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dustedmagazine · 2 years

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Dust, Volume 8, Number 5

Circuit Des Yeux

Sanskit-versed death metal and minimalist saxophone reveries, beefy, muscular alt.Americana and African electro disco — we run the gamut in this late spring edition of Dust. Contributors this time around include Jonathan Shaw, Andrew Forell, Jennifer Kelly, Bill Meyer, Justin Cober-Lake, Bryon Hayes and Tim Clarke.

Aparthiva Raktadhara—Adyapeeth Maranasamhita (Iron Bonehead)

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It’s hard not to love a record that includes songs titled “Obsidian Noose of Naag-Paash: Ominous Ophidian” and “Nada of Creation Collapses onto Primal Bindu.” But Aparthiva Raktadhara come by death metal’s earnest (if sometimes also goofy) romance with obscure, multisyllabic locutions pretty honestly. The band comes from Kolkata, which they prefer to call Kalikshetra, the city’s much older Sanskrit name. That may be a nationalist gesture, or one inspired by more cultic intent. For certain, the death metal band is invested enough in the Hindu concepts at stake in Adyapeeth Maranasamhita to include a glossary of terms among the record’s promotional materials. The music? It’s dissonant and dizzying, highly technical death metal that knots and gnarls with vertiginous violence. The attendant complexity seems to complement the arcane weave and multivalent religious energies of Hindu myth. How that works in relation to the current, sustained wave of sectarian, political violence in India is likely an even more tangled, thorny issue. Simple stuff, this ain’t.

Jonathan Shaw

Andrew Bernstein — a presentation (Hausu Mountain)

a presentation by Andrew Bernstein

Taking inspiration from minimalist composers La Monte Young and Terry Riley, composer/multi-instrumentalist Andrew Bernstein produces three highly technical yet compelling drone pieces on his latest album a presentation. Using circular breathing, electronics and unconventional intervals to explore the limits of his alto saxophone, Bernstein conjures clusters of notes that interact and mutate like the aural equivalent of wax in a lava lamp. They pursue an internal logic in which shapes shift in surprising, sometimes disquieting ways. Bernstein focuses on microtones and overtones, concentrating on the physicality and interaction of notes in time and space. Deliberate, almost glacial, in pace, his notes hang and sustain, with miniscule changes in tone to form tectonic sheets of sound that the warp saxophone’s dynamics. His ability to imbue emotional depth into these pieces makes a presentation a fascinating exploration of sound and a riveting musical experience.

Andrew Forell

The Builders and the Butchers—Hell and High Water (Badman)

Hell & High Water by The Builders and the Butchers

The Builders and Butchers, as you might expect from their name, make rough working man’s country rock, full of muscle and sinew. Their seventh full-length wreathes simple melodies in epic accoutrements, the songs rising in mutinous triumph about halfway through, kicking away the jangle and murmur for full-throated, power-chorded expressions of rage and hurt and sorrow. Ryan Sollee, who sings and plays guitar, sings with a grand busted tremolo, hoarse with sincerity (and also with volume), but though he often starts a song by himself, he is always joined by a brotherhood of hard strummers and bangers—Willy Kunkly on bass and guitar, Harvey Tumbleson on mandolin, banjo and guitar) and Justin Baier on drums. They’re especially good singing morosely beautiful campfire chants—like Will Oldham, they see a darkness—and desperate, rampaging road songs. “West Virginia” is maybe the best of these, a song that hurtles through the middle distance, banjo twanging, kick drum thumping in the most desolate sort of barn dance. (The band recorded Hell and High Water on a houseboat, and you can watch them lay down “West Virginia” there in this video.) Other states fly by in a blur, a melancholy, prayerful “Nebraska,” an amp-frying, frenzied “Montana,” and the sound is thick and visceral, full of drama, but grounded in the real.

Jennifer Kelly

Circuit Des Yeux — Live from Chicago (Matador)

Live from Chicago by Circuit des Yeux

Haley Fohr of Circuit Des Yeux is by no means alone in the experience of getting sick on tour. But you can’t just cough through the bus rides when you catch COVID-19; CDY had to cancel the middle half of a European tour, which stacked financial disaster on top of physical distress. Low-overhead releases like Live from Chicago, a digital-only EP that was originally tracked for the podcast, Music Is Everything!, are a chance to make back a little bit of that lost change. It is a live studio performance of four songs from last year’s album, —io. These performances confirm that their grandeur isn’t dependent upon the LP’s orchestral arrangements. The tunes translate rather handily to a four-piece rock band, probably because everyone in said band can double on strings and each other’s instruments, which balance complementarily with the wide-screen sweep of Fohr’s vocal delivery.

Bill Meyer

Thomas Dollbaum — Wellswood (Big Legal Mess)

Wellswood by Thomas Dollbaum

Tampa-born, New Orleans-based artist Thomas Dollbaum has just released his debut record, Wellswood. Most of the eight songs come under the banner of unapologetically ragged country-rock, such as the defiant, clanging jangle of “Gold Teeth,” or the tumbleweed roil of single “God’s Country.” Dollbaum deploys well-worn chord progressions, digging into the performances so familiar changes are invested with fresh new life. The songs are populated by hookers and motels, whisky and cigarettes, signifiers of escapism that have proven to be sprung traps, Dollbaum singing with a forlorn twang that’s reminiscent of Modest Mouse’s Isaac Brock on the morning after a bender. Though he often sounds as though he’s on the verge of giving up, there’s enough grit here to suggest drawing on precious reserves of hope. This is especially apparent on “All is Well,” which rides electric piano with a soulful slink, Dollbaum’s voice elegantly gliding up into an unexpected, elegant falsetto. At the end of closing song “Break Your Bones,” we overhear him ask co-producer and engineer Matt Seferian, “What did you think of that take?” Pretty good, Thomas; pretty good.

