Genuinely curious, what’s up with Noir’s age? And what does it have to do with his 08/09 run? ((You may ignore if you wish :D))
i no longer have to do an extremely long explaination about comics noir because it has already been done here, by foolsocracy!!!!!!! really great breakdown of his very vague age, which is never said outright in the 08-09 run, only implied!! my own personal take on this is that he's 17-turning-18 in the first one, just about graduated high school but not able to afford college (see the panel below LOL)
this also got a little longer than i thought it would, so under the cut for the rest of it! the tl:dr is "itsv!noir is not the same as comics!noir, and people saying that he's 19 isn't strictly true. to me, he's around 30!"
eyes without a face (the 09 run!!) only takes place 8 months after, in september 1933, which makes peter 18-turning-19. this is more of a headcanon though!! (see the noir birthday poll, which made me a noir-is-a-december-baby truther)
(peter being a libra is mentioned once in the first issue of amazing spider-man (2015), mostly as a punchline, and a specific date of october 10th was given in another issue that i have lost. other media, like with the mcu, has his birthday on august 10th. but to me noir is a sagittarius and you cannot pry that from me)
the 2020 run of noir begins establishing the year as 1939, making peter around his mid-20s, and 25 if you believe me on the 'peter was 17 in noir 2008' LOL.... i won't lie though i haven't read this one properly i very quickly skimmed so pinch of salt regarding my takes on the 2020 run
noir being in his teens during the first original runs is why "itsv!noir is 17-19" goes around so often! i've seen that on tumblr, twitter AND on tiktok and i don't mind what people hc, but it has become a pet peeve when people say it like its canon even though it's never been mentioned by the writers or the art book. itsv!noir is similar to his comic counterpart, but his differences in his origin story make me interpret him as a different noir (like how peter b.'s dimension is 616B, making him... 90214B?)
again, we are straying from itsv canon/etc here because i'm deranged, but i personally hc noir as being 32! some of my friends think he's in his mid-20s, others think he's older, but really the only reason is that 32 is the midpoint between the other two peter parkers: ripeter was 26 and peter b is 38. he's also voiced by nic cage, which makes me think older in the first place!
i just like the idea that he's more experienced that ripeter, but hasn't gone through as much as peter b. he spends most of the movie being broody ("moral ambiguity of your actions!", "matches burn down to my fingertips", etc etc), or snarkier than you'd expect ("it's that easy" "who are you again?" "you gonna fight or are you just bumping gums" etc etc). he also very sweetly tells everyone that he loves them before he leaves !!! i feel like it can in fact be in character for a peter parker in his late 20-early 30s, distanced from his tragedies in his own world by time (he doesn't forget them, that's different !) being able to look out for the spiders around him.
okay now we are VERY deep into hc territory, but it makes him able to balance out the rest of the itsv spider-gang as an older-brother figure who's able to guide peni, miles and gwen but also be able to act as a voice of reason for peter b. and ham if the sitauation calls for it. that being said noir is still peter parker and is therefore capable of spider-esque tomfoolery, which can lead to him misjudging the need for a snarky one liner ("this is a pretty hard core origin story"). my characterisation of him is also very inspired by heyitsspiderman, the itsv fic that changed me for the better, and noir isn't even in it that much LOL
veering back into itsv!noir's age and your actual question though: he's always read older in the movies, and not at all 17-19. noir is always going to be around 30 (32 if i have to give a number) to me!! if anything, he did go through the same kind of 'canon events' as comics noir did, but is an older and more experienced version of him, with tweaks to the backstory (like a radioactive spider instead of a spider-god, and webshooters instead of organic webbing). there are reasons ofc to see him being younger (egg creams are non-alcoholic, and that if it's 1933, his comicsverse self would be 18-19 too) . however you must consider that sony didn't expand on this and therefore it's up to fan interpretation and also that
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fuck it christian and satine headcanons (post-canon / satine lives!au adjacent) because i am silly and crazy and free
obviously they’re both on the same level of being ridiculously and helplessly affectionate with each other. their biggest love language besides words of affirmation is TOUCH.
