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#patchi wwd
mrultra100 · 4 months
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Ultra's Ramblings- The WWD '13 Retrospective
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“Every fossil tells a story… even if said story is a bunch of jumbled-up nonsense”
As hard as it is to believe it, this month marks the 10 year anniversary of the Walking with Dinosaurs movie, which originally came out in theaters all the way back in 2013. I’m just as shocked as you all that this damn thing’s been around for an entire decade now, but nonetheless, I feel like a quick article is in order to describe some of my personal thoughts on the movie, and how it could’ve been great.
For those who don’t have context for this mini-retrospective, along with the film in question, this was a movie adaptation of the much beloved Walking with Dinosaurs mini-series made by the BBC. The documentary set out to show off the lives of dinosaurs, along with the other animals that they shared the world with during the time. Unlike later nature documentaries like the Planet Earth series, which focus on various scenes of different animals living in the same type of habitat (Deserts, Islands, etc), WWD’s episodes respectively set themselves in a single location, with the focus being on a central animal. New Blood focused on Coelophysis in Arizona during the Late Triassic, Cruel Sea showing off Ophthalmosaurus living on the Jurassic islands that would one day become Europe, Death of a Dynasty being focused on T. Rex in Hell Creek before the KT extinction, etc.  While the science behind this show hasn’t aged well during the nearly 25 years since its release (coughcough150tonLiopleurodoncoughcough), the storytelling present throughout the 6 episodes were beautifully crafted. And that aspect of the franchise stuck around for the various sequels and spin-offs that would follow in the years since. This thing even got a stage show for Darwin’s sake! It’s safe to say that, as the first big paleo-documentary to come out after Jurassic Park, WWD has left a pretty big impact for paleomedia as a whole, one that we’re still feeling to this very day.
With all of that said… where the hell did the movie go wrong? To answer that question, some history is needed. Back when this film was first announced, the plan was for the movie to have no dialogue (aside from the narrator, obviously). It would’ve been like a theatrical version of the original show, if it wasn’t for the hivemind of brainless, money-grubbing executives at Fox, who saw the movie in its early stages and thought “Hey, why not add in a bunch of unnecessary voice overs, dumb jokes, and pointless pop songs into this film?” It felt like they were trying to cash off of The Land Before Time, despite that franchise being a zombie begging to go extinct at that point. And thus, that’s how this film was hijacked to be nothing more than brainless nonsense aimed at little kids. That just not only feels disrespectful at the franchise as a whole, but it’s also disrespectful towards children. I, along with many others, grew up with the original series growing up, and they had things like a pair of cynodonts eating their own babies, the Liopleurodon suffocating under his own weight on a beach, a recently-hatched Gastornis being eaten alive by a swarm of giant ants, the gorganopid’s mummified corpse during the early Permian segment in Monsters, Chased by Sea Monsters ending with an entire horde of mosasaurs converging on the Ancient Mariner (And possibly devouring Nigel Marven and his crew), among other things. Yes, this movie had a few frightful moments, with the biggest being the forest fire scene, along with Patchi and Scowler watching their own father get killed off by one of the Gorgosaurus during the aforementioned fire (And that scene didn’t felt forced), but a good portion of the time, it’s just unfunny jokes and pop songs.
With all of that said, while much of the film reeks of suck, there are some good things to be had here. Firstly, the animation. As much as I wished they used props and puppets like in the original show, the animation still holds up well even after 10 years. The dinosaurs blend with the live-action environments, and for the most part, they still hold up with scientific accuracy. Another point to bring up is the setting that this movie takes place in. Keeping up with the tradition of the franchise showing lesser-known animals and ecosystems, this film is set in Alaska, 70 million years in the Late Cretaceous. During this time in Earth’s history, the dinosaurs that lived here had to deal with long summers, where the sun didn’t set for months. On the opposite side of that, the winters that followed were freezing, with the moon looming over the dinosaurs’ heads for an equally long time. It was a tough place to live, and the dinosaurs who lived there adapted to live in the cold. Not only are species like Pachyrhinosaurus, Gorgosaurus (which was renamed as the more-fitting Nanuqsaurus in the Prehistoric Planet re-cut), Edmontosaurus, Edmontonia, Chirostenotes, and more were showed in the film, they looked gorgeous with their designs.
