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#or tve evening
bogkeep · 10 months
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heyy haiii hello from my stopover in qatar
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mitski-slope · 5 months
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wait there's a great pretender manga????
yup !!! gp ks different from msot animes in that thje manga was made After the anime as like . an adaptation ??? but im p suure it covers only case 1 n went on hiatus bc tge creator was ill - thoguh i do think the show is Better ( esp in terms of Art . also long haired abby is a burden upon thjs world ) n mcuh more worth watching !! the manga gkt me thru the most contwnt dry period s though ++ i have . So Many silly pictuures of my Guy from it i cnat even complain
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timesthatneverwere · 1 year
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Ramon Madaula as Don Gonzalo Chacón in Isabel.
I’m only three episodes into this series (and a decade late) and I love him, I love him, I love him, Your Honor.  
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cowandcalf · 1 year
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bewby · 2 years
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ugh Wow
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winxys · 1 year
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i will singlehandedly carry taeraeblr on my back when he debuts
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sparkles-and-trash · 2 years
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Sometimes the mha subreddit gives me such a whiplash, someone posted a really cute fanart, and underneath people are casually discussing lgbtq+ headcanons with lots of upvotes and I’m just????
I mean it’s obv great, but unexpected lol
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pika-blur · 3 months
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Finally decided to watch the borderlands game theory video and I am turning into the Joker
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junityy · 8 months
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tokyorev had me absolutely going thru it last night it was so bad
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erizee · 2 years
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idc abt football but im so mad england is wasting time anyway thats soo annoying and childish of them
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walpu · 10 days
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I found a really interesting premise that I think you would execute perfectly. The IPC has established a "mental and emotional health department" basically therapists to help with the stressed out or traumatised IPC worker and it's a mandatory thing to have one visit with them. The reader works in this department and when Topaz, Aventurine and Ratio (separately) went in, all probably thinking it's pointless. Reader proceed to read them like a book to the mineut details of their issues. How would they react? Would they come back for another visit?
thank you so much for your trust, it was actually very interesting to write 🥹
being their therapist
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characters - Dr. Ratio, Aventurine, Topaz
notes - gn!reader, no romantic undertones, mostly character study
Dr. Ratio
I feel like he would be a bit taken aback at first.
He didn't expect you to go further than a few generic questions about how the latest missions have affected him and suddenly you're asking about his feelings regarding the IPC recurring him.
"Weren't you disappointed? Didn't you feel like your cooperation with the IPC symbolizes you drifting further away from joining The Genius Society? How do you view The Genius Society in general?"
It's a bit too personal for his liking but he has to admit that you are truly an expert in your field.
I can see him rather harshly asking why are you stepping out of the line with your questions since it's hardly concerns the topic of the therapy session. Not because he's too troubled by you seeing through him but simply because of the professional ethics.
When you elaborate that it's the IPC's request to make a full psychological portrait of their workers he just sighs.
His answers are short, he doesn't elaborate much. Sometimes he simply says that the topic you mentioned doesn't affect his mental state in a way that can prevent him from doing his job and leaves it at that.
He doesn't trust the IPC much since he knows better than giving a powerful organization information about his weaknesses. He does feel a certain level of respect towards you and your professionalism though.
Doesn't feel targeted or overly vulnerable even if it leaves a bitter taste in his mouth to hear his insecurities being acknowledged.
Wouldn't show up again. Mostly because of his distrust to the IPC tho.
Aventurine
Oof.
Both of you will need a drink after that.
There's just so much to unpack really.
If you try to ask him about how he feels almost dying at each mission, he downplays it.
If you ask about his childhood trauma, he shrugs it off.
I don't know how many people saw his interview for anan but everytime he's asked about something personal he brings up how he's actually lucky and hiw he should be grateful. So you get tve spirit.
Doesn't matter what your question is, his answer is the same. He survived, he was loved by his family, all his suffering led him to this, so of course he's grateful what are you taking about ha ha!
Look at his voicelines too, praising the IPC and all that. He gives you this generic answers and hopes you'll buy it.
Well you don't but you also can't force him to answer more honestly.
He himself would be deeply troubled by you reading him like that. He feels weak, defenseless. Like all he has done to protect his inner self was for nothing since you can see through him like that.
0/10 experience he won't show up ever again. Nothing personal against you, he just can't do it. Plus he doesn't trust the ipc either so.
Topaz
Honestly the most normal one.
She will at least try to be honest since she trusts the IPC (maybe a bit too much, which is also a coping mechanism and not the healthiest one, but you can't really call her out on this since you're working for the ipc and, let's be honest, they would not respect their workers' privacy, they WOULD force you to give them their personal information if needed and you don't want to make it worse for Topaz)
She may be a bit taken aback at first but it honestly feels good to talk about her struggles and inner conflicts. And I'm sure she has a lot of those since she's actually trying to do good things, still believing that the IPC can bring positive changes.