satine likes being an early riser, particularly because it gives her more time to spend with christian before they start going on with their day (him with the writing, her with the acting and dance rehearsals)
but there are times where she’s knocked out a little longer than him and he wakes ahead of her and whenever it happens, he just gladly gazes at how beautiful she is even when she’s asleep and he’d try waking her up with kisses
their favourite non sexual activity, that isn’t holding each other or being in one’s arms would be reading or singing out lines to each other. or christian cracking up a corny joke (but satine still laughs at it anyway) although there have been instances in which this leads to more than one way or another…
she loves it when he takes her to sit on his lap everytime he’s sat with his typewriter trying to sort out the next scene in his story. sometimes it distracts him from getting work done but it pays off in the end as she’s a great and constant support for him.
and although they try the hardest to be professional when rehearsing for the shows, they still opt to sneak in between breaks just so they could have a talk for a minute (or let’s face it. so they could just kiss each other for that entire time)
when it gets to a point where they can see a future with each other that involves marriage, christian gets quite nervous at first before he proposes. he never had a problem saying i love you to satine nearly 24/7 but for him to ask her if she would gladly spend their lives together and take the next step was something that felt nerve wrecking
he proposes on the night before they leave france. it happens after satine comes back from a last night out with zidler and the rest of their friends, she walks into his garrett with candle lights surrounding his room. little does she know he’s secretly found a way to get a ring for her, and it’s a small heart shaped diamond ring. satine bursts into tears when he asks her the question, immediately saying yes and they spend the entire night wrapped in each other’s arms, making love in between the sheets.
shortly after the success of spectacular spectacular, they set out a few more shows but they do leave paris to start anew and head off to london, and there christian takes a part time job as a book printer whilst meeting ends to continue his own work as a playwright / writer and satine sings at a local café whilst also trying to land acting gigs.
they also venture into england so christian could introduce satine to his family, as his fianceé. christian’s father not too long before they both arrive receives a letter from him, telling the entire story of his stay in paris, the moulin rouge, and satine. his father is adamant and intrigued at first, but eventually eases off his assumptions and reception towards satine and their relationship when he meets and gets to know her.
christian’s got two teenage sisters, named emily and charlotte. like him they are both fond of writing and poetry, but lean more towards being musically inclined with the piano and violin. satine forms a great bond with the girls, as if they are the sisters she never had and they treat her as such too.
christian and satine reside in one of his family’s estates, in a house not too far from central london. their home being a wedding gift from his father.
their first big argument had to do with their wedding plans, some frustrations arose when trying to send out invitations to paris and where their friends could stay and satine worried about who will make it or not plus christian’s own deals in making proper amends with his father. they are able to get things over with and most often whenever bits of squabbling occur, it just leads them to getting entangled in the sheets with each other in the end.
their wedding goes smoothly and in the way they want it to be, simple but stunning that’s intimate in the best way possible. satine wears the white dress from spectacular spectacular again, as a way to honor one of the greatest nights of their lives.
satine and christian adopt two cats as company in their home, also so satine’s little bird wouldn’t feel so alone, a white one named marié and a black one named louis.
satine finds out she’s pregnant two months into their marriage. she panics at first, thinking her illness had returned but suddenly realises the symptoms were drastic. when she tells christian the news that she’s with child he sweeps her off her feet and cries happily, as he never knew the day would come that he would get to have a family with someone he loved.
their firstborn is a girl, whom they name celine. she has satine’s red hair and the first few months of them being parents had them very hands on, but this stage of life gave christian even more inspiration for his writing, and satine the motivation to work harder in her acting.
together they both become a force of a team. satine lands her first big acting showcase in a production of shakespeare’s richard iii, she plays anne neville in it and her performance is praised by many, while christian’s original play about a missing orphan who turns out to be a long lost princess gets picked up with rave reviews
since they both have way too much fun in the bedroom loool, a year and a half after they have celine, satine falls pregnant again. her and christian are ecstatic to have one more addition in their family, and months later they have another healthy baby girl that they name theresé, this makes christian so delighted as she shares his dark haired features
when the two babies are a little older, satine and christian decide to visit paris again after a long time, and they do so on their 5th wedding anniversary. it's a first family outing for all of them outside of work duties and it's a very happy one <3
and because they really can’t stop at two, satine realises she’s with child for another time after they get back from the trip. pregnancy was something she didn’t thorougly enjoy as much, but being a mother was as much as work of love and devotion to her the way her career does.
satine goes into labor while christian is at work for one of his plays and at the same time, finds out he’s been invited to hold a private show for the queen. such things happening all at once that he couldn’t believe the life he had looked for in paris all those years ago eventually lead to this.
they have a girl once again and christian is just so over the moon over it, and just like their eldest, the girl inherits her mother’s red hair. they name her margaret blanche after his mother and after satine’s mother.
