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#petra goldberg
the-gershomite · 5 months
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Red Sonja She-devil with a Sword #3 -March 1976-
written by Bruce Jones
art by Frank Thorne
colors by Petra Goldberg
editor: Roy Thomas
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balu8 · 7 months
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The Avengers #147
by Steve Englehart; George Perez; Vinnie Colletta: Petra Goldberg,..
Marvel
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cantsayidont · 6 months
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August 1979. Modern reprints of old comics are digitally recolored and usually printed on much heavier, whiter paper stock than the cheap newsprint that was the norm through the mid-1980s. While modern print production usually gives much sharper reproduction than was possible 40 or more years ago, when it comes to color, the results aren't always an improvement. Some modern editions take significant liberties with original palette, adding tones and highlights and/or digital effects that were neither envisioned nor possible when the original version was published. (Dark Horse's EC ARCHIVES are absolutely ruinous in this regard, an insult to the memory of original colorist Marie Severin.) Even when the reconstruction follows the original palette closely, it often fails to take into account the way different paper stocks absorb ink, which frequently makes the color art look gaudy in a way it originally didn't.
Here's a comparative example from issue #26 of the original Marvel STAR WARS series. This sequence is noteworthy because original colorist Petra Goldberg did an outstanding job in establishing the mood of an unusual and evocative scene. Luke Skywalker, piloting a captured TIE Fighter, has just destroyed a House of Tagge facility located deep within the atmosphere of Yavin, a gas giant. Although he was able to follow a Tagge beacon on his way in, he's just destroyed that beacon, and the storms and strong magnetic field of Yavin make both visual navigation and instruments useless, as Luke had been warned prior to the mission. The original page:
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Next, here's the digitally recolored version:
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First, note that the reconstruction has eliminated the orange and yellow that Goldberg used to indicate the explosion. In the original version, the center of the explosion is yellow, surrounded by an area of orange that branches out into the lines of force indicating the shockwave. The digital version has replaced the yellow with white and the orange with pink, making the explosion less distinct from the surrounding clouds; in the original, the orange and yellow make clear that the clouds are being lit by the explosion, which isn't the case in the digital version. In the second panel, the digital version makes Bob Wiacek's Zipatone texture fills much more apparent (maybe more than they need to be) and has eliminated what appear to be unintended splotches of purple on Luke, but the pale yellow of the original shading on his face and helmet has been changed to white. The third panel sticks to the original palette, but is a couple of shades brighter, and the highlights on the purple cloud behind the ship look less sickly, losing the sense that the light is fading.
Here's the following page:
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And the digitally recolored version:
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There are fewer coloring liberties this time (although notice that the shading on the center ridge of Luke's helmet in the first panel has gone), but the final panel reveals a Zipatone fill on Luke's face that's not at all evident in the original panel — whether it's just not visible in the printed comic or was added in the reconstruction, I couldn't say without seeing the original pages. The principal dilemma here is that that the colors appear both brighter and crisper, which is not at all what Goldberg was going for originally. The point of this scene is that Luke is lost in the clouds, flying blind, so on newsprint, even the lighter blues and pinks are more muted and variegated. By in effect turning up the brightness and contrast, the original sense of claustrophobia is dampened, which isn't an improvement.
This kind of recoloring is always going to be a compromise, and some of the challenges it presents don't have straightforward answers. (For instance, should you fix obvious coloring errors in the original? Should that extend to altering colors to match how characters appeared in later stories?) However, ill-considered or sloppy digital coloring can do significant aesthetic harm.
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intrapanelreturns · 1 year
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AMAZING ADVENTURES v.1 #27 1974, Marvel Comics Don McGregor writer, Craig Russell art, Jack Abel inks, Petra Goldberg colors, John Costanza letters
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agentxthirteen · 2 years
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Sharon-A-Day, Day 139 (5/19/22)
Marvel Two-In-One 4. On sale 4/16/74 "Doomsday 3014"
Writer: Steve Gerber
Penciller: Sal Buscema
Inker: Frank Giacoia
Letterer: Charlotte Jetter
Colorist: Petra Scotese (Goldberg)
Editor: Roy Thomas
Sharon and Steve's date is interrupted a second time.
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gameraboy2 · 1 year
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"Two men so brave… and so stupid!"
Star Wars #33 (1980) Writer: Archie Goodwin Penciller: Carmine Infantino Inker: Gene Day Letterer: John Costanza Colorist: Petra Goldberg
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bookoftheironfist · 23 days
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Danny: "And they’re not from K’un-Lun-- too nasty and dirty-looking.” Master of Kung Fu Annual #1 by Doug Moench, Keith Pollard, Petra Goldberg, Duffy Vohland, John Tartaglione, and Jean Hipp
"You're too unhygienic for K'un-Lun" is both a fun worldbuilding detail and also an insult that I feel Danny should use more often.
