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#or maybe it was just on the WB
moongothic · 3 months
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So I'm confused about something. There was a cover story about Ms Goldenweek and other Baroque works agents breaking Crocodile out of prison but he just. Told them no? And stayed there with Mr 1 and Mr 2? I don't get why he wanted to go to Impel Down just to break out when he had the chance
I can't tell you 100% why Crocodile chose to stay in prison and go to Impel Down, but my best guess really is that he was just...
Taking the L with grace
More specifically. Crocodile had lost everything. I think deep inside he might've been literally too depressed to want to go free again.
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Like he does literally say that. He gave up.
He had been building his reputation as "the Hero of Alabasta" for at least 10 years at this point. He had built not just a criminal organization that he had been running for four years, but also he had been running legal business stuff (like his casino) for probably longer than that. A decade's worth of work and effort to take over a country, and most importantly, get away with it. The reason he had orchestrated that whole rebellion was so that the rebels and the royal family could "take each other out", leaving the country wide open for a World Government Official such as himself to take up. The reason Baroque Works was doing this all in secret was so that the WG never found out, otherwise they wouldn't have let him have Alabasta.
But indeed, his plans were foiled by a kid in flipflops in less than 24 hours, just at the final moment before Crocodile would win. He lost everything. And the World Government found out about what he had been planning.
So even if he escaped from that prison with his former agents, what was he going to do?
He wouldn't be able to take over Alabasta anymore because he did not have manpower (as he had lost all his goons), and having lost his financial empire he wouldn't be able to build a new army any time soon. And even if he did, now that they knew what he had done the people of Alabasta would not accept him as their new king, even if he personally assasinated Cobra and the entire family. Not to mention, the WG finding out about his plans meant that they had every fucking reason to try and stop Crocodile if he did as much as set foot on that island again. By which I mean, they could launch a Buster Call on his ass. Send all the fucking Admirals after him. And so, even if Crocodile still believed Pluton was somewhere in Alabasta and that he just had to comb through the entire desert to find it... Between the Alabastan people and the WG in the way, finding Pluton would not be easy. Especially when Robin wouldn't even be there to just point him directly to it. It could take years, if not decades, while fighting off the WG by himself. And that's while assuming Pluton was somewhere in Alabasta. Like WE the readers now know Pluton is in Wano, but since Robin didn't tell him that. All Robin said was that the Poneglyph "didn't mention the weapon", and Cobra's reaction to the name merely proved the weapon's existence in Crocodile's mind. But surely, because Crocodile is a smart young man, he'd understand there was a risk that Pluton could exist, but just not be in Alabasta, right? Like that would be a possibility too, right?
I think this is why Crocodile has given up on Alabasta. He had one opportunity at seizing the country, and he failed. And without Robin, he could spend the rest of his life combing through a haystack for a needle when there's no needle, and he'd have no idea. I think is why he explicitly says in Impel Down he no longer has "interest in that country". He won't be able to pull off another stunt like this, ever.
And that leads us back to "why not escape earlier and avoid going to Impel Down to begin with". Thanks to his status as a Shichibukai, Crocodile hasn't been on the run from the WG for like two decades. And the past 10 or so years he has seemingly lived a life of luxury in his funny little casino. But now, having lost everything, he'd be back on the run. And because he's a world famous former "hero of the people", there would be nowhere he'd be able to go where people would not recognize him and send the marines after him. So he'd be on the run, for the rest of his life or until he'd get capture again. And mind you, the guy does not trust anyone, so he'd be on the run alone. Without any purpose or goal.
And you might be thinking, "Daz and the rest of BW was still there!", yeah, arguably true. But at this point Crocodile had no reason to trust any of them. Like personally, I think the reason Crocodile ended up taking a liking to Daz was BECAUSE he chose to follow him to Impel Down when he really did not have to. Like Daz showed an unusual level of loyalty to Crocodile, and I think Crocodile recognized that. That's why Daz is still with Croc, post-timeskip. But Miss Goldenweek and co? Crocodile had no reason to believe they wouldn't betray him if given a chance and a reason. And if the WG would come chasing his ass, they'd have plenty of reason to try and betray Croc (handing Crocodile over to spare their own lives). Not to mention, when they come release their former boss from jail, what did Miss Goldenweek say?
"Let's do Baroque Works again"
As I've already explained in detail, I think we might know why Crocodile wasn't interested in being Baroque Works' "boss" again.
