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#or language and syntax
dsm-wannabe-linguist · 4 months
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Fun fact about chants of sennaar,
If you replay the game on language settings that you don't speak you unlock translation puzzles 2.0
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uncanny-tranny · 7 months
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The most important thing, in my opinion, for ALT text is to be accurate rather than perfect. If you're feeling the pull to be perfect and it's impeding you putting image descriptions, just try to be accurate in what you're describing. You will get better the more you describe things, and you'll have a better eye for what is important to describe. These skills don't just magically appear, they are something that you hone.
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dedalvs · 5 months
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Hey mr sir I was wondering if you had any idea how to understand syntax. I am in a class and I am SUFFERING and the only resources I was given was the teachers notes. And they don't make sense. I am so close to failing and no one knows what the hell they're doing (not even the instructor)
Syntax is analysis. Always remember that. It is, at best, tangentially related to language. It is a representation of a theory (and there are multiple such theories) about why the words in a language are arranged in the order they are in order to produce a meaning. It is an attempt. It's not necessarily true. It is not a representation of something real. It is a representation of something that IF it were real, wouldn't that be cool? It doesn't actually say anything about language.
The important thing to remember about studying syntax at the university level is that you are not studying syntax: You are studying a specific theory of syntax. Your job is to learn that theory and how it works. You are NOT learning how a language works: You're learning how that theory works. It doesn't matter if anything you're doing makes linguistic sense: It matters if it makes sense within the context of the theory. That's it.
I say this because based on the way you've worded your question, it's pretty clear that this is a point you've missed. If you hadn't, you wouldn't be saying "I was wondering if you had any idea how to understand syntax", you'd be saying "I was wondering if you had any idea how to understand XXX theory of syntax". Because that is what you are doing.
If you are studying an older X-bar theory of syntax (for example, Principles and Parameters, or Government and Binding), I can help you with that. If you're studying a modern generative theory like the Minimalist Program, I can't help you with that, as I never learned it. I also can't really help with Head Phrase Structure Grammar or Construction Grammar, because I never studied it; I just have some exposure to it. I do understand Relational Grammar, because I had to learn it to go through some older Austronesian papers, but I find it unlikely that you'd be learning RG, as it's been mostly abandoned.
If it helps you, though, everything you're learning is, to put this in the most controversial way possible, the equivalent of learning astrological star charts. It's like, you tell your friend, "Dude, I went to work today, and my coworker was sick, so I had to cover her bathroom shift, but as a thank you my boss said I could have Friday off!" and your friend is like, "And that makes total sense, because Virgo is in ascension, and the moon is in its third phase, with Libra in retrograde!" and you're like, "Uhhhh..." *headpat* In linguistics, that's, "Wow, in Finnish most indefinite objects take the partitive, but you can also have a partitive subject with a paucal reading!", and then, "That's probably because of object to subject raising required in order to check features generated in D-structure when…" etc. Thus, if you think of it like some sort of game, it might help to put it in its proper context.
If you do have some transformational grammar questions, though, I'm happy to try to help explain.
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lingthusiasm · 10 months
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Gretchen: I think the best-known example of do you do the source language versus the target language in terms of plural in English is a certain little creature with eight legs. Lauren: The octopus. Gretchen: The octopus. Lauren: Which I just avoid talking about in the plural at all to save myself a grammatical crisis. Gretchen: I admit that I have also done this. If you were gonna pluralise “octopus” as if it’s English, it would just be “octopuses.” It’s very easy. But there’s a fairly long-standing tradition in English of when a word is borrowed from Latin to make the plural the actual Latin thing. Because, historically, many English speakers did learn Latin, and so you want to show off your education by using the Latin form even though it’s in English. So, if you’re going to pretend that “octopus” is Latin, then you wanna say, “octopi.” However, there is yet a third complication, which is that “octopus,” in fact, is actually Greek – “octo” meaning “eight” and “pus” meaning “feet. So, Greek does not make these plural by adding I to it. In that case, there has recently become popular a yet even more obscure and yet even more pretentious, to be honest, plural. Lauren: Is there where you say, “octopodes”? Gretchen: Well, this is where I used to say, “octopodes.” But I have recently learned that, apparently, it is, for maximum pretentiousness, /aktaˈpodiz/. Lauren: You’ve out-pretentioused my out-pretentiousness.
Excerpt from Lingthusiasm episode ‘Many ways to talk about many things - Plurals, duals and more’
Listen to the episode, read the full transcript, or check out more links about morphology, syntax, and words. 
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alwaysbewoke · 1 month
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limonjarritos · 4 months
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The wine bottle and symbolism
this is personally my take on the symbolism of the wine bottle/bottle opener as based on a post by galaxitic
The wine as a symbol for obsession for a loss of control. For how Vincent feels about his fixation with Rody. Of even in a way a symbol for Rody himself.
The wine opener being Vince's semblance of control over that obsession. That he believes he has control on his feelings about Rody. But when he goes to open that bottle its not in a semblance of control but that of panic, that of impulse but he still tells himself that it's something, not realizing that with a sip of the wine he's consumed back. His rational is consumed. Just like how this whole time Rody has made him drunk with impulse.
How the wine is admittedly what does him in.
Vince breaks the bottle, breaks 'Rody' through a lack of control. He uses the bottle opener to try and open the real thing, drunk and searching for more, willing to truly give into his impulses and be intoxicated.
Vince has for the most part up until this point been bottling up his feelings, playing the part of mild mannered and in control (though his control isn't perfect. The rat, the watching through the peep hole-)
Rody taking that broken bottle in hand, takes said obsession and kills Vincent with it. Because a broken bottle is going to hurt you. Because Rody is so broken right now, shattered, reeling from the revelation that Manon has been killed. The love bleeding from his body and a hot demand for revenge coming to him that results in the burning of Vince.
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waitineedaname · 3 months
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for some reason the intro to phonology and syntax classes for grad students are also the advanced phonology and syntax classes for undergrads, which means the professors are spouting off dense syntactical theory to undergrads who have already taken the intro class with them, meanwhile there's six of us grad students sitting to the side staring at each other like this
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#linguistics blogging#no joke I literally made this face in syntax earlier#the professor was describing contiguity theory and drawing syntax trees I could NOT understand#and an undergrad asked her ''what does this mean for phi-boundaries'' or something like that#and I just looked over at my friends and made this face#only to discover they were all also looking bewildered and/or miserable#I'm so glad it's not just me#because I have literally never taken a phonology or syntax class#and I am SO out of my depth#we did the BARE basics of this stuff in my minor#and definitely no theory#so I have no fucking idea what's going on#luckily out of the six of us only two have an actual linguistics degree before this#the rest of us are pretty new to the field#so we are suffering together#i hate syntax and phonology. god.#these technical fields are NOT for me#this is why I'm a sociolinguist!!!!!#I am not interested in theories about how language works from an abstract perspective#I'm much more interested in WHY language behaves the way it does socially#like. I don't care about the phonological reasons for a particular sound feature#im more interested in the social context. does this sound carry prestige? is it stigmatized? how has the perception of it changed over time#I don't care about the theory behind why certain languages have developed grammatical rules for word order#I'm more interested in what happens when a dialect forms from a community with a different L1#and how their ideas of word order affect their L2 dialect#you know?#the social and historical stuff is where I thrive#not this theory babble#like. the theory is important work. but it's not MY work.
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dsm-wannabe-linguist · 6 months
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I hate gay linguist Halloween parties, what do you mean you’re a colourless green dream serving furiously
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mewling-central · 4 months
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Introduction to Collective Seraphic
Now that Seraphic's at a stable place, I think I'm gonna take some time to delve into the basics of how it operates. For this post I'll only be going into the language itself and not the writing system, as that's going to need a post of its own to elaborate on. I'll try to keep this as concise as possible, but I may make separate posts expanding on topics discussed in this one. So, without further ado, onto the infodump!