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lacangri21 · 2 years
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The Feminist Library
-7000 Years of Patriarchy by Petra Ioana
-A Deafening Silence by Patrizia Romito
-Against Our Will by Susan Brownmiller
-Against Pornography by Diana E.H. Russell
-Against Sadomasochism by Robin Linden
-Ain’t I a Woman by Bell Hooks
-All Women Are Healers by Diane Stein
-Anti-Porn by Julia Long
-Anticlimax by Sheila Jeffreys
-Are Women Human by Catharine MacKinnon
-Backlash by Susan Faludi
-Bad Feminist by Roxane Gay
-Beauty and Misogyny by Sheila Jeffreys
-Beauty Sick by Renee Engeln
-Beauty Under the Knife by Holly Brubach
-Being and Being Bought by Kasja Ekis Ekman
-Beyond God the Father by Mary Daly
-Big Porn Inc by Melinda Tankard Reist and Abigail Bray
-Blood, Bread, and Roses by Judy Graham
-The Book of Women’s Mysteries by Z Budapest
-Borderlands by Gloria Anzaldua
-Burn it Down by Lilly Dancyger
-Butterfly Politics by Catharine MacKinnon
-Caliban and the Witch by Silvia Federici
-Choosing to Conform by Avelie Stuart
-The Church and the Second Sex by Mary Daly
-Cinderella Ate My Daughter by Peggy Orenstein
-Close to Home by Christine Delphy
-Compulsory Heterosexuality and Lesbian Existence by Adrienne Rich
-Conquest by Andrea Lee Smith
-Damned Whores and God’s Police by Anne Summers
-Daring to Be Bad by Alice Echols
-Dead Blondes and Bad Mothers by Sady Doyle
-Defending Battered Women on Trial by Elizabeth A. Sheehy
-Deliver Us from Love by Brogger
-Delusions of Gender by Cordelia Fine
-Detransition by Max Robinson
-The Disappearing L by Bonnie J. Morris
-Does God Hate Women by Ophelia Benson
-Doing Harm by Maya Dusenbery
-The End of Gender by Debra W. Soh
-The End of Patriarchy by Robert Jensen?
-Female Chauvinist Pigs by Ariel Levy
-Female Erasure by Ruth Barrett
-Female Sexual Slavery by Kathleen Barry
-Femicide by Jill Radford and Diane EH Russell
-Femininity by Susan Brownmiller
-Femininity and Domination by Sandra Lee Bartky
-Feminism Unmodified by Catharine MacKinnon
-Feminist Theory by Bell Hooks
-Firebrand Feminism by Breanne Fahs
-Flesh Wounds by Blum
-Flow by Elissa Stein and Susan Kim
-For Her Own Good by Barbara Ehrenreich
-For Lesbians Only by Sarah Lucia Hoagland
-Freedom Fallacy by Miranda Kiraly
-Gender Hurts by Sheila Jeffreys
-Getting Off by Robert Jensen?
-Global Woman by Barbara Ehrenreich
-Going Out of Our Minds by Sonia Johnson
-Going Too Far by Robin Morgan
-The Great Cosmic Mother by Monica Sjoo and Barbara Mor
-Gyn/Ecology by Mary Daly
-Gynocide by Mariarosa Dalta Costa
-Handbook of Feminist Therapy by Lynne Bravo Rosewater and Leonore E.A. Walker
-Heartbreak by Andrea Dworkin
-Her Body and Other Parties by Carmen Maria Machado
-The Hidden Malpractice by Gena Corea
-How to Suppress Women’s Writing by Joanna Russ
-I Am Your Sister by Audre Lorde
-I Hate Men by Pauline Harmange
-Ice and Fire by Andrea Dworkin
-In Defense of Separatism by Susan Hawthorne
-In Harm’s Way by Catharine MacKinnon
-In Search of Our Mothers’ Gardens by Alice Walker
-The Industrial Vagina by Sheila Jeffreys
-Inferior by Angela Saini
-Intercourse by Andrea Dworkin
-Invisible No More by Andrea J. Ritchie
-Invisible Women by Caroline Criado Perez
-Jewish Radical Feminism by Joyce Antler
-Kill All Normies by Angela Nagle
-The Laugh of Medusa by Helene Cixous
-Laughing with Medusa by Vanda Zajko and Miriam Leonard
-The Lesbian Heresy by Sheila Jeffreys
-Lesbian Nation by Jill Johnston
-Letters from a War Zone by Andrea Dworkin
-Love and Politics by Carol Anne Douglas
-Loving to Survive by Dee Graham
-Making Violence Sexy by Diana E.H. Russell
-Man Made Language by Dale Spender
-Man’s Dominion by Sheila Jeffreys
-Medical Bondage by Deirdre Cooper Owens
-Men Explain Things to Me by Rebecca Solnit
-Men Who Buy Sex by Melissa Farley
-Men Who Hate Women by Laura Bates
-Men Who Hate Women and the Women Who Love Them by Susan Forward
-Milk and Honey by Rupi Kaur
-Misogyny by Jack Holland?