So. Yeah. If in Crocodile's mind he'd be on the run from the Government for the first time in two decades all alone, in a situation where rebuilding what he had before would be bloody hard if not downright impossible, and he wouldn't be able to obtain what he had spent the last decade working for regardless...
Taking the L and just going to prison might've been the easier option
#Moon posting#Asks#OP Meta#Sir Crocodile#Long post#Mind you Crocodile only *left* jail because he saw AN AMAZING OPPORTUNITY for petty revenge#Like had it not been for that war bringing Whitebeard out he probably would not have bothered to try and fight WB again#Otherwise he could've just escaped prison with Goldenweek and co and travelled to the New World to fight the old man right away#((Also theoretically Crocodile might've been slightly suicidal with the ''taking WB's head'' thing))#Also worth noting that Crocodile choosing to stay in prison could've had two other purposes re:the former agents#It could've been a test of loyalty (to see if anyone would stay with him or would they all abandon him)#Which could be important to Mr Trust Issues (and to be fair he did find at least one loyal subordinate in Daz)#((Like if they had all told Croc they'd stay with him...... Who knows. Maybe he might've chosen to escape after all?))#Other option: Crocodile escaping with them would mean the agents would be in much more danger than they'd be without him#Like the WG wouldn't send tons of marines after the individual agents if they all scattered to the winds#But if they all stuck together they'd become a bigger target. And even more so if Crocodile was there to lead them#And like. IDK if Crocodile was willing to leave out Goldenweek from the assassination order and spare her... Maybe this was the same#Maybe he wanted to spare Goldenweek (and the rest?) from being put into danger by going with them?#I dunno man this reptile has far too many layers to him I can't tell what's going on in his head
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absurdumsid · 12 days
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If you want a camera, I'm not gonna be able to commission because my mom would notice.
But I would definitely commission if I could.
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JASDIC i meant that more in a joking way but i appreciate the thought !!
Whiteboard! Sans belongs IS me !? AND THANK YOU TO EVERYONE WHO HELPED OUT IN HIS BOARD !!
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And now, an essay about Dot Warner because I have nothing better to do
In the series bible for Animaniacs, Dot is described as:
"everything that all animated female characters have never been"
Was that true at the time?
I think so, and Here's Why
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Before I begin, I'd like to mention this is mostly gonna revolve around western animation...and by "western" I mean "not anime". Okay? OK.
Part 1 : Her design
I'll start by comparing Dot's design to the design of many other female animal cartoon characters that came before her, because a lot of them are...not great. For context, Animaniacs (and therefore Dot herself) debuted in 1993. At the time (and after) when it came to animal cartoon characters, guys would often be designed as "the default" or "the norm", and girls would be given extra visual signifiers to make it clear that they are, in fact, girls. Stuff like human-like hair, and/or really long eyelashes, and/or human-like body parts such as hips and breasts so they needed to be fully clothed, and/or smaller noses and mouths than the guys to make them look "cuter", and/or permanent makeup, etc.
Let's take The Chipettes for example:
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They barely look like chipmunks! They're basically human girls with chipmunk noses! Their-I guess it's probably fur-looks pale enough to pass as white skin, they have human lips, even human hair. Their hair doesn't even match their "fur" colour, which makes it look like skin even more. I know it's a cartoon, I don't expect them to resemble real chipmunks completely, but I should still be able to recognise them as chipmunks, shouldn't I? Just look at them compared to the boys, it's jarring:
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Although at least in their case, both the guys and girls are in full outfits rather than just the girls.
Gadget's probably another one of the best examples (pre-1993) of what I'm talking about (she has human hair and a more human-like body and hence needs a full outfit, meanwhile Chip and Dale do not), but Toodles is also a pretty good example (she has smaller, more human hands than Tom's, permanent makeup, really long eyelashes, and her figure even more human than Tom's). Even if they weren't in full outfits they usually were made to look more human:
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Female animals were constantly given more human attributes than the guys, usually just to make them look "prettier". Honestly a lot of female animal characters are still designed this way.
Meanwhile guys can look as cartoony as possible and go around in half-complete outfits no problem, because they were drawn to be funny talking animals, not conventionally attractive human/animal hybrids:
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Then in some cases they'd just take one of the pre-existing male characters, add a bow or skirt or eyelashes or something, and BOOM! A "new" character:
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Yeah they have no human hair and have cartoony proportions, just like the guys...but they didn't have to make them look just like the guys to do that. I prefer these over the previous examples but...actually creative designs would be nice.
