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#or write tings for thm
qkzy · 11 months
Text
knowign which door is which door
is everyone else tired of the circles
beacause everony else surewly notices the circles
what kndin fo moods to you want me to be in
what kind of moods yo ywant to be
why does this itrriate you
whiy does this make you happy
la la la la lal
not yet
busy busy aturday
afraid to write in polish
paranoaid of all
traces
t
races are left eeyrthewr
snippets of stories now
are scattered
no more opencil pcbea ahdn pain
chargin by moonligh
losing someone greif
anxiety
a choclte trueffle
melt in mouth
wait oh wait let me make you tiny tiny bird
we wait now
we ait now for all the tiny birds
here they are
can you see thm
they wait for us
we m can make them
we can fold them
we can fold us our selves
we can fold our thoughts fears ideas iolliusion storeis thoughts things we think are things but reall yarent things
lalal
keeping warm keeping cold
oinson
onions flwoers so many
fo them
and ewe rmemebr
many
share with many
perhaps
highlths
we make thier highltih
folding
and contineu to fold
good morning n e i l
two gfrom teh gaden
gifts from the garden
a lavender gift that was spread
and a december birthday ofro a garnd
shall we snailmail her tings to indai
will thsi be sceenes
will al be scen
are they lokign for us
are they looking for no
we are looking if they are looking
but no one is ever really turly looking
only out for thems leves
and inthe end
kamkiki nothing metatters
nothing matters
doing lines
the one time doing lines
ing rade seven
recess
remebering the earliest memroies
what memroy do you remeber
what did you eat
w
waht did you smell
want to share the smells with us
we smlel this togeth
toehr smelling
fersh paint near the loo
a great
a bleu eyes husky
one eye
anotehr hlello
slwolykindess
honesty
only annimals are trully anhonest
we cavn only trust the aniemals
making a friend wiht the enehobu puppy
s doodrawy into rael
this pupy will save us evenrually
toeday when we need that
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kilibaggins · 3 years
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Reblog this if people are allowed to make fan works of your content. ( Things like fanart, Poems, Moodboards, etc. )
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deathgripesgla-blog · 7 years
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Creeper, in review Eternity, these songs go on for eternity.
This album opens with a single piano, arpegiated, followed by a rather English sounding female vocal with backing harmonies.
Suddenly you are hit by a rather flat sounding drum kit which makes it hard for me to tell the difference between snare hits and the kick drum.
I suspect that over compression is the problem here, I myself have been enjoying uncompressed kick sounds and only slight snare compression which allows for the grit and voice to shine. Over compression is something that comes up repeatedly for me during my time listening to this album, as it feels to me that everything that isn’t a vocal is flat, giving the album a very 2D feeling.
The second song reminds me of bands like The Wonder Years and Four Years Strong, a mixture of, once again heavily compressed drums (which are boring to listen to as well kick-snare with occasional rolls and fills that leave much to be desired). Finally halfway through the song some width seems added to the mix, with splash of ride and crash added to my ears, but are slowly worked out and squeezed back into the middle by harmonies and a crescendo that leads back into a rather repetitive and boring sounding.
3 Stodzies out of 5
Track three resonated with me at it’s start and occasional breaks. It seems like Creeper are at their best when they are imitating other bands, or taking inspiration at least to me it seems this way. The intro once again harkens back to earlier hardcore/pop-punk bands like FYS and mixes in a few tinges of AK3 and a vocal delivery that vaguely reminds me of The Holy Mess (?), however the production once again lets me down, as well as the rhythm section’s lack of imagination.
3 Stodzies out of 5
Hiding with the boys, dear lord. What a name. Like seriously, did they just listen to FYS and THM before writing this ? I do actually like this song a bit, mainly because it seems to not have as many shouted choruses as the other songs on the album, I like the verses quite a bit, however the middle 8 and choruses are boring. STOP COMPRESSING THE DRUMS AND GUITARS!!! And what is that Beach Slang sounding lyric delivary at 2:20 ?
