HMMMMMM interesting to think about arranged marriage with prince shouto...............
i think he wouldn't know. what to expect with you. i think he'd have an idea, as in, what his father, the king, has taught him; the duties of a wife, where your importance ranks in relation to his duties. what he's not meant to discuss with you, like politics and matters at court and foreign relations. how you will speak to him. what to buy in the event that you become...unhappy. a nuisance.
("and she will," enji had muttered, briefly glancing up from the parchment on his desk to fix shouto with a look he didn't understand. "they always do.")
you don't meet until the royal wedding, when you're coming down the long aisle of the grand cathedral, dressed up in a swathe of silk and lace. a thin, gossamer veil hides you from him, but he can feel the ardor in your eyes, the intensity burning through the material. it doesn't seem real until your bare face is only a breath from his own, until he has to see the earnestness in your stare, too.
your kiss is simple and chaste, nothing spectacular, something that leaves his mind as soon as it's over. ever a todoroki, a hundred other things enter his mind, all regarding his now iron-laid obligations: it's vital he meet with advisor keigo to reiterate the plan to establish his authority among the council; general aizawa is in attendance to the wedding, and shouto has not yet received word on his opinion of the new king's ideas to modernize their armed forces; midoriya is somewhere, no doubt wanting to go over state affairs again.
truthfully, shouto doesn't spend long "celebrating". there's already too much that's required of him, hardly enough time to even scarf down a few bites of the banquet laid out before he's being chartered off into discussions on foreign relations and infrastructure development. maybe once or twice does he look back to check on you, chatting pleasantly with his mother and sister at the front of the great hall, and that's satisfying enough.
it's not until much later that he sees you again; freshly bathed and wearing something sheer and long and white, atop his bed.
or his marriage bed, he must remind himself.
enji didn't spend long going over consummation, with him or either of his brothers—natsuo, red-faced and annoyed at the very subject, always storming off, and touya had seemed well-aware of the process, at the time (back before he'd been ex-communicated). it had sounded simple: strip off your dress, get his cock out and into you, and only retreat once he was sure his seed had been spilled.
—so he's not exactly sure what to do or think or how to feel, when you're laid bare and reaching up to hold his face.
it's so startling that he sits back on his knees, to frown where he's looming over you.
you stare at him quietly, like you're expecting him to say something, and he only has a moment to wonder if this is you becoming an unhappy nuisance—what had been the answer, to solve this, anyway?—before you let out a soft laugh.
"c'mere," you tell him, sitting up, too, when he keeps his distance. "i want you to kiss me."
"i already have."
"yes," you laugh again, amusement glowing in your eyes, like the warmth off the fireplace, as you reach for the ties on his trousers. "but you're meant to do it again."
and up until then, he'd felt confident in his achievements, his executions; he'd managed a lot today, in one evening, and he had a lifetime to manage more. it was a good a start as any, he'd thought, but now—
shouto almost can't get the words out when he feels your hands ghosting up the inside of his shirt, nails tickling over his ribs. "a-am i?"
you wrap your arms around his waist in what could be a hug, scooting forward to look up at him with your chin against his chest. "yes," you smile and—it's familiar in a way, how touya would whenever he was teasing. "you're my husband, you're meant to kiss me whenever i want."
that—was not something his father had ever said, he was sure, and it was a too-rare exchange between his own parents. now that he thinks about it—and he does, then, because he's faced with the reality that he doesn't know as much as he should—he's not sure the former king and queen even sleep in the same room, much less the same bed.
much less hug and touch and even smile, the way you do now.
there's no argument he can make against it, aside from finding keigo to find his father to verify the truth to such a statement, and he's only meant to retreat from this bed on one condition.
and if this is what it takes to meet that—then shouto supposes he'll have to do it, for now. he's a brand new king, after all, and it would seem he still has much to learn.
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Hey! i’m really into the dbch story and i was wondering if doc and xisuma ever tell bdubs the specifics of why etho lost his memories, cause if they do that is prime self blaming angst for bdubs
I’m inclined to believe they don’t. Actually (and maybe I should do a small comic for this so more people see it) I imagine, once a month or a few pass and they finally return etho to bdubs as reset, I imagine they are VERY serious about warning bdubs not to try to force Etho to re-deviate— they don’t go into specifics, but they probably tell bdubs that whatever happened had to do with something that was emotionally overwhelming, and that forcing him to redeviate/not letting it happen naturally could trigger the same error. They have no idea what could happen so bdubs needs to be very careful and let Etho find himself again on his own.
