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#out of the corner of your eye
obstinaterixatrix · 2 months
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here are all the f/f recs I posted for femslash february 2023...! each individual post can be found in my femslash feb recs tag. this was done on a whim, and I wanted to showcase works with official releases so folks could support the writers/artists/translators/devs/etc in a pretty straightforward way. I'm pretty pleased with this set!
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shopwitchvamp · 1 month
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Thinking about a comment I got recently saying my clothes are "peak Gen Z bad taste" or something like that. And I'm so offended :[
Like, I'm 33. Born in 1990. This is peak Millennial bad taste! Obviously!!
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loptrcoptr · 1 month
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The blue eye samurai fandom, for some reason
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themthistles · 2 years
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you don't finish black sails, black sails finishes YOU
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saintkey · 1 year
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the visual of rapunzel's hair being not only long enough but also sentient enough that it trails along the corners of castle like the grudge to spy on everyone is so sick
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petricorah · 1 year
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hair down sokka
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binah-beloved · 5 months
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hey. don't cry. think about meltdown form Binah passing you by as you suppress one of the many abnormalities that was let loose and giving you a single, gentle pat on the head
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all-things-fic · 6 months
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pyrepostings · 2 months
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whumpee who's only given soft water to drink/bathe with.
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theotherrichardpapen · 4 months
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AU where Josh manages to grab onto Nigel’s hand at the last moment that night on the train and both of them fall out. AU where Nigel has been dead the entire time but Alex Forbes doesn’t know that; where the trauma of watching his friend fall to his death combined with the realisation he was complicit in the death of another causes his mind to fracture.
He doesn’t remember making it back to his dorm room that night, only remembers waking up to the news that Josh and Nigel were was dead. All of Nigel’s things have been moved to another room, of course they have, because Nigel was gone, dead, all his fault, his fault trouble.
AU where Alex takes the train one night to the Colbie house because Nigel asks him to, because he feels this innate and intense need to try and better understand this boy he got killed; where he finds the card and the books and Nigel’s red bible, and begins to understand.
AU where the body of Susan turns up one morning, and the police question Alex about it, but there’s no way it was him, because he was late; he was late, and by the time he showed up at the cinema, she was waiting for him still, sweet Susan, with her kind eyes and kinder heart, she had waited for him and she didn’t even suspect anything until the very second before he struck gone.
AU where Alex finds the letter he wrote Nigel wrote, inviting him to his house that night, where Alex sees the Colbies arguing through the window; where he wrestles the gun from John and shoots him to kill him because he read the journals, knows that this man has been hurting Nigel his whole life and he wanted him dead protect Nigel.
AU where Nigel confronts Alex at the train yard that night, where he forces Alex to remember everything he did, everything Alex did; where he forces Alex to pull the trigger and kill off the version of Nigel he’s been carrying around in his mind, where Alex dies that night right along with him and Jack is born instead.
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askzloyxp · 1 year
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There is not a one path There isn't even a 'right' path There is only your path You are lost in the woods.
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biscuityskies · 1 year
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Right lads I believe tumblr has successfully made me a codywan shipper
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roitaminnah · 1 year
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aheemheemwimper.... um. oh (falls over and starts crying)
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loptrcoptr · 8 days
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toooldforthis.jpg
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hajihiko · 1 year
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Seeing as ghost are canon in danganronpa, how do you feel about Junko ghost AUs where she haunts the remnants or first game survivors?
It is almost literally my favourite narrative take (tight behind found family / they love each other) I am SO about it you have no idea. It's the tastiest I go nuts
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psalmsofpsychosis · 1 year
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so i talked about Din being so ungodly unpredictable, and after digging a bit deeper beneath the surface of The Mandalorian season1 and 2, i think now i know why.
To the surprise of absolutely noone, Din Djarin is a rogue!! He's a rogue character, that's the foundation of his personality, at any point of his characterization he's designed to stray from structure and to undermine it.
But he's also a knight! and this introduces a very intriguing and fascinating conflict at the heart of his character: the duality of honor, and how he orients himself towards that specific value. He's a knight and a knight is bound by honor and servitude; but in order to save his honor he has to choose what and whom he serves at different points of the narrative, and he has to disobey in order to obide by his honor. A rogue character by definition is the least honoring person, a knight is most honorable. So the heart and the lungs of Din Djarin's characterization is his struggle with servitude and where his values lie, and it's never "this" or "that"; he's constantly switching between rogue and knight in the bat of eyelash, just when you think he's bound to code he abandons mission and when he's supposed to stray he stays and binds himself to a child.
I think introducing him in the position of a king is the most outrageous and hilarious plot twist, because narrative wise, all three archetypes of the Rogue, the Knight and the King have in common the conflict of honor, while the King is most bound to obedience and the Rogue is least concerned with it. So i'm actually quite curious now to know where they'll take season 3 Din Djarin, simply because this is such hefty faceted dynamic and it's quite frankly very ambitious to tackle, we haven't had an archetypal story this intricate in star wars since, well, the original trilogy.
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