Will probably share her experience in Belobog with you.
Will use your meetings as an opportunity to sort out her feelings about her missions.
Has a lot of respect for you personally and actually tries to do some soul-searching to make your meetings more productive.
The only one out if the three of them who would come back
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Why does Andorra not participate in Eurovision anymore?
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Andorra participated in the Eurovision Song Contest in 2004, 2005, 2006, 2007, 2008 and 2009, but it has never come back since.
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What happened?
In 2004, ATV (Andorra’s public TV channel) sent Marta Roure, who sang in the Catalan language for the first time in Eurovision history. Catalan is the native language of Andorra, but also of the rest of the Catalan Countries: Catalonia, the Valencian Country and la Franja in the state of Spain; Northern Catalonia in the state of France, and the city of l’Alguer in Italy. ATV didn’t have enough money to send a participant alone, but Andorra wanted to take part in the contest and to promote their language (Catalan) and culture.
For these reasons, they decided to partner with TV3, the public TV channel of Catalonia. This makes sense, given that it’s part of the same nation, with the same language, and Catalonia has a bigger population and a music industry that’s a bit more developed, and TV3 has more money than ATV because of its population and size. The contest to choose who would be sent was made in collaboration between ATV and TV3 and aired simultaneously in both TV channels.
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Spain’s threat to not air Andorra’s song
When TVE (the Spanish TV) saw that Andorra was working with Catalonia and one of Andorra’s purposes for participating in ESC was to promote Andorra’s language (Catalan), the director board of TVE threatened that they would not air Andorra’s performance because they considered it was a way for Catalan people to be present in Eurovision, which they didn’t think should be allowed. Basically, TVE would air the whole contest as usual, but cut to commercials when Andorra performed as if they did not exist.
After negotiations, the directors of TVE did not change their mind, but for unrelated reasons the director was changed in April 2004. The new directors didn’t care as much about Andorra’s participation and they decided to air the whole festival.
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Andorra’s results and TVE’s meddling
Andorra’s songs never did well in the classifications, they never had enough votes to pass to the final. The change arrived in 2009, the song chosen was “Get a life / La teva decisió” by the Andorran-Danish singer Susanne Georgi. After its release before Eurovision, the song was a success in Andorra and in the state of Spain. The hopes were high for the song receiving many votes!
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But, last minute, TVE (Spain’s TV) decided to not air live the Eurovision semi-final where Andorra was taking part. TVE decided to record the semi-final and air it on a different day. This means that Spanish citizens (including most Catalan people), who could have voted for Andorra, had no way to watch the semi-final and, as a result, they could not vote.
Once again, Andorra didn’t get to the final. And this was when they thought they had a chance with a successful song! After this, Andorra has never come back to the song contest. The fact that they never qualified for the final, Spain’s continuous meddling, and the high economic cost of participating in ESC (which is very difficult to afford for a microstate’s TV) grew even more difficult with the economical crisis that was starting in all the continent.
However, Andorra has always maintained that they would like to come back to ESC.
Andorra has been the only country to sing in the Catalan language in ESC. Even though most Catalan-speaking territories are under Spanish rule and about 10,000,000 Catalan speakers live in the state of Spain, Spain has never sent a song in Catalan. In fact, when they chose the Catalan singer Joan Manuel Serrat in 1968, he said he would sing the song (called “La, la, la”) in Catalan. Then, the Spanish TV decided to take him out of the contest because they would only allow songs in Spanish. The song was given to the Spanish singer Masiel, who sang the same song in Spanish and won the Eurovision Song Contest 1968. Spain has never sent a single song in one of the languages of the territories its state occupies, even when some like Catalan and Galician have millions of speakers, and Basque has hundreds of thousands.
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marvelismylove · 3 months
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I just realized i haven't ever posted about my take on captain america: civil war and the sokovia accords (in detail). Because i have a lot ot thoughts about the whole thing. I used to be firmly team cap. Nowadays, I'm team "they're all idiots."
And I'm going to get into that right now!
First off, the sokovia accords would never have worked. It's the government. They're corrupt, and when they aren't, it's only a matter of time until they become corrupt again.
I mean, this is the government that had hydra secretly growing within it for longer than cap was on ice! And to think signing over what is basically the "right" (is it even a right, in the first place?) to be a superhero (?) to the government? Not even the government, but all governments! That's the stupidest idea ever!
So, i agree with steve's thinking, for the most part. But i do not completely agree with steve. He's a self righteous ass. Nothing more needs to be said on that, at least for right now.