Background
Collective Seraphic (which I'll be referring to as "Seraphic") is an artlang that I've created for a comic that as of this post I have not began yet, but am still developing. The majority of the comic will take place on the Seraph Homeworld, an alien planet some 3,000 lightyears from Earth populated by the seraph species (pictured below):
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Within the story, Seraphic acts as the lingua franca of the Seraph Homeworld and the many colonized planets under Seraph control. It's used in the government, and among speakers of differing languages. As such, this language was the first one that I knew I would need to make as it will play a vital role in both the storytelling and narrative structure.
Syntax
Seraphic is largely a fusional language, employing affixes to modify the semantic role and meaning of morphemes. Seraphic does not, in the traditional sense, have verbs, so the sentence structure is strictly subject-object (will expand upon later). Nouns decline for number and tense, and are grouped into seven noun classes. Adjectives agree with nouns in number, except if derived from nouns themselves, in which case they'll also agree in class. Seraphic is very head-initial; with demonstratives, numerals, possesives, adjectives, genitives, and relative clauses following the noun the modify; and prepositions preceeding the nouns they modify. Auxiliaries preceed procedurals (again, will expand upon later).
Phonology
Here is the phonological chart for Seraphic:
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It has a syllable structure of (CC)V(CC). Plosives cannot exist word finally, clusters of consonants of the same manner are illegal, and vowel clusters are also not permitted. Syllabic consonants are grouped with vowels and behave much like them, carrying tone and stress, so they together are grouped and referred to as vocalics. Seraphic is a tonal language, employing the use of four tones: rising (á), falling (à), high (ā), and low (a). Low tones remained unmarked in both the Seraphic script and in romanization. Stress is syllable-independant. It will take either the ultimate, penultimate, or rarely the antepenultimate. Stress always falls on the syllable with a voiceless initial obstruent nearest to the end of the word. If none are available, it will fall on the syllable with an initial sonorant within the same parameters. Stress will never fall on a voiced obstruent. For clarity, I'll provide a key describing the pronunciation of the romanization.
Sounds that are similarly pronounced as they're read in American English:
m, n, p, b, t, d, k, g, f, v, s, z, y, w, l
Sounds that have special pronunciations:
ŋ, like the ng in English "sing"
p', like the ጴ in Amharic "ጴጥሮስ"
t', like the t' in Navajo "yá'át'ééh"
k', like the კ in Georgian "კაბა"
', like the the space within English "uh-oh"
c, like the sh in English "sharp"
j, like the s in English "measure"
x, like the gh in English "ugh"
ğ, like the γ in Greek "γάλα"
pf, like the pf in German "Pfirsiche"
ts, like the z in Italian "grazia"
tc, like the ch in English "chain"
kx, like the kh in Lakota "lakhóta"
r, like the rr in Spanish "perro", although occasionally like the r in Spanish "amarillo"
i, like the ee in English "meet"
į, like the ы in Russian "ты"
u, like the oo in English "boot"
e, like the é in French "beauté"
œ, like the a in English "Tina"
o, like the o in Classical Latin "sol"
a, like the a in English "bra" although this can change to be more forward or more backward.
Another letter that might trip people up is ł, which is meant to represent the high tone syllabic 'l'. Otherwise, syllabics are written the same as their pulmonic counterparts, with tone markers written when applicable.
Nouns
Nouns make up the bulk of the Seraphic lexicon. Every noun is grouped into one of seven classes:
Solar class: nouns related to seraphim or seraph-like beings, and seraph body parts. Prefix appears as zā-, zō-, zē-, s-, or ts-.
sēr = "person"
Astral class: nouns related to non-seraph animate lifeforms (their equivalent to "animals"). Prefix appears as ğr-, x, or kx-.
xuc = "cherub"
Vital class: nouns related to inanimate lifeforms (their equivalent to "plants"). Prefix appears as wā-, wō, w-, ū-, wē-, or wī-.
wējlux = "tree"
Terranean class: nouns related to landscapes, locations, and natural phenomena. Prefix appears as va-, vo-, vu-, f-, and pf-.
voxāl = "sun"
Metallic class: nouns related to inanimate objects, both natural and artificial. Prefix appears as ja-, jo-, c-, or tc-.
jağrú = "rock"
Lunar class: nouns related to abstract concepts, and terms related to time. Prefix appears as la-, lo-, le-, li-, y-, or l/ł-.
levren = "job"
Oceanic class: nouns related to general words, tangible concepts, numbers, all adjectives, and non-incorporated loanwords. Prefix appears as a/ā-, o/ō-, or aw-.
awuf = "group"
Adjectives do not agree in class, due to the fact that nouns originally are derived from adjectives, and noun classes acted as a way to differentiate between nouns and adjectives.
fa = "warm, hot"
jafa = "fire" (lit. "a hot thing")
When adjectives are used as predicatives, they decline into the oceanic class in order to take the procedurals (once more, will expand upon later).
Nouns also decline for four numbers: singular (one thing, usually unmarked), dual (two things, both things; suffixes as -ac, -oc, -œc, or -c), plural (things, many thing; suffixes as -n, -an, or -in), and collective (every thing, all things; suffixes as -āf/ōf, -áf/-óf, or -'ōf).
Seraphic doesn't use pronouns. Everything and everyone is referred to by name, including yourself. From our perspective, the Seraphic language constantly speaks in the third person. However, it can be repetitive to use the same name over and over again in a sentence, and sometimes you don't know the name of things, so they'll apply what I've called pro-forms. They consist of the demonstrative adjectives fl "this", sl "that", and xl "yon" declined into the Solar class and taking the place of the first, second, and third person respectively. For ease of reference, I'll provide the forms and their declensions below.
zāfl (I/me), zāflc (both of us), zāvlin (we/us), zāfláf (all of us)
zāsl (you), zāslc (both of you), zāzlin (you guys), zāsláf (all of you)
zōxl (they), zōxlc (both of them), zōğlin (many of them), zōxláf (all of them)
Seraphic makes no distinction in the gender of the speaker, in this regard. Although these resemble pronouns, they're not meant to be used as often as regular pronouns, and whenever possible it's much preferred that you refer to someone or something by name.
Adjectives and Prepositions
Adjectives are fairly straightforward. Adjectives follow the noun they modify (e.g. sēr tan "big person"), and agree with them in number (e.g. sēr tan "big person" vs sērn t'aŋon "big people"). Adjectives agree in the singular form with singular and collective nouns, and they agree in the plural form with dual and plural nouns.
There are three main types of adjectives: native adjectives (e.g. cna "good"), borrowed adjectives (e.g. anzn "nice"), and noun-derived adjectives (e.g. arfi/ofi "new"). Native and borrowed adjectives don't agree with noun classes, but noun-derived adjectives do. It originated from the animacy-based adjective agreement system in Proto-Seraphic, which has been lost in all other adjective instances. When you want to make a noun into an adjective you'll affix one of two prefixes to it: ar- (if agreeing with Solar, Astral, and Vital nouns) and o- (if agreeing with Terranean, Metallic, Lunar, and Oceanic nouns). There are specific rules on the forms each prefix takes based on the noun they're attached to:
"ār-" when preceeding high or falling vocalic syllables (e.g. sēr ārzājna "popular person")
"ar-" when preceeding low or rising vocalic syllables (e.g. wēn arfe "local fruit")
"ó-" when preceeding high or falling vocalic syllables (e.g. lalel ówē "grassy flavor")
"o-" when preceeding low or falling vocalic syllables (e.g. lesar olvulvren "economic problem")
"ōw-" when preceeding words that start with a vocalic (e.g. lnin ōwāsāvbas "momentary event")
Prepositions occur before the nouns they modify, and don't change form in any circumstance. There are currently 19 prepositions in the modern language, and they are usually connected to nouns via a hyphen (e.g. e-fe "at (the) place"):
cu = of; indicates possession
pr̄ = indicates the indirect object, equivalent to "to" in the phrase "The man sends the letter to me."
in/īn = as or like; indicates similarity or resemblance. Will either be low or high tone depending on the tone of the following syllable.
e/ē = at or on; indicates location.
tsa = near or for; indicates relative distance from a location or an action performed for the sake of the referent.
cni = without; indicates a lack of possession or company.
wa = in or inside of; indicates interior position.
tn = on top of, above, or before; indicates superior position or a prior instance in time.
pux = under, beneath, or after; indicates inferior position or a following instance in time.
pi = with, together with; indicates being in company of or making use of the referent.
fān = from or away from; indicates the motion of leaving the referent.
ku = out of; indicates motion from within the referent towards the exterior.
tun = into or through; indicates motion from outside the referent towards the interior.
xel = to or towards; indicates the motion of approaching the referent.
kxun = across; indicates motion from one location to another
pn̄ = around; indicates location surrounding the referrent.
cāza = between; indicates location in the middle of the referrent.
tē = after, behind; indicates posterior position.
fr = during; indicates a moment in time
Prepositions aren't combined in Collective Seraphic, but may be in certain instances in colloquial speech.
