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#paralleled with canon couples yet again
matan4il · 1 year
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Buddie 612 meta
I don’t think we’ve had this much fodder with such few scenes in a long time, and I am LIVING!
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Okay, so first of all I have to mention the parallel between 217, when the team was coming in, one by one, to see the suspended Bobby, and this ep, with everyone dropping by one at a time to be there for the recovering Buck. The similarity is of course in the found family connection. In both cases we see the importance of the absent member of the team through these visits. The difference is in the way the team came to Bobby because they need him to be there for them as their captain and friend even when he’s not on the job. But in Buck’s case, they don’t need anything. They’re coming by because they want to be there for him when he needs his team members and friends. Buck’s parents needed a reason to love him. Buck’s found family in this ep is loving him anyway. ~~
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I’m gonna scream about the couch in a second, but I have to admit that while I was watching the ep, the moment that REALLY had my eyes shoot wide open and my breaths go into hyperventilation is when Maddie reads the note saying Buck has gone out. Because as soon as it was made clear Buck had chosen to escape his apartment and all of his visitors, I knew where he was headed. First off, the very fact that everyone else came to him, while Eddie was the one person Buck chose to go to already had me biting my fists. Once more, like in so many other cases (for example, when the lightning hit and Eddie was filmed differently to everyone else in the 118, or the way he was the only absent person in Buck’s dream and the only one Buck remembered without needing a physical object to jog his memory), Eddie is singled out as having a unique space in Buck’s life that no one else occupies. And of course there is this domestic quality and element of choosing each other as we see them repeatedly opening the door for and to get to the other one. ~~
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But just think of the meaning! This man puppy, who only ever wanted to be loved and who’s being showered with attention and care, is absolutely restless because he’s having a hard time and feels like he has to pretend with the people he loves the most, and therefore he’s failing to fall asleep on his own couch. He seeks comfort in a connection that’s even deeper than the people who have been to see him, where he can really be himself without pretense. And that’s what’s insane, because he was visited among others by Maddie and Hen, his loving blood and adoptive big sisters. NO ONE can claim that his r/s with them is anything other than deep, and yet when he needed something more, when he needed an escape, when he needed a place where he could simply rest and be himself, he went to Eddie’s. This isn’t just Buck standing in Eddie’s kitchen declaring, “I’m not really a guest” in 311. This is him being more of a guest in his own apartment than in Eddie’s house. This is him being home and safe and able to JUST BE in Eddie’s space.
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This is Buck beginning his healing by sleeping on the SAME couch where Eddie did in 514, connecting their healing in a parallel that is going to make me tear my own hair out. Which actually connects us back to 407, when Buddie talk about Buck’s need for his loft to be his safe space. Now it’s canon that this desired safe space is Eddie’s home, and I will chew through every piece of glass out there before I calm down from this. Once again, there are opposite sex canon couples on TV who never get this level of soulmate development! ~~
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Oh, I also found it very interesting that Buck tells Maddie about his list he goes through every time he wakes up, to make sure he’s not in the coma world. We didn’t see him going through those steps when he woke up on Eddie’s couch. Remember how I said Eddie had to be absent in the dream world or Buck might not have made it out of there? Well, this ep adds to that. By virtue of being the only one who’s fully absent, it means Eddie is the one person whose very presence is a cue for Buck that he’s in the real world and safe, the only one who, by simply being there, negates the need for a list. I AM MELTING. (my gif, please excuse the awfulness) ~~
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Speaking of soulmates bonding, I have to point out the opposite sex soulmates we do have in this very ep. Bobby confesses that Athena is it for him because she makes him feel like he’s standing on solid ground, she helps him be himself by finding again a piece of him.
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We also see her becoming a part of his healing process when he allows her to come to his AA meeting. This is exactly what we see Buddie going through in 612! Eddie is Buck’s solid ground, the person he can count on and who can provide him with rest (that’s what solid ground represents), who allows him to simply be himself, and Eddie is also a part of the healing process that Buck allows him into by seeking out Eddie, and by opening up to him when Eddie asks him to, after finally getting some rest on the couch... ~~
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That brings me to the couch because that in itself is just... Wow, this show really hates my nails and wants me to chew on them fully, I see how it is. Let’s not forget for how long the couch metaphor has been with us! Once Taylor and Buck discussed their couches situation when she was moving in with him in 513, and it was clear there was an incompatibility issue because she was bringing in a couch while he already had one (meaning they had already failed to communicate about this pretty basic point), it was clear they’d have to choose only one and dispose of the other. Very tellingly Taylor doesn’t really leave room for choice, so Buck (who only asked her to move in out of guilt) gave up his for hers. That’s the start of the couch being a metaphor for his romantic relationships, and I can’t believe it started a whole season before this ep! And then when Taylor moved out in 518, he was left with none? But that wasn’t unhinged enough for our show, so they brought it into an even greater focus with the lasagna scene in 601, when it was made even clearer that the “right couch” for Buck is about his romantic partner, that he’s aware of that significance, and that he admitted to it IN EDDIE’S PRESENCE. I can’t believe Buck fell asleep like that on Eddie’s couch, when they BOTH KNOW what the couch means. This is the most naked two men have ever been with each other on a TV show without taking their clothes off! Then Buck’s parents get him a couch he doesn’t want, one that’s all wrong for him, one he didn’t get to CHOOSE, so unsurprisingly he can’t sleep on it. That would have been a lot already, but then this ep turns around and SLAMS US IN THE FACE with Eddie’s couch being the right one for Buck to fall asleep on and to do so effortlessly! Two seconds on it, and Buck was out. That’s okay, 911, I just have to work a double shift while I’m sick today, I didn’t need to also have my sanity. You absolutely can have everything left of it. (my gif, please excuse it) ~~
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I know it’ll sound dumb, but I was happy crying over the beers in Eddie’s fridge and the zoomed in shot we got of them. Look, it’s their thing, right? We’ve seen the two of them sipping on beers together in the iconic 309 kitchen scene (NGL, the oral sex scene in my Blue Against Blue fic was inspired by this), and it’s been a repeated theme, so when I saw Eddie had no less than 6 beers easily accessible in the top shelf of his fridge, chilling away, it screamed “This is my Buck stash” to me.
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I will forever be a mess that Eddie Diaz, tough war veteran, actually has a supply of beers ready in his fridge for whenever soft man puppy Evan Buckley drops by unannounced. Can you imagine when Eddie goes grocery shopping and he probably smiles softly to himself when he buys his Buck beers? These two are so domestic and in love and equally soft about each other, it’s gross. And by gross I mean I love it, please gimme more. ~~
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Oh, but the domesticity just keeps leveling up in this ep! Because then Buck wakes up and makes his way to the kitchen, where he just… lets Eddie take care of him by serving water. And it’s so tender and husbandy, and affectionate, and connects so perfectly to Eddie asking Buck to share with him. Because Buck wouldn’t let others fuss over him, but he lets his hubby take care of him. And he doesn’t tell others, even ones who are significant people in his life, where he’s really at, but he will share everything with Eddie. Not to mention that it doesn’t take much to get him to open up. All Eddie has to do is ask, and despite Buck’s initial announcement not to, he just goes right ahead and spills. I am inhaling and exhaling into the palms of my hands.
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Of course, tucked in there is also Buck asking Eddie about the shooting. We all remember Buddie holding eye contact through that and Eddie reaching out to him, right? Or everything that transpired between them in the ambulance, all of it so romantically coded... This scene tells us that Eddie doesn’t remember those bits. I find it interesting to consider that maybe Eddie really doesn’t. That maybe the reason he hasn’t figured out yet how he feels for Buck is because he blanked out on the way he turned to Buck during the most intense moments of his life, and the ones he thought were his last. ~~
I mentioned during the hiatus in replies to asks I got that I suspected just like the distance between Buddie in 5a served to bring them closer together in 5b as Buck helped Eddie with his healing, the same structure was being followed in s6, just in the reverse, where Eddie will eventually help Buck. You can’t imagine how deep and meaningful I find it, that the show has actually structured these two seasons as counter paralleling each other, and showing Buddie as being a vital part of this mutual healing, so I tried to demonstrate that with this gifset. ~~
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Last one! The cardiologist. Look, I already mentioned in my previous weekly meta that the heart theme started with Eddie, and then it was expanded to Buck. I find it insane that the show really hammered it home by having the same cardiologist be the doctor for both men, and that while she’s at it, she hints to both that their issues are not purely physical. How long before the metaphor-loving Buck catches on? IDK, but every single choice about this ep feels incredibly deliberate, when so much is condensed into so few scenes.
(my weekly meta posts) (my Buddie gifs) (all of my content)
~~ I can’t explain how much I’m asking of the amazing @whosoldherout​ for the gif requests, and the results are always so stunning, I’m deeply grateful!
~~ My tag list will follow in the reblog, please let me know if you wanna be added/removed here. Thank you in advance for any reblog and like! I’m sick and took three different medications to be semi-functional, so I really hope you’ll like this. Please don’t hesitate to let me know if you did! xoxox
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sylvies-chen · 8 months
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OFMD WEEK 2023
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Ahoy there, pirates! OMFD season 2 is right around the corner so I wanted to organize an official OFMD WEEK to celebrate! I’ve tried to come up with some original prompts for each day, and it will run from Sunday, September 24th to Saturday, September 30th right before season 2 drops. Make sure to use the hashtag #OFMDWeek2023 so that we can locate your works and keep it all in one place. I hope many of you are able to participate and support those who do by liking and reblogging their posts, as well as reblogging this to get the word around! I’ll be posting reminders and updates leading up to it. Have fun and get creative with it!!
OFMD Week Prompts:
Day 1 (September 24th): Favourite crew member
Writers: write a fic about a character’s past or origins if they haven’t already been explored in the show. It’s your last chance to cement any headcanons into writing before season 2 adds new info to the mix on your favourite crew member
Gifmakers: freestyle/favourite character’s highlights
Artists: freestyle
Day 2 (September 25th): Music Monday
Writers: you know the drill, it’s song lyric title time!! Use lyrics from songs of your choice to inspire a story
Gifmakers: either use song lyrics from songs of your choice in your gifsets OR use your favourite song feature from season 1 in your gifsets
Artists: draw the crew/characters as your favourite bands or singers! wanna see Ed as Prince? Stede in full ABBA gear? The crew as KISS? Queen? Draw them at the Eras Tour? Get creative with it!
Day 3 (September 26th): Recurring themes/symbols
Writers: put your favourite recurring themes or symbols to action and expand them in a fic
Gifmakers: favourite recurring themes/symbols (i.e. the red handkerchief, the petrified orange, the lighthouse, the teal earring, the kraken, etc.) OR parallels
Artists: incorporate your favourite colour motif or symbol into your artwork
Day 4 (September 27th): Favourite ships
Writers: FLUFF GALORE! Since season 2 will undoubtedly serve us much angst, your mission is to write something as delightful and fluffy as can be for your favourite ships
Gifmakers: favourite ship + best moments from season 1
Artists: similar to the writers, draw your favourite ships, from canon couples to rarepairs, doing something fluffy and domestic
Day 5 (September 28th): AU/Crossover Mania
Writers: write any AUs or crossovers that you would want to see!!
Gifmakers: FREE SPACE - this is a hard one to attempt for gifsets so consider this day your day to post whatever creative, colourful, or fun gifsets you may have planned!
Artists: draw OFMD character(s) in an alternate universe OR crossing paths with another fictional universe entirely 👀
Day 6 (September 29th): Friendship Friday
Writers: prompt is found family or friendship fluff! take the time to explore in writing your favourite on screen (or not yet seen) friendships
Gifmakers: favourite crew moments or friendship moments from season 1
Artists: draw an unlikely duo and a passtime they’d both enjoy (or just any friendship from the show, this one has lots of flexibility to it)
Day 7 (September 30th): Season 2 theories and trailer moments
Writers: this is the last chance to get in any speculation fics!
Gifmakers: favourite moments and looks from the trailer
Artists: draw your predictions or your favourite outfits from the promos
Again, make sure to tag all your work using the #OFMDWeek2023 tag!
Oh, and post this to Twitter if you can. Get the word around! Happy creating everyone, season 2 is on its way! 🏳️‍🌈
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loveyourownsmiilee · 1 year
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Talking Buddie Language: Ep 6.16
Tonight’s episode was mainly focused on Chimney and Maddie, so this meta isn’t going to be too long. There are some great moments between Buck and Eddie that one might’ve missed while watching the episode. But I think the parallels that were given to us in relation to canon couples is the main thing here we should all be focusing on!
Chimney Tells The Firefam He’s Gonna Propose
As I say every week, one of my favorite things about this show is when we have the team discussing their life problems at the station. I feel like this season, we’ve gotten to see it a bit more. Chimney letting the rest of the 118 know about his proposal plans was so sweet and you can clearly tell how they all love each other like a family.
Buck’s obvious excitement at the idea of Chim proposing to his sister was so lovely because he really loves his sister and wants her to be happy in life. He also shows his approval by embracing Chimney and celebrating the fact that they’re going to be real brothers-in-law.
The camera angles were the real MVP this entire episode when it came to Buck and Eddie. Just during this scene specifically, we got so many moments of Eddie being so damn fond and in love while looking at Buck. The way he looks at Buck hugging Chim and then smiles and turns to look at Hen just indicates that he’s happy because his partner is happy. Yes everyone else around them were also happy. But the fact that his main focus was on Buck was extremely loud.
That wasn’t even the only time he looked at Buck. Eddie has always been one to never take his eyes off Buck and something about this season has really intensified those looks even more.
B: Yeah, seriously this is amazing news. Congratulations, we're officially gonna be family. Come here brother-in-law.
C: Yes, yes very cool.
Oh Eddie, baby we get it, you're in love. At this point he's not even hiding it which really makes me question whether or not the rest of the team really doesn't see those loud heart eyes and what they think of it.
B: And don't you worry, we won't make you pick your best man just yet.
H: Hmmm I mean is there really a question?
B: Hen, that's my sister.
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Literally Eddie does not take his eyes off of Buck the entire time he is being his cute little self. Even when Buck is not looking at him, Eddie can't help but to look at him and smile because Buck just makes him happy. It is so different from other seasons because Eddie would always smile his reserved little smile but do it in a way so that it was not very obvious to other's around him. Now, he does not care who sees because he just loves looking at Buck and he's done hiding it. Even when Buck is talking, Eddie still manages to look at him because he just can’t help himself.