Now let's look at Dot:
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See this? This is nice.
She has no human hair (the hair on her head is just more of her fur), no permanent makeup, no eyelashes needed to signify "she's the girl" (she's only drawn with eyelashes for comedic effect or when she's trying to look extra cute), no curves or hips, and isn't fully clothed and goes around with no shirt like Yakko, because she's a funny talking animal and should look like one, not a human girl.
Now let's compare her to her brothers:
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She's a different height, has no whiskers, a slightly different head shape, and has longer but not human-like hair. She looks similar enough to look related to them, but she's not just Yakko or Wakko in a skirt.
For this section I'm mostly just talking about animated animal characters, but I also want to mention that even with human characters male leads often were allowed to look round or blocky or basically any body type, and didn't have to look conventionally attractive; but female leads were almost never designed to look as cartoony, and were often drawn to look as conventionally attractive or cute as possible by being given more (even if just slightly) realistic proportions, and were usually of the same body type.
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Now, the three human examples I showed aren't actually bad designs. Honestly, on their own, they're good designs! But they're once again showing that there was a clear difference regarding how guys were drawn vs how girls were drawn.
Dot's cute but they don't draw her anymore realistically than they do her brothers nor is her cuteness over-exaggerated by giving her more human attributes than necessary to make her as conventionally pretty as possible. She's anthropomorphic, but no more so than her brothers.
Part 2 : Her personality
Now, there were of female leads before Dot where the tropes I mentioned don't apply and whose designs are unique, like for example Olive Oyl, who's allowed to look wacky (stick thin and not curvy, lanky with noodle arms, circular head, large hands and feet) and Penelope Pussycat, who's allowed to look like an anthropomorphic, but still cartoony cat and not too human. So what I talked about before wasn't the case every time.
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But then you have to consider their personalities (or sometimes, lack thereof).
Many animated female leads were flat characters compared to the male leads, often because they fell under cliché tropes.
Some of the most prominent being: the token love interest, the eye candy, the damsel in distress, or the sensible one because "girl", who would often mostly just exist to set up punchlines the male characters would deliver.
Of course this didn't apply to every animated female lead, especially not by the early 90's, but it was still the norm.
Even Babs Bunny, who predates and is similar to Dot whilst being a good character in her own right, falls under the token love interest trope (also her design is basically a pink Buster in bows, although in her case that was intentional given that their "No relation" catchphrase was meant to poke fun at the "male and female love interests look and are even named suspiciously similarly" trope, so for her it works). Basically in some cases they'd just staple these tropes onto decent characters who didn't really need them.
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However, Dot doesn't fall under any of these categories. She's the younger sister so obviously she couldn't be a love interest, I just went over the fact that she wasn't designed to be eye candy, just cute but not in an over-exaggerated way, and she wasn't just cute to look appealing. Her cuteness benefited her character; either by the shock value of seeing a cute little girl swear or scare Satan or something like that, or by Dot using her cuteness fool foes (or at least make them look bad). She could hold her own in any situation and although both her and her brothers were captured a few times on the show, they escaped pretty easily each time. The one time she alone got kidnapped she basically saved herself, so I wouldn't count her as a damsel in distress because it never really feels like she's in real danger; the audience knows she's got this.
Most of all, she was definitely not the sensible one of the group. Sure she'd get annoyed when Yakko and Wakko did the Hello Nurse bit, but she was just as bad, and would react the same way whenever she came across a cute guy. She was of course written this way on purpose, she is very bit as wacky and silly and chaotic as her brothers. It didn't matter that she was the "cute one", she would go off-model if it meant she could make a funnier face. She'd gladly join in on tormenting their "special friends", without worrying about if their feelings got hurt or preaching that they should all try to get along. She'd gladly indulge in excessive violence. She'd gladly mess about and wreak havoc just as much as her brothers. I'm all for smart female characters (Dot is smart after all), but in a main group of guys and at least one girl, a girl doesn't have to be the sensible one every time.
It's no secret that Dot was written to be feminine. At the time, characters that were written to be very feminine often were written to fit within gender norms, meaning many were: passive, demure, soft-spoken, gentle, wide-eyed and innocent, and/or sensitive, etc; or at the very least more so than the masculine characters.
But Dot just wasn't any of those things. She was assertive, confident and acerbic, loud and outspoken, often acted more violent and angry then her brothers, witty, is as lustful and dirty-minded as her brothers, and doesn't get her feelings hurt easily and will instead pretend to be extremely upset/hurt for sympathy or for dramatic effect.