Tim Clarke

Haunter — Disincarnate Ails (Profound Lore)

Discarnate Ails by HAUNTER

Haunter’s third LP Disincarnate Ails pushes the band’s black/death sound toward the blackened end of the subgenre’s sonic continuum, to some good effect. They have ditched the whacky wordplay of Sacramental Death Qualia (“Spoils Vultured upon Sole Deletion” is one of this reviewer’s favorite song titles, ever) and some of that previous record’s more pronouncedly death-driven aural qualities. Many of the guitar noises made by Enrique Bonilla and Bradley Tiffin on Disincarnate Ails may remind you of Hasjarl’s playing, c. Paracletus (without the national socialist baggage, thanks very much). The sounds are cold and spiky; the opening minutes of “Spiritual Illness” fairly bristle with it. Striking a different tone, “Chained at the Helm of Eschaton” suggests some serious time logged listening to Josh Raiken’s recent stuff with Suffering Hour, but Haunter doesn’t have that other band’s uncanny sense of tunefulness. That bites back a bit: two of the songs on Disincarnate Ails cross the ten-minute mark, and the band sometimes seems to be stitching ideas together, rather than following a trajectory through a sequence of necessary forms. But taken independently, they’re good ideas. The second half of “Chained at the Helm of Eschaton” is particularly hair-raising, passionate and intricate in nearly equal measure. When the band locates that combination of elements, the music is compelling.

Jonathan Shaw

Ibibio Sound Machine — Electricity (Merge)

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Ibibio Sound Machine has always integrated African pop funk influences with electro, finding a very particular sound in melding various traditions. For Electricity, the group brought in Hot Chip for production work. The partnership works wonderfully. Ibibio Sound Machine brings the electronic sounds to the front, but always in service of a song's given energy. Whether leaning toward Afrobeat or disco or (more typically) both, the group performs with drive. Frontwoman Eno Williams moves between English and Ibibio in her lyrics, often so quickly as to be disorienting. That approach keeps the dizzying dance drive central, ideas floating in and out of focus even if steadily expressed in tone. “All That You Want” expressed connection as much in its horns and synths as in its verbal denotation. The group derives its power from maintaining a conversation between England and Nigeria, and it shares that power as a transnational dance party. The sound might feel a little updated on this one, but the central approach remains strong.

Justin Cober-Lake

Catalina Matorral — Catalina Matorral (Via Parigi)

Catalina Matorral by Catalina Matorral

A woman’s voice, filtered by a vocoder, rhythmically intones deadpan cadences in French over a keyboard bass. A few string instruments occupy space in an otherwise empty mix. If X=X, Catalina Matorral=the francophone Laurie Anderson.

At least, that’s true of a few songs. Elsewhere, Catalina Matorral, whose name refers to a male-female duo rather than a person, dips into overt chanson, with the guy’s voice showing up on occasion, and the keyboard behavior eases into the 21st century. If you aren’t skilled in the language at hand, or just engage at a surface level governed by records that have been cool to American record collectors, the LP begins to sound like a Laurie Anderson/Brigitte Fontaine & Areski mash-up. And you can justifiably call this writer a shallow sort for staying at that level, but hey, it’s not a bad place to spend 32 minutes.

Bill Meyer

McPhee Marker — DNA Parliament (Corbett Vs. Dempsey)

The folks at Corbett Vs. Dempsey remember when things were right, so, vinyl production realities be damned, they’ve gone ahead and made a 12”, 45 rpm single. In 2022, that’s either an act of madness or love, and this record’s touched by a little of both. The core partnership here, between saxophonists Ken Vandermark and Joe McPhee, is a mutual appreciation society that’s been nurtured by a quarter century of periodic collaboration, and both songs covered here are by performers that the former musician clearly loves. Vandermark’s most recent band, Marker, is a drums-keyboards-two guitars combo whose potential for clatter nicely matches the inherent staccato brittleness of DNA’s “Egomaniac’s Kiss.” However, it’s McPhee’s gleeful overblowing that loosens the hinges. It’s a nervy endeavor to perform Parliament’s “Night of the Thumpasaurus Peoples” without a proper bass, but Macie Stewart’s neon-accordion synth voices and Phil Sudderberg’s juggler-like aplomb do the groove credit.

Bill Meyer

The Mutual Torture — Don’t (Non Standard Productions)

Don't - NSP 19 by The Mutual Torture

Veteran Berlin producer Tobias Freund taps bassist André Schöne and Chilean singer Javiera González to explore his interest in early electronic post punk on The Mutual Torture’s debut Don’t. Across 12 tracks of racketing drum machines, thrumming bass and declamatory lyrics, the trio channel the alienated paranoia of the Neue Deutsche Welle and the performative excess of some of the Wax Trax! roster. Don’t benefits from the temper of times, unfortunately as riven as that of early 1980s, and the presence of González whose vocals lend a credible edge to Freund’s songs about gender roles and nationalist violence. The Mutual Torture hit all the right notes but there is a gnawing sense that their seriousness is undercut by excessive respect for their musical forebears.

Andrew Forell

Bill Nace / Paul Flaherty — Touchless (Open Mouth)

Touchless by Paul Flaherty/Bill Nace

Title be damned, there can be no doubt that things were roughly touched in the making of this record. Bill Nace could not have obtained the peels of feedback that rip through the massive “Based On Letters Written To Their Children” without some hefting and shifting of his electric guitar. And Paul Flaherty could not have summoned the extinction event-level grief that he expels from his alto saxophone on the sparser “End Or No End” without pressing some keys. But what’s truly touching is the concentration of texture-sourced emotion on these two tracks. The seven-inch format forces you to get to the point, and Flaherty and Nace waste not a second of anyone’s time.

Bill Meyer

Tim Olive / Matt Atkins — Dissipatio (Steep Gloss)

Dissipatio by Tim Olive & Matt Atkins

Tim Olive, Canada’s master of the magnetic pickup, has broadened his palette. On this collaborative release with the London-based Matt Atkins, he wields shortwave radio, electronics, and tuning forks. Atkins deploys percussive implements and electronics. Since Olive calls Japan home, the pair likely interacted through telecommunications. Given the intricate nature of these soundscapes, you’d be forgiven if you believed that Olive and Atkins created their music in close proximity. Atkins’ clamor melts nicely into the prickly textures that Olive weaves, the percussive and electronic sonorities conjoining into a single uncanny entity. At times, one catches a whiff of Eli Keszler’s Catching Net, and at others it sounds like the pair are disassembling a radio with fireworks. Throughout, there’s a frenetic energy that never dissipates. Considering both artists tend to favor reductionism, Dissipatio surprises by brimming with sonic detail.