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(Gif by @eddiediaaz)
One thing I will say is that I find it very telling that they are having Eddie play a more pronounced role when it comes to this specific storyline because Eddie was also the one who pushed Chimney to tell Maddie he loved her. So the fact that Eddie is the one who not only prompts Chimney about his plans for the proposal, but he is also the one who gives him the advice out of the entire team, seems very deliberate.
R: It's kind of basic. No offense.
E: What he means is proposals are kind of a thing these days. Hey, you do what you wanna do. Just saying, it might be an opportunity.
B: Uh, uh a huge opportunity. Maddie deserves something she's gonna remember forever. You both do. No, no you cannot propose without a plan.
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Buck and Eddie are once again proving just how connected they are. Not only are they always in sync. but they even finish each other's thoughts/sentences. I find their body language very telling considering Eddie's head is always tilted towards Buck this entire scene and Buck so easily points at Eddie like it's just natural for them. Nothing about their little interaction at the station was awkward and it really drove home the fact that they are literal partner's on and off the field. So even if there is any doubt in an episode that may not focus on Buck and Eddie, we still get easy communication with seamless body language to remind us.
I also believe this scene with Eddie talking to Chim is going to foreshadow a possible scenario in the finale where they may be stuck someplace together during the disaster. I feel like this episode alone really wanted to make it known that Eddie and Chim will have a heart to heart type scene in the future where it is likely that Chimney will finally "pay it forward" and give Eddie some advice of his own.
Proposal Talks In The Firetruck
I am sorry but personal space who?!?! Buck and Eddie do NOT know her. I really felt like I was watching an intimate moment between those two in the truck. They literally seemed so crammed that I kept yelling "Slot your legs together"!!
I will say the body language between Buck and Eddie was so relaxed and intimate in the sense where they were comfortable being that attached together. Which means that they are used to sitting that close with each other. The ease in which they were speaking right after the other and in each others' personal space really indicates open trust and familiarity. I know they work together and that closeness can stem from that. However, when you consider how Buck has his arm stretched out towards Eddie, and Eddie in return has his arm close to Buck, there is a distinct difference compared to how everyone else is sitting. I know they're both big guys, but Buck isn't even touching Ravi's arm, nor are Chim and Hen touching each other. Meanwhile there is not an ounce of space between Buck and Eddie. This is what I was talking about a few weeks back when I mentioned how two bodies tend to seek the other out when there's love and trust and attraction there. In a somewhat tight knit space, we do not get any ounce of discomfort out of Buck or Eddie. On the contrary, they seem to be totally at ease and even smile at each other while the other is talking.
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(Gif by @matan4il)
Eddie agreeing with Buck's ideas is something we always see on the show. I love how he not only smiles as Buck is talking, but then turns towards him and points at Buck while he is suggesting a flash mob as if it is the most brilliant thing he's ever heard. It is so domestic and shows how these two are each other's person because Eddie would support Buck through any and all of his ideas. We love great supportive partners and they constantly show their unconditional support for the other.
I found the choice to have the camera pan to Eddie and Buck right after Bobby says, "Couldn’t ask for a clearer sign that you two are meant to be together." I mean sure it could have been totally coincidentally. But this season especially, the camera angles have been SO deliberate in what they highlight. And choosing that transition to focus on only Eddie and Buck was very telling in my opinion.
I was waiting for Eddie's proposal story because I had a hunch since 6.14 that he most likely proposed to Shannon because they got pregnant and I was proven correct today.
E: I had a pretty clear sign too. Shannon got pregnant. When she told me the news, I said we should get married. Barely even asked.
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Oh the way Buck was looking at Eddie with the biggest, most fondest eyes on his face was hilarious considering Eddie was talking about how he proposed to his wife. Buck had to divert his eyes away from Eddie, almost as if looking too long would burn his eyes or something. But the smile on his face was so sweet because I know he was thinking of a younger Eddie finding out he's going to be a father and doing what he thought was the right thing for him to do. It really makes me sad knowing that Eddie has never once chosen to be with someone for his own needs. But that is why I feel like this is all a part of Eddie's storyline for this season. We know he does not want to be alone but that is why it is so important for him to finally realize that he needs to choose a partner that he wants to. A partner that will make him happy, a partner who will understand him and love him and know he is enough for them. And the fact that the camera chose to focus on Buck smiling like a fool in love just highlights that he's most likely already found that partner.
Buck verses Hen
I honestly feel like the whole Buck vs Hen thing was sort of unnecessary and created angst where it shouldn’t have been. As a viewer and an avid observer, it’s clear that they were being defendant of their loved one without understanding where the other was coming from. There was a clear lack of communication between the two of them and it really highlighted how different their conversation is to that of Hen and Chim’s, and Buck and Eddie’s. There’s almost never any miscommunication between Buck and Eddie, nor with Hen and Chimney. 
As I mentioned earlier, this episode made way to more parallels between canon couples and Buck and Eddie. Not only that, but it used specific examples that as you watched, you couldn’t help but think of Buck and Eddie and the stuff they’ve been through.
B: Hen how can you even think that after everything they been through? How far they've come. Do you remember where they were a year ago?
H: I do. Maddie was gone and Chimney was raising Jee-Yen alone.
B: Maddie was going through a lot and you know that.
H: I know, she was sick. And I know that was terrifying and overwhelming for her. But the choice she made gutted Chimney.
B: And he forgave her.
H: Of course he did.
B: Because he loves her.
Now a few things that are very boldly sticking out to me with the words these two are saying. We all remember how heavily Maddie and Chimney were paralleled with Buck and Eddie last season. What with Maddie struggling with her ppd and Eddie with his ptsd, we got both of them leaving their respective jobs and partners to work on getting better. Both Eddie and Maddie were going through a lot and with Buck telling Hen that they've come so far since last year, a part of me believes he's also speaking about his own personal experience with a partner that left to get help for himself. He and Eddie are in a much better place now than they were a year ago and a part of me believes that this conversation was loaded with parallels to their own experiences the prior year in addition to that of Maddie and Chim's.
One more thing that these specific word choices reminded me of is Buck and Eddie's make up conversation in 3.06. When Buck was pleading Eddie to just talk to him, Eddie explained where is frustration and hurt was coming from. So when Buck follows with an apology, what does Eddie say almost immediately?
B: But I get it. And I really am sorry. For whatever it takes for you to forgive me.
E: Oh I forgive you. Also what it means to be a part of a team. Just don't do it again.
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Eddie forgiving Buck almost immediately because he loves him is exactly why Chimney immediately forgave Maddie. The parallels between the two instances is insane to me because whereas Chimney's love for Maddie is obvious and loud, making his quick forgiveness understandable, Eddie's love for Buck is quiet and private. That's why him immediately forgiving Buck was not seen as a result of his love for him at that time. But now, considering this conversation between Buck and Hen, one cannot consider Eddie's quick forgiveness for anything other than the simple fact that he loves Buck. And sometimes you got to forgive those you love because you got to make your peace understanding why they did the things they did. To make it even more important, it’s the fact that Buck is the one justifying Chim’s immediate forgiveness as a reason for his love for his sister. Which begs the question on whether or not he believes the reason why Eddie forgave him so quickly back in season three was because he knows Eddie loves him in a different way or not?
B: You're still blaming Maddie.
H: I'm not blaming her. All I'm saying is that their relationship has been one trauma after the other from the beginning. Maybe they both need to heal from that before jumping into marriage.
B: What do you think the last year has been for them?
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Now who else's relationship has had one trauma after another after another since the beginning?? Oh yeah, Buck and Eddie's. These two, alongside their son, have been through a number of traumatic events together and they're still healing with each other. Hen saying that to Buck was very loud because it's showing the viewers the similarities of Buck and Eddie's relationship with that of an actual couple's on the show. They could not be louder if they tried at this point.
The Case of The Missing Ring
I really enjoyed how fun this episode was especially when Chimney realized he lost the ring. Having the entire team searching the station for the engagement ring was hilarious and it reminded me of the treasure hunt episode.
I will emphasize how once again I find it super telling and believe it to be a bit of a foreshadowing, having Eddie be the one to tell Chimney to propose without thinking too much of it, even if he smells bad.
E: And when she sees that ring, she’ll forget about how do you smell.
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The focus on Eddie and Chimney really does seem to be important throughout the episode. Which really does make me believe that we are going to get another important scene between time before the end of the season. 
The theme of time has been following Eddie around for seasons now and just this season we’ve had many instances where he talks about time. Once more, this episode proved that there’s something about time following Eddie when he looks over at Ravi, fully exasperated as any older brother and tells him, “Not the time.” This makes me question what about the present is not the right time for Eddie? Is it perhaps the fact that he may be pining for his best friend and knows deep within that now is not the time for them to be together? Or is it Eddie telling the universe that now is not the time to make his feelings known no matter how badly he wants to? I think this also foreshadows Eddie possibly running out of time to say or do something life changing by the finale and it may be up to Chimney to help Eddie realize that and encourage him to act before that time is up.
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Buck and Hen having another back and forth conversation at the station was, in my opinion not needed. They’re never going to come to the same understanding because both of them feel strongly about Chim and Maddie in their own ways. But I know it was all to set the stage for Chimney and Hen’s little angsty moment about why Hen isn’t being as supportive as she should be considering she’s Chim’s best friend.
C: It’s always the ones that are closest to you.
I love that when Chimney says this to everyone, you can see Eddie’s immediate reaction to that comment. He disagrees with Chimney’s statement because he trusts the one closest to him and knows without a doubt that Buck would never hide something from him. That there’s no instance in which Eddie would even question Buck’s loyalty or his actions. That’s why you see him subtly shake his head and look around, almost in a way as if he were asking everyone else, “Can you believe him?”
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The final moment in which Buck looks over at Hen in disappointment and then over at Chim shows how hurt he really is about the turn of events. He not only wants his sister to be happy but also one of his closest friends and he can’t seem to understand where Hen is coming from. Which isn’t to say he’s wrong and she’s right. It just means they both have strong feelings about Maddie and Chimney and can’t see the other’s side for the time being. I also think we’re going to get a moment where these two are stuck together during the finale or have to work together to save Chim and Eddie. Something about the deliberate pairings of Chim with Eddie and Buck with Hen this season really makes me believe we’ll get important moments of these new partnerships in the finale.
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One final thing I’ll say is how this entire episode heavily focused on Chim and Hen’s friendship. The reason I’m mentioning that is because it’s so vastly different to that of Buck and Eddie’s friendship. Whereas Hen and Chim have such love and devotion to each other, it’s solely platonic and based off years of partnership. None of their conversations have that underlying romantic theme. They talk about some deep issues and there are tears involved but it’s simply two best friends discussing real issues because they trust each other.
Whereas any time we’ve seen Buck and Eddie have a deep conversation, especially this year, it rings more of a couple than just two friends talking. There’s that touch of intimacy behind their talks that one can’t mistake for anything other than deep love they have for each other that is not only based off years of partnership but also romantic love they have for each other. One cannot simply compare Chim and Hen to Buck and Eddie because one is a clear example of a healthy and strong friendship, while the other is an example of a budding romantic relationship based on a foundation of years long friendship.
Finally, I’m including this comment from Chimney about the universe because I once again believe this is going to come back in the finale and relate to not only him, but to Buck and/or Eddie as well.
C: No, the universe is trying to tell me something.
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It seems as though the underlying theme this season has been the universe trying to tell all of them something but no one’s listening. Chimney voicing this means he’s finally in a place to just listen and allow the universe to guide him into what is meant to be. Now imagine if other people just listened to what the universe has been trying to tell them for years now? Well, something tells me by the finale, more members of the firefam will be faced with the powers of the universe and be left with no choice but to finally listen.
If you got through all of this, once again thank you very much. It means so much to me that anyone cares to take time to read these that I put so much work into! Thanks to the lovely @aa-lionheart for always providing me with beautiful gifs. I couldn’t do this without her support 💜 If you would like to be notified about these weekly metas, please let me know here!
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itsclydebitches · 1 year
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I find it striking that the show gave us two shots of Trent stopping a door right before it closes, in back-to-back episodes, with the first instance inevitably informing our reading of the second. Meaning, once that particular, distinctive shot is associated with Trent following Colin to come out to him/reassure him about being queer, seeing that shot again - especially so soon - automatically makes us go, "Okay, so what does this have to do with the themes of queer sexuality and coming out? Is this another case of Trent, on a literal level, running after a queer man?"
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In a very general sense, this scene did have Trent 'come out' again: as a "dork," as autistic (based on many fans' reading of his enthusiasm and body language), as a total convert to the "Lasso Way," as a genuinely happy person after nearly three whole seasons of playing the cool, collected, despairingly cynical journalist. However, the takeaway is not just that Trent is finally comfortable enough to fully express himself, it's that he overtly acknowledges that Ted is the one who brought this about. Remember, "sport" is the metaphor and here everything Trent discusses about Total Football is really just a figurative expression of his love of Ted.
He's not even subtle about it, what with his language entirely focused on Ted's individual influence, rather than emphasizing the work the team has put in, or their own significant influences. (It's a biased focus that Trent indulges in despite Jamie straight up saving the day an hour before with Trent right there, watching him do it). He starts the scene by screaming Ted's name, says the strategy will work because of the Lasso Way, you haven't switched tactics, you've done this over three seasons. Trent might think that the fourth point doesn't matter, but really he's already discovered it. The last piece of the puzzle is Ted (or more broadly, the love that Ted helps flourish). A team can have conditioning, versatility, and awareness, but if they haven't formed the kind of bond we see when the boys are putting that water bottle into Will's basket, all of those others skills will come to naught when pit against the fluid, trust-based tactics of Total Football. That's the final condition that Ted has brought about and Trent's celebration of it is, by default, a celebration of Ted himself. Coupled with our opening door-stop that invites a, 'What gay quest is Trent heading out on now?' question, it's no wonder I've seen so many, "I thought Trent was going to kiss him" comments the last 24 hours. YEAH because that's how this scene is framed! Trent is newly out to the audience. He's paralleling his previous queer-focused plot-line. He's the most himself we've ever seen him while enthusiastically celebrating the existence of the man in front of him. What isn't romantic about that?
I also can't help but think about the door itself as a metaphor; of a possibility almost closing... only to be halted at the last possible second. We have the expression "When God closes a door he opens a window," yet in this episode we're explicitly told that God is not a part of this dynamic, so instead it's Trent - the supposed "observer" - who stops the door before it can close in the first place. He kept alive the possibility that Colin could find peace with someone about his sexuality and now he's keeping alive Ted's faith in his own coaching style... as well as the possibility for their romantic involvement (canon-based or fanon-based).
