema history for good reason. Undeniably the best of Nolan’s Batman trilogy, many have tried and failed to replicate its unique gritty tone, bringing us comic book characters that were heroic, monstrous, flawed, and all too human.
As one of Heath Ledger’s final performances, it is also one of his greatest - with his Joker becoming instantly iconic. No one else could have offered up a performance so crazed, unhinged, chilling, nuanced and unpredictable. Over the course of two and a half hours, Ledger creats the blueprint for a comic book villain. Not only that, he takes a character that had already been through numerous iterations - and would go through many more after him - and makes his portrayal so unique that no one else could come close to rivalling it.
From its beautifully crafted arcs to its shock factor, its originality to its addictive rewatchability, its intensity to Nolan’s clear vision, The Dark Knight is undoubtedly a stone-cold classic. – Louise Griffin, Sci-fi and Fantasy Editor
1. Inception
Inception is Christopher Nolan’s greatest cinematic achievement; in a line-up of enormously heavy hitters from a blockbuster career, this 2010 thriller is the pinnacle.
With an all-star line-up, as is par for the course with the director, a Hans Zimmer score which has become iconic (if you can’t hear that horn sound in your mind at the mere mention of Nolan then you’re probably not a fan) and spectacular cinematography, this is where it all comes together – so much so it took home four Oscars at the 2011 ceremony and was nominated for a further four.
Here, Nolan strikes the perfect balance between his penchant for grandiose explorations of such trivial topics as time and reality and the kind of tight direction and editing that makes for a pop-culture hit. Leonardo DiCaprio shines as protagonist Cobb, a specialist thief tasked with delving into others' subconscious for corporate espionage, who is himself attempting to bury a perilous personal tragedy deep in the recesses of his own mind.
A layered thriller (in every sense of the word), Inception also sparkles with the ice-blue eyes of Nolan muse Cillian Murphy – and his acting skills – as well as comedic levity courtesy of Tom Hardy and the earnestness of Joseph Gordon-Levitt's Mr Exposition. Add Marion Cotillard and Michael Caine and you've got a quintessentially Nolan cinematic celebration. – Minnie Wright, News Editor'
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femmedefandom · 1 year
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I think most people can agree that in Hollywood, with impressive filmography and reputations for being decent people, Tom Hanks and Meryl Streep are America’s reigning sweethearts. Who do you think will be the next generation’s sweethearts? I cast my vote for Keanu Reaves and Anne Hathaway. Put your votes in the tags!
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pedro-pascal · 1 year
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Anne Hathaway crushed it I’m so glad everyone got over hating her for basically doing nothing and as for Samantha Barks her follow up movie to Les Mis wasn’t a great choice, it was a Christian Christmas movie that was promoted by conservative politicians here in the US! Even now years later I’m baffled at why she did that I know every actor does one or 2 shitty movies when they’re starting out but why that?
i just checked samantha's filmography and it's so odd lmao. it's really weird because she had the perfect face for hollywood. she could have easily got into star wars or something
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passed-out-real · 2 years
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Anne Hathaway Filmography Part 3
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The Dark Knight Rises (2012)
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Les Misérables (2012)
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Song One (2014)
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Rio 2 (2014)
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Interstellar (2014)
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The Intern (2015)
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Alice Through the Looking Glass (2016)
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Colossal (2016)
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Ocean's Eight (2018)
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Serenity (2019)
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suzypepper · 2 years
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It’s weird Anne Hathaway is doing a fan fiction movie. Does that imply that is has a like significantly higher budget than other ones like she certainly doesn’t have the most prestigious filmography but nowadays it’s all at least things she’s passionate about so what’s up with this.
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