Procedurals
Okay, this is probably the most complicated part of Seraphic, so I'm going to need to get into things individually. First, I'll start with defining a procedural itself. Procedurals are the term I use for the prefixes used to describe the relationship or process of and between the agent noun and the patient noun. These are what act as the equivalent to "verbs" in earth languages. There are three in use:
Existential: used to denote a state of being or equivalence between agent and patient, or to the patient and itself. Equivalent to English "to be" (e.g. A is B, there is B). Usually prefixes as some variant of n-, m-, or ŋ-.
Actional: used to denote an action or process between the agent and patient, or with the patient and itself. Equivalent to English "to do" or "to act upon" (e.g. A acts upon B). Carries a connotation of agency and intent. Usually prefixes as some variant of re-, ra-, or r-.
Resultative: used to denote an occurence or change in state between agent and patient, or patient and itself. Equivalent to English "to become", "to happen", or "to change into" (e.g. A becomes B, B happens to A). Carries a connotation of passiveness or motion. Usually prefixes as some varient of ed- or ez-.
The procedural will change its form slightly depending on the class and declension pattern of the noun it modifies. It always affixes to the patient noun, demonstrating a relationship of an action and what is being acted upon. In this way, the patient can be clearly identified. In transitive or causative clauses, the word order is always S(P)O, with the agent acting as the subject and the patient as the object. In intransitive and passive clauses, the word order is always (P)S, with the patient acting as the subject and the agent demoted to the indirect object or omitted entirely.
Although seemingly limiting, using these three procedural, as well as prepositions, nouns, and adjectives, altogether can be used to make all sorts of verb equivalents that are called "procedural phrases". I'll demonstrate how to build a sentence now. First thing we need to know is the subject and object:
Sāx ... jafa (The child ... the fire)
Next, I'll add the actional procedural in the present tense to this.
Sāx rejafa (The child acts upon the fire)
By itself this is technically grammatically correct, but it doesn't really mean anything. It's too broad. So we add a prepositional phrase to specify exactly what action the child is taking towards the fire.
Sāx pi-sīman rejafa (The childs acts upon the fire with (their) eyes)
Now we know that the child is performing an action involving the use of their eyes. Now of course this could mean many different things in English, but in Seraphic the first thing that comes to mind would be fairly obvious: to see! Thus, "Sāx pi-sīman rejafa" would be the same as saying "The child sees the fire" in English! There are a lot of set phrases that equate to verbs, and remain consistent in their arrangement. Often differing phrases are a useful way to ascertain where someone is from or what their first language is.
Tense and Aspect
Seraphic has six main tenses: two pasts, two presents, and two futures. The two pasts consist of the recent past (happening recently) and the remote past (happening a long time ago), and they prefix and/or combine with the procedural.
Sāx pi-sīman ğrejafa (The child just saw the fire)
Sāx pi-sīman eğrejafa (The child saw the fire a while ago)
Similarly, the future tenses consist of the near future (will happen soon) and the distant future (will happen eventually).
Sāx pi-sīman drejafa (The child will soon see the fire)
Sāx pi-sīman izrejafa (The child will eventually see the fire)
The present tenses consist of a general present tense (happens) and the infinitive (to happen) which is used with auxiliaries and copulae and carries no presence in time.
Sāx pi-sīman rejafa (The child sees the fire)
Pi-sīman ezrejafa (To see a fire)
Whether someone considers an event to be nearer or farther in time from them is completely up to their discretion. There's no set timeframe for when to use the recent vs. remote past, it's all fairly subjective. However, whether you decide to use the recent or remote can really indicate whether you believe something to be in the distant past or future, or just a few moments ago or soon.
Seraphic also makes use of two copulae, the perfective -r and the imperfective -l, helping clitics that expand on the aspect of the procedural, i.e. how the procedural happens over time instead of when in time. The copulae are separate from the procedural, being placed directly before it and conjugating on their own similarly to the lexical procedural. When the copulae are in use, they are conjugated instead of the lexical procedural, while the lexical will be put into the infinitive. The exception to this is if the point in time is considered necessary to be stated for the sake of clarity or emphasis, in which case the lexical verb will also conjugate (though this isn't considered to be the default). The two copulae each conjugate to six tenses, and give 12 individual aspects in total. They are as follows, starting with the perfective:
āgxōnr - Pluperfect: indicates that the action happened at a point before some time in the past either specified or implied (e.g. āgxōnr nidsl "that has happened")
xōnr - Preterite: indicates that the action happened in the past with no reference to if it was completed recently or remotely. A general past (e.g. xōnr nidsl "that happened")
nar - Relative: indicates relative clauses, i.e. clauses that act to modify a noun similarly to an adjective. Equivalent to "that", "who", or "which" (e.g. lsl nar nidsl "the thing that happens")
ednr - Gnomic: indicates general truths, common knowledge, and aphorisms (e.g. ednr nezłsl "things happen")
t'enr - Future Simple: indicates the action will happen in the future with no regard to how near or far it is from the present (e.g. t'enr nidsl "that will happen")
āt'ēnr - Future Perfect: indicates that the action will happen before a time or event in the future (e.g. āt'ēnr nidsl "that will have happened")
And the imperfective:
ŋ̄xōzl - Discontinuous: indicates that an action was happening in the past, but is no longer happening in the present (e.g. ŋ̄xōzl nidsl "that used to happen")
xōzl - Habitual: indicates that an action is done often or out of habit (e.g. xōzl nidsl "that always happens")
īzl - Progressive: indicates that an action is happening at the very moment of conversation (e.g. īzl nidsl "that is happening")
nizl - Prospective: indicates that an action will be starting to, or is in the process of happening (e.g. nizl nidsl "that is about to happen")
t'ezl - Iterative: indicates that an action happens again, repeatedly, or more than one time based on context (e.g. t'ezl nidsl "that happens again" or "that happens again and again")
nt'ezl - Continuative: indicates that an action happens continuously and without end (e.g. nt'ezl nidsl "that still happens")
With both tense and aspects, this largely expands the capability of Seraphic in referring to time.