I know the "straight" comment disappointed a lot of fans, but the way I see it we have an episode where Ted's sexuality is framed in the past tense, while we get a shot of Trent giving him a I Know What You Are look similar to what Colin received, right after Ted gushes over loving a great head of hair + a clean-shaven look (Trent's vibe), alongside the meta (Lance's interviews) and canonical ("No, Sir / Yes, Ma'am") queering of Trent's gender, during a stint where a whole group of men are tied together by red strings of fate, right before one of those out men literally runs rom-com style after another to gush over how much he adores him while they're connected by their own strip of red.
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[gnashing, wailing, etc. etc.] I BELIEVE
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sansasmile · 1 year
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the thing that makes me go insane when it comes to jonsa is that even though it’s not canon - and probably never will be - it’s a ship that’s got everything. it’s got everything you could ever wish for in a pairing. the shared history, the childhood memories, the complex family dynamics, being family yet being strangers, going from being strangers to being family. the parallels in their individual journeys - being in turn a traitor and a prisoner, learning to survive by playing a role in a place where they can never rest nor trust anyone. jon going from bastard to lord and sansa going from lady to bastard. being hurt over and over again, forced to grow up too soon, their dreams and ideals crushed, their innocence taken from them. the years-long separation, the pain of losing everyone they love, the longing for home and thinking they’re all alone in the world. and then... and then the reunion. unexpected and all the more beautiful because of it, all the more beautiful because of the distance that existed before, because she wasn’t his favourite sister, because of all the hardships they endured that made them into different people, people who could understand each other, love each other. the fact that with him sansa is finally safe, and with her jon finds his purpose again. avenging their family, avenging each other, and the house stark of it all - reclaiming their stolen home together when they used to be the two people who wanted to leave it the most. finding their identity as starks, an identity which was taken from sansa and never belonged to jon, by gifting it to each other - jon helping her get winterfell back and sansa letting him know he is a stark in her eyes, giving him the acceptance he never got from her mother. the comfort and protection, being each other’s safe haven, helping each other heal, learning to trust again, learning that they deserve to be loved. sansa’s wish of being loved for who she is, all her little girl dreams that she thought were impossible, coming true when she finds her prince in the most unlikely candidate of all. jon, with his lower status and feelings of inadequacy, being the hero she so desperately wished for, someone brave gentle and strong. but the anguish, the shame and the denial, a forbidden love, a burning desire fighting against the need to be honourable. jon’s parentage being revealed. the layers, the LAYERS guys!!! and that’s not even all of it. fics, meta, fanvids and edits have opened up this world of possibilities, they’ve taken these characters, understood them so perfectly, and created the most nuanced, compelling, beautiful relationship i’ve seen in all my years of obsessing over fictional couples.
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kalofi · 7 months
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zl fic idea
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hii everyone i wrote something yesterday about an au idea i had for zolu and. i thought i'd share it here since its a bit too messy and disjointed in places to post on like. ao3 or something.
4.7k words, warning for temporary major character death but do not worry all will be fixed in due time. i'll put the rest under the cut
ok i have an idea for an au thats like kind of reincarnation but like reality displacement but like. okay just listen.
so we start at laughtale. its a couple years into the future from where we are in canon the strawhats are achieving their dreams luffy is about to find the one piece theres a big battle happening between them and the blackbeard pirates and whoever the fuck else is there idc. the rest of the strawhats are fighting the bb crew while luffy and zoro head off to find the one piece and also end up fighting black beard himself. luffy and zoro atp r like basically a thing but they never talk about it cuz theyre luffy and zoro and they kind of just exist with each other but like. theyre basically in love and everyone knows it. anyway they go off together luffy has the one piece almost in his grasp blackbeard attacks they fight its a big battle blood is shed bones are broken uumm in my mind luffy and zoro are like teaming up against bb bc his devil fruit is lowk broken and op and like ok theres gear5 too but i didnt rly consider that so lets just assume bb’s devil fruit can negate gear5 somehow or luffy exhausts it before bb is fully defeated. 
finally theyre able to knock bb down and hes out and theyre both tired and worn but they DID IT and the one piece is luffys and theyre facing each other grinning ear to ear and zoros saying “you ready, king of the pirates?” and luffy laughs and goes “not just yet zoro, i still gotta-“ and then theres a spear piercing right through his chest. and in the next moment its gone. 
theres a gaping hole through his captain and theres blood, theres so much blood and luffy’s still smiling like he hasnt realized it yet, like it hasnt even registered. zoros ears are ringing and he doesnt know what to make of whats hes seeing because its just not real, it CANT be. 
he looks over luffy’s shoulder and blackbeard is on the ground with his hand outstretched , black energy coiling back into his form and he’s laughing and laughing with bloodstained teeth. hes fucking laughing. one moment zoro is still standing parallel to luffy and the next hes in front of blackbeard and the mans head is rolling through the dirt and gravel, wado dripping crimson, a terrible gap toothed grin still stretching the man’s cheeks. 
zoro is breathing heavy, hes trembling and hes almost mesmerized by the blood pooling around a lacerated neck— then he’s remembering luffy and turning around and calling his name and he can see right through him theres a HOLE right through him and he chokes and stumbles and rushes to his side right as luffy starts to crumple to the floor . catches him and lowers him gently and doesnt know what to say. 
hes still shaking but cant move his mouth and everything is muffled, the sounds from the battle outside are distant and they dont matter but what does he do. what does he do. 
he snaps out of it when luffy gently calls his name. a strong “zoro,” like hes not fazed at all. like there isnt blood soaking into zoros clothes. 
his brain kickstarts and he’s speaking. saying things like “youre ok you’ll be ok” and “choppers right outside i’ll just call him and he’ll fix you right up” and “you always bounce back, right captain?” and hes thinking “dont die please dont fucking die. not now, not when we’re this close please dont fucking die” and hes silently praying to all the gods he doesnt believe in but luffy calls his name again and his mouth clicks shut. luffys saying it’ll be fine, that he had fun. that hes proud to have made it this far with all of them. and those sound a lot like parting words so zoro’s shaking his head no but luffy is still smiling. hes saying that hes glad he had zoro, that he made him happy. hes saying to tell everyone he’s glad they met, that hes glad they all had each other, that he knows theyll be just fine . 
zoro wants to say that luffy should tell that to them himself, when hes wrapped up and recovering and alive but his mouth is glued shut again and he feels that interrupting luffy now would be cursing him to death, like his words are the only thing keeping him tethered here, he just needs to get him to keep talking to stay awake. 
he tries to smile but it comes out ugly and wrong and he feels his lip wobble so he drops it. he settles on rubbing his thumb on luffys shoulder. something to keep him here. 
so he rubs and luffy talks little things until he cant anymore. until his eyes grow dull and his skin loses its warmth and still zoro rubs and he rubs.
thats how law finds them. zoro hunched over a body that should never be as still as it is. and its really no surprise hes there, hes been gunning for the one piece since the time he could captain a ship (or a submarine) but it all feels so wrong. 
zoro either doesnt notice him or doesnt care, but either way the man doesnt acknowledge law until he’s right behind him. its not like law can say anything to announce himself either, not after seeing the state of the body that zoros currently holding. the body that used to be luffy’s. hes still processing it all when the other man(the one whos alive) finally speaks. 
zoro asks if hes got a devil fruit. less of a question and more of a statement, but he should know anyway since theyve spent considerable time together and hes literally seen him use it. law cant unstick his jaw so he hums in affirmation. “and you can switch stuffs’ places?” another hum. “what about time.” 
that makes law pause. “what?” his voice comes out stronger than he feels. 
“what about time? can you switch things in time?” by this point law has awakened his devil fruit or some shit dont sweat the logistics but hes never tried anything of that sort so he kind of stumbles “im not- maybe? ive never attempted-“ zoro interrupts “send me back” 
“what?” 
“send me back so i can fix this. you can do that, right.” it clicks. law would pity zoro if he didnt know any better, instead he just feels mounting despair and resignation. 
he may not be crew, but he knew luffy too, he was allied with the man for fucks sake, and this just feels- wrong. he sighs, a tired, heavy thing. 
“what about your crew?” its useless. zoros as stubborn as his captain, with arguably a handful more screws loose. “it wont matter. they’ll never know because i’ll make sure this doesnt happen.” he still hasnt turned around. law doesnt know what expression hes making and hes sure he never wants to find out. 
hes ready to deny it, cut his losses and head for the one piece himself (hes not heartless, but if he stands here any longer and has to look at. well. he think he might never be able to move again) but then he really thinks about it. could he? would it even be possible? surely this isnt the way things were supposed to go, surely this isnt right. luffys never been one who was supposed to die just like that, like this, law knows that much. he thinks hes going to regret this, but he counts it as one last thank you for everything luffy did for him. 
youre gonna owe me big time strawhat-ya. if i even remember this, that is. 
he puffs a breath “i can try. i cant- promise anything but. i think we both know this,” he makes a vague, weak gesture, “isnt right.” 
zoro doesnt say anything, law didnt expect him to. he just bows his head slightly and law takes that as the acknowledgment it is. 
he brings his hand up, “dont do anything stupid, zoro-ya. or, at least, make it stupid enough to bring him back.” 
he positions his fingers in way so familiar, but the weight of it now is nearly unbearable.
room.
shambles
zoro’s world shatters, differently than before, and then theres nothing.
he wakes up in bed, bleary eyed and a pounding headache assaulting his senses. his alarm clock is going off which only adds to the drumbeat against his eyes. he grumbles and whacks around aimlessly to shut it off. the silence lasts a moment before his eyes fly open and he jolts up, sheets pooling around his waist. luffy. where was he? where was zoro? did the crew find him and take him back to the ship? did law fail? but this didnt look like chopper’s office.
he looks around to find hes in a room hes never seen before in his life, yet he instinctively knows is his. it all feels so wrong, like he doesnt belong in his own skin. he scratches lightly at his arm. he needs to go to work. 
work?
what the fuck is happening. 
its like his mind is at war with itself, one truth trying to dominate over the other. he trained at sensei’s dojo. he aged out of foster care. he was a swordsman, he was the first mate of the strawhat pirates. he didnt go to college, hes working construction. he made a promise, and kuina died. kuina…died. huh. his captain, his luffy, someone he knew so intimately and who knew him in turn. hes never met someone with that name his entire life. he needs to go to work, he needs to find his crew. 
he doesn’t understand what the fuck is happening. 
without his permission his legs stand him right up and he moves confusedly, surely, to the bathroom he didnt know he had. his reflection stares back at him in the mirror and its him, of course it is, he doesnt know why he expected someone else, but hes also…different. he has both function of his eyes, first of all. a scar in the same place as before but its light and healed over and doesnt seem to have blinded him like it once did. his hair is green, sure, but black roots peek out from underneath the familiar shade. hes grown stubble, he should shave. he needs to go to work. 
hes so confused, but his body moves like its been doing this its whole life. as far as zoro knows, it has. 
he continues getting ready, mind still at odds, and makes himself a cup of coffee (in his own kitchen. his own kitchen? the state of it leaves less to be desired. sanji would surely skin him alive) before tucking into his shoes, grabbing his wallet and keys and heading out the door. he seems to live in a single room apartment, and a crummy one at that. his legs move him faster, he has to go to work, he cant be late again (again?).
his car is parked outside the building, he has no fucking clue what it is but he unlocks it all the same and settles in. he feels like he shouldnt be operating this sort of machinery. franky would know better than him how it must work. he starts it up and backs out. trusting his gut to get him where he needs to be. he should be more concerned, he should be frantic and inconsolable, his captain was dead in his arms and now hes? what? going to lay some bricks or some shit? but he finds that part of him dulled in favor of following whatever mundanity this body is pushing him towards. 
uumm whatever whatever he arrives at work eventually i dont know how construction jobs work are there offices or something. idc thats not the point. johnny and yosaku are there and zoro is surprised to see them since, as far as he knows, the last time they were with each other was at arlong park which was years ago for him. but the two greet him like this is a daily occurence, like theyve been working together for years. and zoro thinks, knows, they must have. but this is good, this is great fucking news actually because until now theres been no confirmation if zoro was here alone (wherever “here” is) but now his proof is right in front of him because if johnny and yosaku are here, and they exist the same as from before, then that must mean everyone else is here too right? he clings onto this hope with both hands trembling. 
nami, usopp, the cook and chopper and robin and franky, brook, jinbe and fuck. fuck, luffy. theyve got to be here somewhere, zoro just has to find them. hes not sure if they remember things like he does but hes got to try because they are his as much as he has always been theirs and they should all exist together as it has always been. 
so then yeah he finishes his shift because its what hes ‘supposed’ to do but he doesnt go home. he drives around aimlessly before pulling into a random lot and pulling out his phone (theres no snail attached to it. weird.) he doesnt even know where to begin. hes not usually the one coming up with plans, he just goes where theres blood need to be shed. but no one seems to be in any danger here except for maybe himself, and its not like he has his swords anyway- shit. fuck did he still have wado? he must have right? he knows there was a kuina that existed here too, he knows because he remembers. and she, well she wasnt around anymore so he must have wado. he must. with shaking fingers he pushes that aside for now, though barely. he needs to find luffy, but he wouldnt even know where to start. luffy could probably find the rest of their crew by simply wandering around and happening upon them, thats how he did it before. but zoro has no idea where he’d be, he doesnt even know where he is. nami or robin would be a good bet to at least form a plan, but he wouldnt know how to find them either. 
is there even a coco village here? would robin still be part of baroque works? he needs someone who has a defined location that he could google or something (what the hell is google?). usopp would be at syrup village right? shit. is there even a drum island? these are all too broad, he needs something specific. specific…..a place with an identifiable name, somewhere smaller that would be easier to stake out…
a lightbulb goes off. 
fucking shit he thinks. of course. of fucking course it would come down to the cook. 
he types in “baratie” to his maps and a location pops up, just 27 minutes from where he is now. he hasnt eaten yet either, so he figures thats killing two birds with one stone. he taps the address, backs out of the lot and drives. 
