no ai generated content will ever compare to the absolutely cartoonishly evil plot to cut down trees to prevent workers from striking to get livable wage.
Saw this today and had to share. I like how he flipped the script on this because in my opinion buzz words do not work on right wing folks. They've been trained to be afraid of these ideas without knowing what they actually mean. Breaking things down simply like this is a good way of saying we as workers produce the value, so why aren't we benefiting from it.
It is the mid-1800s. You are Karl Marx. You have risen to prominence aming leftist circles, with your scathing attacks in contemporary Capitalism and Imperialism. You hear a knock on your front door. Your front door is shattered.
A very large black dragon, a veteran of the British Millitary, apologizes for the damage. His name is Temeraire, and he is a Member of Parliament.
He has read your work and wishes to discuss it with you.
The bourgeois or "exploiting class" doesn't inherently include the person who gets their nails done biweekly, or the disabled person who has a carer, or the guy who got a $70 video game for full-price, or the person who relies on medication (yes even the ones you don't think they "need"), or anything else like this. None of these people will, on average, have the ability to exploit workers by means of ownership or whatever.
While you are busy fighting with fellow workers, you are still being exploited by your boss, by capitalism, by (potentially) not having healthcare, by being overworked and underpaid, and so are they.
'i do not dream of labor' u really should. not exploitative labor under capitalism obviously but in this hypothetical world of yours where you aren't doing any labor Who is attending to the basic needs of society. really just feels like selfishness masquerading in anticapitalist language
It's always "Shou and Ritsu need to blow stuff up with their minds for mental health reasons" or Ritsu and Teru or even Shou and Teru!
But what about Mob? When does he get to blow stuff up with his mind for funsies? For shits and giggles? He didn't go through all of those meltdowns and character development for nothing, let him go ham on a junkyard car or something smh
I believe in Mob's narrative given right to fuck shit up sometimes
I cant explain it but Vanessa gives off such older sibling vibes. like i refuse to believe that she's William's only child. i swear to god she's gonna be revealed to have had some kind of younger sibling that died (bite victim, scooped by baby, etc)
can you imagine the fucking heartbreak that would be a scene of vanessa telling mike about her family and stuttering over her being the only afton child. the only afton child *now*. the only afton kid left alive. because she was complacent, because she did everything her dad asked her to, because she rolled over and bared her stomach and came crawling back every time she was kicked, acting as her father's fucked up little guard dog in exchange for her life. a life that she doesnt know what to do with now that he's gone. because that life is all she has ever known.
Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
Baby Taylor's baby voice is so endearing and it's going to be bittersweet to "lose" that on the TVs, but I'm really excited to hear how they clean up (or not) the production on Debut. I mean I know they're going to make it as accurate as possible to the originals, but I mean in the actual sound mixing and stuff. Because I feel like this album could benefit the most from some of that! Which is not to say that the original is bad BECAUSE IT'S NOT, but I think there is subtle stuff they can do with the mixing/blending/instrumentals/treble/etc. to make it shine even more.
as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it
I do feel bad for Owen. Clearly this is NOT his forte. #freeowen
I'm guessing Owen has some kind of contract to do all the covers for the "Erin Hunter" books, since he also seems to do the art for Bravelands and Survivors. Which baffles me.
When you look at his portfolio, it seems clear that animals are NOT his strong suit. He mostly designs them as monsters or setpieces, not as characters in their own right. His humans, objects, and backgrounds are excellent, while his animals are quite generic-- So why did they choose this artist to design for their xenofiction series?
The art he does for Percy Jackson and Artemis Fowl is not as jilted and uninspired as his work for any of the Erin Hunter series. He does have a thing for harsh lighting (too harsh for my taste) but the composition is fine and the characters are recognizable. Certainly not "someone tried to unlock your phone" tier. It's strange.
It strikes me like he's not "comfortable" enough with animals to experiment with them, heavily referencing zoomed-in photos and leaving it there. Note how his cats are almost never doing anything, just sitting or standing around looking confused.
Has he ever even drawn a battle cat... battling?
I don't really feel "bad" for him, OR "mad" at him, because we have no idea what's happening behind the scenes, but I WILL say that I feel he is an absolutely awful match for WC. I don't understand what about his portfolio made him look like a good replacement for Wayne McLoughlin, besides some executive recognizing his style from somewhere else.
I hope he is compensated well for his work, but I don't buy hardcovers because of his art and am holding out hope that someone else takes over someday.
Even though I will be making fun of Wilbur for saying “psycho competitive” for the rest of time, I do want to emphasise that what he actually said was that c!tntduo were in a “psycho competitive relationship that can be construed to be romantic but it's not explicit.”
That’s not actually shutting down a romantic interpretation of their relationship. In fact that is acknowledging the romantic undertones. What I would interpret that as - and I agree with cc!Wilbur if this is the case - is that you can certainly read c!tntduo as romantic but that that is hardly the most interesting or rich angle to analyse them from.
Personally, what makes c!tntduo so engaging to me is how they have this incredibly complicated history with each other, hate each other, love each other, and still choose over and over again, to connect. They are irrevocably entwined as self made foils for each other. They have chosen again and again to deliberately mirror each other, in action, in dialogue, in theme, despite everything they both do and don’t agree on.
For me, c!tntduo is about them being all levels of fucked up together. Persuing a serious romantic relationship would be super bad for both of them actually. They’re not healthy together. But they do need each other. They can’t escape each other now.
That’s where the appeal of the duo lies. Which, at least to me, is a far more interesting character study and exploration of what people can mean to each other than whether they kiss or not.