#people who aren't writers telling writers how to be writers

[murdockmeta]

hi, im new here (not to dd just to the tumblr sphere— why does everyone seem to hate zdarsky/checchetto? i really enjoyed the first part of zdarkys run and i adore checchetto’s art + design, so idk what i missed that makes everyone who comicsposts dislike it so much??

hm. this isn't the easiest question to answer. there's a LOT of different reasons as to why people disliked that run.

tbh I'll admit the first 20 or so issues of v6 are kind of okay. not impossible to read. it goes downhill fast after that, tho. very very downhill.

here's this post by @/xycuro-illuminati that does a good job of explaining why so many people disliked the run. here's my post on the ableism in zdarsky's writing. trust me you aren't the first person who's asked this question before

i'll give you a more general answer of my own opinion, tho

zdarsky's writing misses what most consider to be crucial points of Matt and Elektra's characters. with this, he entirely obliterates their characterization and that really pissed a lot of comics fans off.

i would consider volume 6 to be the beginning of the MCU-ification of dd. it is clear that at that point, some higher-ups were pushing for daredevil comics to become more like the show. the show was a MASSIVE hit and they wanted to cash in on that. so, they had the writers start shifting the comics and the characterization around to fit the show better.

this is where the problem lies. it is insulting, honestly, to ignore the past 50 plus years of writing for matt's character to shift it into something that will be more palatable to live actions fans just so marvel can get a good payday.

the most glaringly noticeable part of this is - the catholicism. the live action show makes a big deal out of matt being catholic when this was never really the case in the comics. while matt being religious and catholic are present in matt's background in the comics, it's not even close to being a big part of the character.

one of the main things that makes matt so compelling as a character is his morality, his integrity. he upholds his moral code relentlessly because he believes it is the right thing to do. he believes everyone deserves a second chance no matter what. in zdarsky's run and in the show, matt's reason for upholding his moral code is tied to his religious beliefs.

here's a good post on the origins of catholicism being related to matt's character and how it differs from the show and why it is such an injustice to tie matt's morality to his religion.

it's really really hard to articulate every single thing that's wrong with zdarsky's run while also giving you a thorough explanation.

i could tell you about how zdarsky's original plot was focused around matt's guilt when he accidentally kills someone but... matt's killed people before. he killed someone in his very first issue. ever. he was chasing after the man who was responsible for his father's murder and scared him so badly the man had a heart attack and died.

all of zdarsky's plots and subplots are all things that have been done over and over, he just writes it worse.

i could tell you about how shitty checchetto's art is. he can't draw women. or fat people (foggy fans deserve reparations). toward the end of the run he gets ESPECIALLY sloppy. he whitewashed kirsten and sam.

i could tell you about how zdarsky wrecked elektra's character. he completely ignored her origins and the character development she's had over the course of decades of writing just to slap some random retconned backstory onto her.

theres so. many. things.

i got into the comics through the show. when I started reading the comics I honestly perceived comics matt and show matt as two entirely different characters because they just felt so incredibly separate from one another. it is not that there are zero similarities, but their reasons for WHY they are the way that they are diverge wildly from each other

i dont know how else to put it except to say this. when I read zdarsky's run, I do not feel like I'm reading about Matt Murdock. it doesn't feel like matt, it doesn't feel like daredevil. it feels like an entirely new character that I do not know.

to fully explain to you why i feel that way would take a damn book. i realize that my answer isn't at all comprehensive and some parts are probably confusing but it is impossible to pick a start and end point. that's just not matt. that's it.

#dd #dd comics #daredevil comics #anti chip zdarsky #asks #ren replies #ren rambles #anon asks #nonny asks

[zukkaoru]

the disparity in kudos between a skk fic and a fic for literally any other bsd characters/ship :/