Moods
Seraphic makes use of seven modal particles to denote seven moods. They are always placed at the beginning of clauses, and no two modal particles can exist in the same clause. They are grouped into four categories: the declaritive (indicative and negative), the inferential (evidential and interrogative), the deontic (volitive and imperative), and the epistemic (subjunctive and conditional). They add extra clarity in the speakers mood or opinion concerning the clause they modify, and are as follows:
Indicative: base form of a clause. Indicates that the speaker is stating a fact or what exists, and is unmarked (e.g. idsl "that happens")
tu - Negative: indicates that the speaker is stating a fact that is untrue or what doesn't exist. Usually only appears in formal, official texts, as the first syllable of the procedural will chage tone to contrast as well and leaves the particle unneccesary in colloquial speech (e.g. tu īdsl "that doesn't happen")
cuc - Evidential: indicates that the speaker is stating a fact that they believe or understand to be true, regardless of having experienced it or not. (e.g. cuc idsl "apparently that happens") Direct evidentiality is denoted using a different method.
an/ān - Interrogative: indicates that the speaker is confirming whether a statement is or isn't true. Forms questions (e.g. an idsl? "does that happen?")
tcān - Volitive: indicates that the speaker desires for the statement to be true (e.g. tcān idsl "that wants to happen" or "that needs to happen" or "that should happen")
má - Imperative: indicates that the speaker is giving a command or suggestion, to themselves and/or to other referents. Functions additionally as a cohortative and a jussive (e.g. má idsl! "let that happen!")
tir - Subjunctive: indicates that the speaker believes the statement to be possible or likely (e.g. tir idsl "that could/would/might happen")
nun - Conditional: indicates that speaker believes the statement to be possible under specific circumstances or conditions (nun idsl "if/when that happens..."
Miscellaneous
That's about the basics of the Seraphic language outline. I'd like to eventually get into things like comparison, evidentiality, declension forms and the like, but those are all topics that definitely need their own individual posts. Real quick, I want to provide one more additional fact about Seraphic.
Seraphic uses base-16, meaning it groups numbers in sets of 16 instead of sets of 10 like we do. 1-16 would be written 1, 2, 3, 4, 5, 6, 7, 8, 9, A, B, C, D, E, F, 10. 10 would be read as 16, and equally 20 would be 32. They're still counting the same amount of things, they're just dividing it up differently!
Anyways that's about it, I hope to share more about Seraphic soon, and when the comic gets released I hope you'll all be able to read it and pick out the many many lines of Seraphic I've poured into it!
ŋKowīci cu-stux 'ōf tsa-levp'ā cu-zāsláf pi-lizt'n ğōdjasa! (Thank you all so much for reading!)
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codingcorgi · 6 days
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I am not dead just severely busy! Days 74-109. I have so much to talk about this time!
So at work (Can't show that due to NDA) I've been bug chasing, and ultimately having to restructure many classes and methods to make one function work as intended.
Then for my C# final I'm still working on my .Net Maui project I finished the journals implementation, and added the event reporting function. I added the events to the journal entry for the day. If there are no entries yet it makes one. I am going to be using the library of microcharts that were used in xamarin (before Xamarin got depreciated into .Net Maui) now it can be used for .Net Maui. I'll be capturing data gathered in the journals to display on graphs to track progress in sleep disorders. At a later time I'll be getting it set up to grab information from sleep tracking apps on mobile.
In C++ my final is to make a game. I am making an adventure game where you can explore a village. It has lore, Easter eggs, and fun imagery (it's a console game unfortunately can't do Unreal). I have to change the code a bit but it has been fun to code!
I might have a contract role coming up for another game studio, so that's exciting.
My plans for the next few days is to get some functionality on the statistics tab in my Maui app, and get my C++ project more put together. At work I'm waiting on the senior dev to plan out how to fix the massive problem we have.
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alexgadart · 8 months
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analysis of in compliance of community guidelines
Hello, here is a short analysis of my painting for those who requested it. Hope this is to your liking and please let me know if you have any feedback, as a wrote this pretty quickly
In Compliance With Community Guidelines (2022) is first and foremost a reflection on the current political climate regarding trans, non-binary, gender non-conforming and intersex identities in the global north. It is a direct outcry against the unjust policing of our bodies and active effort to deny us of our bodily autonomy. The main thesis of this work is just that, a critique of the hundreds of anti-LGBTQIA+ policies and legislations that have been put into law in since the beginning of the pandemic, feeding into the narrative that non-cis bodies, bodies that do not conform to a heteronormative and eurocentric binary standard, are inherently sexual in nature. The portrayal of trans people as scapegoat boogeyman has led to an increase in the already present issue of censorship of queer and trans identities, most notably in the ever-so-sanitised and advertiser friendly online space. In our social age, this leads to a surge in completely safe-for-work content and users being flagged, reported, taken down or even banned, an issue that disproportionately affects trans feminine individuals (though this piece depicts the artist, a transmasculine person). 
In terms of technique, the piece consists of a painting, a quilt, and some ornate embroidering. Squares of white fabric were first hand printed into their respective colours by screen printing on it using the quadricromia (CMYK) printing process. They were then cut to size and sewn together in order to build the quilt, which was hemmed and then attached to canvas with a sewing machine. The canvas was stretched out on a frame, prepped and then painted on around the quilt. Embroidered scars were added at the end to serve as detail. 
Moreover, this piece serves as a challenge against the current art trends leaning strongly towards digital mediums and techniques such as digital art, 3D modelling and to an extent, NFTs and AI art. On one hand, the piece was created using only traditional mediums, a blend of painting, traditional printmaking and textile techniques. These methods of artistic expression have been used for centuries by artists, yet are slowly fading from the mainstream. As such, In Compliance With Community Guidelines serves as a reminder of their value and relevance of such techniques in an increasingly digital art market. The painting style is purposefully appropriative of said digital aesthetic and so is the use of pixelation within the quilt. Furthermore, the colour palette alludes to the vivid screen-like experience of a digital drawing. It was in fact inspired by the RGB colour model used by screens to emulate an array of colours. 
On another hand, the specific use of quilting as a technique was done in a way to specifically highlight forms of art that were deemed irrelevant and reduced to the title of crafts by the sole reason of being historically done by women. The same can be said about the embroidered scars on the top of the painting. The use of textile is in reference to the act of mending, creating anew: not only transforming oneself into a desired form, but also reflecting the mark, the scar that is left behind. 
Lastly, the usage of trans bodies as artistic nudity reflects the artist’s ongoing statement on the massive lack of  representation of trans identities and corporeality in art history. The body depicted is done in a way to directly reference famous nude art, which historically almost exclusively portray white cisgender women; if diverging from that norm, then used as fetish to the coloniser gaze. 
Notes: 1- trans is used as an umbrella term in this essay in order to abridge the whole thing
2- CMYK =cyan magenta yellow black colour model used in printing
3-RGB = red green blue colour model used in screens/light specific mediums
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wistful-academia · 1 year
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i think it’s so beautiful how there are certain language features that we reserve purely for poetry and the like; there’s strict syntactical rules when speaking english day-to-day but if you want to play with them? bend them? break them? in the name of art? sure, go ahead. you can go a long way without impairing communication of your message, and on top of that—it just sounds prettier.
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lingthusiasm · 4 months
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Lingthusiasm Episode 87: If I were an irrealis episode
Language lets us talk about things that aren't, strictly speaking, entirely real. Sometimes that's an imaginative object (is a toy sword a real sword? how about Excalibur?). Other times, it's a hypothetical situation (such as "if it rains, we'll cancel the picnic" - but neither the picnic nor the rain have happened yet. And they might never happen. But also they might!). Languages have lots of different ways of talking about different kinds of speculative events, and together they're called the irrealis.
In this episode, your hosts Gretchen McCulloch and Lauren Gawne get enthusiastic about some of our favourite examples under the irrealis umbrella. We talk about various things that we can mean by "reality", such as how existing fictional concepts, like goblins playing Macbeth, differ from newly-constructed fictions, like our new creature the Frenumblinger. We also talk about hypothetical statements using "if" (including the delightfully-named "biscuit conditionals), and using the "if I were a rich man" (Fiddler on the Roof) to "if I was a rich girl" (Gwen Stefani) continuum to track the evolution of the English subjunctive. Finally, a few of our favourite additional types of irrealis categories: the hortative, used to urge or exhort (let's go!), the optative, to express wishes and hopes (if only...), the dubitative, for when you doubt something, and the desiderative (I wish...).
Read the transcript here.