However, Tony was being a bit emotional and impulsive. He had the best intentions but when faced with the casualties of sokovia, he panicked because he's never really had to look directly at the death and destruction his superhero activities cause. And as a consequence as the way he grew up and the things he's been through, he had no idea how to cope with that. He couldn't fix this with money and so he wanted to just give control to someone else, someone (seemingly) more qualified. He never really has to take responsibility because he can usually just throw money at his problems and/or ignore them.
Tony never really thought about what the government would/could/might do with all the power the accords gave them.
But now, I'm going to switch focus back to steve. Steve didn't even try to see where Tony was coming from. He was very, "I'm right. You're wrong. Fuck anyone/everyone who disagres" and all. Tony was willing to try and work together.
Amd Tony's heart was in the right place. And tve thought/idea of working with the government, or at least trying to, is a good one, he just shouldn't have agreed to the terms so quickly. That kind of thing needs a lot more negotiation and stuff.
And that's my take on it.
Well, the actual accords themselves, at least.
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Las Vulpess: the scandal
Just 40 years ago, four girls from the Bilbo neighborhood of Irala, between 17 and 21, starred in the first media scandal related to freedom of expression in Spain. Las Vulpess had not yet recorded a single single when the music critic Carlos Tena decided to make a music video with them on his new program on TVE, Caja de ritmos.
The sisters Loles and Lupe Vázquez (guitar and drums, respectively), were responsible for adapting the lyrics of I Wanna Be Your Dog - by Iggy Pop & The Stooges - in their own way, which Mamen Rodrigo would sing while Begoña Astigarraga played the bass. The song's title?: I like to be a whore.
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Nothing happened at that time, since it was a program with a very small audience. The scandal erupted ten days later, when newspaper ABC published the lyrics of the song and vigorously protested its broadcast in children's programming hours, arguing that the song "degrades Spanish society, revolts the father of a family, unworthy the responsible citizen, breaks the intimacy of the home, violates what is established in the Constitution and goes beyond the limits of what is tolerable".
The media of that time asked for heads to roll: Caja de ritmos was not broadcast again, the presenter submitted his resignation and, the following Saturday, what the children's audience could see at that time was… a bullfight.
The snowball continued to grow until it reached the courts. The State Attorney General's Office filed a criminal complaint against the director of the program "for offense to modesty and good customs" and Loles Vázquez as the author of the lyrics and Mamen Rodrigo as vocal interpreter for public derision. Three, five years in prison and ten years of disqualification were requested for them. In 1986, the case was dismissed.
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Thanks to growing up in very politically committed families, Loles – whose parents had fought against Franco in hiding, from unionism and women's associations – also had that support.
"My family helped us, my parents and brothers understood and supported us, we all went together, and it was quite important to feel so supported," the guitarist confesses. "We did not fear for our future, but of course it did worry us, because handling a scandal at the age we were was not easy, on the contrary, it was very difficult. A lot of stress, the phone did not stop ringing, everybody wanted to exploit the whole scandal: first musically and then the media, the political parties… It was pretty fucked up, speaking clearly".
Las Vulpess were the first all-female punk-rock quartet in Spain. I would venture to say that, even, rock in general. "If in the US or England it was already difficult for women to be in a rock group, well imagine in the Basque Country at that time. Even the boys had a hard time getting their instruments or a place, nobody had money, we were in a super harsh crisis. Rock and roll was very sexist, women's work was basically escort, groupie. Punk revolutionized everything, and one of the things that changed was the role of women. We too could be in a stage", concedes Loles Vázquez.
Now we are more accustomed, not only in punk but in more formal commercial pop, to hearing the word "bitch" or "whore" reversing its connotations of insult as a symbol of pride and self-affirmation. And, although it is impossible to collect data that proves anything, if they were not the first in the world, Las Vulpess sure were pioneers in this. Before rappers like Queen Latifah or MC Lyte began to use "bitch" in the same way in the US at the end of the 80s, no other precedents have been revealed. "I first played with Latin, hence the Vulpes thing," [Vulpes means fox in Latin, fox in Spanish has the same meaning that bitch in English] explains the author of the adaptation, which she wrote at the age of 15.
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"It was what I received then. I wore leopard miniskirts made from car upholstery, we tore our stockings at the feet, because there weren't those things like leggings today… So with those looks, the stiletto shoes, the nets, the eyes painted with the eyeliner, when the guys passed by me they yelled at me: Whore! That was what they called me the most. And, well, I liked it. I liked being who I was. Being different was a source of pride. Those guys who defended marriage and those who were junkies and considered themselves cool, all told me the same. All those people calling me a bitch made me think, to that age, that being a whore was cool."
But what happened to Las Vulpess? Their label, Dos Rombos, hurried them to record the single that quickly sold out a circulation of 7,000 copies and, shortly after, sold 5,000 more, but the girls said they saw hardly any money from it.