#like okay i get it skk is the most popular bsd ship by a longshot #but it does kinda suck that my skk fics will always end up being more popular than literally anything else i write for bsd #when i have way better fics tbh #okay i'm unleashing this from my drafts lol #like i get it kudos/hits/bookmarks counts aren't telling of how good a fic is #but out of my last five fics. my skk one has ONE HUNDRED kudos more than the next most kudos #and idk it also sucks that i know my skk is better than 90% of the fandom but. even my skk fics get significantly less kudos/etc #than big writers in the fandom who AREN'T EVEN GOOD #or are like. mid at best #i know in theory that the bsd fandom doesn't care about characterization but like. not only do they encourage bad characterization #it feels like sometimes they're actively against good characterization #even in j.jk and a.tla where there are major issues with bad characterization #more people seem to at least appreciate the good characterization. (even if they aren't good at it themselves.) #but i swear to god no one in the bsd fandom cares about anything besides whether dazai and chuuya are kissing. it begins and ends there. #it never ceases to amaze me (derogatory) how a fandom where the source media draws So Much inspiration from classic literature #can somehow have NEGATIVE media literacy skills #why don't you guys take a break from your edgy dazai x softboy chuuya fics and you fems.kk with dazai in skimpy clothes and your #beast chuuya sobbing and killing himself over dazai's death #and go read some of the books by the actual authors. and then write me an essay about the themes that has nothing to do with shipping. #and THEN you can come back to the fandom. #listen i love skk but oh my god sometimes the fandom makes me hate them. #anyway one of these days i'm going to get anon hate for complaining about the bsd fandom so much but that's fine #at least i know there are characters in the show besides dazai and chuuya. and when i do write skk AT LEAST I DO IT RIGHT. #hello grace here

[gingerbreadmonsters]

6k in and my head is about to explode. STILL not allowed to say what i want :(

#this fic is going to get negative notes i can already tell lmao #the scope of appeal is so stupidly narrow #but That Does Not Matter #i have to believe that #its for ME #its what i want to see and its what makes me happy #i will never put this in a real post because i would be immediately dragged into the square and burned for hypocrisy #but i think its worth saying #this is rasmr specific i dont know about any other fandoms so dont take this as a universal rule #if you go into your favourite tag variant (e.g. 'redacted [x character name]' or 'redacted [genre]') #and sort by 'top' rather than 'latest' #i would like you to scroll down until you find fic #by which i specifically mean PROSE - not bulletpoints or hcs or matchups or those sorts of things #(this is not to say that those things aren't good or worthy of respect - they ARE - but that's not what i'm talking about here) #i would like you to just think about how long it takes you to find a fic in there #because surprise! it's almost certainly longer than you would hope or indeed expect #now........ i wonder why that is? #i don't mean to sound egotistical or selfish or self-aggrandising through all this #but.... you know. fic writers - during their one life on this earth - put in an AWFUL lot of their real time and energy and love into this #into writing things for other people who they will never know or meet to enjoy for FREE on the internet #i don't think you can be surprised that it's a bit disheartening to do all that and then be met with basically silence #it's like cooking for people yk? #some fics are more complex/longer/time-intensive than others - in the way that making a five-course meal is more work than making a sandwic #but if someone made that food for you - whether it was a cookie or an entire christmas dinner - you'd still say thank you...... right? #you wouldn't just take it from them and leave the room - then eat it in total silence where they can't see - and then not say anything...? #if you liked it - or even if you didn't! - wouldn't you still say thank you? wouldn't you tell them that it was nice and you enjoyed it? #that you liked the ingredients they chose or the way they cooked it or the toppings they chose to put on it? #for the sake of everyone whose ever cooked you a meal i hope you would #because i'll tell you something for free - you will be scrolling on that tag for an uncomfortably long time. why is that? #because reblogs/comments/kudos/likes are to fic writers what 'thank you' is to a cook

[opalthea]

also, hello padisarah nonnie !! it's good to see you again :>

i decided to not answer your ask regarding the wholeeee stuff.. because i don't really care what they want to do anymore. i've done my part of speaking up about their behaviours and calling them out - which made a lot of people open their eyes for once instead of ignoring the warnings they got from me or other people. and i think that's all i want to do.

THIS WILL FORMALLY BE THE LAST POST ABOUT THEM. I will not answer any asks regarding it anymore, so if you want to make your own posts regarding those users, please use your own platforms, thank you.

as much as i encourage speaking up, i also don't want to give a flying duck about them anymore. y'know, like, i spoke up because i couldn't tolerate them and their behaviours anymore - couldn't just keep quiet when my mutuals are knowingly or unknowingly talking to shitty people like that. if they started a new blog, just let them. i don't really care anymore 😭 all i hope is that my mutuals and those that see this are more aware of internet safety and who you surround yourself with. it was already exhausting trying to warn others about them and not being listened to until i made this shit public — i'm not going to start becoming a blog that runs on discourse just so some can finally realise that this person was shitty and that person was the devil.

thanks for also caring abt me and informing me of their new url, i appreciate that a lot! it's on my blocklist now + the mutuals they've tagged on that post too 💀 if, however, i blocked you without a good reason why, or if i blocked you before you knew of this and had already cut ties with them, feel free to send me a message or ask on a different blog! i took precautionary blocks when it comes to having those kind of people as mutuals so .. yeah.