(if it takes him nearly an hour to get there thats nobodys business but his own)
he pulls up to the building about a quarter after 7. it seems packed enough already, but if memory serves him right then that was just par for the course for baratie. he parks, gets out and locks his car, then shoves his hands in his pocket and resigns himself to another oncoming migraine hes sure to get upon interacting with the man hes certain is waiting somewhere inside. 
the tables are full, the host tells him, he slips a 20 from his wallet and suddenly (of course) theyre more than willing to serve him. 
he gets settled in a far and somewhat isolated booth and a waiter comes up to him, but he cuts the man off as hes introducing himself and says “you got a blonde working here? stupid ass side part with a weird eyebrow? goes by sanji” the waiter looks shocked and put off by his rudeness but quickly collects himself and says “we might. depends on whos asking” zoro snorts “just tell him hes got someone who wants to talk to him,” he cringes at this next part, tries to smile but knows it comes off as a sneer. hes not sure if he still has conquerors haki wherever he happens to be now, but he tries to channel that energy the same way he would if he were in battle and says “tell him im a fan.” the waiters eyes widen, in fear or surprise zoros not sure (most likely a mix of both) before he nods and scurries across the floor, weaving in between patrons and coworkers alike until he disappears behind the double doors to the kitchen. 
zoro sits with his arms crossed and skims through the menu out of boredom and impatience. its a couple minutes before he sees a familiar head of blonde hair emerge from across the way. a smile climbs onto his face despite himself. sure, the guy annoyed him to hell and back and their…friendship (if you could really call it that) was a tumultuous one, but it was good to see someone familiar nonetheless. he schools his expression before the blonde can spot him. a few moments pass before hes standing right in front of zoro, his stupid suit primped and pressed as always, and a cautious look on his face. 
“you asked for me?” his tone is the one he only reserves for men who he deems not worth his time. zoro grits his teeth but says “yeah, theres something ive gotta discuss with you.” 
hes never been one for tact, forever blunt unlike his swords. 
sanji quirks a brow “i dont plan on talking about anything with anyone unless theyre a paying customer” zoro feels his eyebrow twitch but grabs his menu nonetheless and points to a random item without looking “i’ll have this then, and whatever booze you got.” sanji leans in to see what hes pointing to before his one visible eye widens and a grin slowly overtakes his previously unaffected face. 
he speaks condescendingly. “wonderful choice sir, coming right up.” before zoro can get another word in he grabs the menu out of his hand, spins on his heel, and marches back to the kitchen. 
zoro clenches his fists and does his best not to grind his teeth into a fine dust. no matter where they are or what displacement in time the fucking curly brow never fails to be absolutely insufferable. at least this way though, zoro knows its him for real. 
its another 20 minutes before the shit cook reemerges from the back with a platter and a mug in his hand. he steps up to zoros table and places the plate and cup down in front of him with a smug look. zoro has no idea what the fuck hes looking at on his plate. he doesnt have time to question it before sanji plops down in the booth seat across from him, disregarding all previous faux-professionale and asking “so what do you want” zoro tears his eyes away from his plate and looks into sanji’s, trying to convey as much emotion, as much urgency as he possibly can. 
“luffy needs us. and we have to find him” whatever the cook was expecting him to say, it definitely wasnt that. the other man regards him more warily now, looking him up and down with a tense frown before replying “i dont know what the hell youre talking about. and i dont appreciate being mocked or having my time wasted” he goes to stand up but zoro grabs his wrist, yanking him back down unceremoniously. 
he blinks before rounding back on zoro, flaring his nostrils in a way zoro knows means hes about to get himself in deep shit “oi, what the fuck do you think youre-“ he doesnt let him finish “im not mocking you. this isnt some stupid prank or whatever youre thinking. and despite how much i would enjoy punching your teeth in right now im not looking for a fight either.” 
the cook still looks affronted but seems to actually be listening. zoro continues “look, i dont know what the fuck is going on. i was at laughtale with you and the others, with luffy, and then i woke up and now im here and i dont know how but this is all wrong. its all wrong but i need to find luffy and fuck, i cant do it alone. i need your help to find him. find everyone.” the blondes eye is wide, but he blinks and its gone. he looks more tired than zoro has ever seen him 
“im not paid enough for this shit. i dont know why i even-“ he looks like hes getting ready to leave again but zoro is desperate at this point so he blurts out whatever he thinks will convince the other man hes not bullshitting.
“we met you here, at the baratie. me and nami and usopp and luffy. luffy busted through one of your walls so your old man punished him by making him wash dishes. i dont, i dont know what luffy said to you, or how he convinced you to join us, but he changed your life like he did mine. we sailed together, and we had each others backs no matter how much we got on each others nerves. you were our cook. i was our swordsman. luffy was our captain and youd do anything to help him, i know you would, same as me. youre a pervert and an asshole and a damn annoyance, but youre strong. i could still kick your ass though” if the cook’s eyebrow could go any higher hes sure itd be clear off his forehead by now. 
“and you- your dream. you wanted to find the all blue.” he stalls there, engine sputtering. zoro doesnt know what else to say, so he snaps his mouth shut. 
the blonde is still gaping at him like a fish, but he mouths the phrase “all blue” like hes been searching for it his whole life, like he always knew but just never had the words. 
he blinks. 
then he blinks again, rapidly. there are tears pooling in his eyes. his mouth flaps for a moment before he seems to finally be able to push out words. 
“you- zoro?” he sounds small. he sounds hopeful. zoro grins. 
“yeah, yeah its me.” sanji stares at him a moment, then looks around, as if hes seeing everything with clear eyes for the very first time. zoro figures he might as well be. 
“holy shit. holy shit.” 
zoro laughs, a rough thing. theres a ball in his throat that he cant seem to dislodge. “nice to have you back, curly brow” sanji’s gaze snaps back to him before he scowls and tries wiping away the tears that are now streaking down his cheeks. its useless though, it seems they cant stop. zoro laughs again at the sorry state of the asshole in front of him, this time more full and genuine. he feels so relieved he doesnt know what to do with himself. 
“yeah yeah, whatever dick head.” sanji grumbles. zoro quiets down, glances away, lets him have his moment. “fuck, mosshead, im still on the clock and you unload all this on me? how the hell am i supposed to finish the rest of my shift?” his words are sharp but he doesnt sound angry at all. in fact, when zoro turns back to look, hes smiling. 
“you remember now though, dont you?” he has to be sure. 
“what does it look like, dumbass? think im tearin’ up cuz of pollen or some shit?” the cook rolls his eye. theyre both silent for a moment, trapped in their own heads, before he speaks up again. “so, what now?” zoro doesnt even have to think before he answers “we find everyone else, obviously.” “well no shit, but how?” zoro glances to the side. “i was hoping youd figure that out” sanji stares before bursting out laughing. zoro scowls and hunches into his shoulders. 
“of course!” sanji cackles “of course your dumbass wouldnt know what to do! you probably just typed in the most recognizable place you could remember and hoped one of us would be there!” zoro doesn’t answer, because yes thats what he fucking did, but it worked didnt it? he doesnt see whats so funny. 
“fuck you.” 
he wants nothing more than to bash that smarmy mouth in, but the familiar egging settles something in his soul. sanji gasps a few breaths before calming down, now wiping tears from his eyes for a completely different reason. 
“alright alright, well lets figure this out then, yeah? we figure out how we got here then we can figure out how to get back right? simple enough” 
zoro nods, “law was-“ he stops. remembers dull eyes and clammy skin and wrong wrong wrong. he shakes his head, “no, no we cant” sanji looks at him confused. 
“we cant go back,” zoro presses, “not until i fix things. i promised i would” the other man seems to pick up on his panic and his mood dampens, becomes more serious. “promised what?” 
zoros never been one to sugarcoat, but now he wishes he could find a way to soften the blow hes about to deal. he inhales, pushes the breath out. says, “luffy died, sanji.” the fact the hes actually using the other mans name seems to fly right over his head in favor of the first part. “what?” zoro huffs, is he really gonna make him say it again? “luffy di-“ sanji interrupts, angry now, fists clenched and whitened from the pressure “i heard what you said. but what do you mean.” 
he doesnt want to have to tell sanji what happened, doesnt want to talk about it at all, wants to slice it up into small enough pieces that it very well may have never existed.
he told law the others wouldn't have to know, that he would make sure of it, but he's realizing now just how unrealistic that is. as much faith as zoro places in his own abilities, he's aware he's only one man.
and, he figures, if there's anyone i can trust enough to share a burden heavy as this with, might as well be the one who's strength i'd count on just as much as my own.
sanji cant help if he doesnt know what went down once they got separated at laughtale, so zoro sets his shoulders, clenches his fists, prepares himself like hes riding into a battle he knows he has no chance of winning—hes the first mate for fucks sake—and resigns himself to filling the other man in on every horrible detail
by the end, the cook looks much the same as zoro feels, pale-faced and shaky. he runs a trembling hand through his hair and clenches his eye shut. “fuck mosshead, thats…” he doesnt bother finishing, and zoro stays silent—already knowing just how much of a shitty situation it is that theyve found themselves in.
(btw the reason sanji was so smug about what zoro randomly chose on the menu is bc its one of their most expensive dishes. even upon regaining his memories he still makes zoro pay it cuz hes an asshole like that. business is business 😁)
uuummm i dont feel like detailing the rest basically my idea is that they work together to try and track down all the members as well as law, since hes also a part of this. i dont know how or when or in what order but i do know finding luffy would come last. so yes its zolu but for a majority of it more in spirit than anything. maybe i can throw in some luffy pov of him living with ace and sabo . he knows something is off but cant place his finger on what. he knows something is missing but hes got his brothers with him so what else could he possibly need? etc etc. you get the idea
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akarisandraws · 2 months
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What are your top 10 most favorite Sonic ships and why don't skip out any detail
Its about time i give my two cents on this tbh.
LETS GO!!
SONADOW:
I can't honestly say something that hasn't been said before, because this ship is massive. And for a good reason. Its just the epitome of all the things I like. Rivals to friends to lovers, red and blue, opposing yet complementary personalities, good chemistry, the list goes on and on.
Its just that mutual respect yet banter that always gets me. I've TRIED abandoning ship, trust me. But this ship was just tailored to my tastes, and i cant get rid of the brainrot so much that it has become a problem :)
2. TAILSMO:
MMMMM THE PAIN. I love this ship because its so innocent and cutsey while being absolutely depressing!
Cosmo deserved SO MUCH MORE than what she got, and to this day it makes me so sad we never got Sonic X season 4 in where Cosmo comes back as a robot or something. The seed she left at the end too! They Absolutely wanted to bring her back and i will forever be sad about it.
3. SURGEAMY:
I say it all in this post, but in a nutshell, Surge needs someone as positive as Amy to heal.
4. WHISPANGLE
And they were roomates
Ever since they got introduced i just KNEW the artists were gonna ship these two. This ship is almost as good as canon tbh. Love me some sapphic girlies.
5. SILVESPIO:
Another rare pair that is just SO GOOD.
I started shipping it after that one Sonic IDW issue, and it just stuck. Silver being overwhelmed and Espio just calming him is so domestic fluff that i cant even-
6. VECTILLA
They were adorable in Sonic X. Also Vector would be a cool ass dad to Cream AND Charmy.
7. KNUXOUGE
I know ppl are gonna burn me at the stake for ranking it so low, and it probably should go a bit more up, but yeah, i like Knuxouge. Its not like my OTP, but as a bg ship, its great!
8. SONAZE:
Just the duality of the same concept but diferent attitude about it.
They're both guardians on their own way, but while Blaze thinks its a burden Sonic Thinks its a blessing. The parallels are just YUMMY. And also Blaze deserves a golden retriever bf.
9. SONALLY
They were canon, okay? When i was little i remember loving them together while reading the archie comics. They were so sappy and Sonic was OOC but like, they made me happy. And that hasn't faded yet.
10. BUNNTOINE
Again, same case as Knuxouge. I like it a lot, but its not like i'll lose my sleep over them. They are a cute canon couple!
Here we go!
Super sorry for the late reply!
Thanks for the ask!
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lover-of-mine · 21 days
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Remember in season 4 outside of bathena's house when Taylor says something like "I'm so glad we're friends" or whatever and Buck gets that kicked puppy look on his face and repeats the "friends, yeah", well, something like that, but happening in the lofts kitchen is #buddie endgame confirmed and then we can just sit back and watch it unfold, and I know it's not gonna happen, but I will live in this particular delusion until the show proves me wrong, because during treasure hunt when Buck is all dreamy for Taylor, they are between the counter and the table and the gym stills keep making me think of breaking point which is a weirdly pivotal episode for bucktaylor and well, I love parallels with canon couples and those few episodes are the closest we got to watching Buck pine, so it is expected that he would have a similar reaction to feeling something like that again, but it would be more intense with Eddie because his relationship with Eddie is already really intense. We can also get the contrast because Buck does something stupid with Taylor and she freaks out on him, and having Buck do something stupid that ends with Eddie once again reassuring him about how much he means to him would be yet another example as to why Eddie is the superior love interest for Buck.
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mswyrr · 3 days
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The reason why lucy/max initially feels so youthful together so far, like kids with a first crush, and why they don't have sex yet, is that they're both "maidens" in a narrative sense:
The Maiden Arc is the fundamental coming-of-age story. It is the story of a character who has left behind the Child archetype (which we will discuss later in the series when we reach the Flat-Arc or “resting” archetypes), but who has not yet individuated away from her family and into her own autonomy. The Maiden represents sexual awakening and conscious burgeoning. Hers is that fraught period—recreated in so many YA novels—when the person is learning who she will become and, perhaps most poignantly, what she is willing to risk to become that person. [source]
They're starting to break away from authority, but they're both still obedient to authority & brainwashing when they meet and start to fall for each other. They're going to separate to dance with their shadows (Lucy with Cooper and Max with the Brotherhood/Dane) and figure out who they truly are - then meet up again.
To be clear, I'm not saying they're in any way actually "children" - they're both adults! But their relationship to authority and community continues to be that of "maidens":
There is no guarantee she will accept the risk. As with all of the arcs, there is no promise she will fully commit to and complete her arc. Although we all grow up physically and assume adult responsibility, the inner arc may remain uncompleted long into our lives. The obstacles the Maiden confronts are vast because true individuation is often perceived as a threat by the tribe in which she exists. [source]
They didn't have sex because it wouldn't have been as their sincere selves? They don't know who they are yet! They're still trapped in a "youth" phase - and now moving into fully incorporating their shadows and knowing themselves & what they want phase. They're only going to get together after that.