Bryon Hayes

Seedsmen to the World—S-T (Blue Arrow)

Seedsmen to the World · Seedsmen to the World

Seedsmen to the World aren’t in any hurry. This four-cut EP bends long, vibrating tones into shimmering edifices, letting the harmonium throb on, measure to measure, while guitar notes zoom in and out of focus. All five players are vets and, maybe, this has played into their willingness to let things play out on their own terms. Specifically, his Name Is Alive’s Warren Defever plays harmonium and tanpura. out-folk billionaire Ethan Daniel Davidson sings and plays cello while his wife Gretchen Gonzales Davidson (once of Slumber Party) plays guitar. Sponge founder Joey Mazzola plays another guitar, and Steve Nistor, who has worked with almost everyone, plays drums.

The first track, “Blood,” trudges on for nearly 13 minutes, a hazy chant about birth and death and suffering marking time as the instrumental bits shift in tectonic ways—that is to say, barely moving but massive. The second side, too, starts in an extended manner, with “Brown” surging lysergically, out of lingering guitar bends and elongated patterns of banjo. There’s a cosmos in it, wide-frame and ever expanding, but essentially unknowable. In between, some shorter cuts intervene, a raga-shot campfire song called “Home” and a droning cover of Creedence’s “Who’ll Stop the Rain.” Everything glimmers through a cough-syrupy haze, but there’s a kind of beauty in the indefinite hum.

Jennifer Kelly

Sister Ray — Communion (Royal Mountain)

Communion by Sister Ray

The Velvet Underground song may be the first thing that comes to mind when you hear the name Sister Ray, but this is far from noise-rock. Yes, there are guitars, plus drums and bass, but they’re deployed in the service of slow-burn rather than all-out assault. The artist behind Sister Ray, Ella Coyes, takes a sober approach, crafting slow, serious songs that explore the nuances of interpersonal dynamics. Coyes is a skilled lyricist and vocalist, akin to Sharon Van Etten or Adrianne Lenker, unflinchingly poking around in the most sensitive areas of the human experience. On album highlight “Visions,” the circling chord progression at the song’s climax is a real kick in the guts, more than matching the intensity of the words. Elsewhere there’s a definite sense of withholding, as if waiting for a pay-off that never comes, only serving to up the dramatic tension. In this regard, Communion is definitely a grower; at first it appears monochrome, but each listen reveals subtle gradations in color and unexpected depths.

Tim Clarke

Ches Smith — Interpret It Well (Pyroclastic)

Interpret It Well by Ches Smith

When Ches Smith, Craig Taborn and Mat Maneri recorded The Bell for ECM, the label’s typically reverberant production played up the potential cloudiness of their interactions. For Interpret It Well, the trio added guitarist Bill Frisell, a man who is acquainted with the ways of ECM in particular, and diffusion more generally. But the resulting music is more sharply focused, perhaps because their new label seems to have less of a brand consciousness when it comes to matters of sound, but also because the combo had plenty of time to rehearse, since COVID had taken everyone off the road. Even so, Smith’s compositions seem to be in the process of becoming as they are played. No one player overwhelms the others, and they know how to pull back and let a paradoxical moment of big delicacy materialize.

Bill Meyer

Veneno — Camino des Espinas (Sentient Ruin Laboratories)

Camino de Espinas by Veneno

Everything old is new again. Cold War-style thermonuclear-apocalyptic anxieties? Check. McCarthyite Red Scare bullying of academics? Check. Satanic Panic narratives of rampant ritual child sexual abuse? You bet — that’s essentially an American political party now. Hard to know exactly what the guys in Veneno are hollering about in “Pánico Satánico” without a lyric sheet, but the song’s basic tonality may have you flashing on CoC’s Eye for an Eye and those halcyon days of 1984. The QAnon folks and their political-managerial partners in DC and rightwing media are a lot less subtle than their 1980s counterparts, who claimed professional training in stuff like psychotherapy and religious studies. Likewise, Buenos Aires-based Veneno makes hardcore that’s more bludgeoning, ugly and rancorous than just about anything pressed to vinyl in the 1980s (Stickmen with Rayguns got kind of close…). The weirdos at Sentient Ruin Laboratories have rereleased Veneno’s demo tape, so now we can groove with (or more likely: roll around in the broken glass and scummy ditch water with) this initial release from the Argentine band. It’s pretty good.

Jonathan Shaw

XV—Basement Tapes (Self-Released)

Basement Tapes by XV

The rawest sort of home-made punk comes direct from someone’s basement in Michigan at the height of the pandemic. Consider, “Light in the Woods,” where a dank, echoing bass line saws forward, as someone drums scattershot in the background. A young woman, well away from the mic, is shouting about something being purple, in perky way. Song is so loose that it feels like it’s falling apart in your ear, but also slyly, addictively hooky. It speeds up towards the end like a skittle in its final desperate whorls, spinning faster and faster until it crashes in a heap. From there, you can hear the soft, untutored sound of women singing a few lines from Madonna’s “Into the Groove.” It couldn’t be sillier, or more enjoyable. All three artists involved are loosely associated with Fred Thomas, the godfather of Michigan independent rock and the man behind Saturday Looks Good to Me and Tyvek. Claire Cirocco and Emily Roll also play in Cultural Fog, while Shelley Salant has recorded with Saturday Looks Good to Me. “I Used to Have a Perfect Mouth,” wanders tipsily, low-end crunch of bass flaring and fading, as cymbals clash and the singer muses, on beauty and falseness (“I used to have a perfect mouth…until I lied.” Fourteen tracks, most under two minutes, not a second of self-doubt in the lot.

Jennifer Kelly

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rwpohl · 11 months

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#portrait miss n.#gertrude käsebier #1903 #marchesa casati #luisa casati #adolf de meyer #1912 #blind #new york #paul strand #1917 #photographs #camera work #alfred stieglitz #u. bär verlag #zürich #1985 #jost marchesi #books

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hotvintagepoll · 4 days

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Propaganda

María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.

