Here's a deep dive into sweet creature. Do you think songs are written this way with all this meanings in every lyric.
https://www.tumblr.com/ialwaysknewyouwerepunk/657993661025583104/sweet-creature-a-close-reading-othello?source=share
I think songs are often written with careful consideration of every word. I also think that a close reading is a really interesting way for someone to respond to a work of art - for someone to take the time to say 'this is how I respond to this piece of art' is a really cool thing to do. I actively encourage it.
Where I disagree with that post is where the author leaps from 'these are the associations I have and what it means to me' to 'this is what Harry intended and what sort of person he is'. The associations the audience have with a piece of art are not a good way of learning what an artist intended.
It is possible to have interesting discussions about intent, but they have to be evidence based (there's a piece of evidence incoming from another anon). Questions like - how does this artist talk about their art? What evidence do they have about their process? What evidence do we have about their influences?
I think there's plenty of evidence that at least with Harry's House (and probably going further back) songs have very specific meanings to Harry that are not obvious to the listener and are not intended to be obvious to the listener. That means any discussion about Harry's intentions that I think is going to be useful will focus on how hard they are to read.
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When I consider how my light is spent,
Ere half my days, in this dark world and wide,
And that one Talent which is death to hide
Lodged with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, lest he returning chide,
“Doth God exact day-labour, light denied?”
I fondly ask. But patience, to prevent
That murmur, soon replies, “God doth not need
Either man’s work or his own gifts; who best
Bear his mild yoke, they serve him best. His state
Is Kingly: thousands at his bidding speed,
And post o’er land and ocean without rest;
They also serve who only stand and wait.”
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Submitted Prompts #144
*shakes a bag of bird skulls I found in the woodsI and places it on your desk like it's a bag of gold*
I had an idea:
What if the Fenton parents are, in fact very competent Hunters, but they love their children more than their work?
Say the first shot Maddie ever fired at Phanton actually lands, and the scream he makes sounds too much like Danny's voice, to a point even with any ghostly distortion, his own still recognizes the voice.
I can see her pulling Jack to the side, making a ruckus about how the "darn ghost got away just as her blaster ran out of juice". Mostly as a way to get Danny her darling son to leave and go somewhere safe, while his parents have a whole breakdown in the GAV about their dead son.
And so begins the stealthy studies on how Phantom's "human disguise" works, the Revelation of Horrible Truth, keeping tabs on Danny's growth and revising their whole attitude on Ghosts to account for the fact that Danny himself is, at least in some part, a Ghost himself, but all he's done is live his life (and be the little hero Mom always said he'd grow up to be).
Jazz stumbles across his secret and is immediately pulled aside to join the secret "Protect the Baby Ghost" family group chat.
"And what about all the times they shot at him in canon" I hear you ask?
They're damn good shots, but while Maddie can train herself to aim just so that the shot misses just enough it looks like Phantom dodged it, Jack has the Fenton Bazooka outfitted with a tracking HUD that purposely fails to hit everyone's favorite Ghost Boy.
Danny picks up on that, but not on the fact that They Know.
And so begins the single most convoluted training arc ever.
Next time Skulker's in town, Phantom has become untouchable. Not a single shot or electrified net reaches it's target.
(The electrified weapons in particular send the Fentons into a rage when Sam and Tucker finally can't keep hiding it, and come clean about what happened, since the Fentons have proven themselves to be trustworthy)
When Red Huntress comes about, and Valerie Grey becomes barely a distant acquaintance after having only just now started becoming more than a friend, and with the GIW sniffing about, Maddie and Jack pull Danny to sit between them and finally tell him they know, and they want to prove that they'll love him just as much as before, whether Human or Ghost.
Danny breaks down in the safety of his family's love, and takes some time off as Phantom to help his parents establish a proper line of communication with the Ancients, considering they've kinda adopted themselves into the roles of Aunts and Uncles towards their little Ghostling.
Which is a good thing, because in Phantom's absence the GIW make a giant spectacle of destroying several houses while chasing some blob ghosts. They're chased out of town by brick, stone and metal bat.