And as I mentioned in a previous post, this show (so refreshingly!!) actually includes sex and povs on it as part of characterization - so the fact that they're both "virgins" in a way due to brainwashing--Max doesn't even know his own body let alone what sex is! And Lucy was brainwashed to think of "breeding" as her obligation and purpose - she's only done that and casual sex, never fallen in love and "made love"--plays into why they haven't had sex yet and that, once they're more fully formed as their own people, they will come together in that way.
It's a well written romance arc. A bit of the dynamic where a "childhood crush" couple meets, are separated, and then meet again and falls in love as adults who know themselves and what they want - but in a sped up timeline because they're both on parallel coming-of-age arcs. IMO in the final lyrics "my echo, my shadow, and me" - the shadow is Cooper for Lucy and the Brotherhood for Max and they are echoes of each other - with both similarities and differences.
Side note: even when a canon is writing a romance well... it's still valid and fun to play in non-canon ships because art is for playing and exploring! And I am a multishipper, so please don't bring negativity toward any ship to my post.
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Hi! This is a fic rec of 52 of my favorite canon fics, organized by length from longest to shortest. Enjoy!
Hiding Place by orphan_account (365k)
Louis never wanted a soulmate, didn’t really care for the whole Bonding thing at all, really. Enter Harry Styles, who’s wanted to be Bonded for as long as he could remember. With one fateful meeting in an X Factor bathroom, Louis gets a dagger on his arm and the realization that just because Harry is his soulmate doesn’t mean it’s mutual.
From the X Factor house to Madison Square Garden, from the Fountain Studios stage to stadiums across the world, Louis has to learn to love without losing himself completely, because someday his best friend will Bond to someone and replace Louis as the center of his universe. Meanwhile, Harry begins to think that maybe fate doesn’t actually know what it’s doing after all, because his other half has clearly been right in front of him the whole time. All he has to do now is convince Louis to give them a chance.
Or, the canon compliant Harry and Louis love story from the very beginning, where the only difference is that the love between them is literally written on their skin, and there’s only so much they can hide.
One More Time Again by orphan_account (232k)
Harry looks down to where Louis is cradling his hand between his own. Louis' hands are slender, the bones delicate, the nails bitten short. The 2-8 on the backs of his fingers is gone, but the faded scar from a skateboarding mishap in Year 7 is still there.
Harry's hand is awkward, knobby-boned and naked, no rings, no tattoos. It's too big for his wrist and his wrist too big for his arm. Yet it still somehow fits in Louis' in the painfully perfect way it always did.
He blinks back the sting in his eyes.
On the morning of his second sold-out performance at Madison Square Garden, Harry wakes up to find that he's sixteen years old, on The X Factor, and that he has a chance to make things right.
A canon-compliant fix-it fic (sort of).
Given A Chance by fabby / @fabby1d (173k)
Five years after One Direction took their last tour, the last thing Louis Tomlinson ever expected to happen while on a tea run at the local Piggly Wiggly was to run into his ex-boyfriend and ex-bandmate Harry Styles.
The odds of them ever running into each other again had to be super slim, right?
Wrong.
What happens when you mix ex-boyfriends with a large serving of Small Town America? Will Louis and Harry be able to set aside their differences, or will Louis be able to stay breezy as fuck in the wake of Harry’s arrival?
(or, the one where Louis and Harry run into each other five years after One Direction ends and learn how to love each other again. Featuring: Reggie as the overweight labrador, Niall as Louis’ last grip on reality, and Nowheresville, North Carolina as the setting for Louis’ worst nightmare to come true.)
And Then a Bit by infinitelymint / @infinitelymint (158k)
“We’d like to give the fans what they want.” Magee states, placing his hand on the table in front of him and leaning forward. “We want to give them Larry Stylinson.”
Or, take a parallel universe where Louis and Harry were never together, mix in a two year hiatus and an impending comeback, pour in a dash of lost fans, two tablespoons of strong friendship and a Modest! employee with a good idea. Add a squeeze of pretending to be a couple, lots of kisses and a tattoo or two. Stir. Serve: the mother of all publicity stunts.
(aka Harry and Louis fake a relationship for publicity. Eventually it becomes a lot less fake and a lot more real.)
It Goes, It’s Golden by lucythegoosey / @harryrainbows (150k)
The chaos Zayn left in his wake wouldn’t feel so disastrous if Harry had Louis. But everything between them crashed and burned a long time ago. All Harry is left with is a hopeless longing and a fear that the band’s current disarray will set in for good.
… And then he finds himself stuck on a sixteen hour plane trip with Louis Tomlinson.
This could either be the most awkward flight of Harry’s life, or the beginning of an atonement he’s been dreaming of since 2013.
Canon Compliant AU in which Harry and Louis broke under the strain of it all and now, years on, there’s a chance to put all the pieces back together. Set in early April 2015 all the way through to October. Written in Harry and Louis’ perspectives, alternating every chapter.
After All These Years by LifeInAColorWheel (127k)
It’s been seven years since One Direction went on hiatus and it’s been eight years since Louis and Harry broke up. They’ve been strangers to one another since then.
But, over the course of a weeklong boys’ trip, history between Harry and Louis resurfaces.
Or,
The one when Louis and Harry don’t talk, connect again years later, and reflect on why their love collapsed.
Just Ask Me To by TellMeThisIsNotLove / @tellmethisisnottumblisnextfuckup (120k)
“You’re telling the truth,” Louis whispers.
“Of course I’m telling the truth!” Harry doesn’t even care that he sounds exasperated.
“Oh my god.” Louis grabs the wall behind him as if looking for support. His body slides down against it until he’s sitting crouched on the floor.
He mumbles something but Harry can’t really figure out what it is. He crouches down, and looks desperately at the breaking boy in front of him.
“You’re telling the truth,” Louis whispers. “You were not supposed to–”
“I was not supposed to do what? Tell me please,” Harry urges, taking Louis’ hands gently in his.
Or the X Factor era canon fic where they learn how to be a couple and that not everyone is going to be on their sides especially those with plain white t-shirts and saccharine smiles.
Burn to Ash by bethaboo / @bethaboolou (116k)
Harry is sitting there, so fucking casual, and Louis realizes in a split second he was not ready. When Harry walked out in Detroit and never looked back, he was a boy verging on a man, still only twenty years old, but there's a man in his place now. Hard and resolute, yes, but still, for the first time in a long time, Louis can kind of see the old Harry in him. The soft, directness of his gaze, the hesitant smile he gives to Lou, the way he wrings his ridiculously large hands in his lap.
He's a little bit the eager sixteen year old puppy dog again, his innocence and sweetness resurrected miraculously, and Louis freezes in place. He was prepared to face the asshole Harry. He was prepared to meet a whole new Harry.
Louis is not prepared to meet one of the old incarnations of Harry, and it absolutely tears him up.
Or the fic where Harry spirals out of control, the band breaks up, and then he shows back up, five years later.
The Blue In Your Eyes Is the Tenerife Sea by lookingforparadise (105k)
Where We Are Tour
Untangle Me by suicxne (103k)
Louis finds himself out of place in LA, unable to get at an itch that’s been bothering him for years. He supposes back in the early days, home hadn’t been a place. It’d been a person. He’d etched it permanently into his skin for fucks sake. It was always him and Harry. Stuck to each other like super glue. Pulled together by some magnetic force, existing in their own bubble. Everyone could see it, but that was half the problem, wasn’t it?
It’s not like Louis can pinpoint the exact moment in time when him and Harry fell out of sync. There wasn’t really one at all. It had been a gradual slip, like the tide wearing away at a sandstone cliff. Chipping the solid foundations until there was nothing left to stop the structure falling to the waves below. It’s not like he spends all of his time sitting around moping over a lost friendship, he’s good at distractions. But LA only seems to accentuate the distance between them. Two separate planets, not even in the same solar system.
Or the one where Harry and Louis finally get it right.
You’ve Got My Devotion (Hate You Sometimes) by lucythegoosey / @harryrainbows (95k)
Harry was in the biggest boy band in the world. He was also one half of the best (or worst, depends on who you ask) kept secret relationship in the music industry.
Now, almost five years on, after One Direction has broken up, and Harry and Louis' relationship has as well, a video threatens to put everything at risk.
One determined Irishman, a massive publicity stunt and two begrudging exes are all it takes to bring One Direction back to life and maybe, just maybe, Harry and Louis' mangled love life too.
Or: Harry and Louis are forced to fake-date after an old video from when they were dating emerges.
Happy To Be Found by ashavahishta / @ashavahishta (69k)
The weeks spanning October 2012 - January 2013 are a rollercoaster for Harry and Louis. There's shows to play, an album to promote, publicity stunts to be acted out...and several new tattoos to be inked. Throughout it all, the boys focus on the most important thing in their lives - their relationship.
To The Ends of the Earth by stylinsoncity / @stylinsoncity (68k)
During a yearlong hiatus, Louis visits Harry at his cabin in Idaho, where long-buried feelings ignite like the fire keeping them warm.
The Dark and the Dentist by sunshiner (66k)
“I know this song,” Louis whispers, and Harry has to lean his ear toward him to pick up what he’s saying. “It was written for people to dance to it. We should be dancing.”
We can’t, Harry almost spits, but it’d be stupid of him. Louis knows they can’t. Even if he looks like any regular Parisian in their twenties, and Harry looks like any hipster Parisian in their twenties, they can’t anyway. To be fair, they probably wouldn’t do it even if they were out. But if they were two uni students, both in Paris for an exchange, meeting over fallen books at the library, or because of mutual friends, or watching Monet’s Water Lilies?
“How would we dance?” Harry murmurs, mouth almost pressed to Louis’ cheek, so close he can feel his warmth. What a picture they must make, two millionaires freezing in a park and dreaming of a different life.
An account of the events of November 2014. Canon-compliant.
Time Passed by coffinofachimera (66k)
Louis struggles with their relationship as Harry grows into his identity.
Bigger Than Life by rippedgloves (48k)
“Boybander Harry Styles spotted leaving West Hollywood joined hand in hand with new beau, Xander Ritz”
His heart drops in his chest as he scrolls down, ignoring the short irrelevant article and looking desperately for a picture. Sure enough, there’s pap shots of Harry and Xander, walking hand in hand, looking drunk and cheerful and together.
And that’s—that’s really not what Louis was expecting at all.
Drifting, Weightless by dinosaursmate / @dinosaursmate (41k)
“We’ve been asked to do a gig,” Niall said slowly. “Harry and Liam are completely up for it, I am too.”
“Alright. What’s the catch?” Louis asked with suspicion.
“It’s, um…” Niall cleared his throat. “So, Juliana was contacted by this themed cruise company, and they want us to do a four-day One Direction cruise.”
The words hung in the air as Louis’ right eyebrow slowly crept up and he fixed Niall with a stare.
“Absolutely not.” Louis rolled his eyes. “You’re essentially asking me to go on a working holiday with my ex. Stranded on a boat in the ocean for four days.”
“Cruise ships are huge! You don’t have to see him in your down time.”
---
Harry and Louis are exes with benefits until they're not, and the Mediterranean Sea might just be the perfect place to work through some unresolved issues.
Yeah, He’s A Looker (But I Really Think It’s Guts That Matter Most) by devilinmybrain / @thedevilinmybrain(40K)
Five times Oli was asked to do something that was outside of his job description, and the one time he didn't have to be asked.
Nonstop Earthquake Dreams of You by luminaries (37k)
And there's heat behind it, blazing, plasmatic, like stars crashing together, like an explosion in space, like a supernova, like a black hole--everything else sucked out of existence. There's no bed and there's no pillow and they're not lying down, just floating somewhere, somehow, and there's no room and there's no X Factor house and there's no Niall snuffling or Liam's deep, even breathing and there's no wind or traffic outside and there's no hum of the heating unit and it's all just Louis. All encompassingly Louis.
  or, harry falls hard and finds louis already at the bottom
We’ll Be the Fine Line by garblegorf (32k)
“…hey, Harry. It’s Louis…… um, yeah. Listened to the album tonight. It’s real good mate. Um, yeah, just real, impressed. I was kinda putting it off, ya’know, didn’t know if I wanted to listen to it. Saw you went on James and, uh, Saturday Night Live. Couldn’t watch you, have a hard time watching you on these things……. Anyway, mate, just thought I would drop a line. Don’t need to call me back. Alright.”
Louis listens to Fine Line, and, drunk, he leaves a voicemail for Harry after months of not speaking. This reminds Harry of a time before everything fell apart, slowly, painfully, a time when the two of them were still in love. And he desperately wants to go back.
Loved By Your Mother by superglass / @gaymoustache (31k)
Harry stretches out like Venus with her lover, growing sleepy in the late afternoon light with a baby growing inside her. Perhaps not literally, not physically. Not exactly.
or
Harry struggles to come to terms with wanting to have children, and what that means for their relationship. Canon compliant, set a few years into the future.
We Can Take the Long Way Home by eleadore / @eleadore (27k)
“Fertile,” Louis says, and then laughs because it sounds stupid to say out loud. He hasn’t ever really thought of himself in those terms. Baby-making terms. It’s just one of those things his body can do, like exercise, or go without tea. Doesn’t mean he will.
or,
The band takes a break. Harry and Louis come together.
True Love's Gold by alivingfire / @alivingfire (27k)
Gemma starts responding to every single one of Harry’s texts—regardless of subject—with i don’t care, talk to louis. Liam lets Harry complain to him for hours on Skype, pretending he’s not doing other things while Harry whines about his problems. Niall thinks the whole thing is hilarious, texting Harry links to articles titled So, you want your man to propose? and 15 ways to get him ready for the aisle! and follows each of these up with page upon page of laughing emojis. Harry tries everything, literally everything he can think of short of grabbing Louis by tattooed forearm and yelling, “PROPOSE TO ME BEFORE I COMBUST.”
Or, it takes a village to arrange a proposal, but that doesn't mean it's going to go as planned.
Through the Chaos and the Calm by xogucciblue / @xogucciblue (25k)
Harry had thought he’d been prepared for his first solo tour, and in some ways it is exactly what Harry expected. But in other ways it’s entirely different. It’s lonelier than he remembered, all the waiting around backstage, the endless hours on tour buses, the days he’s so tired he thinks he could melt into the asphalt of a rest stop in the middle of America and happily stay there forever, and the nights he’s too keyed up to sleep. It’s alienating. He feels unmoored, drowning in all of his too-big emotions. Without the chaos of four other boys to keep him distracted, to keep him grounded, he’s afraid it's only a matter of time until he loses himself in it for good.