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Before and around about the time of Dot's debut, if animated female leads were given personalities that broke many gender norms (and that already wasn't too common), they'd usually be tomboys. Now let me be clear, there is nothing wrong with tomboys. They're just as valid as girly girls and deserve to be and should be depicted in a positive light in animation, but this perpetuated the idea that to be tough and/or wacky, you had to be masculine, which just isn't true.
Dot was wacky and tough but still feminine and was by no means a tomboy, and I think that's important! She liked to look pretty, she liked pink and dresses and flowers, but she also made silly faces, liked to play rough and was more than willing to beat the living daylights out of someone who was asking for it.
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Female characters in cartoons often either had decent personalities but their designs were lacklustre, or vice versa. Sometimes both their designs and personalities were lacklustre. Sometimes neither was a problem but their character was held back by having some trope forced onto them because "girl". Dot was a (at the time) rare case of none being the case whilst not having to sacrifice her femininity to be wild and strong.
Part 3 : Her role
By 1993, even if a female character had a good and unique design that didn't come with double standards and had a well-written personality that didn't submit to too many gender stereotypes, they were often:
A - An antagonist
I'm not saying these characters aren't bad people, but a lot of the time when we did get a fun female character, she was a villain.
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Also (for this next point I'm not really talking about the three examples above), sometimes they were the only female characters in their show/movie/etc to go against gender stereotypes, which just perpetuates the idea that female characters breaking gender norms is wrong.
B - Essentially a clone of a male character
They'd act exactly like one of the male leads with minimal personality differences (those differences usually being more gender stereotypes) between the two, if there were any; again perpetuating the idea you had to be masculine to be wacky and/or tough.
Basically a distaff counterpart, or a half-identical twin, stuff like that.
C - Less important
Even when we did get a well-written, well designed female animated character who didn't fall under tropes associated with gender stereotypes, chances were she'd be a side character, or at the very least perceived as less important than the male leads.
I'll just use one example for this section since it's a lot more broad in terms of scope; Granny from Looney Tunes. She's one of the most well known female Looney Tunes characters, but even she was never really the "star" of the cartoons she was in. They're not called "Sylvester, Tweety, and Granny" cartoons, they're called "Sylvester and Tweety" cartoons. Even the show that was about Granny solving mysteries, what was it called?
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But Dot doesn't fall under any of these categories. She's not a side character, she's not even a tritagonist, she's a protagonist. Yakko may have been the leader, but all the Warners acted as a unit and were presented as just important as each other. We call them "Yakko, Wakko and Dot", "The Warner Brothers, and the Warner Sister", etc.
I've already mentioned that's she's not designed as a clone of Yakko or Wakko, but she also had a distinct personality. She was more anger-prone than Yakko, she was wittier than Wakko, and she had a way bigger ego than both of them combined!
Dot's definitely not an antagonist, she wasn't a saint and she may have been chaotic, but you're meant to root for her. The people she and her brothers would go up against in their cartoons were often jerks, bullies, pompous, etc. Meanwhile the Warners had a strong sense of justice and morality. They weren't malicious (to people who didn't bother them at least), they just liked acting silly. When viewers saw Dot unapologetically being herself without conforming completely to how society thinks a cute little girl should act like, they weren't meant to hate her or love to hate her or anything like that, they were just meant to like her and laugh.
Part 4 : Today
There will probably always be room for improvement when it comes to female representation in cartoons, I mean, a lot of the tropes I mentioned are still commonly used (although I must stress that not all of them are inherently bad). However, it's better today than it was back then. We've gotten tons of well designed female leads over the past 30 years with three-dimensional personalities, ones who are gender non-conforming but still heroic, or who are strong but still feminine, or who are allowed to look and act as wacky as the guys on their show (if not more so), you get the idea.
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I'm not saying Dot is the first good animated female character (or that her character was handled perfectly in the original Animaniacs-it wasn't), we all know that's not true, but she defied many tropes that so many animated female characters before her fell under, through her design, personality AND role. Notice that a lot of other animated female leads that also do that (both the examples I gave and any extra ones that you can think of) most likely debuted after Dot did.
To be 100% honest, you could argue that, even as of 1993 (or I guess 1991 considering that's when the series bible was written), describing Dot as "everything that all animated female characters have never been" is debatable, but I do think there was some truth to that statement at the time. I can't say for sure that she was a trend setter when it came to how girls in cartoons were handled, but I'll always appreciate the fact that her character turned out the way it did in spite of when she was created.