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Miguel O'Hara Analysis from a First Gen Latine Perspective; Crab in a Bucket.
Alright, I'm gonna start this by saying this: I am definitely not the most articulated person when it comes to explaining my thoughts. Most of this is just putting my heart on the page by relating what I saw in Miguel's behavior and just one outlook out of many layered analyses.
Anyways, here's my analysis of Miguel O'Hara and how his internalized racism and generational trauma/jealousy stands out to me, especially as a first gen mixed Latine.
Let's lay some groundwork for my perspective first! Hey, you can call me Moonie or Blue. I use it/they pronouns, proud to be queer! I'm a highschool dropout, and both of my parents were immigrants from rural and abusive families. Mexican and Salvadoran/Salvi to be clear. Have lived in poverty my entire life, and been whitewashed and forced to assimilate to keep up appearances for a good chunk of life.
I've heard bits and pieces about Miguel's comic origin, but haven't read them myself so apologies if I get some things wrong. I have seen Spiderverse 5 times so I feel like that's good enough. Anyways here's a story anecdote;
I went to Mexico not that long ago, to learn a trade from some family. Real blue collar, labor intensive, factory work. I was there for a while, and really got to marinate in what it's like to live in a country where you're not the minority anymore. I'm not targeted, I wasn't (entirely) racialized anymore. I was able to explore my family's culture more. Not that I've ever been entirely separated from it. But growing up in a white school where knowing Spanish forces you to go to English classes even though I had proved myself multiple times does something to you.
You assimilate, you're taken away from your culture. Anyone like you. It's lonely. And when you do find someone else like you, even if it's not the same country, but just latine, it's usually a fun experience to share our lives. Like a little secret between us no one else has. But as you grow and see more people, you realize how separate you are from the rest. I can't exactly relate to the latine-american experience (tm) like others do. I don't call myself Mexican or Salvi American, I don't like to. I didn't grow up that way. Ive always preferred to use the first generation. Or child of immigrants.
Miguel O'Hara is a mixed Mexican/Irish man. And from what I've seen; not all that attached to his Mexican identity either. It's made more prevalent in the movie however. He doesn't have a strong accent, he has the high cheekbones and eyes I'd recognize on a cousin. But the strong jawline and sunken face of a mixed man who's certainly not taking care of himself.
He reminds me of my cousins. Or my uncles.
He displayed a familiar rage to my own; lashing out and stressed. But it's got some sinister machismo underlaid in it. When he yells at Miles, all I see is my dad yelling at me, or myself yelling at my dad. Bc anger is the only way we knew how to communicate and express ourselves living under so much scrutiny all the damn time.
Bc yes; the spiderverse is amazingly diverse, and anyone can be the mask. But Miguel obviously doesn't really see it that way. There are exceptions. It's always come off to me how most of the maskless spiders we see have black and brown faces. And while I'm sure it's not all white. The amount of Peter Parkers. I'm sure they are the large majority. Or at least it feels like that.
Maybe he sees the spiders that aren't peters as straddling a thin line. A tenuous canonicity in a sea of Parkers. They don't break canon, but they're outliers. It just reminds me of the few black kids or brown kids I'd see in my white school. Maybe one or two in my own classes. And none of us reached out to each other often. We were left alone.
And left to be scrutinized by our white peers and teachers and school staff.
They might not say anything; but you feel that weight. That gaze on you at all times. I was lucky for being light skinned and ambiguous in my appearance. Some confused me for the few East Asian kids even. A more 'model' minority and free from more gazes able to 'pass'. Miguel is darker, but he's conventionally attractive, tall with straight hair and a sharp jawline instead of short, chubby cheeks, round face and curly hair.
I get praised for being light skinned and largely unblemished, for being skinnier than my siblings and having a more traditionally feminine fashion and hobbies. But my anger, temper, and lack of 'respect' downgrades me. My lack of education? More so.
My uncles would say;
"Well! Since you won't finish school, you might as well get a job wherever you can and support your family!"
"Yes, I'm trying my best, but I don't want to work for pennies and bad hours. A lot of places don't want to compensate me."
