I am pretty meticulous about keeping my books in good condition, but there’s something about finding a beat up book with a cracked spine and maybe the dust cover is a little torn that makes me feel such love and care and appreciation. You were loved and I will continue to love you.
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The Glass Blowers
Daphne Du Maurier
This is 1 of 12 vintage paperback classics that comprise our current giveaw@y.
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Just finished this book during a buddy read and ooowweeeeeee it was so damn good!!
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I want to be covered in books
like
Paperback books
Just
Laying on the floor buried in a sea of them
that sounds so good rn
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What the what?
Vintage Bram Stoker Dracula Paperback Book (avail: Cali Vintage Finds on Etsy)
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This is one of my favorite Robert McGinnis romance covers he created for Johanna Lindsey. The original American title is A Gentle Feuding, but that Avon edition cut off the best part.
The Spanish-language version didn't, as we can see so cheekily.
sweetsavageflame.com
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I just got my copy of the Barnes & Noble Exclusive Edition of TJ Klune’s The House in the Cerulean Sea. I loveeeeee the edges and I desperately want to get the Under the Whispering Door one as well.
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From Stone Cold Groove’s Compendium of Banned, Amoral or Dirty Books: You Asked for It - 1955.
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i should probably go on a book buying ban soon, all of these have been purchased in the last month.
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I'm enjoying Percival Everett's "Erasure" (2001), and I'm glad I bought the paperback, instead of an e-book. Except
My main annoyance with the book so far is a print formatting decision to put all meta-fictional writing (I'm not sure if that's the correct term): newspaper articles the protagonist reads, story ideas, and story passages the protagonist has written, etc., in italics, instead of indented paragraphs, or some other way of setting them off from the main story.
I don't mind a line, or two, of italics. But because the protagonist is an author of literary novels, and a college professor, the stretches of italic print can go on for several paragraphs or pages at a time (in the middle of Chapter Two, he reads an academic paper at a literary conference that goes on for five pages straight). The typeface is already a point or two too small for me to read comfortably (yay, 60-year old eyes), and I'm reading by the light of a bedside task lamp. I'm getting back into the swing of reading off paper, and reading this font. But the long stretches of italics just tell me I'm out of the "main action" of the current narrative, and I skip over them, instead of giving myself a headache.
Of course, in the middle of writing the above paragraph, I remembered that italics were invented in the 16th century precisely because you can fit more words per page, so this was probably a cost-saving measure on the publisher's end (indenting the text for long passages would have meant a much thicker, more expensive, book.
Anyway, it's a good novel. And I recommend it. Even though it's not my favorite genre.
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