#visitors from teyvat : padisarah anon #thea answers #the post was made because i just couldn't stand the audacity of certain people still claiming to be the victim. #imagine claiming yourself as the victim when your story wasn't even straight. #venting in public but you can't even pick a plot. were you banned or did you leave willingly first without being punished? #then proceeded to say you were wrongly banned when you were literally guilttripping the mods . what did you think- #was gonna happen when you come back? did you think our arms were open then? #you left first . to avoid consequences . now that the consequences are staring right at you #you chicken out? you curse at the effects of your actions? YOUR actions? what about the people you've affected . #you say you aren't the same person you are a year ago but you only left a few months ago and you still affect the mental health of many . #our server wasn't even a mental health server. it's a positivity server. you're supposed to use it to get serotonin boosts #or boost other people. not a place for us to be your therapists and fix your problems. #i still can't get over the fact that neither of them can get their stories straight. wdym a year ago lmao. it was literally 4-5 months ago. #and you still act the same as ever. venting about how you wanted to kys or break down when a damn post unrelated to you talks- #-abt ur fav character in a scenario where they don't love you. #do you realize that the artists and writers' works you consume are for the general and not just you. what is your logic . #and i know you see this . you vague about us all the time. did you think i didn't notice. #the only mercy i've granted you was the peace for 4 months. you tell me i was dogpiling on you but you didn't change at all . so entitled t #-your ways of thinking and what you think is right. #in the first few weeks of u in that server i was the only one who thought better of u. funny how that turned out. #cuz u didn't change then and you wouldn't change now. #idk how many times i hv to repeat this but i blocked each n every ONE of them. including their moots. #and including anyone who interacted with them. im not sorry. if you were wrongly blocked then u can shoot a dm. #otherwise stay blocked and stay mad loser L.

[miqojak]

.

#people will cheer about how others should set boundaries and uphold them for their own well-being #until those boundaries prevent them from getting what they want from you #I have to constantly beg people not to use this OC blog as an aesthetic resource blog for their own OC blogs #It's a roleplay blog - which means it is effectively a scrapbook for *my* OC - and a place for people who want to interact with me/my OC #it is NOT a place for complete strangers who have no interest in the OC to come and shop for their OC's aesthetic #but people get SO MAD when you tell them you have this one and only boundary that is 'please don't use me like an object' #is it so much to ask that people who follow an RP blog actually interact with that OC? #why else would you follow an OC's blog if you aren't interested in interacting with them as a character? #anyways it's always a bummer to come across an OC blog I like that has blocked me because I insisted they not use my blog as a resource #just go follow the same resource blogs your favs do if you really don't want to interact with their OC - but you really like their aestheti #if you want to share aes. posts from someone...maybe try sharing their original creations as well so it doesn't feel like you're using them #and it feels like you're actually supporting them AND you like their aesthetic - that's all I've ever asked of people and they get SO mad #when asked to consider that there is a human being behind the screen who doesn't want to be treated like a resource... #- but as a creative/writer who is seeking contacts to do improvisational creative writing with others #the amount of strangers coming to my blog lately not to interact or share my work - but just take the 1-2 aesthetic posts I share is vexing #to all who do share: I love you and I see you and I appreciate you #and I've seriously considered just doing a random gift/giveaway from a pool of people that only consists of you guys #just to give back to the maybe 5 ppl who actually interact with me & others and support them by sharing their original work

[neil-gaiman]

this may come off very blunt and out of the blue, but i need an answer and i can't ask anyone i know, so i apologise profusely if you find this derogatory in any way possible.

i'm 14 and i found out what death means when i was 3 and living with my grandparents. i figured that when someone dies, you can't see them anymore. you can't talk to them, you can't laugh with them. they aren't there anymore. and i cried. i cried so hard i vomited.

ever since i've struggled to think about death and what lies beyond. i'm scared. of growing up, of dying, of seeing people around me die. and i don't know what to do.

i know this will likely get lost among the hundreds of thousands of asks in you inbox, but if by fate you read this, please tell me

how does it feel when someone you know dies?

hank you, and i apologise once again if this is disrespectful. i know it's a pretty deranged thing to ask, especially to a well-known writer who has gone through life. i'm sorry if this brings up sad memories, but i need an answer.

all the best to you and everyone around you, mr neil.

Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person.

It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard.

But there is a comfort. And it’s the realisation that you aren’t alone in any of this. Everybody who lives will die. And we are here and doing things because other people died to make room for us, and we in our turn will die to make room for our children and their children and on and on.

[bubblegum-blackwood]

Fandom Ask Game!

Some are specific to writers or artists, but I made sure to include questions for everyone!

OTP?

OT3?

NoTP?

Is there a popular pairing you don't necessarily dislike but aren't too invested in?

Out of all your fanworks that include [character], which is your favourite?

Show us a bit of a WIP!

Is there a piece of clothing you think [character] is particularly fond of/that you imagine them wearing a lot or like to draw them in?

How did you come up with the title to [insert fic]?

Write a recommendation of someone else's fic you enjoyed!

What's your favourite piece of fanart for [character]?

What's your favourite piece of fanart for [ship]?

What's the funniest or craziest AU idea you've ever come up with?

What's a character or ship you haven't written/drawn yet but would like to some day?

Is there a character or ship you were so sure you would never write/draw but now you've changed your mind?

Have you noticed your style change over time?

Do people irl know you participate in fandom?

What's a book, movie, or show you think [character] would like?

Type [charater]'s name and tell us what the autocomplete suggests as the next word

What's your favourite thing about [fandom] (the people in it, not the media you're all enjoying together)?

When did you first join Tumblr? How long was it between that and finding [fandom]?

Go onto your AO3. Which ship have you written for the most? The least? Does this correspond to who you consider your "favourite?"

Give us a headcanon for [character]

Has your favourite character/ship changed over time?

What's your favourite thing about [character]?

What's your least favourite thing [character] said or did?

#ask game #vc

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

#sorry #this isn't an actionable answer to your question #I don't know what that answer is #I just need people to realize art is not the exclusive creation of the wealthy #and treating it as such is making everything worse

[bountycancelled]

(un)secret admirer

luke castellan x child of aphrodite!reader

tip me on kofi, if you feel so inclined

requested: nope, I'm just currently obsessing over pjo (aren't we all?) and Charlie bushnell is my pookie so luke is also my pookie (what about all the people he murdered– what murdaaaa?!)

warnings: none I believe!

content: probably ooc luke becusse I haven't read the books, I don't know if demigods even nap, I don't remember the movies and he's barely in the show lol, some cuddling, lowercase intended because fuck grammar, also I know demi gods are dyslexic i just dont gaf because i thought this concept was cute, that's all!

a/n: SEND ME PJO REQS! please. also this is short and I'm sorry, I've been having horrid writers block.

"I don't get what the big deal is." Lukes voice could be heard from where he sat on your bed, as you gazed at the piece of paper in your hand, pacing back and forth in your room as you analysed its every minute detail to the best of your abilities. "you get letters from the other campers all the time."

"I already told you Luke. this handwriting isn't the same as any other letter I've gotten, so that means it's from someone who's never sent me a note before, and I need to know who it is."

you had recieved a myriad of letters ranging from 'I think you're pretty' to 'I would sacrifice my right arm just to get a hug from you' during your time here at camp. beyond being drop dead gorgeous, you were kind, always wearing a charming smile on your face, and having the ability to comfort people with your presence alone.

that (coupled with the facts that most kids here had some kind of parental baggage and your kindness definitely filled some kind of void) meant that you recieved many a words from not so secret admirers. you were sure that you knew the identities of the people who had given you sealed envelopes and tightly folded papers, but you were currently stumped.

you were startled out of your staring contest with the scribbled ink by the feeling of Lukes arms around your shoulders as he spoke. "I'm sure you'll figure it out eventually, now can you please come back to bed? you know that I can't nap if you're not with me."

you sighed, letting him lead you back to your bed so that he could rest before you two inevitable of the two of you needing to help around the camp occured. you stared up at the ceiling as he slowly started to dose off beside you, before you gasped and shot up, effectively spooking him out of a peaceful moment.