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pebblemae · 3 months
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So I was scrolling through the Sky COTL Wiki and was reading up on the Player Friend Tree options when I found out that the “Wing Buff” unlock doesn’t count towards an actual Wing Buff. This makes sense because then players could get a million WB just from friends and where’s the fun in that?
That being said, I petition that if you have that unlocked with a friend, you will see them at the end when you’re getting the WB from spirits. You don’t get anything from them, but they’re there! How fun would that be? To see not only the Spirit friends you’ve made but all the other people you’ve met as well! Idk I think it’d be cool.
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pablohunie1993 · 9 months
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jenna coleman playing john&johanna in sandman just reminds me of peter griffins ancestors always being identical to him
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n0brainjustvibes · 6 months
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I think I caught the victoria dallon disease second-hand through her character foil (sophia hess). every time I get overwhelming irrational sophia brainworms I think a little bit about glory girl and/or AsylumVic too.
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mechawolfie · 8 months
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anyway. here's a guy I'm drawing (he's a wizard)
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apphiarothowrites · 7 months
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Playing into Marco being a romantic let’s go with a different theme
A correspondence shall we say, anonymous of course between the revolutionary army and wbp.
The blue gentleman is odd exciting, he taunts and teases between paragraphs, punctuating with perfect prose. It’s stupid and silly and by god Marco is way too old to be keeping all these letter and rereading them like a love struck fool. Because he’s not, obviously. It’s just the prospect of matching wits with someone is.. exciting. The letters, the writing it’s all part of the game. Secrets and lies.
There’s no billowed shirt man, no fair maiden..
The letter ends,
Yours,
Blue.
Marco can feel his face heat up and he curses quietly. He is literally grasping at straws here, if you counts rolled up letters as straws. And yet in his minds eye a phantom smiles with a sharp grin.
Catch me if you can mr Holmes
(This is before ace arrives, whaddya whaddya you get where I’m going with this, kisses and all that. May you be given shelter from the hell of a 40 hr work week)
The news coo never has an address to take the letters to, but they somehow know anyway.
The letters that arrive for Dragon's chief of staff are all the same stationary and always sealed with an unmarked wax blob. The signature at the bottom is a bird claw without a name.
My Blue Gentleman, the letters always start-
As a child of the sea, roaming and rambling is in my blood. First and foremost, 'settling down' is as foreign to me as I'm sure it is to you given how many ports of origin your letters have found me with on their address labels. Your attitude can certainly make a man wonder, though, what it would take to have a home island.
But I suppose we must all have a place we started? I assume, as secretive as you are, you'll merely tease me with a hint or insinuation instead of telling me outright despite how much I'd wish you would. So, in the spirit of beginnings, I'll tell you of mine. I was born on an island in the calm belt that doesn't exist any more. I am told I was supposed to be a slave but I honestly barely remember much of my life from then, only that my first years of life were generally unremarkable. I remember watching the sea and a great thunderous event that made me think the world was ending, and then I remember meeting my father.
He isn't my father by blood, but he is my father in all ways that matter. He found me after the event that shook the island and took me with him when he left. He is my captain and the man who gave me the wings with which I soar today. He is the man I will follow to my death and to whom I owe everything. But aren't all fathers supposed to be that way? Supportive, inspiring saviors to guide you in life?
Do you have a father, Blue Gentleman? Do you have a beginning, a place you started?
Don't go thinking I haven't noticed you don't much refer to your past. Forgive me if I'm pushing too hard, too soon. For pushing at all. I can't help my curiosity, I see something shiny and exciting and I can't help myself wanting to peck at it until I know every turn and facet of it's existence. It makes me an excellent doctor and an excellent hand to my father on this ship. And I've always had a soft spot for the color blue. But I know it's invasive and discomforting to receive such treatment.
Yours,
\|/ | '
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ge · 7 months
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Idk shit about ur men but im legally obligated to ask abt anything wb related . . . Which one do u place as sxr and which cft . . . Let me see them . . . . *hand on window*
hiieeee bj this is nawt gonna make any sense 2 u since u dk shit abt rotmhs butttt my vision is chung myung is shang xirui (in this au he's a semi-retired peking opera dan who was once famous and well known bc of his talent and passion for the art in his youth but had to step out of the spotlight for a few years because of an accident in his past) and all of the new gen mount hua disciples r chung myungs troupe hehe bc i think dats cute... and tang bo is cheng fengtai bc both of them r wealthy though except in this au cft tang bo loses a bit of his nuance bc he was always wealthy his whole life growing up in the renowned tang family medicine business and didnt have to marry into wealth like cft...
