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dailyworldcinema · 2 years
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Simi Garewal in THE GUERILLA FIGHTER / PADATIK (1973) dir. Mrinal Sen
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greenjaydeep · 1 year
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#livesinging #liveperformance #icm #indianclassicalmusic #hindustaniclassicalmusic #kathak #kathakdance #indianclassicaldance #kolkataevents #kolkatabuzz #culturalcapital #padatik #dancedancedance #musicians (at Gyan. Manch) https://www.instagram.com/p/CpS2CbjvPV1/?igshid=NGJjMDIxMWI=
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24x7newsbengal · 30 days
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blogynews · 7 months
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Unveiling the Enigmatic Ismat Chughtai Tale: Qadir Ali Baig Theatre Fest Commences with a Riveting Performance
The Qadir Ali Baig Theatre Festival commenced on Friday at the Salar Jung Museum, marking its 18th edition. This annual event is dedicated to honoring the legacy and contributions of the renowned theatre personality. The opening day of the festival featured a poignant Urdu story titled “Kagaaz Ke Gubbare,” performed by a group of seven actors from Padatik Theatre. Drawing inspiration from the…
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blogynewz · 7 months
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Unveiling the Enigmatic Ismat Chughtai Tale: Qadir Ali Baig Theatre Fest Commences with a Riveting Performance
The Qadir Ali Baig Theatre Festival commenced on Friday at the Salar Jung Museum, marking its 18th edition. This annual event is dedicated to honoring the legacy and contributions of the renowned theatre personality. The opening day of the festival featured a poignant Urdu story titled “Kagaaz Ke Gubbare,” performed by a group of seven actors from Padatik Theatre. Drawing inspiration from the…
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blogynewsz · 7 months
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Unveiling the Enigmatic Ismat Chughtai Tale: Qadir Ali Baig Theatre Fest Commences with a Riveting Performance
The Qadir Ali Baig Theatre Festival commenced on Friday at the Salar Jung Museum, marking its 18th edition. This annual event is dedicated to honoring the legacy and contributions of the renowned theatre personality. The opening day of the festival featured a poignant Urdu story titled “Kagaaz Ke Gubbare,” performed by a group of seven actors from Padatik Theatre. Drawing inspiration from the…
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fimomovies · 11 months
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Chanchal Chowdhury, Srijit Mukherji on Mrinal Sen Homage 'Padatik'
“Padatik,” a birth centenary homage to Indian auteur Mrinal Sen, is in post-production and is aiming to launch at a major film festival this fall. Sen is probably India’s most revered filmmaker after Satyajit Ray. Sen was born on May 14, 1923 in Faridpur, British India, now in Bangladesh and died in 2018, leaving behind a glittering array of work, most of which are considered landmarks of Indian…
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forupss · 11 months
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Chanchal Chowdhury, Srijit Mukherji on Mrinal Sen Homage 'Padatik'
“Padatik,” a birth centenary homage to Indian auteur Mrinal Sen, is in post-production and is aiming to launch at a major film festival this fall. Sen is probably India’s most revered filmmaker after Satyajit Ray. Sen was born on May 14, 1923 in Faridpur, British India, now in Bangladesh and died in 2018, leaving behind a glittering array of work, most of which are considered landmarks of Indian…
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cineaesthesia · 4 years
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Padatik/The Guerrilla Fighter (Mrinal Sen, 1974)
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shihlun · 3 years
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Mrinal Sen
- Padatik / The Guerilla Fighter
1973
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(via Indian art cinema gives us an ongoing resource to live through disorienting times: Rochona Majumdar - The Hindu)
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saadiaaf · 3 years
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Padatik / The Guerrilla Fighter (Mrinal Sen, 1973)
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communicants · 4 years
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Padatik (Mrinal Sen, 1973)
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erermela · 4 years
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pyotra · 7 years
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aaj ki chai is sometimes real, sometimes imagined in mrinal sen’s padatik (1973)
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dhrupad · 7 years
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The apartment in Padatik, The Guerrilla Fighter (1973)
A section of criticism faced by the film was directed at this episode and the character of Sheela, with many calling the episode an island outside the 'Indian reality'. Though Sen has admitted in later interviews that it might have been a different and more effective vantage point if Sumit had taken refuge in a class-location closer to his own, he has admitted to have been stubborn in his resolve because of the extreme reactions that the episode and the character evoked. While the presence of women, especially within the agit-prop aesthetics of this period, has been remarkably uneven in Sen's cinema, there are startling parallels that the narrative draws upon. The narrative, at certain junctures in their conversation, posits a certain shared space of struggle for the two though the nature and outcome of these are extremely different. They are both trying to overcome their own constraints, be it personal or political. One aspect of this shared matrix is of course the fact that her brother had been a revolutionary himself and had been killed by the State. 
At the same time, through the character of Sheela, broader concerns regarding the Women's Question, both in society and within the left movement, are addressed, unlike anywhere else in Sen's oeuvre. This, however, is not without its inherent problems either. The very fact that Sheela is obviously from an upper-class, financially secure background was used by critics to question both Sumit's easy and unquestioning acceptance of his upper-class hideout and the efficacy of examining the Marxist women's movement from an inherently compromised bourgeois class position. The casting of Simi Garewal is interesting for this debate too. Simi grew up in England and studied at Newland House School with her sister Amrita. In 1961, she moved back to India in order to become an actress. Never a conventional Hindi film actress, her career was marked by a series of unconventional choices which can be read into the graph of her character in Padatik.  --  via
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