But then there’s Louis. Through it all, there’s still Louis. Waiting for Harry at the end of every show, ready with a bottle of water and sweet words of praise, beside him in dressing rooms, challenging him to ping pong tournaments to pass the long, empty, waiting hours, and holding him through the restless nights, soothing him with reassurances that he’s there, that he understands, and promising that he will never, ever, let Harry truly get lost.
- - - - - - - - - - - -
A collection of timestamps spanning the 2017 leg of Love on Tour.
True North by navigator, quitter (25k)
Altered-canon non-au set between November 2012 and January 7th, 2013.
Every Arrow That I Aim Is True by estrella30 (24k)
“I can see you don’t believe me,” Harry says, pretending to be stern. Louis chuckles a little but doesn’t get out of the bed. “Anyway, I texted Liam and told him you’re with me. He said to stay here as long as you need, and he’ll deal with the show over there until you want to come back, all right?”
Louis doesn’t say anything again so Harry whispers, “Just stay here with me for a while, yeah? I’ll take care of you.”
Louis is quiet. He never picks his head up, but Harry can see the pillow move from where he’s nodding and his fingers tighten around Harry’s. “Yeah,” Louis says. “Yeah, all right.”
You Turn Me On, Make You Radiate by ballsdeepinjesus (15k)
When he presses inside for the first time in weeks, he’s pretty sure he sees stars behind his eyes at the staggering sensation of Harry’s body squeezing every inch of him. When he bottoms out, he stays buried inside for a minute just to catch his bearings, listening as Harry takes sharp breaths beneath him. When he finally feels like he’s under control, he presses his lips against Harry’s ear and whispers, “Are you ready husband?"
Harry throws his head back and groans. “Call me your spouse.”
[...or, a self-indulgent snapshot of hl’s sex lives over the course of 10+ years]
I’m Captain On A Jealous Sea by devilinmybrain / @thedevilinmybrain (15k)
It’s not that Louis doesn’t like Nick. He is, if he’s being honest, kind of indifferent. Louis gets that Nick is just doing his job most of the time, being loud and prying, not having boundaries. But it’s just a little too much for Louis’ taste. Louis, who has learned over the years, when to be loud and when to know that coy is the game. But, it doesn’t matter really. He’s not required to like everyone, doesn’t have to make nice with them outside of having a camera shoved in his face. He can let Nick be Nick and it shouldn’t affect Louis at all.
Except.
What Louis actually has a problem with is the way Nick Grimshaw looks at Harry.
To Have and To Hold by sweariwouldnt (15k)
“Do you think maybe…. am I getting cold feet?”
Louis doesn’t know what to say, instead he puts his book away and turns to his side, to face Harry. Harry looks at him from the side of his eye and then focuses his eyes back on the ceiling.
“Do you think you are?”
Harry makes a move resembling a shrug. “I don’t think I am.”
“Do you not…want to get married?” Louis starts hesitantly, knowing that it’s probably even silly to ask but he has to.
Harry turns to him, and takes his hand, kissing the knuckles. “I do, I do the most, it’s what I’ve wanted more than anything, I just… I don’t know. I feel… weird.”
Harry has a habit of planning their wedding when he feels down. It's not ideal, really.
Still I Call It Magic by orphan_account (14k)
non-au. harry and louis before and after concerts throughout the last 4 years.
Stop the World (‘Cause I Wanna Get Off With You) by devilinmybrain / @thedevilinmybrain (12k)
Five times Louis and Harry get walked in on at the worst time, and one time Louis makes sure they don't.
Cut To The Bone by tilthesundies / @tllthesundies (11k)
There are some things Louis can’t understand.
This is one of them.
Harry celebrates his birthday in Japan. Louis stays with him.
Wild Flower, My Face of Love by orphan_account (11k)
It feels like a lifetime’s worth of adoration when Harry kisses him – just to kiss him, just to feel his lips, because even 15 minutes without them is 14 minutes and 59 seconds too many – and when Louis holds him back, wraps his arms and legs and lips around him, it’s like an inexplicable familiarity between their souls that just four years can’t explain.
Or: the one where Jay gets married.
The Ways We Fight by sweariwouldnt (10k)
How Harry and Louis learn to disagree with each other.
Jealousy Loves Company by sweariwouldnt (10k)
How Harry and Louis work together throughout the years to try and keep the green-eyed monster at bay.
Starry Haze, Crystal Ball by you_explode / @nobodymoves (10k)
Freedom. Harry’s not sure what exactly it means anymore. For him, for Louis. Personally. Professionally. Musically. There are so many layers to it, and it feels like as he gets older, the thicker those layers become.
Non-AU. A brief look at 2020 and the journey Harry and Louis are on with their careers and closet. Inspired by the Devil card.
Read You Like A Book by becka (8k)
Louis realises Harry can read his mind. He'll do anything to make Harry admit it. Set during the North American leg of the WWA tour.
Reminiscing the Other Day by tilthesundies / @tllthesundies (8k)
“Spain,” Harry says. “This weekend.”
Louis blinks. “Are you asking me, or telling me?”
“Asking,” he says with a huff.
Harry's invited to a wedding, and there's only so much Louis can hide.
How I Imagined Us by orphan_account (7k)
“I think about how lucky I am. The whole time, I just keep thinking about how incredibly lucky I am. “
“Because you’re kissing me?”
“Because I’m kissing you and you’re…” Louis stops. Then continues, quietly, “Because you’re the love of my life, Haz.”
New York is one of Harry’s favourites.
[Sometimes reality is shitty and Louis plays Scheherazade.]
In the Heat Where You Lay by orphan_account (7k)
“You’re with me, baby?”
Harry kisses his mouth, pulls him further into their room by his wrists. His large hands come to cup Louis’ face and he kisses Louis so softly, little brushes of their lips like they’re still 16. Harry cradles him. He has to tip downward and hold Louis close because that’s how Harry kisses when they’re in for a long night. As Louis’ senses come back to him, that much he figures out quickly. Harry’s going to fucking ruin him tonight.
“Do you know how much I love you?”
Louis doesn’t respond to the mumbled words against his lips. His fists tighten around the ends of Harry’s shirt and he opens his mouth for Harry’s tongue, hopes that's enough of an answer.
Harry and Louis fuck after Brussels.
Garden of Eden by superglass / @gaymoustache (6k)
Another soft, grainy laugh. A puff from the joint. Green smoke towards the ceiling. Then hazy blue eyes back on his. “Said you wanted to tell me something. Was really important.”
“Oh,” Harry says. There was a reason he came back, an excuse he made up to find Louis and sucker him into letting him sit on his lap even though his weight often puts those thighs to sleep. “Can’t— um. Let me try to remember.”
or
a snapshot of being high and in love in Jamaica.
Right Where You Are, That’s Where I Am by etherealbliss / @givesuethemoon (6k)
It’s been years since they’ve properly said those three words to one another, but now, as they both sit on the floor in this massive room, bodies tanned golden from the sun that’s found them in the middle of rural Sweden… It just feels right.
or
a snapshot of Louis and Harry's time together in Sweden during their two weeks off in August 2022.
No Good Unless It Grows (Feel This Buring, Love of Mine) by iwantstylinson (5k)
It wasn’t until they were settled in and lying idly on the couch with their bodies intertwined that Harry whispered, holding back tears, “I’m not who I want to be.”
Louis leaned down, lips close enough to graze Harry’s cheek, and asked simply, “Well, who do you want to be?”
Harry had thought about growing his hair out for a lot longer than he had even realized.
At the End of My Rope by safona / @saffona (5k)
"Baby?" Harry mumbles, voice laced with sleep and a shiver goes through Louis at hearing the term. He hasn't called him that in so long, in that voice and, clearly, even Louis' body fucking misses it.
"Did you cheat on me?" Louis finds himself asking. If he's being honest it's more so he can see Harry's reaction, than a genuine question, but what has he got to lose?
Sure enough, Harry's face changes from sleepy to the most incredulous look Louis' ever seen on him. He actually looks terrified, all wide eyes, mouth gaping like he can't believe Louis would even assume that and Louis would laugh at it, but he's so done with the way Harry's been acting, he just wants to know what the hell's going on.
Light Me Up by ashavahishta / @ashavahishta(4k)
Harry and Louis' first days at home after Japan.
Rock Those Blue Jeans, Baby by shakespearesque (4k)
Louis has a hate/love relationship with the video diaries. He has a love/love relationship with Harry, though, and the video diaries don't help with that at all.
A Touch of Your Love by casuallyhl / @casuallyhl (3k)
or; the one where they go to Crete and Harry is definitely hiding something
Brothers? By devilinmybrain / @thedevilinmybrain (3k)
"I mean, I've never had a brother, so maybe what Louis and I do in our free time really is just familial bonding." Harry's grin turns wicked, gets that little glint in his eye that unfairly makes Louis' cock jump again. "We just do what other brothers do, right? No funny business."
A Complainy Popstar by snsk / @snsknene (2k)
Harry wants a baby. He settles for a pet rat. Louis sort of hates the pet rat very much a lot.
Living Love in Slow Motion by ashavahishta / @ashavahishta (2k)
Just a typical Sunday morning
One Day Like This by navigator (2k)
Sleepy non-au set the morning of May 3, 2013.
You’ll Never Need to Doubt It by supernope (1k)
Louis has cinnamon swirl hair and Love, Actually on DVD, and they've got five hours to Dallas, and everything is fluff.
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v-i-r-i-d-i-a-n · 3 months
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YOU WANNA KNOW SOMETHIN
Y’ALL ACTUALLY WANNA KNOW HOW I FEEL ABT MIKE WILL AND EL??
I just want them to be happy
I started watching stranger things because of the hype of S4, I watched the first season with my parents in 2018 but didn’t rlly remember anything abt the plot and I didn’t get past episode where Jonathan’s camera was broken because I physically couldn’t watch anything with embarrassment at that point in my life
Anyways all I remember is that I didn’t care abt milkvan, like at all, I had no emotional attachment to them, I thought they were vaguely cute? But I felt like I had seen this formula a million times before and it was boring at that point, so I just didn’t really care abt them, I loved the characters don’t get me wrong but their relationship just never really felt that important to me, I always preferred them as friends anyways, their platonic interactions were always my favorites
I knew that I just wanted these little fuckers to be happy and if Mike and Eleven being together made them happy so be it, even then tho I was starting to realize the differences between Mike/Will and Mike/El but I could’ve passed off S2 Byler was platonic if they wrote Mileven super cute, but at that point I hadn’t seen them together on screen enough to rlly have any attachment to them
And then I watched S3, and S4
And I realized if I want these characters to be happy they cannot be together- they’re relationship does not work, it is not healthy, it’s not good for either of them- and it’s not good for Will
THEY COULD’VE SALVAGED IT IN S3 WRITTEN THEIR PROBLEMS OFF AS IT BEING MIKES FIRST RELATIONSHIP AND HOW HES STILL A KID AND DOESNT ENTIRELY UNDERSTAND AND HOW EL DOESNT ENTIRELY UNDERSTAND WHAT IT IS TO BE A PERSON YET
BUT THEN WE’RE SHOWN EL LITERALLY AT HER HAPPIEST WHEN SHE ISNT HANGING OUT WITH MIKE?? WE’RE TOLD MIKE AND HER DO NOT HAVE PROPER CONVERSATIONS ABOUT EACH OTHER- ABOUT THE THINGS THEY LIKE TO DO- THE THINGS THEY JUST LIKE- AND IM SUPPOSED TO BE ROOTING FOR THEM???
We’re shown El giggling and having a good time after breaking up with Mike, we’re told that El see’s him as “her first boy friend” which means she thinks she’s gonna get another eventually- we’re SHOWN El being happy without Mike
We’re shown that Mike keeps El in a holding place she doesn’t want to be in anymore
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AND THEN WE’RE SHOWN WILL BEING DEVASTATED WITHOUT MIKE, WE’RE SHOWN AND TOLD THAT WILL LOVES MIKE AND WE’RE SHOWN THAT WILL KNOWS HIM AND HOW TO HELP HIM AND HOW TO MAKE HIM FEEL BETTER AND WE’RE SHOWN JUST HOW DIFFERENT AND IMPORTANT THEIR RELATIONSHIP IS
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EVEN JUST THE ENDING OF S3 WHERE MIKE AND WILLS CONVERSATION ENDS WITH THEM SWEETLY SMILING AT EACH OTHER WELL MAKING PROMISES TO NEVER REPLACE EACH OTHER WELL MIKE AND ELS ENDS WITH THEM KISSING AND MIKE HAVING HIS EYES OPEN AND EL WALKING AWAY FROM HIM WELL HE STANDS STARING LOOKING VAGUELY DISGUSTED WITH THE INTERNAL DIALOGUE OF “what’s wrong with me” ?????????
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HOW AM I SUPPOSED TO ROOT FOR THE COUPLE THAT HAS BEEN SHOWN TIME AND TIME AND TIME AGAIN TO BE BETTER OFF AS FRIENDS??? HOW AM I SUPPOSED TO ROOT FOR THEM WHEN THEY DONT SEEM TO MAKE EACH OTHER HAPPY??? WHEN THEY KNOW LIKE NOTHING ABT EACH OTHER? WHEN ONE OF THEM IS ALWAYS SAYING THEY DONT LIKE THE OTHERS INTERESTS?? WHEN LOOKING OBJECTIVELY AT IT THEIR PERSONAL ARCS GO IN LIKE OPPOSITE DIRECTIONS???