Whether or not bdubs gets impatient or can only go so long before he doubts it would be that bad if he tried pushing Etho in the right direction is another story.
But yeah. I don’t think Xisuma or Doc really… tell anyone that this happened. Etho’s error seemed like a very specific one-off scenario, so it’s not something the other hermits should be trying to avoid or be careful about happening to their own android friends, and the only thing telling people would do is make them worried about the situation. All they need to know is that etho was broken and that they need to be careful with him. I don’t agree with their decision to keep what happened to themselves but I understand it I think. Xisuma “i don’t want to worry the hermits” Void and Docm “eh this isn’t the first time I’ve replaced this arm, people won’t question it” 77
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i’ve decided to send an ask for each story you posted in the wip game kdnehdhs who did this to you? lives rent free in my brain 💛💛 (@a-little-unsteddie)
thank you so much 🥰🤍 still slowly working my way through the asks, so have a few more words to make up for the wait 🫶
who did this to you (pt.4) // tales of blue
part 1 | part 2 | part 3 | read on ao3
🌷 preceding snippet no 1. | no. 2
Finally, finally, the familiar sound of Wayne‘s old truck rounding the corner into the trailer park interrupts the tense silence that seems to have fallen over all of Forest Hills tonight, and Eddie has half a mind to run out there, run toward them and get the whole story. Just to be sure that everything is fine. Just to be sure that Steve’s still… That he’s still there.
He stays right where he is, though, staring at Buckley‘s wild hair, feeling her shadow walk over him as Wayne pulls up to their driveway and stops. She is right in the centre of the headlights, but still she doesn’t move. Eddie wants to scream at her. Wants to nudge her and shove her out of the way — imagines it, imagines all the alternate universes in which he finds her wide eyes scared and unseeing as Wayne‘s voice sounds behind them, telling them that Steve didn’t make it.
Except in this one, Wayne said they’re coming home. In this one, shit like that doesn’t happen to eighteen year-old boys and their friends.
Aside from that girl. Barbara Holland.
Eddie swallows, his eyes flitting between bright lights to the silhouette of Buckley right in their centre. Like a doe, he thinks. Terrified of what she’ll find.
Don’t you wanna know? Eddie wants to ask her. Don’t you wanna see? What are you afraid of? What did you see? Who is he, Robin, and who are you? Why the fuck won’t you move?
In the end, it is the sound of a car door slamming shut that snaps Buckley out of her stupor, and she all but flies off the steps towards the truck. Towards where Eddie can vaguely make out the shape of a badly bruised face, the play of light and darkness not enough to conceal the deep purple splotches or the sluggishness of his movements as he raises his head. Turning toward Buckley like a flower to the sun.
She presses her hand to the window for a second, just looking at him — and Eddie is glad he can’t see either of their faces. He has a feeling that what he’d see there would haunt him forever.
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it is so vitally important to me that aziraphale and crowley not only love each other but choose to love each other.
i don’t want it to be fate. i don’t want it to be god’s will. i want it to be a conscious and continuous choice.
i want aziraphale choosing every day of his goddamn existence to love crowley and all that he is. i want aziraphale choosing to love crowley not in spite of being a demon, but because he is a demon. i want aziraphale choosing to love crowley’s curiosity and creative wonder. i want aziraphale choosing to love crowley’s love of plants and gardening.
i want crowley choosing to love aziraphale’s passion for books. i want crowley choosing to love aziraphale’s desire to do things the human way even if he could just miracle it. i want crowley choosing to love aziraphale’s angel-ness because it is a fundamental part of him.
i want aziraphale choosing to love everything about crowley and vise versa. and i want it to be a very conscious and intentional choice.
it being fate negates the entire point of the story. good omens is a love story between an angel and a demon, yes. but that’s not all that it is. it’s a story about two occult/ethereal beings who choose humanity over the great plan. two beings who choose the world over armageddon. and they make those choices because despite it all they have chosen to fall in love with the world and with humanity.
it only makes sense that they choose each other. that they choose their love. it being fate or god’s will ruins the foundational pillar of their relationship. that they choose each other over and over and over again. year after year, century after century, time and time again. they always choose. they choose the arrangement, they choose saving the other from harm, they choose lying to protect the other.
it is always a choice. and it better stay a choice or i am going to be so devastated.
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