Next time Red Huntress actually manages to hurt Danny, the Fentons pack up and leave. The Portal can be transported somewhere else. It can be rebuilt.
Their baby boy can't be rebuilt, no matter how much he likes to be a little shit and ignore Reality to quote Shakespeare at his own head (thank you Mr Lancer, for not giving up on him) or "give them a hand".
As Fenton takes the last tour of Amity, Phantom disappears. The Protal has been left seemingly unguarded.
The Ghosts decide to have one last hurrah in Anity Park before Danny closes the Portal, as per their deal. They won't hurt anyone, just cause chaos, but in return Phantom won't stop them. It's not like poor Red has the energy to chase them down, now that she's been "upgraded" into Amity's sole defender (the one time Lancer compares her new lack of sleep to Danny's, horrifying pieces start lining up too well in her mind)
The Fentons move out. Into a quiet farm neighbouring the land that belongs to the delightful couple that are the Kents, and their darling son, little Clark, who stares at Danny mildly horrified whenever he comes by to babysit, or help out with fixing the stubborn tractor. One day under Danny's clever hands, and Jonathan Kent's eagle-eyed gaze, and that damned tractor has never worked so well before. The boy's alright in the old man's eyes, and he makes sure they kid knows it.
After quiet rooftop admissions of one small boy's growing powers (I know Adult Clark is a brick house of a man, but what if he was a little twig while young) and the reveal of Something More Than Human from his honorary older brother, the course of Time sets into it's best version, and an Old Clock smiles, as Superman rises, only to be scolded by Spectre for recklessness.
(Dunno how well it came across, but I'm envisioning Valerie's feelings towards Danny to go from bitter resignation because she " had to" push him away, to horrified despair when the truth starts falling into place. He's her "the one that got away". And it's not like she gave him much of a reason to trust her with his secrets.
Maybe older and wiser Red Huntress gets invited to the Justice League, and has to deal with not just Fenton, but also Phantom flirting with her, after a good long conversation on how dumb they both were as kids, and a mutual vow of "I think I can do better now, and I want to prove it to you")
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Sonia redesign + Zelda (ancient)
she is the one to seal ganondorf in an intentionally cruel way to take revenge for him killing rauru
she also had a daughter from a previous marriage that she named Zelda after an ancient legend from long forgotten times; while she technically had both time and light powers, she could only take ahold of one (struggeling to grasp a certain power you are pressured to awaken reference ;) ) which is time, it was not the one she was supposed to manifest as her status was always associated with light, in her younger years she was often looked down upon but despite that later proved to be a capable leader
shortly after her first marriage was ended rauru and the rest of the remaining sonau (engl zonai) came from the underground to warn the folks living on the surface from a great evil that was told about in ancient texts they had found while mining desperately for the stones they had grown reliant on for survival
this warning later evolves into the plan to seal ganondorf away before he could even become a threat, through all those discussion and planning sonia and rauru grew closer and eventually married; the plan was to be executed in secret to give ganondorf no time to even consider to reveal what demon they believed he really was, but the secret got out and ganondorf enacted a counterattack in the form of stealing one of the enigma stones in order to put pressure on the hyrulian kingdom, but he gets betrayed by the gerudo that will be their sage in the last confrontation, however in the time that the gerudo sage takes to warn sonia and mobilize to save rauru ganondorf has already confronted him and though he did not plan to kill him he does so, more on accident really, as rauru did not listen to a single word he said but instead acted erratic like a helpless man trapped in a cage with a hungry bear, essentially starting a fight of life and death
when sonia arrives at the scene it is already to late; thanks to the enigma stone ganondorf can escape her grief-striken rage but sonia is out for revenge and sees him killing rauru as proof of the warnings of old, she wages war and at the end seals ganondorf in a cruel cage between life and death, even at the cost of her own life
her daughter, having witnessed it all, grows up bitter and determined to make hyrule a kingdom that will never fall again
(totk rewritten project)
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