"How ungrateful! When we were your age, back in our day none of us were blessed to be in your position! You live in America, where you ungratefully gave up such great education and life! We were lucky to even go to elementary school! Your grandfather had us working in the fields, or fishing instead. And when we could work? We took what we could! It didn't matter if the company treated us right, paid us good, or gave us good hours, we did what we had to for the family! Your generation knows nothing of hard work!"
"But how can you have pride in that? How can you not understand how exploitative that was? Letting them work you like mules and destroy your bodies? Why did you not fight? Why would you want to suffer like that?"
"We know we were not treated right. But we have the guts to do work no one else wants to do! We're men! It's our duty to take pride in providing for the family. We break our bodies for our children and love– your parents did not do the same for you to copy our hardships. But if you won't take that opportunity given to you– then you'll face the consequences and learn your place. The companies will never treat us better; you should've been better sso you wouldn't have to face the same as us."
"So you agree? They won't change and they'll keep exploiting you or anyone else who doesn't exceed great expectations? That these companies are taking advantage of people as desperate as you to get away with it and shrugging off any attempts to unionize and make things better? They're enslaving our people. And you're just going to go along with it? Because that suffering makes you feel prideful, meaningful? Do you really just accept this shitty undeserving position in your life? All because you feel like you deserve it for the outcome of your life you had no control over?"
That is to say. My relatives could not understand why I do not fit their perception of America. Even in Mexico, where although they are poor and the majority; they idolize the US. They boast about working illegally in the US under exploitive companies to bring the mighty American dollar home. They scoff at the notion of unions, government aid and compensation bc they think those that live in the US and work in blue collar jobs are undeserving of the scraps we get for being undereducated or face institutional racism at every corner. Even in their position it reeks of classism. For them the US is a temporary shitty job to work in order to make themselves richer bc the dollar is worth more than the peso. They can't empathize with their struggling relatives across the border bc hey! The US, is amazing. Nevermind it's the exact reason why their own country and many others face the hardships that they do.
They don't realize the internalized racism in their pride. Feeling as if their lack of education and standing makes them only deserving of the worst jobs. That it's the only thing they can do right and are worth for. That anyone who doesn't succeed even after getting a better chance only deserves the same pain in order to uplift someone else's worth and has a chance. You become a lost cause; your only worth is a cog in the system and uphold the status quo. Never to question it, never to try to reach above your station after you missed your chance.
Like crabs in a bucket, they want to drag you down with them. Out of jealousy and misdirected anger. And for not meeting expectations. And for your own good, to learn your place.
Older relatives, and even immigrant parents often become extremely jealous of their children. For getting better lives they tried so hard to secure for them and for having the things they never had; or for not going through their own hardships. So they try to live vicariously through their children. Giving them great expectations to live up to bc they don't know how to compartmentalize all the racist trauma it took for them to get there and the real faceless enemy that put them through it. But their children have faces, their children are theirs– not people but property says America, and Catholic/Christian culture.
Immigrant parents love to pull the card of how indebted their children are to them, guilt trip them with their own pasts and current struggles. God forbid if you try to fight back and question the one authority and control they have over you.
Not all parents of course; But Miguel reflects this too me.
He may be more coded as being whitewashed and excluded from his culture. But he tries to fit in a curated collection he doesn't fit with. He puts up appearances as a strict, competent leader, but since he has an unremovable aspect to him that separates him from the rest- he wasn't bitten, he was mutated with a spider- which everyone makes clear to you.
Everyone makes it clear that you're not white, even when white culture is all you know having been so sanitized, defanged and removed from your own. That you wont ever fit in and must grovel for the rest of your life to make up for it. Even if it's all you've ever known.
Miguel is a spider, but he wasn't bitten so he's not a 'true' spider he tells himself. He's othered as well with what I interpret as unintentional microaggressions.
"He's like a ninja vampire but a good guy."
"you're just gonna have to shut up and trust me, I'm a good guy!" "You don't look like a good guy."
"You're like the only spiderman who isn't funny!"
"Dude are you sure you're even spiderman?"
-
"You're like a feisty Latina!"
"Wait, you were born here?"
"You don't look Latina!"
"Are you sure you're even Mexican if you can't speak it?"
He uses English more often, and Spanish as a quick add in. English is obviously preferred due to the fact his accent isn't all that strong and uses short repeated words or phrases.
He's violent when he first meets Miles. Throwing a trash can at him, rejecting his food, and admonishing him for something that wasn't necessarily his fault. But he does 'cool down'.