"it's Percy!" you shushed Luke before he had the chance to complain about your sudden exclamation or the fact that you weren't letting him get a wink of midday sleep. "I mean, he's just met me, and one of my friends probably told him some stuff about me–"

"it's not Percy." Luke deadpanned, pushing you down by the shoulder from the upright postpone you were sat in to make you lay back down, and wrapping his arm around your waist. you were shocked into silence, because although Luke was an affectionate friend, he had never cuddled you while he was still awake. he would always wake up and discovering that he had wrapped around you in his sleeping state, apologising sheepishly while retracting his limbs.

after a few moments of stunned silence, you furrowed your eyebrows in confusion at his statement. "and how do you know it's not him, huh?" he simply blew air from his nose, tightening his grip around your waist.

"because it was me, sweetheart."

now that shut you up fairly quickly, as you bit your lip to try to hinder the giddy smile that wanted to form on your features. you opened your mouth to speak again, only to be interrupted by Luke placing a small kiss on the back of your neck.

"we'll talk when we wake up, alright?" but you weren't having any of that. "okay... but, before you go to bed. how long have you liked me? is this actually the first letter you've sent? why wouldn't you just tell me, you idiot. obviously I like you too. I know you said some stuff that you like about me in the letter, but I want you to tell me about everything you like about me, like every feature, every trait-"

Luke chuckled, sporting a big grin as you spoke. he would tell you all of that and more, he would do anything you asked of him, just as long as he got to hold you in his arms just like this.

#percy jackson #percy jackon and the olympians #percy series #pjo tv show #pjo x reader #pjo x you #luke castellan #luke castellan x reader #luke castellan x you #luke castellan angst #luke castellan apologist #luke castellan fluff #luke castellan fic #luke castellan fanfiction #luke castellan pjo #luke castellan imagine #luke castellan blurb #luke castellan x fem!reader

[malcolmschmitz]

So, there's a dirty little secret in indie publishing a lot of people won't tell you, and if you aren't aware of it, self-publishing feels even scarier than it actually is.

There's a subset of self-published indie authors who write a ludicrous number of books a year, we're talking double digit releases of full novels, and these folks make a lot of money telling you how you can do the same thing. A lot of them feature in breathless puff pieces about how "competitive" self-publishing is as an industry now.

A lot of these authors aren't being completely honest with you, though. They'll give you secrets for time management and plotting and outlining and marketing and what have you. But the way they're able to write, edit, and publish 10+ books a year, by and large, is that they're hiring ghostwriters.

They're using upwork or fiverr to find people to outline, draft, edit, and market their books. Most of them, presumably, do write some of their own stuff! But many "prolific" indie writers are absolutely using ghostwriters to speed up their process, get higher Amazon best-seller ratings, and, bluntly, make more money faster.

When you see some godawful puff piece floating around about how some indie writer is thinking about having to start using AI to "stay competitive in self-publishing", the part the journalist isn't telling you is that the 'indie writer' in question is planning to use AI instead of paying some guy on Upwork to do the drafting.

If you are writing your books the old fashioned way and are trying to build a readerbase who cares about your work, you don't need to use AI to 'stay competitive', because you're not competing with these people. You're playing an entirely different game.

#on writing #self-publishing #ai discourse #publishing #my freaking industry #indie publishing

[eff-plays]

Idk if this is a hot take of any kind but I actually really like that Astarion's romance starts off in an unhealthy way and evolves. That's like ... the point? Ya know?

It's interesting. It adds layers and conflict. It allows for growth and evolution. And Larian have claimed multiple times that it was on purpose, that many video game romances have sex as the culmination while here, some characters will fuck you immediately but then what? What happens after? Sex isn't the reward, but part of the relationship. There is more beyond. But people think that there being stuff beyond sex means that that's the only value that exists, and that the sex adds nothing. But in Astarion's case, it's extremely important?

It's complicated. His relationship with sex is complicated. They did it on purpose. That's the point. So what if it's not "uwu soft trust me I don't want sex please let's just hold hands" from the start? He doesn't trust the PC from the start, so why the fuck would he agree to that? He doesn't know them at all. He needs to do things his way because he's not ready for anything else yet. And if you feel sad for him, that's fine, because it's meant to be sad? But to the point of it becoming anger at the people who wrote it? That's weird, man. Astarion isn't real, you're not hurting a real person, and he literally asks Tav for it? In my case, he asks them twice before they say yes. They're not forcing him into anything. The only time you can force him is after the Araj scene, and he immediately breaks up with you after. So he's clearly perfectly capable of ending things if they get too toxic.