HOW AM I SUPPOSED TO NOT ROOT FOR THE COUPLE THAT HAS BEEN SHOWN TIME AND TIME AGAIN TO KNOW EACH OTHER THE BEST OUT OF EVERYONE??? TO HAVE SOME OF THE SWEETEST SCENES AND HEART TO HEARTS AND PARALLELS SO MANY CANON COUPLES ?? WHO MAKES OOGLY EYES AT EACH OTHER AND SMILE AND PROMISE EACH OTHER THEY WONT REPLACE ONE ANOTHER
I just want El and Mike and Will to be happy and looking objectively at it Mike and El breaking up seems to be when El is the happiest, and Mike and Will being together is when they’re at their happiest
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matan4il · 1 year
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Buddie 606 meta
This meta is about Buddie, but please let me state how much I love Henren. I adore this ship, I can’t even explain how much as a queer person myself, and this ep dedicated to them was fantastic. It did them justice. And I have to take a sec to point out how much this isn’t to be taken for granted. They are a couple of older gay women of color, four identities that have been largely marginalized in TV land. A lot of shows would barely include them, let alone dedicate a whole ep to them, trusting that the audience will love and embrace it. More than that, they allowed Henren to be sexual, too. This is such an important choice when it would have been easier to show every other wonderful moment between them, but keep them sanitized for the viewers who are less accepting. This is why I have so much faith in 911. I guess that’s also why I believe in the show when it comes to Buddie, that it can be brave enough to let them become canon. ~~
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Speaking of Henren’s sexy times (I can’t emphasize enough how much I loved it, kudos to the gay musical choice), when Karen said to Hen, “I don’t have to be serious,” it hit me that she’s saying it with the exact same sort of playful intonation while taking a step in Hen's direction that Buck used when he uttered at Eddie that oh so suggestive, “You wanna go for the title?” in 309 while getting physically closer (kitchen scene, my ‘no het explanation’ beloved). ~~
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I loved that Henren’s story does not begin smoothly, they start out antagonistic. Karen has that “are you even worth my time?” attitude, while Hen’s very blunt about calling her out. But the confrontation is full of that sexual tension of two people who, while riled up by the other person, they also realize they have met their match, someone who intrigues and attracts them, challenges them and can help them better themselves, so they very quickly move past the initial friction. Tell me that’s not Buddie in 201, giving each other attitude only to swear eternal loyalty as battlefield boyfriends before the ep's over. Enemies to soulmates who will choose each other again and again, through thick and thin, is why we (in addition to Buddie and Henren) are the ones who never really stood a chance. ~~
Then we have the fact that in both cases, someone from the team was responsible for the match. Chim was very blunt about it with Henren (our short KING!) and I know that Bobby-the-matchmaker is not canon, but it’s hovering so close to that. You can see it in the way Bobby watches Buck’s reaction to Eddie in 201, in the way he pushes them towards each other during that ep, and of course in that classic moment when he “presides” over Buddie’s union when the match proves to be a success (as I tried to show in my humor edit, in cinematographic terms, that moment was staged to look very similar to a wedding, the couple exchanging vows with an officiant in the background, a staging sometimes used to implicitly point to a ship not yet recognizing their own feelings/commitment for each other). It becomes even more of a parallel if you consider that in both cases, the “matchmaker” brings in a newcomer to make things better precisely when a member of the 118 they’re close to has to deal with letting go of a romantic relationship that ended up toxic... ~~
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I wrote in my 605 meta that the Henren and Buddie parallels were already on in that ep, and I expected to see lots more this week, but I gotta admit, I thought it would be mainly between Henren’s call vs Buddie during the shooting arc in 413 and 414. So you can already tell I was surprised by how much broader the parallels were. Another one I did not anticipate was Karen’s aggravated reaction to Hen doing the decent thing (hearing Eva out regarding Denny) and how similar it was to Eddie’s reaction over Abby re-appearing in 318 (Buck doing the decent thing and helping her with her new fiance). If you ask me, jealously worried Eddie is confirmed real through this parallel (this is the one gif I made for this post myself, ‘coz I am a dumbass who forgot to type this when I was sending my meta gif requests). ~~
Everything about the call at the lab was exquisite, even the way it kicked off, with Bobby as the voice of the 118 reassuring Hen they will get her wife back to her. It's so much like the scene in 315 where the team had to reassure Buck that they're not giving up on Eddie and that they will save him. *quietly hyperventilates because what even is this parallel* ~~
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Don’t get me started on Hen having to watch as Karen collapsed after coming out of the building. Like I said, I knew we’d probably be looking at a lot of parallels with the shooting story arc, but SERIOUSLY. 911, this was SO rude of you. Each one of these scenes separately just ripped my heart out, but the parallel also did me in, ‘coz it emphasized the fact that when Buck is the one to witness Eddie collapsing there, it’s because the show knows it has the same impact as for Hen to watch her (legally married!) romantic partner and co-parent to her child going through the same thing. The insane thing is Eddie officially had a romantic partner at the time! Someone who was supposed to occupy the closest space in his life to what Karen is to Hen, and yet 911 still chose to have Buck there, punching us all collectively in our guts as he watched in muted horror the love of his life collapsing. Utter, gay madness. ~~
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Not only did Hen have to watch Karen collapse, she also had to try and revive her, which is so very similar to what Buck had to do for Eddie after physically getting him out of the line of fire in 414. It’s that mixture of love and desperation and hope and teetering on the edge of despair for me that makes the ambulance scenes in both of these storylines so poignant, and the parallel impossible to ignore. ~~
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We also have the fact that when Hen watches Karen being carried into the hospital on a gurney, much like Buck watched Eddie being taken in during 414, the next moment when she knows Karen is more or less safe, she can barely hold herself up without help. It’s that combined exhaustion from everything she did to save her loved one, and relief, and the deeply terrifying realization of what was so close to be, all of these suddenly released together into her bloodstream become too much. So Bobby and Chim have to help and physically support her. This just came and slapped me across my face (911 really chose violence this ep, didn’t they?) because it’s exactly how Buck reacted in 303, when he sees Chris safe in Eddie’s arms, and he can’t take everything he’s feeling in that moment, so he has to be physically supported by Bobby and Hen… ~~
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Karen refusing to leave when she was supposed to reminded me of Eddie doing the same by cutting his own cord in order to continue helping in 315. I was ready for the shooting arc parallels, I was not for the Eddie Begins ones and my insides are decimated. To be technical, this also parallels David refusing to leave the operation room in 508, subtly linking all the stubborn gays risking themselves when they’re not supposed to while their partners are nearby, yet separated from them and going insane with worry. ~~
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I mentioned Henren parallels Buddie in both the shooting arc and Eddie Begins, and nowhere is it more evident IMO than in that moment when Chim lies to Karen, telling her Hen had died, and for one terrible moment, she believes it and you can see her whole world is shaken up and close to imploding. This feels so much like Buck’s reaction in both those storylines, when for a moment there he has to consider that maybe he lost Eddie for good, and the look he gets of utter disbelief, on the verge of devastation, is so like Karen’s. ~~
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But if that’s not enough, we also have another theme that connects the three storylines, the one about how an event like that can make people recognize what matters in their lives and consolidate what their dreams are, or in other words, what’s the family that they fight for, which they now fully embrace. For Karen, thinking she lost Hen made helped her accept Denny into their lives, while Eddie, who realized in 315 that he’s fighting to come back to his family, and that Buck IS a huge part of that family, together with Chris, decided to change his will to make them all legally bound together, a fact he discloses to Buck in 414, as the conclusion to the shooting arc. ~~
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Something that further reinforces the family-consolidation parallels between the two eps is Karen telling Hen she has to go be with Denny because he comes first, just like Buck stayed with Chris in 414. And again Ana, the actual gf, is right there, but it’s Buck who’s taking care of what matters the most to Eddie, what constitutes his heart: his son. ~~
I have to mention that moment at the hospital where Buck was asking about living without a spleen. With all of his experience as a firefighter responding to many medical emergencies, as well as his love of bizarre trivia including from the anatomical realm, I’m sure he knew the answer to that. What he’s really asking for is reassurance that Karen will be okay. Eddie picks up on that and offers precisely that, which is not just ridiculously tender, it’s also so domestic that it’s their connection that brings about that comfort. ~~
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Lastly, the conclusion of this ep parallels Henren and Buddie as well. Hen’s insight from this experience of helping her significant other during a call is that the job she should be doing, that she was born to do, is be a paramedic with the 118. That’s also exactly Eddie’s conclusion in 511, after he helps Buck during a call. Even when he wasn’t physically there, even when it wasn’t Buck’s own life on the line, simply helping Buck on a dangerous call reminded Eddie of where he wanted to be. With his battlefield boyfriend. Canon “Buddie Begins” when, 911?
~~ If you like this content and would like to see more of it, please consider giving this a reblog! Thank you in advance for any show of support. A massive thank you to the astounding @whosoldherout​, who tackles my gif requests every week and creates such perfect and beautiful gifs to demonstrate my thoughts. xoxox
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bullseyelover · 2 months
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there are a couple parallels already from dex in daredevil season three to what we’ve seen from the set of daredevil born again
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in daredevil season three episode two dex is introduced at the end of the episode emerging from the smokey shadows with a gun as special agent benjamin “dex” poindexter, ready to kill the people who are in his way of doing his job and effortlessly dispatches of them displaying the level of his skill. this sets the stage for dex as a character, and while we saw him in a prior scene, this scene is the first impression dex gives to both the audience and wilson fisk, which later makes fisk want to have him on his side because of the brutal talent he just witnessed.
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in from what we’ve seen in born again, dex emerges from the smokey shadows with his gun as bullseye, ready to kill the people who have, in his eyes, wronged him and anyone who is in his way. he once again easily kills them, and is only stopped from completing his one man mission because of daredevil’s intervention and karen page’s own level of resilience.
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he is also wearing the same exact brand of pants he wore in daredevil 3x02 in this scene of born again, but just in black! this is something i really like, as it makes dex feel like the same character just in a different time of his life. he knows what he likes, so when he was first starting off as bullseye, he used the same pants he knows are good. it’s also a great parallel as he was wearing the same style in his introduction as dex and he’s once again wearing them in his introduction as bullseye. this seems to be dex just starting off as bullseye, like how matt wore the black suit in season one, this is dex’s prototype bullseye suit. he used materials he knows are reliable to quickly build himself an efficient suit. he could’ve just stolen back the daredevil suit he used in season three but it was canonically damaged so it probably wouldn’t be as protective so i get it. we don’t know much about this scene but from what we have seen we can start to put the puzzle pieces together.
potential spoilers now (if i am right)
this scene seems to be a flashback to foggy nelson’s death at bullseye’s hands, and shows the reason to why karen page left new york and won’t be in the series regularly. nelson, murdock, and page seem to have started up their own office location and are no longer working out of nelson’s meats, so they would have been working together as a firm for probably a year or two. i do not think they could have set up this office location before the blip happened (which happened in may 2018, season three ended in early november 2017) as we know they all were struggling money wise in the last season and they all look to have drastically different looks in born again so they would’ve needed time to build a lawfirm and get money to do that. so this scene would take place in the year 2020(ish), which seemingly confirms that matt murdock, karen page, foggy nelson, wilson fisk, and benjamin poindexter were not blipped from thanos’ snap.
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dex would’ve needed a year or two as well to fully heal physically from the damage fisk did to his spine and the surgery at the end of season three. but the mental damage has not healed, if anything his mental health is most definitely in the worst place it has been in his whole life and will just continue to get worse as he continues his decent into becoming bullseye. so he’s not fully bullseye in this scene yet, he clearly has aspects of the bullseye costume in this prototype suit but this is just dex trying to cause chaos and get revenge on the people he can since fisk is most likely still in prison.
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matt defeats dex, i hope dex doesn’t get arrested again and just scurries away with a stronger hatred for matt and karen and hides away until he returns in later episodes. don’t know what they’ll do if foggy does die and karen leaves, because in all seriousness matt would probably just end himself LMAO. so however they approach this it’ll have to be done very well. anyway. i assume in the two last episodes of born again that both karen and dex will return in that dex will have a more orginal comic accurate bullseye costume, since born again takes place in 2026 after the events of echo he would’ve had time to become bullseye and get a better suit with the bullseye symbol commissioned.
anyway don’t know what this is just wanted to point out the parallel’s between dex’s first appearance and the set media we’ve seen from born again. and also theorize to what will happen in born again, i’d love to hear what anyone else thinks will happen as long as it is respectful.
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yonemurishiroku · 7 months
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If you could make literally any ship canon, which would it be? Go crazy. Have it make as little sense as possible. But only one may become canon.
This is actually quite a fun ask because I have so much to express regarding the matter of canon solely on the 'shipping' category.
I know this is not what you want to hear when you sent this ask, but just let me confess a few things.
I, with all due respect, am not fond of canon couples.
What does it mean? It means that most of the time, the canon couples or ships just don't seem that interesting to me compared to other crackships/ rare pairs/ crackcanon ships - basically those non-canon fanships in general. It's a strange thing, I know, that somehow a ship being official or not can affect the level of enthrallment it possesses to me, but this is quite true in my case (ofc there are some exceptions but let's just pass that).
It's not without reason that I rarely engage in the official BL content (once did, now refrain), and that most of the ships I invest in are non-canon. Because the moment a ship becomes official, it loses attraction to me. I'm still figuring it out, which proves to be quite difficult. Though, we'll not delve into it here.
Anw. With that being said, I'll change your question a little. Let's say the question is "What romantic attraction do you want to be canon?" - then the answer would be Percy to Luke.
Yeah point your pitchfork at me all you want but if you're wondering Why? then well, the reasons are simple:
The hints are THERE, okay!? I refuse to admit I'm delusional
It adds more layers of depth to their relationship (which includes their animosity ofc), which again adds more thrill to the story.
(Canon) Bisexual Percy could have been such a nice representation IMO (*muttering* At least better than whatever Rick's trying to convey through Will...)
Rick did Nico -> Percy pretty epic so I think it's within reason that Percy -> Luke could have been somewhat as thrilling. The parallel would have been absolutely astounding.
Percabeth would be ten times funnier. i stand by what I said.
It pisses off the fandom and I like to see the world burn
In case you're gonna ask, the attraction from Luke's side is not necessary. In fact, I think it'd be better if Luke merely considers Percy his mentee/enemy whereas Percy's sporting a crush and hatred at the other's betrayer.
It's more complicated that way.
I have a general idea of what more the story could bring were Percy's (romantic) attraction real but I don't think I can articulate it well enough just yet. Nonetheless, all I've got to say is that: love and hate are two sides of a coin, and feelings are just as messy as Arachne's spider web. If you can somehow weave both sides into a relationship, you'd have a deliciously paradoxical and beautifully complex connection with layers upon layers of emotions to unpack, which leave a heavy impression on the readers, which in turn makes that relationship the most excellent concept ever.
You have seen a similar one in Nico and Percy's history. I don't think Percy and Luke would be too far-fetched.
Another romantic attraction that I think would bring a nice touch to the story is Jason to Nico. It might or might not shine a new light on Jason's character, developing it further. However, the progress would feel insufficient with how Rick cut off Jason's roles too soon, which might end up making it sound queerbait-y, so we'll just leave it there.
Alas, a dream is a dream. And PJO is not a dark seinen manga in which more often than not all morals go to waste. I'll just content myself with my non-canon ships LMAO.