Julie Andrews (The Sound of Music, Mary Poppins)—Oh where to start .... I'm not sure I even know how. She's just perfection. And it's not fair I can't bring post 70s work into this, because she just gets better and better, and her drag performance in to die for. But in the era I CAN talk about, she shows she has THE RANGE. Beautiful, feisty, funny, holding her own against Christopher Plummer, Paul Newman, Rock Hudson. Oh she's luminous.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

María Félix:

She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.

"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz

María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.

Julie Andrews propaganda:

"She has such a simple but amazing beauty to her. Not to mention her amazing and melodic singing voice!"

"Roles like nannies and governesses can make us forget how attractive she was! A perfect combination of elegant and adorable, with the most incredible vocal range to boot!"

"Besides having one of the most amazing singing voices ever to grace the silver screen, Julie always had an understated beauty to her that wasn't always shown off on screen. But it's there nonetheless because her characters managed to pull some of the hottest men ever to grace the screen."

"The juxtaposition between carefree Maria and stern but fun Mary Poppins shows the power of the acting of this HOT VINTAGE MOVIE WOMAN"

"Charming, genteel, incredibly charismatic, beautiful, and has an angelic singing voice to boot. Her screen roles as Maria in The Sound of Music and Mary Poppins are absolutely iconic for a reason and she originated several well-known Broadway roles before those."

"the most beautiful woman 12 year old me had ever seen possibly"

"OMG OMG OMG she’s definitely been submitted before how could she NOT but!!!! I loveeee her so muchhhh rahhhh prebby!!!! cool!!!! mary poppins the beloved <33333 some people dislike it but I love jolly holiday so much because it IS a jolly holiday with Mary!!! no wonder that it’s Mary that we love!!!!!"

"I know many people who were taught in singing lessons "when in doubt, pronounce words how julie andrews would pronounce them." THATS CALLED INFLUENCE. THATS CALLED MOTHERING THOUSANDS."

#julie andrews #maría félix #hotvintagepoll #fuck that old woman #ladies 4

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dreams-of-mutiny · 1 year

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Interior of Léon Stynen and Paul De Meyer’s Church of Sint-Rita in Harelbeke (1968).

#brutalism #architecture #photography

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stenka-razin · 4 months

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in 2023 I watched some movies

I was gonna catch up on all those best picture nominees from the last 5 years, but watched crap like Caligula 2 instead

The 1989 World Tour - Live (2015, dir. Jonas Åkerlund) Glass Onion: A Knives Out Mystery (2022, dir. Rian Johnson) Flight 666 (2008, dir. Scot McFayden and Sam Dunn) Dracula (1931, dir. Todd Browning) Moonraker (1979, dir. Lewis Gilbert) The Pez Outlaw (2022, dir. Bryan Storkel and Amy Bandlien Storkel) Encino Man (1992, dir. Les Mayfield) Star Trek: Insurrection (1998, dir. Jonathan Frakes) Once Upon a Time in… Hollywood (2019, dir. Quentin Tarantino) Cleopatra (1963, dir. Joseph L. Mankiewicz) The Alligator People (1959, dir. Roy Del Ruth) The Silence of the Lambs (1991, dir. Thomas Demme) Godzilla vs. Megalon (“ゴジラ対メガロ” 1973, dir. Jun Fukuda) Invasion of Astro-Monster (“怪獣大戦争” 1965, dir. Ishirō Honda) Breaking a Monster (2015, dir. Luke Meyer) Terror at Orgy Castle (1971, dir. Zoltan G. Spencer) Wake in Fright ("Outback" 1971, dir. Ted Kotcheff) m.A.A.d. (2014, dir. Khalil Joseph) Reservoir Dogs (1992, dir. Quentin Tarantino) Kung Pow! Enter the Fist (2002, dir. Steve Oedekerk) House (1977, dir. Nobuhiko Obayashi) Raiders of the Lost Ark (1981, dir. Steven Spielberg) Dunkirk (2017, dir. Christopher Nolan) Final Destination (2000, dir. James Wong) Glitch: The Rise & Fall of HQ Trivia (2023, dir. Salima Koroma) Basic Instinct (1992, dir. Paul Verhoeven) Pee Wee’s Big Adventure (1985, dir. Tim Burton) Caligula 2: The Untold Story (“Caligola: La storia mai raccontata” 1982, dir. Joe D’Amato) La noche del terror ciego (1972, dir. Amando de Ossorio) Rocky IV (1985, dir. Sylvester Stallone) Saw IV (2007, dir. Darren Lynn Bousman) House of Wax (1953, dir. Andre DeToth) Thir13en Ghosts (2001, dir. Steve Beck) Kashchey the Immortal (“Кащей Бессмертный” 1944, dir. Aleksandr Rou) Ghost Ship (2002, dir. Steve Beck) The Blood on Satan’s Claw (1971, dir. Piers Haggard) The Face of Fu Manchu (1965, dir. Don Sharp) The Brides of Fu Manchu (1966, dir. Don Sharp) The Vengeance of Fu Manchu (1967, dir. Jeremy Summers) The Blood of Fu Manchu (1968, dir. Jesús Franco) April Fool's Day (1986, dir. Fred Walton) It's Pat 1994, dir. Adam Bernstein) The Castle of Fu Manchu (1969, dir. Jesús Franco) Adam and Eve Meet the Cannibals ("Adam ed Eve, la prima storia d'amore" 1983, dir. Enzo Doria & Luigi Rosso) The Mountain of the Cannibal God (“La montagna del dio cannibale” 1978, dir. Sergio Martino) When Harry Met Sally… (1989, dir. Rob Reiner) Beetlejuice (1988, dir. Tim Burton) Lord of the Rings: Fellowship of the Ring (2001, dir. Peter Jackson, Long as Shit Version) The Hobbit (1977, dir. Arthur Rankin Jr. & Jules Bass) The Cabinet of Dr. Caligari (1920, dir. Robert Wiene) The Wicker Man (1973, dir. Robin Hardy) The Texas Chain Saw Massacre (1974, dir. Tobe Hooper) House of 1000 Corpses (2003, dir. Rob Zombie) Chopping Mall (1986, dir. Jim Wynorski) Basket Case (1982, dir. Frank Henenlotter) Cube (1997, dir. Vincenzo Natali) Cube 2: Hypercube (2002, dir. Andrzej Sekula) Practical Magic (1998, dir. Griffin Dunne) Tropic Thunder (2008, dir. Ben Stiller) Star Wars: The Force Awakens (2015, dir. J.J. Abrams) Star Wars: The Last Jedi (2017, dir. Rian Johnson) Star Wars: The Rise of Skywalker (2019, dir. J.J. Abrams) Eyes Wide Shut (1999, dir. Stanley Kubrick) Superbad (2007, dir. Greg Mottola) Bruce Almighty (2003, dir. Tom Shadyac) House of Flying Daggers (“十面埋伏” 2004, dir. Zhang Yimou) Saltburn (2023, dir. Emerald Fennell) Grandma’s Boy (2006, dir. Nicholaus Goossen) Five Nights at Freddy's (2023, dir. Emma Tammi) Caligula and Messalina (“Caligula et Messaline” 1981, dir. Bruno Mattei) The Wizard of Oz (1939, dir. Victor Fleming, King Vidor, George Cukor, and Norman Taurog) A Christmas Prince (2017, dir. Alex Zamm) A Christmas Prince: The Royal Wedding (2018, dir. John Schulz) The Knight Before Christmas (2019, dir. Monika Mitchell) Goldfinger (1964, dir. Guy Hamilton) Total Recall (1990, dir. Paul Verhoeven)