THIS AU IS VERY SURFACE LEVELLY WB INSPIRED RATHER THAN CANON LINEAR THOUGH cuz i wldnt know how to even begin touching on the themes of the japanese occupation of china and the political drama that were heavy in the show
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stephaniejuhnay · 11 months
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So because the Paley finale event was (rightfully) cancelled, they sent this as an apology gift.
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moongothic · 4 months
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I see some people often wonder out loud if Luffy might get a weapon or something to wield eventually, for no other reason than Roger and Shanks (and even Kaidou) also use(d) weapons, and it'd give Luffy some "extra strenght" in combat so he wouldn't have to rely on his Devil Fruit so much (and the Awakening especially, since it drains him so badly)
And the thing is, as most would probably agree, most weapons and blades especially just would not fit into Luffy's combat style. He, much like his grandpappy, fights with his fists, so it's hard to imagine him using any kind of weapons to fight
But that just made me wonder... Like...
Okay so people have been speculating for ages that Luffy might die at the end of the story or something, right. I do not buy that for a second, but it is true that Luffy is willing to throw himself into a lot of danger and has sacrificed literal years off his lifespan to protect those around him. And that has been escalating. It'd be natural for Luffy's self-endangerment to escalate to a point where there'd be actual, severe and tangible concequences for it. Aside from death.
And you know.
There's been some allusions to Luffy losing his hands, right
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And you might wonder
How would Luffy losing a hand translate to him gaining a weapon
Well
You know
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And the funny thing is
Luffy might not be one to use a HOOK, per se
But we have seen him wield a giant ball of gold to smash Enel's face in. So a metal mace/morning star/etc could actually work
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(Also since his Awakening can mess with the fabric of reality itself, even if one of Luffy's fists was replaced with a solid ORB of metal, he could probably/totally reshape it during combat to fit his needs, into an axe or a morning star or knife etc)
Also.
There would be something poetic about Luffy sacrificing a hand to protect someone dear to him, much like how Shanks sacrificed his entire arm to protect Luffy in Chapter 1.
Like you'd get the pay-off/concequences to the escalation of Luffy's constant self-sacrificing, but nobody dies. Luffy gets a weapon to add to his arsenal, but it fits into his pre-existing fighting style and character. And we could get that poetic full-circle.
That all said, if Luffy did somehow lose a hand.
I'm sure Franky would HAPPILY give Luffy a prosthetic hand with a ✨BEAM✨ Can not imagine Luffy turning such an offer down lmao
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disquiet-doll · 4 months
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anyway
with how much gender shit there is in pact and how much there is that i think points quite well to a trans reading it's kind of annoying to see specific passages where i'm like. "ok that like it feels like a somewhat shallow reading to take that as a gender thing" lol.
like there's plenty of gender stuff but i'm sorry i have to pull the "i think that's more the trauma from being homeless" card on blake complaining about looking unkempt and such
i can't not see the trans reading there but that's like. significantly less interesting in what it says about blake than the reason for that more supported by the text.
and yeah it can be both, but. ehhhhhh. idk. i really don't feel it there.
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hozierbyrne · 6 months
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idk i’m going to have to give it at least a year for recency bias to wear off but i really think unreal unearth is his best and most cohesive album. i think self titled and wb have more marketable singles (tmtc, work song, would that i, nina, etc) but unreal unearth as a whole is just so beautiful, so powerful. i think it’s really an album that shines at its best when you listen to it all at once, and when you do, it’s like. i’m biased obviously, but it’s a transcendent experience!!!
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oldmanyaoi-jpeg · 8 months
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thank you kdot for turning all of noto into inescapable dead stop traffic
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nebquerna · 2 years
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ive been worldbuilding!!
those guys are spirit denizens of the hearth, they're little cat-salamander guys that hang out
they turn back to the dirt they're made of when their spirit leaves, they hold different shape depending on what they were, from pile of gravely dirt to hardened statues. they grow limbs and change shape as necessary, and their strength isn't based on physics
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unsure on the name, i like pierrailles, but also pebble & cailloux
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mechawolfie · 1 year
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robot guy....
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