4 Stodzies out of 5
Track Five, Misery, starts rather standard, arppegiated chords over breathy vocals about girls and growing up. I would’ve enjoyed this as a small break between louder songs but it goes on for an impressive 4 minutes. An other complaint I have of this album is that I feel most of the songs could be about a minute shorter, which to me makes them more enjoyable. All the song nears it’s end the crescendo begins, along with comparisons between the singer and the eye of his affections belongings ? Just cut it at 90s and leave with a good wee tune.
3 Stodzies out of 5
Track Six, six songs of mostly cliche, in production (I am really upset by the production), it is clear who this album is appealing to at this point. That being the post-emo crowd, painting images of vulnerable girls and protective guys, sadness mixed with compassion (Gerrard Way called and he wants his song writing cheque in the mail asap pls). This song leaves much to be desired, so many harmonic choruses that are clearly designed to have 18 year old girls and 20 year old guys with their hands up in the air singing unaccompanied.
Also what the hell is that cadence at the end all about ? Are you the dropkick murphy’s now ?
2 Stodzles out of 5
I’m not even gonna bother repeating myself on this song.
I like the small amount of bass I can hear that isn’t drowned out by the narrow mix.
3 Stodzles out of 5
Here we reach my favourite song on this album, solely because it’s different. Cliched start with the cricket ambience. The vocals on this track and the instrumentation give me a small relief in the middle of this dense compression riddled, and flat sounding album. Personally I would say this song gives me a very Paramorish feeling, with a tinge of gravel on the lovely English voice that assaults my ears with her complaints. Someone give this woman a big hug, and then tell her to end the song about a minute earlier than they did.
4 Stodzles out of 5
Darling, oh darling. Like. I mean. Just listen to this. This band have that sound, minus the more premium production available to a band signed to a major label. And although this album is less intrinsic in it’s instrumentation, each instrument has it’s place. Which is what I desperatly wish Creeper had on this album. Simply looking at the personnel on this album gives me an anxiety attack.
3 Stodzles out of 5
This next song is by The Holy Mess and is called The Saddest Girl to Ever Hold a Martini, it’s good. I just needed to listen to something less asaulting on my senses as the album that Neil Kennedy and co. seem to have sat on.
5 Stodlzes out of 5
Okay after listening to 2 Holy Mess Albums I find myself required by a sense of admiration for someone to finish my review of this Creeper album, which is coined as being horror punk, the only thing horrorific about it being how Danzig and co. must feel about that term being used on their band, the Misfits, and this band. AND the production.
Winonna Forever, once again is just so akin to other bands that I find it hard to seperate this band from bands I already like, who do a better job. This song however does something else for me, possibly in the arangement or the compostion of the rhytmn section which is a bit different from other songs I feel. But as I type this the song launches back into that Snare-Hat-Kick combo that riddles this album like right wing trolls riddle a message board on equality. The highlight of this song are the hooks, the parts where the the vocalist sings about Winona and the heart tattoo. This section could have led into a great ending but it is pested by an extended outro that seems to add nothing but a bit of heaviness to the song ? Be my winona though, cause that hook is great.
4.5 Stodzles out of 5
I Choose To Live is a precusionary tale about how you will feel as you reach the end of this gloomy over produced album, filled with musical references and catchy cliches.
Or at least that's what I think it's about. This song brings the 11 track album to a close and could easily be a minute shorter, or 5 minutes longer if it did something cool.
3 Stodzles out of 5
Overall, I can see the appeal of this album, who it is aimed at, however I feel like this band desperatly need a different direction, a new producer, a new idea of how to mix their music. To call this horror punk makes me rather ill as it is more 00s emo than anything else.
This is certainly an album I could bare to listen to, although it would not be the forefront of my attention, and it is something I could bare with watching live, although I wouldn't dare dance. Just cut a minute off your songs and make them less dense for gods sake, you’re punks.
I give this album 68 Craigzies out of 100
Here are some songs that I feel nail the vibe and feel that this band should aim for, between production and composition, and the general instrumentation of songs.
Neat Neat Neat
The Damned - Neat Neat Neat for driving gothy words
Masked Intruder - Wish You Were Mine for harmonies and production, and for lovely words about love mixed with punk.
The Misfits - Skulls for the horror aspects, it's literally a song about murder and aliens and weird shit, real horror. Any self respecting Horror-insert genre band should follow these guys' example a little bit.
xox
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