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germanysnexttopgedicht · 8 months

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Hallo miteinander :)

gestern (Sonntag, 13.08.) ist die Vorauswahl zu Ende gegangen. Hier sind die Gewinner der zweiten Runde:

Conrad Meyer: Die Füße im Feuer

Kurt Tucholsky: Danach

Danger Dan: Das ist alles von der Kunstfreiheit gedeckt

Nora Bossong: Leichtes Gefieder

Karoline von Güderrode: Ein apokaliptisches Fragment

Wizo: Raum der Zeit

Yoko Tawada: Die zweite Person Ich

Marie Luise Kraschnitz: Geschwister

Hermann Hesse: Im Nebel

Christine Lavant: [Sag mir ein Wort, und ich stampfe dir...]

Ingeborg Bachmann: Alle Tage

Emerenz Meier: Stoßseufzer

Damit stehen alle 32 Teilnehmer fest! Diese werden in 2 Gruppen zu je 16 Gedichten aufgeteilt, und dann treten immer 2 Gedichte gegeneinaner an; in der nächsten Runde treten die Gewinner gegeneinander an, bis noch 2 für das Finale übrig bleiben. Die einzelnen Duelle sind ausgelost, die jeweiligen Tags werden sein #runde 1 gruppe 1 und #runde 1 gruppe 2.

Ich werde ab morgen, Dienstag 15.08.2023, täglich um 18:00 eine Umfrage posten.

Edit: Die Gedichte poste ich als Grafiken, da Textformatierung auf dieser unserer Höllenseite nur manchmal funktioniert - in Alt Text leider schonmal gar nicht. Unter dem jeweiligen Gedicht steht ein Link, der zu einer Webseite mit dem kompletten Text des Gedichtes führt. Ich hoffe, das ist für alle akzeptable (aber ich bin für Kritik offen, wenn nicht).

Alle Teilnehmer sowie die Matchups sind unter dem Cut. Viel Spaß!

Teilnehmer:

Rainer Maria Rilke: Der Panther

Heinrich Heine: Lied von den schlesischen Webern

Paul Celan: Todesfuge

Unbekannt/Volkstümlich: Dunkel war's, der Mond schien helle

Erich Kästner: Sachliche Romanze

Anette von Droste-Hülsoff: Der Knabe im Moor

Bertolt Brecht: An die Nachgeborenen

Eduard Mörike: Er ist's

Theodor Fontane: John Maynard

Hilde Domin: Nicht müde werden

Zoran Drvenkar: es müssen nicht flügel sein

Theodor Storm: Die Stadt

Joachim Ringelnatz: Die Ameisen

Joseph von Eichendorff: Mondnacht

Rose Ausländer: Noch bist du da

Christian Morgenstern: Der Werwolf

Friedrich Schiller: Das Lied von der Glocke

Johann Wolfgang von Goethe: Prometheus

Mascha Kaléko: Interview mit mir selbst + Post Scriptum

Ernst Jandl: Markierung einer Wende

Conrad Meyer: Die Füße im Feuer

Kurt Tucholsky: Danach

Danger Dan: Das ist alles von der Kunstfreiheit gedeckt

Nora Bossong: Leichtes Gefieder

Karoline von Güderrode: Ein apokaliptisches Fragment

Wizo: Raum der Zeit

Yoko Tawada: Die zweite Person Ich

Marie Luise Kraschnitz: Geschwister

Hermann Hesse: Im Nebel

Christine Lavant: [Sag mir ein Wort, und ich stampfe dir...]

Ingeborg Bachmann: Alle Tage

Emerenz Meier: Stoßseufzer

Gruppe 1

Theodor Storm: Die Stadt

Johann Wolfgang Goethe: Prometheus

Yoko Tawada: Die zweite Person Ich

Ernst Jandl: Markierung einer Wende

Heinrich Heine: Die schlesischen Weber

Rose Ausländer: Noch bist du da

Unbekannt: Dunkel war's, der Mond schien helle

Joseph von Eichendorff: Mondnacht

Nora Bossong: Leichtes Gefieder

Paul Celan: Todesfuge

Marie Luise Kraschnitz: Geschwister

Eduard Mörike: Er ist's

Friedrich Schiller: Das Lied von der Glocke

Conrad Meyer: Die Füße im Feuer

Theodor Fontane: John Maynard

Emerenz Meier: Stoßseufzer

Gruppe 2

Hermann Hesse: Im Nebel

Rainer Maria Rilke: Der Panther

Wizo: Raum der Zeit

Christian Morgenstern: Der Werwolf

Hilde Domin: Nicht müde werden

Danger Dan: Das ist alles von der Kunstfreiheit gedeckt

Ingeborg Bachmann: Alle Tage

Anette von Droste-Hülsoff: Der Knabe im Moor

Kurt Tucholsky: Danach

Mascha Kaléko: Interview mit mir selbst + Post Scriptum

Bertolt Brecht: An die Nachgeborenen

Karoline von Güderrode: Ein apokaliptisches Fragment

Zoran Drvenkar: es müssen nicht flügel sein

Erich Kästner: Sachliche Romanze

Joachim Ringelnatz: Die Ameisen

Christine Lavant: [Sag mir ein Wort, und ich stampfe dir...]