Him throwing the can reminds me of machismo, and how violent Latino men can get. It's a bad stereotype but for the movie- this struck me more as a critique of it. Enforcing some weird dominance and need to be aggressive to follow that weird expectation and allowances but also– it feels in line with who he is.
I have had more than a few rough patches being physically violent to express my anger when I couldn't win something or felt too small and had to lash out to make myself feel heard. Hitting someone, slamming doors, breaking things, yelling, and destroying things. I moved past that stage as I grew older and wasn't a child anymore. But hell. I've don't things I'm not proud of yet can't help because all my life you're told to be the model brown person. To never express rage and seem like the monster everyone is waiting for you to show. To it lies festering until you can use it behind closed doors. Latina girls aren't allowed to be visibly angry like that- and while it's expected from Latino boys, and feared when Latino men express it. Most of the time, we're not allowed to spread anger at all. Otherwise it does make us unreasonable, angry monsters.
You're not allowed to be angry or frustrated. Which only makes it worse.
I'm not excusing his actions. But his rage reminds me of my father or a relative, or even my own lashing out on a younger family member because it's so normalized to do it only to family and the young- the only excusable people to express it at without repercussions.
But then he cools down, he gets quieter, when Peter B walks in. And reminds himself of his audience and a fellow adult.
He then tried to be more rational and explains to Miles what he believes he did wrong. Tries to even relate his own trauma to convince and prep him to not put up a fight when he inevitably tells him the truth of what's to come.
"you can't ask me to just let my dad die!"
"I'm not asking."
It's a familiar emotion. When an adult, a father, a mother, an aunt, an uncle, or even a sibling tells you that something is going to happen whether you like it or not. Enforcing that will onto you for 'your own good.' Or because it's what 'has to happen."
Miguel is jealous of Miles. He got bit, he's more traditional in origin than Miguel, but he won't follow the expectations and 'bright future' he's been set up for. For 'wasting' his chance. A chance Miguel would die for. One similar to his own. As an anomaly that replaced/continued the mantle of spiderman after their original perished.
Because why would Miguel only mess with Miles now, instead of when he had a chance? If he had all this time and knew about him, why wouldn't he just cut the problem from the root earlier? Why would he let Miles live and work so hard just to restrain him for the canon even of his dad dying to pass? Why would he let Miles be this 'Original' Anomaly and run free?
Bc he knows on some level, he's spiderman too. More than he is. Miles still fulfills his position as spiderman in his verse. There's no need for Miguel to kill him or do anything other than make sure the canon still happens in that verse and then never let him escape his own world again. Nor does he likely really want to hurt/kill Miles. Honestly, it seems if Miguel had it his way from the start; Miles would have been left completely alone and isolated from ever knowing about the Spider Society at large and let him be Spiderman of his world. If he didn't know about the society he wouldn't know about the canon even and try to circumvent it and everything would have been smooth.
Bc what happens if Miguel won and kept Miles at HQ? His dad died and he's sent back to being Spiderman forever excluded from HQ? He never tries to get rid of him. And it's obvious; he never did anything to help the 42! Miles' universe beforehand either. Content to just let it be before Miles gets there. It doesn't seem like he has any plans to actually do anything about a verse missing a spiderman so long as it's not destabilizing.
He's mad that now there has to be a spiderman that took the place of one that didn't need to die; but that world still needed a spiderman Miles fulfilled. Now there's one without a spiderman too, but he can't take the spiderman from one world to the other– not when, although it's in shambles, it is still intact. He doesn't need to intervene. He just need to uphold the status quo and never question it.
He's jealous that Miles got to be a more traditional spiderman, but none of the hardship because he feels like Miles didn't do anything to deserve becoming spiderman in the first place. But if he's going to be one, then he better fit his exact mold to make it up to him. To prove he has worth in the cog. Accept the shitty hand he's been dealt and take pride in the awful like he has bc that's the only way to make him feel like he has any worth too anymore.
Miguel tried to rise above his station, he aimed for that better life. And what did it get him? Nothing. Everything was taken away from him. It was just proof by the universe telling him he did not deserve a better life than the shitty one he was dealt. He's just like my uncles, traumatized from working hard for pennies, and thinks he's deserving of it, because he wasn't educated/a traditional spiderman. And that anyone else who doesn't take the better opportunities needs to be taken down with him in shared suffering.