Announcements:
Thank you to everyone who shared Lingthusiasm with a friend or on social media for our seventh anniversary! It was great to see what you love about Lingthusiasm and which episodes you chose to share. We hope you enjoyed the warm fuzzies!
In this month’s bonus episode, Gretchen gets enthusiastic about swearing (including rude gestures) in fiction with science fiction and fantasy authors Jo Walton and Ada Palmer, authors of the Thessaly books and Terra Ignota series, both super interesting series we've ling-nerded out about before on the show. We talk about invented swear words like "frak" and "frell", sweary lexical gaps (why don't we swear with "toe jam!"), and interpreting the nuances of regional swear words like "bloody" in fiction.
Join us on Patreon now to get access to this and 80+ other bonus episodes! You’ll also get access to the Lingthusiasm Discord server where you can chat with other language nerds.
Here are the links mentioned in the episode:
'Irrealis' entry on Wikipedia
'How do you get someone to care about Shakespeare? Two words: Goblin Macbeth' on CBC
xkcd comic 'Conditionals'
'Pedantic about biscuit conditionals' post on Language Log
'The pragmatics of biscuit conditionals' by Michael Franke
Lingthusiasm episode 'This time it gets tense - The grammar of time'
'Realis and Irrealis: Forms and concepts of the grammaticalisation of reality' by Jennifer R. Elliott
'If all the raindrops' on YouTube
'If I Were a Rich Man (song)' entry on Wikipedia
'Rich Girl (Gwen Stefani song)' entry on Wikipedia
'Louchie Lou & Michie One' entry on Wikipedia
'Louchie Lou & Michie One - Rich Girl' on YouTube
'Semi-Toned - Rich Girl (acapella)' on YouTube
'Subjunctive mood' entry on Wikipedia
'Céline Dion - Pour que tu m'aimes encore' on YouTube
WALS entry for 'Feature 73A: The Optative'
Lingthusiasm bonus episode 'How we make Lingthusiasm transcripts - Interview with Sarah Dopierala'
Lingthusiasm episode 'Listen to the imperatives episode'
'Dubitative' entry on Wikipedia
'A grammatical overview of Yolmo (Tibeto-Burman)' entry on WikiJournal of Humanities
You can listen to this episode via Lingthusiasm.com, Soundcloud, RSS, Apple Podcasts/iTunes, Spotify, YouTube, or wherever you get your podcasts. You can also download an mp3 via the Soundcloud page for offline listening.
To receive an email whenever a new episode drops, sign up for the Lingthusiasm mailing list.
You can help keep Lingthusiasm ad-free, get access to bonus content, and more perks by supporting us on Patreon.
Lingthusiasm is on Bluesky, Twitter, Instagram, Facebook, Mastodon, and Tumblr. Email us at contact [at] lingthusiasm [dot] com
Gretchen is on Bluesky as @GretchenMcC and blogs at All Things Linguistic.
Lauren is on Bluesky as @superlinguo and blogs at Superlinguo.
Lingthusiasm is created by Gretchen McCulloch and Lauren Gawne. Our senior producer is Claire Gawne, our production editor is Sarah Dopierala, our production assistant is Martha Tsutsui Billins, and our editorial assistant is Jon Kruk. Our music is ‘Ancient City’ by The Triangles.
This episode of Lingthusiasm is made available under a Creative Commons Attribution Non-Commercial Share Alike license (CC 4.0 BY-NC-SA).
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tarttwannabe · 14 days
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i’ve been using duolingo (for the last 84 days) as a way to stay consistent with french while my schedule remained packed, but my recent jaunt with latin has reminded me how much i love textbook learning, grammar & translation. i’m thinking i’ll abandon duolingo, but then i’ll have to find both a good french textbook & enough time to be able to go through it daily on top of an already hectic schedule & latin lessons
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why-do-we-do-this · 2 months
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After several days of slowly translating, here's my version of Cellbit's pdf, translated into English.
I've included a brief summary under the cut for anyone who might not want to read the whole thing or who are wary of the warnings.
This was my personal method of processing, and I encourage all of you to do what you need to do so as well, whether that be stepping off of the internet and letting the moss reclaim you for a while, drawing, crying it out, comprehending the beautiful insignificance of existence for as long as you need to, or talking this situation through with somebody else.
tws for:
sexual assault, aphobia, suicidal ideation, manipulation, victim blaming
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Chronological Event Summary
At age 9 Cellbit had an awkward and very violating encounter with a neighbor girl who was older than him which left him traumatized. He questioned his sexuality as he was growing up, and thought things would make sense once he actually lost his virginity, which he did to his first girlfriend at age 18. Since then, he's been sure of his asexuality. However, this girlfriend was aphobic and constantly pressured him into having sex with her or urging him to seek medical help for his lack of interest in sex. She would embarrass him in front of his friends, gaslit him into thinking that no one else would ever accept him for who he is, was physically violent towards him, and cheated on him. Once he was finally able to pull away from her, she started making incessant posts about Cellbit being abusive, mean, and jealous, which caused backlash against Cellbit and his content, and she even used his depressive period and suicide attempt as reason to incite hate against him. Cellbit remained in silence in response to this, fearing what might happen if he tried to fight back, but, with the recent new allegation that this ex made accusing him of sexually assaulting her, Cellbit had enough and broke his silence with this document. He's said that he doesn't want this to affect him and his loved ones any longer, and he doesn't want to speak about all of this any more than he already had to.
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Cellbit's pdf
MY RESPONSE, 7 YEARS LATER
7 years ago I was in a relationship with a person who lied compulsively, cheated on me, tricked me and has tried to ruin my life up until the present, though I've always tried to stay silent.
This week, she accused me of sexual assault.
This is a complete lie.
It's time to finally tell everything that I have lived through.
[A messaging string between Cellbit and his ex-girlfriend, dated 22nd May, 2018]
(ex-girlfriend) "There's no normal way to ask this / I'm just curious / but are you actually asexual? / or something?"
(Cellbit) "as in, not enjoying sex? / I am"
This relationship began in 2015. I had just turned 18 and she was 20. 9 years ago. I broke up with her in 2017, two years later.
After we broke up I never responded to any of the allegations that she publicly made against me. I didn't want my followers going on a witch hunt, and even less to expose a personal relationship which used to bring me so much pain.
The only statement that I made was related to me doing therapy, I never mentioned her name and never spoke about anything that she did to me. I NEVER attacked her nor encouraged any kind of hate towards her during all of these years.
And, despite her always claiming that "she doesn't want to revive that subject", she is literally the only one who keeps talking about it, inventing and distorting more things every time, even 7 years later. And I have always maintained my quiet, always held on to my silence. But this week, she has made the worst accusation so far, and there is no more silence to hold on to.
This is a document directly relaying all the facts of what I lived, with any evidence that I could get in order to confirm things. This is not me asking for forgiveness. I am not here to try to convince anyone that doesn't like me to change their opinion.
I've learned after all these years that in this situation I always am going to be seen as the one at fault. It doesn't matter what I say. Any kind of defense or argument is going to always be accused of "silencing" her.
And, if I keep quiet, like I did for all of these years, that would be interpreted as me "keeping quiet because it confirms the truth". And she'll continue accusing me of more and more absurd things.
So then, like I said, this is not an apology, it's clarification. A report detailing everything that happened, point by point, about all of the events that were "exposed" by my ex-girlfriend. And from there, you all can draw your own conclusions.
I know that even after everything that I write here, many people are still going to refuse to consider the other side of things. There is an image that has been constructed of me, where I am a psychotic monster, which is difficult to erase. But this document isn't for the people who believe in that. This clarification is for those who have always been willing to understand.
I just want people to finally hear my story and take away what they will from it. I am no longer going to let this destroy the lives of the people that I love in the same way that it destroyed mine.
ASEXUALITY AND THE SEXUAL ASSULT ACCUSATION
I am going to begin by directly responding to the accusation that is making me publish this report after all of these years of silence. I have never been accused of something as absurd as this, and I am completely certain that I can PROVE that it is IMPOSSIBLE that this claim is real.