#runde 1 gruppe 1 #runde 1 gruppe 2 #sorry dass ich euch keine schöne grafik machen kann #ich finde es ist ne schöne mischung #auch wenn manche teilnehmer etwas merkwürdig sind #aber! ich bin erstaunt und dankbar dass keiner 'was es ist' eingereicht hat also muss ich wohl zufrieden sein

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your-averagewriter · 2 years

Text

Request rules.

I don't write smut but I will write steamy make-out scenes and all that.

I will write fem!character x fem!reader, male!character x fem!reader, male!reader x male!reader. All of it including gender neutral reader.

I also only really write x reader fics.

My Masterlist - What I've already written, I update when I post.

REQUESTS ARE CLOSED DUE TO HAVING LOTS OF REQUESTS!

- Thanks for the requests though! :)

Keep an eye on this as I add more characters as I watch more shows/movies!

People/characters I will write for:

DYSTOPIAN and ACTION:

- Hunger Games - Peeta Mellark, Katniss Everdeen, Haymitch Abernathy, Finnick Odair, Johanna Mason, Annie Cresta, Lucy Gray Baird, Sejanus Plinth.

- Maze Runner - Thomas, Newt, Gally, Minho.

- Kingsman - Harry Hart (Galahad), Gary "Eggsy" Unwin (Galahad), Hamish Mycroft (Merlin), Jack Daniels (Whiskey).

- Luther - John Luther, Alice Morgan, Justin Ripley.

- Call of Duty - John Price, Simon "Ghost" Riley, John "Soap" MacTavish, König, Alejandro Vargas, Kyle "Gaz" Garrick, Kim "Horangi" Hong-jin, Valeria Garza, Keegan Russ.

- The Boys - Homelander, Starlight, Soldier Boy, Black Noir, Billy Butcher, Hughie Campbell, The Deep, Queen Maeve, A-Train, Translucent.

- Gen V - Marie Moreau, Emma Meyer, Jordan Li, Andre Anderson, Cate Dunlap, Luke Riordan and Sam Riordan.

HORROR:

- Scream - Billy Loomis, Stu Macher, Dwight "Dewey" Riley, Randy Meeks, Richie Kirsch, Sam Carpenter, Tara Carpenter, Chad Meeks-Martin, Mindy Meeks-Martin, Ethan Landry.

- The Lost Boys - Michael Emerson, David, Star, Marko, Dwayne.

- What We Do in the Shadows - Nandor the Relentless, Laszlo Cravensworth, Nadja, Guillermo de la Cruz.

- A Quiet Place (1&2) - Lee Abbott, Evelyn Abbott, Emmett.

- The Boy - Brahms.

- Zombieland - Tallahassee, Columbus, Wichita.

- Fight Club - Tyler Durden, The Narrator.

- Alien - Ripley, Dwayne Hicks, Hudson.

- Saw - Adam Faulkner-Stanheight, Amanda Young, Peter Strahm, Mark Hoffman.

- The Crow - Eric Draven.

- Midnight Mass - Sheriff Hassan, Father Paul, Riley Flynn.

MARVEL:

- MCU - Tom Holland!Peter Parker, Andrew Garfield!Peter Parker, Bruce Banner, Steve Rodgers, Tony Stark, T'Challa, Stephen Strange, Logan, Scott Lang, Wanda Maximoff, Clint Barton, Natasha Romanoff, Yelena Belova, Matt Murdock, Valkyrie, Carol Danvers, Peter Quill, Bucky Barnes, Phil Coulson, Gamora, Thor Odinson, Loki Laufeyson, James Rhodes, Pietro Maximoff, Druig, Sam Wilson, Shuri.

- Spiderverse - Hobie Brown, Miles Morales (both variations), Gwen Stacy, Miguel O'Hara, Pavitr Prabhakar, Peter B Parker, Spider Noir.

- X-Men and others (Deadpool etc) - Young!Charles Xavier, Young!Erik Lehnsherr, Nightcrawler, Jean Grey, Scott Summers, Nathan Summers, Wade Wilson.

DC:

- The Dark Knight Trilogy - Christian Bale!Bruce Wayne, Jonathon Crane.

- The Batman - Robert Pattinson!Bruce Wayne, Selina Kyle.

- Justice League - Diana Prince (Wonderwoman), Arthur Curry (Aquaman), Clark Kent (Superman).

- Gotham - David Mazouz!Bruce Wayne, Jerome Valeska, Jerimiah Valeska, Alfred Pennyworth, Jim Gordon, Selina Kyle, Ed Nygma, Barbara Kean, Oswald Cobblepot, Victor Zsasz, Harvey Bullock, Jonathon Crane, Jervis Tetch, Victor Fries.

The Suicide Squad - Jared Leto!Joker, Harley Quinn, Rick Flag, Chris Smith (Peacemaker), Robert DuBois (Bloodsport), Chato Santana (El Diablo).

ANIME:

- Attack on Titan - Eren Yeager, Levi Ackerman, Mikasa Ackerman, Armin Arlert, Jean Kirstein, Reiner Braun, Annie Leonhart, Sasha Braus, Erwin Smith, Miche Zacharius, Hitch Dreyse, Kenny Ackerman, Marco Bodt, Pieck Finger, Porco Galliard, Colt Grice, Bertholdt Hoover, Nicolo, Ymir, Zeke Yeager, Floch Forster.