He sees Miles: another mixed kid, optimistic and worthy, confusingly rejecting every opportunity in the face of a little short term pain. Giving it all up bc of one small hiccup. He thinks Miles is ungrateful and greedy, wanting it all; after all he's seen what happens when you try to have it all.
In a twisted way. He thinks having his father die is the lesser evil, the smaller pain. A singular familial death is a small piece to pay for an entire stable universe and the glory spiderman brings. That by showing this reasoning to Miles, not giving him a choice and just enforcing it like he knows better than an ignorant child will save him the pain and effort. He's teaching Miles his internalized racism and trauma. Passing it down to him like it's a survival lesson. Telling him to swallow it like a bitter pill that will make him feel better. He treats Miles like getting bit was a moral failure and that he has to make up for it.
But like me to my Uncles. And Miles to Miguel, he tells him it isn't right. That thinking is wrong. This system isn't my fault. It's a bad system that needs to change so this never happens again. You don't have to suffer to succeed and survive. You don't have to accept scraps when you can reach for the full meal. You have to try for something better, no matter how hard, and fight to make things better.
Don't let sleeping dogs lie. Miguel can wallow for all Miles cares, but he isn't going to let himself lose that same fire for doing what's right and aiming for a life that he wants for himself and his friends that they actually deserve.
Elders let the status quo remain, they often feel like nothing will change, but we can't accept that otherwise nothing will actually get better, never going out of that system that beat them down. Constantly expecting the younger generation to bend to their will and experiences. Miles and Hobie make it a point to show that no, they can put up a fight and they should and shame everyone else for just accepting that false narrative blindly.
There's so much more I could get into but this is long. Like how he contradicts himself to better suit his argument and what not. I have so much to say but this was all what I've been rotating since watching the movie a ton of times. None of this even low-key touched on my issues on how he's viewed and portrayed by fans but- I hope this outlook kinda helps to humanize him? Like. Of course I know he's being unreasonable and violent/aggressive towards a kid. But at the same time, I feel like most people just see him as this angry violent person who is just on some self righteous power trip asshole instead of a complex character and TO ME- a reflection on latine elders and yet also what it's like to grow up whitewashed/undervalued and trying to bestow that trauma to a younger Latino boy as a bad way of teaching a life lesson, to assimilate him. It comes from a bad place of… not love, but just. Wanting to prepare someone for hardship and yet not questioning why he have to deal with that hardship in the first place.
Anyways good night! It's 3:30 am dear God excuse any mistakes I needed this out of my system.
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SOLDIER? Monster? Why most animals tend to avoid Zack.
Shortly after recovering from his initial mako infusion and officially being recruited in SOLDIER: Zack noticed something. Animals never seemed to receive him in the same way -- at least, not like they always had back home.
They were always more hostile toward him - and if by some miracle they weren’t aggressive, they were definitely more skittish. Stray cats would hiss and run as soon as he got close, dogs (both pets and those roaming the streets) would raise hackles and bark at him for no reason, and unless a chocobo had been trained specifically for public service, even they tended to buck, peck, and cause a ruckus just at him walking up.
Of course, back then, Zack never thought much on it. SOLDIER seemed to make a lot of things nervous. He’d noticed it in a few people, too - but when the same reactions happened even as Zack was trying to distance himself from ShinRa, it made him think. Maybe the nervous, aggressive, and skittish behaviors weren’t such a coincidence after all?
Though Zack’s still considered human, his status as SOLDIER means he’s been genetically altered. Of course, his mutations from intentional mako exposure have done him a lot of good: from increased strength and stamina to quicker reflexes, increased healing, and a shortened recovery time from wounds -- but the same thing happens in monsters who’ve been genetically modified by mako, too.
Monsters, by definition, are creatures that’ve been overly exposed to and mutated by mako energy. They’re typically aggressive, destructive, unpredictable, and can (and will) kill just because they can. They’re a threat to both people and animals alike, and because they are, most animals have learned to avoid them for their safety.
As SOLDIER, Zack harbors just enough mako energy in his system for most animals to be able to sense, and because of this, Zack’s usually identified as a ‘monster’ before he even has the chance to get close. Their instincts tell them that he’s a ‘threat’, and no matter how gentle or cautious Zack tries to be around them, most animals tend to be skittish around him at best.
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