After years accusing me of countless things, for the first time my ex-girlfriend has decided to accuse me of an unforgivable crime. She posted a tweet that mentions me by name, implying that I sexually violated her.
Without any proof, after years of making one exposure after another, trying to destroy my image and my life, she's finally decided to call on a lie about the worst thing that she can:
[A tweet from a fan and a reply from the ex-girlfriend]
(Fan) "I'm never going to forget the details she gave about how insane it was to give pussy to Cellbit because his dick was thick"
(Ex-girlfriend) "I really want you guys to stop reviving the sexual assault that I sufferered without having any understanding of things, as if it's funny. Unfortunately, I thought it was normal to feel pain and suffer a shitload of pressure to feed into his self-esteem publicly, and so I said shit that I thought would please him. You all should be embarrassed, bunch of assholes."
I am asexual.
All of my personal friends have known for many years that I am asexual, and I had mentioned it before in some different places publically. My sexuality was never a subject that I spoke much about, but was also never something that I tried to hide.
[A messaging string between Cellbit and an unnamed individual, dated 27th July, 2020.]
(Cellbit) "[Fans on YouTube] made a compilation of all the times I've shown being asexual on the internet"
(unnamed) "afkahfkhfks amazing / people are talking about that / you're fine with it?"
(Cellbit) "It doesn't matter to me, I won't have to suffer prejudice for it if I don't reveal it directly / despite wanting to eventually, only for those who are able to comfortably accept it as is"
(unnamed) "I understand / If one day you want to, you should speak about it. I think that it's more of a positive thing than a negative tbh lmao"
To be brief, this doesn't mean that I cannot have sex, but I simply don't have interest or desire to.
[An image of a youtube video thumbnail and title. The thumbnail is of Cellbit with a quote that says "I don't like to have sex," the title is "Cellbit, are enigmas better than sex?" the video is dated to four years ago. A link to this is included in the original document]
I've always been like this, ever since I was a child. And, despite being interested romantically in people and falling in love normally, I do not feel the desire to have sexual relations of any kind.
I always grew up feeling that there was something different about me in contrast to other people. I questioned my sexuality a lot, not understanding if I was gay or if there was something physically wrong with me, and I thought that maybe I would understand everything once I lost my virginity. This happened with my ex-girlfriend, and ever since that first time I had sex, I knew that this was really just the way I am. I began researching, reading about asexuality on the internet and talking with a psychologist about it.
Despite this, I can have and have had sexual relationships in my life. I just don't feel any desire or physical need to have sex.
Including, actually, that I have a healthy sex life with my current girlfriend.
My ex-girlfriend is now accusing me of sexual assault. We had sexual relations consistently, always when she wanted, it was always her who initiated, and she always told me that there was something wrong with me. It was a topic that she repeatedly brought up to humiliate me around friends, as well. Sometimes as little jokes, but other times in much more exposing ways. On one occasion, for example, we went out with some friends and she asked for one of them to give me a "lesson on sex" so that I "do things more enthusiastically."
She also constantly would tell me that I should go to be examined and get medical treatment to try and "fix" me. All of the sexual relations that I had with her went until she felt satisfied, and then she would tell me to finish up alone.
I talked with her numerous times about being asexual when we were together. I mentioned that I'd spoken about it in therapy and that I was reading more about it in online communities. She didn't believe that it was possible, and insisted that I had something wrong with me.
[A messaging string between Cellbit and his ex-girlfriend, dated 22nd May, 2018. This is a repeat image of one that appears earlier in the document]
(ex-girlfriend) "There isn't a normal way to ask about this / I'm just curious / are you actually asexual? / or something?"
(Cellbit) "As in, not enjoying sex? / I am"
Even after we ended our relationship, when we spoke again in 2018, she still invalidated my sexuality.
I lost count of how many times she made me feel obligated to have sex with her, even when I clearly didn't want to, just so that she would feel satisfied, because of the fear that if I didn't do it, she would cheat on me.
Even knowing that it was a matter I didn't want disclosed, she still spoke publicly about our sex life just to make me feel more pressured to "go and see what's wrong with me sooner."
[A screenshot of a video with the thumbnail most of the way cut out, titled "Cellbit's girlfriend talking about his dick", dated 6 years ago. A link to this is included in the original document]
I couldn't understand exactly why she decided to lie about something that she knew I would never have had the capacity to do.
THE ABUSE THAT I SUFFERED
In addition to all of that, I had been sexually abused when I was 9 years old by my neighbor when I lived inland in the countryside, and she knew about this. This is a story that I avoided speaking about the most that I could, I never had the courage to even tell this to my mother, and my ex KNEW that I NEVER wanted to disclose this to the whole internet, no matter what happened. It was something that left me with massive trauma that is still very difficult to talk about.
Very few people in my social circle know about this, because it's something that pains me greatly to remember. In 2019, I also told part of the story to some mods and people in my off-stream chat community that I trusted.
[A series of chat history messages from Cellbit, dated to 19th May, 2019.]
"The older person wasn't a man / ...... / The story starts in the chicken coop / when I, my neighbor [redacted], who was the same age as me, and his older sister were playing wedding / I was the groom, she was the bride, and [redacted] was the minister / Their parents had left the house and it was just us three in the chicken coop of the abandoned train station house / After the ceremony, we didn't kiss, but me and the girl went into their parent's bedroom to have a "honeymoon" / but, I was only 9 years old and didn't know what sex was / I just knew that people got naked on a bed / so [redacted] stayed outside of the room, and me and his sister got naked on the bed, rubbing against eachother pretending that we were having sex. I thought that that was actually real sex and was mortified, she was a lot older and I didn't know why she was doing that"
And now, YEARS AFTER living that hell, being humiliated different times by her, questioning my own sexuality, feeling used, she makes a post implying that I committed the worst and most disgusting crime that exists. A crime that I suffered through.
A person that she KNOWS would never be able to commit that. But she feels free to accuse me because until today I have always kept silent.
Accusing me of something that was literally never mentioned by her before, suddenly, on the week that I am going to participate in an international award ceremony. It's something that comes up in a new story that she deletes soon after giving people just enough time to take a screenshot, like she always does.
She always alleged that we had a toxic relationship, but now, in 2024, she accuses me of sexual assault, without any kind of proof, and never having spoken about that before in all these years.
Even after 7 years, she continues controlling my life, forcing me to publicly humiliate myself and talk about the most intimate side of my life, making me expose my sexuality and the fact that I was abused when I was a kid, just to be able to prove that I would never do something as terrible as that.
For me, this is the limit.
I have always had empathy and concern for her, and she never stopped. I just want to live my life in peace.
THE BEGINNING OF THE RELATIONSHIP AND THE OTHER ACCUSATIONS
I met my ex-girlfriend in 2015, at an event called XMA 2015. I had a panel to talk with some followers and take some photos after. During these events, all of the guests stayed separated in some rooms where we could talk. There, I met her for the first time and we very quickly began to flirt with eachother.
[An article heading titled "XMA Mega Arena 2015: Event assembling champions and stars of e-sports" the subtitle reads "Fans of the main e-sports titles are able to watch the championships of the major Brazilian gaming teams," dated to the 1st of May, 2015]
[A video thumbnail titled "XMA - day 1," dated to 8 years ago. It is set 6:48 into the video, a woman can be seen on camera from waist to chin]
My ex-girlfriend present at the event in a video:
[A link to the above described video, which is included in the original document] - Video proving that she was at the event.
[An article headline with the title "XMA Mega Arena 2015 | Youtubers are a big attraction in an e-sports event," the subtitle reads "On the first day of the event, content creators call more attention than the champions", a quote at the top of the article reads "Man, do you guys know if Cellbit is going to leave to give autographs?" dated to 1st May, 2015. A link to this is included in the original document]
An interview that I gave at the event, proving that I was there.