Although the worst came with the concerts. On May 18, 1983, barely a month after the controversy, they performed at the temple of the Movida in Madrid, the Rock-Ola. But they ran into the peculiar reception of the security personnel in the room, who gave them a beating in the dressing room for singing a song critical of the Police. According to what Las Vulpess recounted, when they went to the nearest police station to report what had happened, they found that the agents who attended them were the same ones who had attacked them. They were policemen who had infiltrated the concert. It was not the only time, as confirmed by the guitarist.
"Yes, they used to beat us, yes. We were included in concerts with groups that had nothing to do with us. Then the press also released many lies and there were people who thought we would go out naked or in our panties. People weren't going to see a punk rock concert, they were going to cause a scandal. Buses full of fascists also came to boycott us, and we had to get out on our feet many times".
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"In the end, everybody wanted to take advantage -adds Loles-, we were fresh meat, and both the politicians and the promoters took advantage, (…) they took all the money and we could not return home. All that burned us out a lot, it annoyed us quite a bit, and clearly, that caused us to break up, although it must also be emphasized that there were already musical differences between us".
That summer at the Bilbo festivities Las Vulpess said "enough" and disbanded a fortnight before entering to record what should have been their first album.
Source
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brsb4hls · 6 months
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Ok, ok, ok, Loki: moral of the story.
I slept, I rewatched, I'm trying to be coherent.
So Sylvie. I know people love to hate her, but she's obviously integral to the plot, or they would have kept her at McD's in the second ep. Now what does she do?
She challenges Loki's viewpoint. There's a constant push and pull about what's right and wrong between them. And in 2x5 we've established that Loki simply just does not want to be alone.
But what about people's choices?
The only constant about the tva the narrative has established is pruning=bad.
Everyone was on branched time lines in 2x5, so when the tva took them before the branch could develop, everything around them would be reset.
So what about Mobius' kids? The show really invested some time in that. Mobius is trying, but struggling. He is in constant sale mode, desperate (even trying to sell to B15 later on). So he's short on cash.
And his kids need guidance. They call him at work and left to their own devices, they set shit on fire.
Mobius looks exhausted (the stubble etc). He's very sceptical and even afraid, when Loki shows up and finally agrees to come with him, because Loki says his boys are in danger.
If that Mobius stays at the tva, what about his boys? Why create such a huge emotional scene for nothing?
Also, if the time line hadn't branched (original version, where Mobius got taken at the nexus event), his boys would be erased.
Now from a Rick Sanchez pov that shit doesn't matter, but narrativly, there has to be something to it.
Sylvie challenges Loki by pointing out the branched timelines are what should have happened in the first place hadn't the tva not interfered.
They go back and forth about choices.
Point is, the choices were already made and lead to nexus events and branches and then the tva took those choices away. So Loki dragging everyone back cannot be good, right?
Sylvie wont interfere, even if she gets Loki on an emotional level, because it's not her place.
And Loki realizes that when he says everyone should go home after Sylvie didn't come with him.
Sylvie does interfere, when the branches are threatened, they dissolve, so she helps. She is very much about free will, but she is not careless. She always helped when needed.
BUT SHE DOES NOT WANT TO CONTROL.
Loki does!
So where will that lead? Loki will have to jump back and stabelize all the branches.
Victor probs wont succeed and Loki will do it himself.
But what then?
The morally correct thing would be to let all branches exist with the variants on them. (Especially if we take the soundbits into account when Loki is deliberatly slipping, B15 saying she was happy where she was, Mobius wanting to get back to his boys...)
If Loki gets powerful enough to safe and control time lines (the green lines in the trailer) he doesn't need the tva. He can keep an eye on Kang himself.
But he wants to keep his friends for selfish reasons.
So what will it be?
Also the end will be exactly what HWR predicted. Plus the tva has a fail safe (shown on the screen before spaghettification).
So does the tva have to keep existing? If so, to what extend?
Narrativly Loki would have to put everyone on their respective lines and sit his arse down at the citadel, making sure shit doesn't go sideways. Powerwise that would be cool, he would also be a true hero, but isolated again, after he just acknowledged he needs connections.
Side note: notice how Sylvie makes those connections? Everyone knows her by name. She's a regular at the bar and the record shop. She built herself a life, wrote her own story and encourages Loki to do the same.
So the 'happy ending' would be him saving everyone, and then building himself a life outside of tve tva (since that's an artificial place and his 'friends' there aren't themselves).
But that still leaves the treat of Kangs.
So how do we solve that moral dilemma?
To say it with Buffy:
WHERE DO WE GO FROM HERE?
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winxys · 2 years
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the new ive video is so pretty but there's too much to gif 😦
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