And as much as this film’s humor is child-friendly to an excessive degree, I do have to admit that I liked Alex a good bit. Don’t get me wrong, a good portion of his jokes are some of the lowest common denominators I’ve seen in a film, he still had my interest a good bit. The scene where he helps Patchi realize that living for something he loves is better than dying in vain was one of the few times where the film felt genuine and not-forced. If the dialogue wasn’t so riddled with brain dead humor and had a vibe more like a mix of both the original show and Spirit: Stallion of the Cimarron, I certainly would’ve liked it more. Back to Alex for a bit, my final comment about him is how I feel he might actually be a sort of god…
…I know you’re about to laugh at me for saying that one of the characters in a bastardized movie adaptation of a beloved paleodoc is a god, but hear me out a bit. At the start of the film, he telepathy talked to some kid in the modern world as a crow, morphed into an Alexornis and flew off into the Cretaceous somehow, is able to break the 4th wall multiple times, was somehow able to rewind footage of the film itself, even fade out of existence at the end of the film. I might be crazy for this, but Alex might be some sort of all-powerful, telepathic bird god. How else can he talk without his beak moving? That right there is the magic of a literal deity, and we should've all realized this back in 2013 and given him the respect he deserved! THE TRUTH NEEDS TO BE MADE!
Amen, sorry for all of that. I went a bit crazy back there. Getting back to the topic at hand, those are my thoughts on Walking with Dinosaurs 2013; A film based on one of the most legendary paleomedia franchises, but was ultimately wasted potential by out-of-touch parasite executives. They went and turned the WWD brand into a laughing stock, and it still stings to this day. All of this makes me appreciate modern paleodocs like Prehistoric Planet and even Life on Our Planet from Netflix even more. At least they both had visions that weren’t dabbled with alot. All of this were my personal thoughts on the movie, so if you want more in-depth looks into the movie and its history, check out the videos made by Kody Cook and Rickraptor105, along with the Letterboxd review made by IsaiahCTorre. They all made great reviews discussing what went wrong with this fossil. Oh, and speaking of fossils…
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where-is-my-pen · 3 years
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So I watched a few clips of that god-awful Walking With Dinosaurs movie from 2013 except the voiceover was removed. Let me tell you, it was a GAME-CHANGER. The purely visual storytelling is so much better than what ended up getting released in theatres, and if I remember correctly, the voiceover was a last-minute addition anyway. The visuals are stunning and I actually find myself really liking the story and characters when they're presented this way. Anyway, here's my headcanon: Patchi is female and her and Juniper are the lead matriarchal pair of the herd.
If you pay attention to the design conventions of the Pachyrhinosaurus herd, you'll notice that the males are all an olive grey-green in colour while the females are sort of peachy-orange. The males also flush their frills with bright red and sulfur yellow colouration when they're fighting one another. Patchi, though presented as male in the voiceover version, starkly contrasts with the other males of his herd in the sense that he appears much more... *feminine.* Being that, unlike his brother Scowler, Patchi is the same peachy-orange as his sisters and the other females in the herd. His frill also never flushes with colour like the other males' do in his adulthood, and he never changes to match the grey-green of the adult males. If you had only ever watched the narrator-less version, you'd likely assume Patchi was female when you see how dissimilar to Scowler she looks. There's really nothing in the film itself that implies Patchi is male aside from what's stated in the voiceover, and of course the generally assumed heterosexuality of characters in media. Patchi is shown as being interested in another young Pachyrhinosaur, and fights Scowler for her and for leadership of the herd. Because of this, based on how people perceive animal behaviour, people assume Patchi is male. A few other things that can support Patchi actually being female is that she's generally shrugged off by Scowler and Bulldust when she tries to participate in activities with them; knocking over small trees, rolling in the dust, or sparring. Scowler actually *chases* after Patchi at first before the two of them bonk heads, implying Patchi initially had no drive to engage in headbutting with Scowler. All of these things could be interpreted as Patchi having the desire to lead the herd and prove her strength and cunning against the males, but because she's female, she's met with looks of disapproval from her contemporaries. This could also be why Scowler so vehemently despises her in their adulthood; making a show of driving Juniper away from Patchi when he first takes over leadership of the herd, and ignoring Patchi's calls when crossing the frozen lake. After she usurps his leadership through saving the majority of the herd from the breaking ice, Scowler finally gives her the fight she wants and she loses. Though she gives up briefly, she's spurred into action by the memory of meeting Juniper for the first time (that's some lesbian passion right there), and in the end, she wins leadership of the herd not through brute strength in a fight with Scowler, but through her boldness and encouragement of the herd to fight back against the Gorgosaurs. She proves herself as a reliable and strong leader without a show of physical prowess. The nest of eggs at the end is interpreted by most people to belong to Patchi and Juniper, but the two of them have clearly left the nest almost entirely unattended, so I personally don't think it's theirs. Patchi runs off a Troodon and Juniper is seen grazing a pretty decent distance away, appearing to be pretty unbothered that a nest of what people assume to be *her* eggs was almost decimated by a predator. At this point, I think the pair of them have taken on the duty of being the herd guardians, watching over the year's brood and chasing off predators from nests whose mothers have gone off to forage. So yeah, these dinosaurs are gay. I reject the voiceover version because it sucks, and the 25 minute long Bendytick Crumbledump version as well because that one was only shown in museum theatres and I've never seen it, so it doesn't exist.
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fashionbuzz · 6 years
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via fashion week - Google News
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