We chatted for around 30 minutes, I had just turned 18 and had never had a partner. She was older, 20, and had already had various boyfriends before. We got eachother's numbers on WhatsApp, and I left to do my panel. At the end of the event, we encountered eachother again and continued talking a bit more.
During that night, I went to send a message to her and noticed that her WhatsApp profile picture was a selfie of a man, not her. I thought that she had given me the wrong number, but I sent a message and in a few seconds saw her changing her avatar to a photo of her and responding to me soon after.
I asked who it was in that photo, and she said that it was a joke that she was doing pretending to be a friend. We continued flirting and exchanging messages for some time, until someone informed me that she apparently had a boyfriend.
She was dating a professional LOL player, and had gone to the XMA event as his companion. His team was participating in the championship of the event.
[A low quality image of an information page about XMA 2015, including the location and date of the event, and some teams]
The LOL championship at XMA that her boyfriend was playing in
When I asked about this, she told me that he was just a fling (he wasn't, they were dating), but that she was going to end the relationship soon because she claimed that he "was rude to her." She said that she was just waiting for the right moment to be finished with him because he "was in a championship and she was going to affect his career."
While this was happening, she asked me to travel to her city so that we could meet. It was there that, a few days later, we found ourselves in Monte Alto, a small town in the countryside where she lived, and we stayed together in an inn.
[An image of a travel ticket for Cellbit, dated to 13th May, 2015]
Fare to Monte Alto, 10 days after meeting her at the event
[A post by the ex-girlfriend, dated 28 May, 2020. A link to this is included in the original document]
"I lived in Monte Alto"
It was in this inn that she cheated on her boyfriend with me, and was then that I lost my virginity, believing that she already wasn't speaking with him anymore. As it was my first time, she was constantly complaining and making jokes about me being inexperienced.
That was the day that I started to understand that I am asexual, something that would become important later on in our relationship.
We continued our relations for a few more weeks, where she would always give excuses for the reason she had not broken up with her boyfriend yet, saying that she was almost finished, that there was just one more game of his, it was just one more weekend.
Eventually, she asked me to help her write a breakup message for her boyfriend in a skype call, and finally we could have a "real relationship." But, the damage was already done, and I just hadn't noticed yet. I still didn't have any idea what I was getting into, and she was my first girlfriend. I was in love with a person who was manipulating and lying to her previous boyfriend, while she did the same thing to me.
Some of the people in the LOL scene who had met her informed me that she used to "switch boyfriends quite frequently" and that they had heard stories about cheating before.
That whole situation left me extremely traumatized and paranoid, but this was only the beginning.
A few months passed, we dated long distance for some time, and afterwards the two of us moved to São Paulo into different apartments. She was living with her sister and studying at college, and I moved in with some friends into an apartment.
All of this initial context is important for what came later.
HER ACCUSATIONS
In the accusations that she made after we broke up, the events have always been distorted and described in an ambiguous manner, using words like "abuser" and "aggressor" in order to give the understanding that what happened may or may not have been some kind of assault.
Among other things, she said that: "I kicked her out of the house," that she "was locked in a bathroom," that I called her names and that I "threw her things away."
All of these stories are distortions of one singular event.
On the contrary from what she insinuated when she said that "I kicked her out of the house," we never lived together. She was 20 minutes away from me, though she slept at my house sometimes, because we were dating.
During our relationship, she was constantly telling stories about a specific ex-boyfriend. An abuser who did cocaine, sexually harassed her, broke into her house, threatened to kill himself to stay with her, and that she'd had to call the police on him before. She said that she had him blocked everywhere, but that he still tried to talk with her after years, and had even followed her back to her house one time.
Eventually, in a moment where we were together, she was using her phone beside me and a Facebook Messenger notification appeared on the screen. It was a message sent by this ex, who I'd heard numerous stories about being a psychotic abuser, apparently responding to a message from her. I have never in my life seen someone swipe a message off the screen as fast as she did in that moment.
That was that day I discovered it wasn't just that she hadn't blocked him, but that they were talking about possibly getting back into a relationship. All of those messages were from the same week, as she was still dating me.
I confronted her for cheating on me, then, and told her to leave my apartment and go home. She began to scream and cry, shoved me, slapped me in the face, and locked herself in the bathroom saying that she wouldn't leave.
She used to hit me constantly, which back then I believed was "normal" because it was my first relationship. I thought that all girlfriends must hit their boyfriends, and even more so because she was a woman and smaller than me. At that time I didn't consider it to be "actual assault," even if it did hurt me.
Even with her slapping me and shoving me more than once, I never fought back or laid a finger on her.
I knocked on the bathroom door saying that she needed to gather her things and leave my house, and she refused. This is the story that she turned into "I locked her in the bathroom"- since, because the bathroom key was kept inside the bathroom, it would have been impossible for this, and illogical to lock a person outside of the bathroom while I was trying to break up with them for cheating on me.
As she'd refused to leave, I said that I would leave her things at the exit of the apartment and when she decided to go she could look for them there. I then put her bag in the building's garage. This was what she made into "I threw her things away."
[A tweet by the ex-girlfriend]
"He woke me up, angry because I warned a friend not to talk to him anymore because my ex was jealous, so he kicked me out of the house without shoes and threw my things in the apartment's garbage."
And yes, I did call her names when I discovered that she was cheating. And she called me just as many as I called her, if not even more. She'd make me feel like a monster no matter what'd happened, literally inventing things that I never said and making me believe I said things that I don't remember saying.
After that, we stayed apart for some months, but still kept in contact and saw eachother a few times. She invented dozens of different excuses, from "It wasn't exactly that and I understood wrong" to "She was just talking to her ex then because she was scared that he would do something to me."
She always knew exactly what to say and how to manipulate things in a convincing manner. Eventually, we went back to dating again, but obviously my psyche was already completely destroyed.
With the passage of time, our relationship kept getting worse and worse. I would catch her lying about little things compulsively and all of the time. I noticed that she would always change some details in stories she told, she constantly talked shit about all of her friends and mainly about her best friend at the time, or other specific things that didn't make sense like saying she'd never felt attraction for any man besides me.
At events, she would say that other streamers were hitting on her, just to see my reaction, and in one situation in particular, she flirted with another influencer so much that he tried to kiss her in front of me. Then when I confronted him, he justified it by saying she'd implied that we had an open relationship.
Besides this, she continued having more and more violent outbursts, often in public over small things, such as yelling at me in the middle of a restaurant with my friends because I put ketchup on the side of the fries plate without asking for permission from her, and then calling an uber and leaving.
Or even to the point of creating situations to blackmail me with, like hiding the notebook I was using for work and refusing to give it back to me until I'd done what she wanted.
Another one of her stories included a party where I "abandoned her and left"- at this party, we had a fight after I saw her giving her number to a guy she'd just met while I was in the bathroom. She justified this with "He looked sad so she went to talk to him and let him know that if he needed anything he could send her a message." After that, I went to the other side of the party, and when I came back, I could not find her anywhere. I looked everywhere for her and nobody had seen or knew where she was. I had her phone with me, and searched the party for almost an hour without finding her. I thought that she'd maybe gotten a taxi home or hitched a ride with someone. An hour later, a friend of hers dropped her off at my apartment and she said that she had been on the second story of the party (which was a closed off section, there was no party there, I never would have thought of going up to the second floor to look for her) venting and talking with a friend.
She also claimed that I wasn't supportive and that I tried to hinder her from creating content on the internet, when all of the first edited vlogs on her channel were recorded on my camera, and I was also the one to teach her to edit her own videos.
She made me believe that I was dependent on her, that I would never find someone who really loved me, that all of the others would only stay with me for the interest and the followers. And I believed her.
Eventually, after two years of an extremely toxic relationship, I finally decided to break up with her in 2017.