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coldgoldlazarus · 10 months
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After rewatching Into the Spiderverse last week, and my third viewing of Across the Spiderverse this weekend, a bit of a crack theory has been percolating in my head. Some spoilers here, so putting this under a readmore:
I think Doc Ock has a chance of returning in Beyond The Spiderverse. A slim chance, but a chance nonetheless.
Point A: Lack Of Resolution
This is pretty obvious so I won't belabor it; despite her role as a pretty significant villain in ItSV, along with Kingpin and Prowler, the mind behind the supercollider and given a pretty fantastic reveal, she also winds up getting hit by a truck during the climax and not being heard from again. The Prowler died, Kingpin got defeated and webbed up for the police, even Tombstone was seen getting arrested and shoved in a cop car, and the other henchmen like Scorpion also got pretty conclusive defeats at the hands of the 2D spideys during the fight itself.
But with Liv, there's no real confirmation of what happened afterwards; whether she got arrested, or ran off, or the impact was fatal and her body recovered, or what; no clue. (And if she did end up shoved through the Collider and landed in another dimension, she'd be subject to the same glitching, cell decay, and eventual death as the others, without the Spider-society tech to stabilize herself.) And like, that doesn't necessarily mean anything on its own, but at the very least the principle of "didn't see the body" is in play.
(Interestingly, I remember hearing somewhere that there was a deleted scene of her intentionally jumping into the collider portal while saying the "power of the [X] in the palm of my hands!" line that later went to Spot. Though idk where I heard it, so am unsure if this is actually legit. And even if it is, it was still a scene they chose to remove from the final film, so while it could mean that intent is still there, they also could have changed their minds on the idea entirely.)
On its own, I'd be willing to accept that that's probably the last we've seen of her... but as of AtSV, it actually isn't.
Point B: Aaron Haunts The Narrative
This part has no direct connection to her, but bear with me here. If you've seen it, (I hope you have) you know that AtSV ends with the reveal that Miles wasn't sent to his home timeline/universe, but a darker parallel version where his dad is dead but Uncle Aaron is not, and is working with the parallel version of Miles as the Prowler. He does say "I'm not" when our Miles refers to him that way, but the impression I got is that he's halfway-retired from the role but still acting as support for Miles G; the "guy in the chair" if you will.
I digress. Point is, it ends with a return for both Uncle Aaron and the Prowler identity, but this didn't come out of nowhere; all throughout the movie leading up to this, Aaron and/or the Prowler are brought up or indirectly hinted at on an honestly pretty frequent basis. Gwen's drumming recap at the beginning, the memorial grafitti on the rooftop, the Donald Glover cameo, the flash of him on the side of the building during Miles' breakdown sequence as he's rushing to get home, plus a few smaller mentions here and there. ("He takes after his uncle!" during the meeting with the guidance councilor, and a visual comparison with Uncle Ben during the "canon events" presentation, and I feel like there may be a couple others yet that I'm forgetting as well.)
The movie goes out of its way to remind you of him and his importance to Miles at every turn, and part of that is just inherently because he is so important to Miles. But it also feels like, from a writer-to-audience perspective, part of the purpose is also as a reminder; if anyone either saw ItSV but forgot most of it in the intervening time, or simply missed it altogether and for some reason decided to see AtSV first anyway, this makes sure they know exactly who and what he is, so the reveal at the end carries the full emotional weight it needs to. No matter what, you will have the proper context to appreciate Miles' reaction when Aaron steps through that door.
(Also, I just wanna say that I love that reaction in of itself; the hyperventilating panic at first, only to rush in for a tight hug. The mix of terror and comfort that comes with full awareness of both sides of him, and all the associated memories both good and bad, combined with this unexpected chance to see him (or at least a version of him) again. It's just a really great moment on that front.)
But anyway, I'm getting off track again, too many Prowler feels. ^^; What does this have to do with Doc Ock?
Point C: Aaron Isn't Alone In Haunting
This is admittedly both the key part of my theory and also the weakest one overall, so I will readily admit upfront that I may be reading too much into things, and Liv really did bow out for good in ItSV. That being said, here's my thought:
Even if a much lesser extent than Aaron, I couldn't help but notice a similar-seeming trend of brief reminders of her. On one hand, most of these can be fairly easily dismissed as simply maintaining continuity and connection with the first movie, as the bulk of them were in relation to The Spot's backstory as Jonathan Ohm; she was there for the flashback to the misplaced 42 Spider, and then seen again in a framed photo of him, when Gwen was inspecting the remains of his makeshift apartment lab. So while it's a neat inclusion, it doesn't necessarily mean anything more, right? Kingpin got mentioned too, during the Guggenheim fight with Vulture, but I'm pretty sure he isn't going to be making a comeback.
But there is one other instance that feels a bit more significant and out of place, and is what led to this theory in the first place. I mentioned this scene already in relation to the Uncle Aaron foreshadowing/reminders, but going back to it now, there is what I've dubbed the Falling Apart sequence. (From the score that plays during it.) Right after Gwen's talk with her father resolves, we cut back to Miles, swinging through the city in a desperate rush to get back home to his parents in time. (Unaware yet that this isn't his city, his home, his parents, because this isn't his universe.)
Tangential Gushing Over That Scene
It's sort of a dark parallel to the Leap Of Faith/What's Up Danger scene from ItSV, with previous bits of dialogue and past moments echoing in his mind again. There, it was all the inspiration pushing him to finally take the leap and truly become Spiderman; whereas here it's reminders of all the stress and uncertainty he's under as he races against time and possibly destiny itself, not to mention being plagued by doubts after Miguel revealed he possibly shouldn't have become Spiderman to begin with.
But what I especially love is the animation of this sequence, which on first watch I thought was stuff actually happening, but reads more on subsequent viewings like hallucinations during what's basically a panic attack. It's both gorgeous and stressful, with trains derailing and rerailing to chase Miles; the space between the skyscrapers growing narrower and more claustrophobic; and stuff like the 42 Spider, the Spot's arms, and Doc Ock's tentacles also appear briefly to hem him in even further until the end. He finally breaks free at the end, with Aaron's dying words to "just keep going" pushing him to make it the rest of the way 'home' unimpeded, a tiny bit of much-needed catharsis amidst all the overwhelming... everything else.
I really love this scene, in case it wasn't obvious.
Point C, Continued: Why Tentacle Happen?
But to get back on track, nearly everything about this sequence is mainly focused on ideas introduced in Across; the Spot, Miguel, Jefferson's predicted demise. The Spider is from the first movie, but still given extra context now; the first big exception is the reuse of Spider-Ham's line about how "the hardest part of this job is that you can't always save everyone" while images of him, Noir, and Peni appear on the glass building Miles is swinging past. Even that is still relevant to the current crisis, and their appearance there is further justified when they too properly show up again in Gwen's 'band' at the very end.
But then there's this:
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The dialogue at this point is a line from Rio; while the appearance of the tentacles definitely further intensifies the claustrophobic crush of the city, it also feels like much more of a non-sequitor than even the 2D Spideys just a few shots earlier. Liv has had nothing to do with anything going on, (or at most, very indirect involvement like the displacing of the 42 Spider) has no dialogue called back to here; and heck, even in ItSV felt more like a rival to Peter B specifically instead of being especially relevant to Miles, compared to Prowler and Kingpin. So why call back to her here? It could indeed just be that the tentacles are good for adding to that entrapped feeling, but given how well-constructed the rest of the sequence was, and how deliberate animation as a process is in general, this would seem oddly careless to include so casually.
Conclusion
On the whole, I'll still readily admit that this is a pretty flimsy bit of 'evidence' (more just symbolism, really) to base a whole theory off of. Yet still, between that part of the Falling Apart sequence, the parallels to how Aaron and Miles G were foreshadowed, Liv's abrupt disappearance and lack of closure in the first film, and the knowledge that this is the first half of a split script, with all sorts of other setup in Across still awaiting payoff in Beyond, I do kinda at least feel like there may be something here.
(At the same time, the docket is already packed with a shitton of stuff that Beyond needs to be able to address and resolve, plus apparently some additional new stuff mentioned in interviews like another Gwen, Toei Spiderman, and Hobie's universe. So with all that going on, I'm not entirely sure they'd have the room for yet another returning character in amidst literally everything else.)
So while I'm not strictly counting on this to come to pass, at least for now, the basic idea is that Doc Ock got hit by that truck, fell through the collider portal and into another universe, (probably Earth 42, possibly elsewhere we may have yet to visit) and somehow found a way to stabilize her glitching to survive during the intervening time, set to make a dramatic return appearance during Beyond.
As to what role she may play, I'm not sure. I could see her making some sort of temporary truce with one of the main Spider-people for a common goal, without giving up on her evil mad science in the long run. Possibly with Miguel's group against the Spot, in exchange for freedom to keep experimenting with the Multiverse instead of getting sent back home, though I also don't think he would be willing to make that bargain unless things are truly desparate and he's fully lost the support of the rest of the Spider Society. So it could also be with Gwen or Miles, against both the Spot and Miguel; the former's more unpredictable tampering and newly eldritch nature getting in the way of her research, while the latter would of course want to put an end to her experiements and send her back home in his efforts to restore order, giving her reason to ally against.
On the other hand, her remaining entirely villainous and antagonistic would also make a lot of sense, if not moreso. If she landed in Earth 42, she could wind up as the big obstacle of the detour instead of Miles G, allowing the latter a more nuanced and dynamic role. Alternately, I could possibly see her further experimentation being connected in some way to the destruction of the universe Miguel replaced himself in, unknowingly sending him on his canon-hardliner spiral, which would certainly give her a lot more relevance to the current conflict.
But ultimately, all of that depends on whether she really would show up again, which as neat as it would be, definitely does feel like a bit of a long shot at the moment. I guess we'll just have to wait and see.
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brujitaadinbo · 4 months
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They say that love manifests itself as if it were fire, like flames burning you, like something that leaves you breathless, I and others can say the opposite; It manifests itself to each person differently; But when we talk about love in general, the healthiest, the best way we can live it is when it gives us that calm in times of storm, when it gives us tranquility and not anxiety and makes us feel comforted.
Love, affection or that feeling that begins to be born in you and that sometimes you cannot show it, because of your past wounds, for fear of being rejected, because you are just beginning to connect with that other person, etc… You begin to show it in a way in which the majority can label it as something "not romantic" because society is still locked in that cliche that is sometimes very toxic and very unreal. Sometimes it is not necessary to wear flowers and exaggerated decorations, , expensive details or that very typical scene that sometimes tends to handle sometimes very cold or very superficial kisses. Most of the time your actions and your words are what demonstrate your deepest feelings and your most intimate emotions. How much you care about that person and you begin to be consistent with what you think and feel and what you do for them and you show it like this.
I will explain this to you first, so that you can understand the context of this analysis dynamic that I am going to start uploading here. Very iconic couples, famous in pop culture around the world, being known in many places, through movies, series, books, etc… managing this dynamic that I explain to them and managing the deepest feelings like love, that way. different way that sometimes people don't usually understand or it bores them and they begin to disqualify it as "there is nothing between them" when in reality there is something there and they are wrong! It suddenly becomes canon…
Coincidentally like what has been happening with Din Djarin and Bo katan Kryze, yes coincidentally… aha (remember well what I tell you, coincidences do not exist here)
For me Faramir and Eowyn are a beautiful couple and one of my favorites in books and movies, I am a fan of Tolkien and the Lord of the Rings is… poetry, love, magic, so much that I can't explain it in words. And definitely if you have read Faramir and Eowyn's interaction in the book, you will understand my point, since in the movies, that interaction was so short but it was still a very nice reflection of the book.
The parallel between them and Din and Bo is that these characters find themselves in a critical situation, surrounded by war, conflict, pain, wounds from the past, an uncertain future, everything is against them and love is a word and a feeling that It cannot cross your mind even for a moment.
Eowyn, a warrior princess full of pain from rejection, from loss, because the war has consumed her innocence and that hunger for battle has consumed her. Bo Katan is a warrior princess consumed by the pain of loss, because the war has subjected her to living a cold life without hope for anything, because her proposal was taken away by a sword, where all her value is measured by that.
Faramir rejected by his father, having the position he has, yet he is seen as nothing by him, not meeting the standards he has and not being able to be like his brother, always living with that feeling and now the pain that he lost him in a battle where he also lost his hometown. Din Djarin lives with the pain of having lost his parents, he lives with people unknown to him, trying by all means to fit in and be recognized by this new tribe, his family that has welcomed him all this time. Live this way or survive under this creed.
Both couples in the depths of their lives, when they are hitting rock bottom or when they begin to experience a new way of redeeming themselves, cross their paths, with pain but with that hope of being able to heal and flourish again, that is when love, too, something that could not be in their lives suddenly becomes like a vitamin that gives them the strength to take that first step.
Faramir and Eowyn in the healing temples, healing and realizing that maybe the pain was just part of that growth and that process to find healing and start living a different life, if all goes well, living outside of war , from sadness and everything that hurts them, they allow themselves to get to know each other, interact and at the end of the day they manage to love each other and live a happy life within their possibilities, because in this work good triumphed over evil.
Din and Bo are in this process of achieving their purposes, suddenly they come together, they visit Mandalore, they visit the living waters, they somehow manage to redeem themselves, they work together, in the hope of recovering their planet and achieving this new purpose, of reclaiming to their people and their planet and in the process, they resolve their differences, their bond grows and becomes more intimate. From pain a new hope is born, it is part of growth, they accept it, they know that their paths were wrong and by agreeing and doing it together they feel comfortable and know that they are doing it right, they both protect each other in a very bilateral and synchronized way. . . and it is seen that there is something more, because in the end they do not know and we do not know what can happen, there is still the doubt of who will win in this battle. Hoping, of course, that that balance is achieved and by this I mean that good definitively triumphs over evil.
And what I love is that Filoni has worked on symbolism from Tolkien, The Lord of the Rings and especially Peter Jackson. Faramir and Eowyn are a couple who never showed a kiss on stage, but their looks, their approach, their words, their actions, said it all. In the books, the way they love each other is shown in how they talk and interact, Faramir's words to Eowyn are very beautiful. It reminds me of a certain Mandalorian couple, casual (lol) where their interaction and attraction is unspoken, visible but hidden in elements like body and non-verbal language and those words of the oath, that is definitely the moment for these two. But now time is what will write the last part of his paths. Let's hope it's a journey together too,
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