- Demon Slayer - Giyu Tomioka, Mitsuri Kanroji, Obanai Iguro, Muichiro Tokito, Shinobu Kocho, Kyojuro Rengoku, Tengen Uzui, Kanao Tsuyuri, Tanjiro Kamado, Zenitsu Agatsuma, Inosuke Hashibira, Gyutaro, Daki, Enmu, Hinatsuru, Makio, Suma.

- Castlevania - Alucard, Sypha Belnades, Trevor Belmont, Carmilla, Lenore.

- Tokyo Ghoul - Ken Kaneki, Juuzou Suzuya, Touka Kirishima, Kuki Urie, Ayato Kirishima, Itori, Uta, Hideyoshi Nagachika.

- My Hero Academia - Shota Aizawa, Hizashi Yamada, Tenya Ida, Ochaco Uraraka, Denki Kaminari, Eijiro Kirishima, Kyoka Jiro, Hanta Sero, Shoto Todoroki, Katsuki Bakugo, Itsuka Kendo, Tamaki Amajiki, Hitoshi Shinso, Keigo Takami, Mirko, Dabi, Himiko Toga, Jin Bubaigawara.

- Obey me - Lucifer, Mammon, Levi, Satan, Asmodeus, Beelzebub, Belphegor, Diavolo, Barbatos, Simeon, Solomon.

- Haikyuu! - Daichi Sawamura, Kōshi Sugawara, Asahi Azumane, Tobio Kageyama, Tadashi Yamaguchi, Kiyoko Shimizu, Keishin Ukai, Tetsurō Kuroo, Kenma Kozume, Tōru Oikawa, Hajime Iwaizumi, Kōtarō Bokuto, Keiji Akaashi, Wakatoshi Ushijima, Satori Tendō, Yūji Terushima, Kiyoomi Sakusa, Atsumu Miya, Osamu Miya.

- Avatar the Last Airbender - Zuko, Katara, Sokka, Aang, Azula, Ty Lee.

- Avatar: Legend of Korra - Korra, Asami, Mako, Tenzin, Iroh.

MUSIC:

- Waterparks - Awsten Knight, Geoff Wigington, Otto Wood.

- My Chemical Romance - Gerard Way, Mikey Way, Ray Toro, Frank Iero, (all the killjoys).

- Pierce The Veil - Vic Fuentes, Tony Perry, Jaime Preciado.

- All Time Low - Alex Gaskarth, Rian Dawson, Zack Merrick.

- Ice Nine Kills - Spencer Charnas, Ricky Armellino, Patrick Galante, Joe Occhiuti, Dan Sugarman.

- Palaye Royale - Remington Leith, Emerson Barrett.

- Others - Oli Sykes, Ronnie Radke, Andy Hurley, Brandon Flowers, Chris Motionless, Kellin Quinn,, John O'Callaghan, Josh Franceschi, Lzzy Hale, Hayley Williams, William Beckett, Noah Sebastian, Will Ramos, Will Ghould, Dave Grohl, Vessel (Sleep Token).

- Metal Lords - Hunter, Kevin, Emily.

SCI-FI:

- The Sandman - Dream, Corinthian.

- Prey - Naru, Taabe.

- Stranger Things - Steve Harrington, Nancy Wheeler, Jonathon Byers, Max Mayfield, Robin Buckley, 001, Dimitri, Eddie Munson.

- Star Wars - Anakin Skywalker, Luke Skywalker, Obi-Wan Kenobi, Han Solo, Rey, Kylo Ren, Boba Fett, Poe Dameron, Din Djarin, Cal Kestis.

OTHERS:

- Barbie - Barbie, Ken.

- Monster High - Frankie Stein, Clawdeen Wolf, Cleo de Nile, Deuce Gorgon, Draculaura, Lagoona Blue, Abbey Bominable, Clawd Wolf, Gillington Webber, Heath Burns, Holt Hyde, Jackson Jekyll, Neighthan Rot, Operetta, Robecca Steam, Rochelle Goyle, Venus McFlytrap, Kieran Valentine, Porter Geiss.

- Wonka - Willy Wonka, Fickelgruber.

- Saltburn - Oliver Quick, Felix Catton, Farleigh Start, Venetia Catton.

I know that's quite a long list and if you want me to write for a character not on there then just ask :)

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desimonewayland · 11 months

Text

Paul Gauguin

Portrait of Meyer de Haan or Mélancolie c. 1889

Stoppenbach & Delestre, London

#paul gauguin #drawing #france #late 19th century

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betterskatethannever · 1 year

Text

2022 best of

best parts

Nick Matthews - Venture x Uprise / Nike x HUF

Mason Coletti - RIGHT HERE FOR PABLO . Deep Fried Pescado

Eddie Cernicky - Deep Fried Pescado . RIGHT HERE FOR PABLO

Tiago Lemos - Primitive DEFINE.

Gustav Tønnesen - SOUR SOLUTION III

Leonardo Bodelazzi - Leozinho

Juan Virues - Hotel Blue pro ‘penthouse suite’

Cyrus & Max - Limosine Promaster . “Toes Down” . i just took a bite of dirt

Diego Todd - Hockey X

Braden Hoban - emerica Emerge

Tristan Funkhouser - Baker 420 . Deep Fried x Baker

Nyjah Huston - Need That . Shine On . “DISRUPTION”

Tyshawn Jones - “Play Dead” . KINGDOM COME . ‘The General’

Carlos Ribeiro - Primitive DEFINE.