Even after we ended our relationship she continued her behavior of compulsively lying and manipulating. In the same month that we ended our relationship, she got together with another influencer that she had been talking with for a while. In 2018, while she was still dating him, she would secretly talk with me and say that she still loved me.
[A messaging string between Cellbit and his ex, dated 9th July, 2018]
(ex-girlfriend) "You were enough [text that is cut off on the screenshot] / just for understanding who I was / or laughing at my jokes / or staying with me / etc"
(Cellbit) "I love you / sorry that's fucked up"
(ex-girlfriend) "I love you too / eh, [I'm] equally fucked up JFDKSJKA / It's too intense to ignore"
(Cellbit) "But I could never stop fucking loving you, Flavia"
(ex-girlfriend) "Okay, look, I already knew this / IQ of 220"
(Cellbit) "And I know that you have a boyfriend and I never wanted to intrude or say anything because I know how unfair that would be for you"
Including, we had NUMEROUS conversations about our relationship where we asked for forgiveness from one another. Even with her publicly saying that "we'd never resolved it" in her livestreams, we talked normally as if everything was fine.
This is literally the last interaction that we had before she blocked me and did the streams claiming that I was a psychopath who destroyed her life:
[A messaging string between Cellbit and his ex-girlfriend, dated 4th August, 2018]
(Cellbit, in English) "Hey / ummm / I love you and think you are [incredible] okay. Maybe today is a normal day but I want you to remember that when you are feeling down or anxious or sad. I dunno, okay bye sleep well / Also this really looks like a drunk message but I swear I'm sober / [audio message] Here's Tingrinho being a little engine as proof"
(ex-girlfriend) "WHAT A CUTE PURR / and really, thank you / c:"
The last interaction before all of the exposures in which she claimed that "we'd never resolved it" and never talked about it.
After everything, she still had the capacity to use my depressive period and exposing my suicide attempt as a way to VILLAINIZE me. It was the worst time I went through in my life. I couldn't work, I started doing drugs for some months, and could only think about committing suicide every day. I only made it through alive because my BEST FRIEND went rushing to my house to save my life.
It's something that I am always going to be grateful for, something that I am never going to be able to forget, and something that he also never spoke about because he knew that it was something I was trying to forget. It was an extremely traumatic period in my life and I promised that I would never relive it.
Another story that I NEVER wanted to have to tell, and one that she EXPOSED on a livestream of hers, like somehow me trying to kill myself was proof that I am a monster.
And even after all of this, I continued my silence, watching her distort everything that we'd lived and transforming me into a monster for all of the internet, scared that if I responded, everything would become 10 times bigger and worse, and the internet would make both of our lives hell.
When I gave an interview on the program of another influencer and was asked what the reason was for the breakup, I tried not to start a war or create gossip, giving a generic answer, saying that we went our ways and that everything was fine, because we really were talking normally. My ex used this to villainize me, saying that I was trying to lie about our relationship in the interview in order to "erase my wrongs."
[A messaging string between Cellbit and the interviewer, dated 4th August, 2019]
(Interviewer) "Man, this bullshit is all exploding, do you want to speak about this with me?"
(Cellbit) "Hey, [redacted] first off I'm very sorry that you got stuck in the middle of this without having any relation to it / So, about your video, this is by far one of the most unfair things in this whole story, because she made it out as if it was a lie, but everything I said was 100% true. / Or at least that was what I thought at the time, that we had everything resolved and were both fine on our own. / Considering, she and I used to talk just fine on WhatsApp"
(Interviewer) "Magical. I imagine that she was insulted by me because of the video"
Explaining to the interviewer that what I said was true and that we were speaking normally, like the screenshot above proves, despite her not believing it.
I was always scared that everything would become a circus, everyone watching as two lives collapsed, when all that I wanted was for her to be fine and leave me in peace.
After we broke up, I spent years without being able to have a relationship of any kind with anyone, holding on to numerous traumas, believing that I would never be able to trust other people again, and that I was never going to find someone who would accept my asexuality.
It took more than 3 years to be able to finally trust in someone again, and today I am in a new relationship of almost 4 years. An extremely healthy relationship that showed me what it really means to be able to trust in someone, and has made me into someone who becomes better every day.
But, once again, like has happened many times every year, my ex-girlfriend continues reviving and creating new stories every time something relevant happens. If I'm canceled for being an asshole and banning a guy playing Tetris, if another creator is canceled for an abusive relationship, or if I'm a participant in an important international award ceremony, she appears once more, posting something about the subject, and deleting the tweets some time later to remain in the role of someone who is being attacked and "not left in peace." Just like she's probably going to do again now.
With the passage of time, she has gone from distorting events to inventing completely new things, until at this point even the public is starting to question her motive for bringing up the same topic again and again, like saying that I "controlled what she ate" or that I "tracked her location with GPS" which are complete lies.
She also enjoys blaming me for things that I don't have the smallest relation to, like saying that my fans made her lose her Instagram and "lose job opportunities," when in reality her Instagram account was reported when she was canceled for a post complaining about an event and was mocked by various influencers and sites.
[An Instagram post by the ex-girlfriend]
"I did an event with them, two days to earn 1500 reals. They gave me the cheapest room in the hotel. IT DIDN'T HAVE ROOM SERVICE- dinner options were risotto or lasagna (both microwave meals) and I had to get it downstairs. I have half a million followers and I seriously felt like a nobody."
The post of hers that resulted in the mass report that deleted her Instagram
Another thing that keeps being said incessantly on the internet is that I "never suffered any consequences even after she exposed all of that"- I lost dozens of contracts from all of the publicity agencies and producers that closed their doors on me and never invited me back to events or ads. But, I never publicly complained or disclosed this, because more than once that has resulted in a war involving the public.
All that I could do was keep working and keep believing that at some point this would all end. But everything that happened caused a surge of hate against me which generated accusations of various very serious and unacceptable crimes that random people on the internet all believed I'd committed, even without having any proof at all.
And I will not stand this any longer. I cannot put up with this knowing that my mother receives threats and terrible DMs, seeing people telling my girlfriend to kill herself or cheering for her to be abused in order to confirm the theories and accusations of my ex-girlfriend and see "Cellbit exposed once again"
[Three tweets from fans, all responding to one tweet made by Cellbit's girlfriend addressing the ex's allegations]
"In a max of 2 years she's going to post that Cellbit ruined her life with psychological problems, that he was abusive and forced her to post this"
"I hope you get fucked a lot!!! You and your shit boyfriend"
"Guys, remember when he attacked his girlfriend? Go fuck yourself Cellbit, kill yourself you piece of shit"
And I'm going to continue prosecuting everyone who continues to invent lies about me on the internet, it doesn't matter how much the engagement. If you have something to say, it's best to have proof you can take to court. It took me too long to understand that I didn't need to stay silent in the face of the atrocities that were said about me, and I am not going to stop again now.
They have already destroyed my image and my life on the internet, but I am not going to let this continue with the people close to me. I want to be happy with the people that I love, and I am not going to accept being treated like a criminal any longer.
She accused me of sexual assault, something that could end me publicly, believing that I would likely not respond because I have never responded before. She was not accusing me of being a mean, jealous or possessive boyfriend like she always used to, she accused me of a serious crime.
And now, she's going to set herself back into a position where this document is an attack on her, when all that I am doing is defending myself from the worst false accusation that has been made against me, of a crime.
I want to make it CLEAR: this document is NOT an attack or an attempt to induce hade against anybody. I am simply defending myself and giving my statement of the facts that happened. I DID NOT WANT TO BE DOING THIS, but it was the only way to be honest and true to all of the people who have supported my projects and my community.
I know that people who already disliked me, whatever their reason, are still not going to believe me. Like I said, I am not here to try and change anyone's opinion.
In the end, here in this document is the proof of a pattern of lying and manipulative behavior that has happened with many people before me and that continues to happen with me repeatedly. I just want to live in peace knowing that I finally accounted for all that I experienced, and leave the space for people to draw their own conclusions.
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