I swom to Jon just romance someone else at that point. Idk if this is my romance writer brain talking but well-written, not contrived, and non-abusive conflict is actually rare and sometimes difficult to write, but IMO every good romance needs conflict. Because at the end of the day, it's also a story?

It's not perfect because it's not meant to be. It's meant to be a starting point to evolve from. Sometimes things can be unhealthy without being abusive or problematic TM.

Anyway. Yeah I like how fucked up it is. Because Astarion is fucked up. It makes it more real and more compelling. I made my Tav fucked up to match.

"Well my Tav wouldn't fall for it and would realize ...!" Roleplay harder. Clearly Tav/Durge aren't meant to pick up on his manipulations from the start, or overlook them, or fall for them. There's a bajillion different ways to justify it. If you can't see past your own meta knowledge, romance someone else.

But if you really want the relationship to start without sex then just write that fic? Why are you demanding that Larian caters to your specific tastes and sensibilities? They had a story to tell and they told it. You not liking it is neither a personal a slight against you nor their problem.

#bg3 #astarion

[specialagentartemis]

I have a different post in the works about Maddie not having children in the "Masters of All Time" timeline - it makes the emotional dilemma about whether Maddie should help Danny repair and reset the timeline straightforward and clean, but the thing is, the premise that "Masters of All Time" gives us is a FASCINATING and potentially really anguishing emotional dilemma if the writers were allowed to acknowledge it.

Maddie isn't happy in the MoAT timeline. When Danny shows up in her timeline, frantically trying to explain to her that he's her son with Jack Fenton from a different timeline, she accepts and embraces this explanation pretty quickly. It feels like she wants to believe it - she wants to believe that if things had gone differently, she would have married Jack, had children, had a ghost-hunting career she could be open and proud about. Everything Danny offers to her is something she wants more than what she has - a husband who has been lying to her, who dislikes ghost stuff and disapproves of her ghost research, so she has to do it in secret and hide it from him.

Something that goes totally unaddressed: Danny, her son from a different timeline, is a ghost. He's dead.

Never once does anyone stop to wonder what it means that her teenage son is a ghost.

And I know it's because Hartman & co. refuse to let anyone acknowledge that ghosts are dead people... but imagine they did.

Maddie Masters is... happy enough, she guesses. She married her college friend, and he is her friend, and she's not opposed to this. He doesn't support her work, but, well. She deals. She has her basement ghost research lab, even if she has to keep it secret from Vlad. She lost touch with Jack decades ago, and still regrets that, but that happens, sometimes, and his grievances aren't unfounded. She doesn't have children.

And then a ghost boy claiming to be her son shows up, and tells her that in a different timeline, the timeline that should have happened, she married Jack Fenton, she has two children, she is is out and proud about her ghost research and ghost-hunting and Jack enthusiastically collaborates with her on it. He tells her she's happy.

He doesn't tell her how he died.

And Maddie has a heartbreaking choice to make. Does she help him make this reality happen, restore time to how it's "supposed" to go?She wants to believe him, to believe in this alternate history where things went differently and she got the life she wanted! She has a wacky house full of Ghost Contraptions, a husband who loves her and supports her and collaborates with her, and two children she loves.

... and one of those children is going to die when he's 14. That comes with this choice.

Can she live with that? Consciously make this timeline happen, knowing she's going to have this child and then see him die.

It puts me in mind of one of the major emotional through-lines of "Story of Your Life" by Ted Chiang, the story of a linguist who makes contact with aliens and learns their language that allows her to see all of time at once, where it will go, what the outcomes of events will be. She sees her daughter dying. She knows from the moment she has this child that she will die in a rock-climbing accident in college. She sees it all at once, her whole life, and makes that choice to have a baby anyway.

I think MoAT!Maddie should have to consciously make a similar choice, and have similar feelings about it. Unlike the protagonist of "Story of Your Life," she doesn't know how it will all go. She only knows it as Danny tells her, and she herself won't really experience this, going forward. But she, another version of her, will. And Danny doesn't explain the halfa thing or the portal accident or anything, leaving Maddie to have to make her own hypotheses about what her alternate-life's future holds, about the grief that's going to come with the love, and make that choice to make it happen anyway.