Gilbert Crockett - DENIM CAR

Grant Taylor - Fantastic Voyage

Will Marshall - Alltimers You Deserve It

Lucien Clarke - LAUST IN TRANSLATION

Shaun Paul - DC ‘NorthUnda’

Noah Nayef - April

Elijah Odom - Alltimers You Deserve It . Andrew RASCAL

Brian Reid - Brian, Brandon & Will . DGK Zeitgeist

Shin Sanbongi - adidas

Jordan Trahan - Ace ‘Fais Low Low’

Bobby de Keyzer - Bobby

Brian Delatorre - Live & Direct

Vincent Milou - SOLO: You Changed

Jaakko Ojanen - Manana . E.S.P. vol. 2

Ryan Lay - DR in Color . Sci-Fi Fantasy

Myles Willard - Bones Bearings . ”Myles and The Machine”

Will Mazzari - Brian, Brandon & Will . DGK Zeitgeist

Marcello Campanello - Maxallure pro

Heitor da Silva - Vice Versa Love

Jake Wooten - Big Sky

Felipe Gustavo - CODE

Ishod Wair - REAL

Ish Cepeda - AD ASTRA

Louie Lopez - As You Wish . “Honor Roll” . FA, Again & Again

Danny Renaud - Brass Tacks

Silas Baxter-Neal - Portland Public Skating 3 . Burrow

Brian Delatorre - Habitat Live & Direct

Keiran Zimmerman - Jenny x Emerica

best full-lengths

Polar - Sounds Like You Guys Are Crushing It

Antihero - Fantastic Voyage

GX1000 - RIGHT HERE FOR PABLO

The Sour Solution III

Primitive - DEFINE.

Hockey X

Supreme - “Play Dead”

Alltimers - You Deserve It

Shake Junt - Shrimp Blunt

Bronze TV Channel 56

Element - E.S.P. vol. 2

Deep Fried - Pescado

Cafe - TENOR

Rassvet - “I Missed You”

Homies - Fun Raiser

DGK - Zeitgeist

Plan B - CODE

Emerica - EMPOWER

Bleach USA - “SPIKE”

Foundation - Splendor

best breakout parts

Vince Guzaldo - Bleach USA “SPIKE” . Immortality Research

Davide Holzknecht - Baglady. Pack Light . Hélas

Arthur Ribeiro - Vento Bravo

Blake Norris - FULLER HOUSE

Alan Bell - be honest

Johnny Cumaoglu - Mind How You Go

Joe Campos - Hockey X

Brian O’Dwyer - She’s Cheating

Shane Farber - CONS One-Star Pro x RIDING A HORSE NAKED

Jake Yanko - “MOSQUITO”

Christoph Friedmann - LOBBY DREAMS

Donovan Wildfong - Glue ‘wick & spit’

Marley Humphrey - “DIME BAG”

Jason Nam - carousel

Sam Fairweather - Indy Raw Ams

Shogo Zama - MAGENTAPES

best women’s parts

Breana Geering - Spitifre

Nelly Morville - Limosine Promaster . “Toes Down” . i just took a bite of dirt

Mariah Duran - Thunder

Adrianne Sloboh - Krux

Mami Tezuka - Blood Wizard “Destiny”

Nicole Hause - REAL

Reese Nelson - Birdhouse welcome

best independents

Tim Savage - Brian, Brandon & Will

Fritte Söderström - Jante 5:33 x Jante 11:00

Tor Ström - Is This The Place?

Gray Area: Push Button to Destroy the World

Mettz Quest 2 (nyc)

Eryk Burton - THE TALE OF A TOXIC KING (nyc)

Harry Bergenfield - She’s Cheating (Philly)

Nicolas Marti - be honest (nyc)

Neema Joorabchi - limp x okay then (nyc)

Jeff Cecere - Mind How You Go (nyc)

Felix Soto - “ANGEL” (LA)

Calvin Millar - THE SQUAD (Austin)

Emilio Dufour - MAL CIUDADANO (Uruguay)

My Favorite Things - 31 (Helsinki)

Andrew Meyer - flinch (Philly VX)

Widdip - RIDING A HORSE NAKED (ATL)

Viktor Kretsis - Down Low (Manchester)

gang international - WITH ALL DUE (DC)

Chris Mulhern - [untitled] 006 (Philly)

Leando Chocho - HANDYCAPS_2

Tyler Bamdas - V3

Alex Doyle - CLUB BANGERS 3 (Vancouver)

Portland Public Skating 3

DUPLEX 3 (West Palm Beach FL)

HITTIT 3 (Kopenhagen)

Tristan Warren - MONEY TIME (LA)

Zach Fuller - FULLER HOUSE (SF)

Get Lesta - Darling (UK)

James Morley - GOD BLESS (Toronto)

andres garcia - MILO (LA)

James Cruikshank - SENSIBLES (Paris)

Brian Hunter - SLANG (Long Beach)

Daniel Dent - faith in bro (LA)

best promo / medium-length / squad

Limosine - Promaster . “Toes Down” . i just took a bite of dirt

Free x Vans - Full Circle

The Union Square Video

Game On - Mark Suciu SOTY Trip

Chocolate - Upper Cruster

Primitive x Independent

Austin Bristow - LAUST IN TRANSLATION

eS Terminal 002

Bronze x DC What If God Said

Pangea Jeans - POCKET DIAL

adidas - The Sky Ain’t Falling

Pass~Port Nike

Internet Birthday ep.1

Thunder: Pleather Jacket

SCREWLOOSE - EXILE

Last Resort AB - Alv’s Angels

Thrasher Germany Vacation

RACKZ Gallery - Pandora

adidas Australia - Light Years

Sunday Hardware - LUV YA LOTS x x

Baglady - Pack Light

HUF x Thrasher Brazil

Sk8land Skateshop - Veinte

Cowtown - TWENTY FIVE

Am Scramble 2021

Girl - ‘Desesh Mode’ Euro Tour

CPH OPEN 2021

Poolroom - RUNNER UP

Brick & Mortar - Autumn

Maxallure “INT CIRCLE” . “Beautiful Thoughts”

Dime comp vol 7 - Alexis Lacroix

SLP - KARI

Vans - Scandis

Kadence - DAIS

WKND - BOTTLE NECK SEWAGE . Street Fighters 2 . Alan Gelfand High

WORBLE III: Rough & Tough

Tree skateshop x Delivxry Buenos Aires - TREENIDAD

THE VIOLET PROMO

Stussy - Car Pool

Frog x Thunder

another massive year in skateboarding. hope things are good in your world. tell your friends you love em & let’s persevere to make 2023 even better

extended youtube playlist here

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