#Danny Phantom #child death #child death cw #like fictional child death and also not really because it's Danny Phantom #but Maddie thinks it is and should get to have Feelings about that #perpetual perpetual ladies night #anyway go read 'Story of Your Life' by Ted Chiang it is SO good

[inaconstantstateofchange]

Who Builds Theseus' Ship?

This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.

In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:

Halsin.

For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.

He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:

The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.

As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.

Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)

I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.

It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.

And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.

Sounds traumatic. You may need to reflect on that.

(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)

Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".

Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."

The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:

That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.

Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.

And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.

#voidling speaks #bg3 #bg3 meta #my meta #it feels insane to have to do archival work for a six month old game #but here we are #halsin #larian #larian critical #baldur's gate 3 #bg3 halsin #meta

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

#anti ai #cod fanfiction #c.ai #character ai #c.ai bot #c.ai chats #fanfiction #fanfiction writing #writing #writing fanfiction #on writing #fuck ai #ai is theft #call of duty #cod #long post #I'm not putting any of this under a readmore #Youtube

[neil-gaiman]

Should people who are not writers/actors or part of the tv or film industry join the pickets? I know of someone going out to LA to picket despite not currently being a writer or in the industry and it made me wonder if that would be beneficial or actually harmful? They aren't part of any union and technically can't strike. Part of me is also concerned they are angling to use the opportunity to network to become a writer.

Besides being vocally supportive on all platforms of the writers, how would you suggest people show support and should they show up to join the picket lines?

I've seen a lot of people who aren't WGA members on the picket lines to support the WGA. We always appreciate the support and the people. Come down. Turn up to a picket. Tell them that you're there to support them. There is sometimes pizza or doughnuts. Talk to the people on the picket line.

[iamfitzwilliamdarcy]

anyway, i'm sure this has been discussed ad nauseam at this point but I'll say it again -- the show gives us two scenes of zuko expressing very legitimate worries about facing a father-figure after messing up

The Book 3 opener, with Mai on the boat, where Zuko worries about seeing his father after 3 years and how he's changed/his home has changed

Zuko anxious about facing Iroh again and discusses this with Katara

The conversations go like this:

Mai: Aren't you cold? Zuko: I've got a lot on my mind. It's been so long, over three years since I was home. I wonder what's changed. I wonder how I've changed. Mai: [Yawns.] I just asked if you were cold, I didn't ask for your whole life story. [Zuko frowns at her sarcastic response. Mai giggles and holds his face in her hands.] Stop worrying.

(in interest of fairness, I will include that the transcript i got from atla wiki says this: The two kiss. Mai exits, and Zuko stays there with an expression of relief on his face. We return to the ship where Team Avatar is on -- however, the show just actually shows a close up of his eyes)

and

Cut back to Zuko, who becomes worried and ashamed before walking toward the tent. Cut to Zuko from behind as he approaches the tent before stopping. Close-up of Zuko. Side-view as he sits down. Katara walks up to him. Katara Are you okay? Zuko [Frontal view.] No, I'm not okay. My uncle hates me, I know it. [Katara sits down next to him.] He loved and supported me in every way he could, and I still turned against him. How can I even face him? Katara [Close-up side-view of Zuko.] Zuko, you're sorry for what you did, right? Zuko: More sorry than I've been about anything in my entire life. Katara: Then he'll forgive you. He will.

I just think there's a very clear contrast here of dismissive vs supportive. I get what the writers were trying to do- Mai even smiles a little when she makes her joke-- but it just doesn't land for me because I think Zuko's concerns are valid and ought to be treated seriously here-- who wouldn't be worried after 3 years away???? And And Zuko doesn't even disclose his real worries to Mai (he does to Azula though!-- about seeing his dad without having actually recaptured the Avatar! which I think is interesting)

And he's very upfront with Katara in the later scene, which is a very pivotal one for him-- his courage to make amends and apologize to one of the most important people in his life. And Katara doesn't try to lighten the mood or tell him to stop worrying -- she treats his concerns as valid and walks him through it-- he's sorry, so Iroh will forgive him (it probably helps that she has also forgiven him for what he did in Ba Sing Se, she knows what that means)

#zutara #atla #i'll tag this as #anti maiko #to keep y'all all of my back lol even though i don't think it's so much anti maiko as it is.... #just looking at these two scenes in contrast? the writing at least