-The New Handbook for a Post-Roe America by Robin Marty
-Nobody’s Victim by Carrie Goldberg
-Not a Job, Not a Choice by Janice Raymond
-Not for Sale by Rebecca Whisnant
-Nothing Matters by Somer Brodribb
-Objectification Theory by Barbara I. Fredrickson
-Of Woman Born by Adrienne Rich
-Only Words by Catharine MacKinnon
-Our Blood by Andrea Dworkin
-Our Bodies, Ourselves by Boston Women’s Health Book Collective
-Overcoming Violence Against Women and Girls by Michael L. Penn and Rahel Nardos?
-Paid For by Rachel Moran
-The Pimping of Prostitution by Julie Bindel
-Pimp State by Kat Banyard
-Policing the Womb by Michelle Goodwin
-Pornified by Pamela Paul
-Pornland by Gail Dines
-Pornography by Gail Dines
-Pornography: Men Possessing Women by Andrea Dworkin
-Pornography and Civil Rights by Andrea Dworkin and Catharine MacKinnon
-Pornography and Violence by Susan Griffith
-Pornography Values by Robert Jensen?
-Pure Lust by Mary Daly
-The Purify Myth by Jessica Valenti
-Quiverfull by Kathryn Joyce
-Radical Feminism Today by Denise Thompson
-Radical Feminist Therapy by Bonnie Burstow
-Radical Reckonings by Renate Klein
-Radically Speaking by Diane Bell...
-Rape by Susan Griffiths
-Rape in Marriage by Diana E.H. Russell
-Rape of the Wild by Ann Jones
-Refusing to Be a Man by John Stoltenberg?
-Right-Wing Woman by Andrea Dworkin
-A Room of One’s Own by Virginia Woolf
-Runaway Wives and Rogue Feminists by Margo Goodhand
-SCUM Manifesto by Valerie Solanas
-Selling Feminism by Amanda M. Gengler
-Sex Matters by Alyson J. McGregor
-Sexual Harassment of Working Women by Catharine MacKinnon
-Sexual Politics by Kate Millett
-Sexy but Psycho by Jessica Taylor
-She Dreams When She Bleeds by Nikki Taraji
-Sister Outrider by Audre Lorde
-Sisterhood is Forever by Robin Morgan
-Sisterhood is Global by Robin Morgan
-Sisterhood is Powerful by Robin Morgan
-Slavery Inc by Lydia Cacho
-Spinning and Weaving by Elizabeth Miller
-Surrogacy by Renate Klein
-Sweetening the Pill by Holly Grigg-Spall
-Taking Back the Night by Laura Lederer
-Talking Back by Bell Hooks
-Testosterone Rex by Cordelia Fine
-The Beauty Myth by Naomi Wolf
-The Creation of Patriarchy by Gerda Lerner
-The Dialectic of Sex by Shulamith Firestone
-The Feminine Mystique by Betty Friedan
-The First Sex by Elizabeth Gould
-The Legacy of Mothers: Matriarchies and the Gift Economy as Post-Capitalist Alternatives by Erella Shadmi
-The Lolita Effect by Gigi Durham
-The Man-Made World by Charlotte Perkins Gilman
The Porn Trap by Wendy Maltz
-The Prostitution of Sexuality by Kathleen Barry
-The Second Sex by Simone de Beauvoir
-The Sexual Liberals and the Attack on Feminism by Janice Raymond...
-The Spinster and Her Enemies by Sheila Jeffreys
-The Transsexual Empire by Janice Raymond
-The Women’s History of the World by Rosalind Miles
-This Bridge Called My Back by Gloria Anzaldua
-This is Your Brain on Birth Control by Sarah Hill
-Toward a Feminist Theory of the State by Catharine MacKinnon
-The Traffic in Women and Other Essays by Emma Goldman
-Trans by Helen Joyce
-Unbearable Weight by Susan Bordo
-Unpacking Queer Politics by Sheila Jeffreys
-Unscrewed by Jaclyn Friedman
-Unwell Women by Elinor Cleghorn
-The Unwomanly Face of War by Svetlana Alexievich
-The Vagina Bible by Jennifer Gunter
-A Vindication of the Rights of Woman by Mary Wollstonecraft
-The War Against Women by Marilyn French
-We Were Feminists Once by Andi Zeisler
-What Do We Need Men For by E. Jean Carroll
-When God was a Woman by Merlin Stone
-Who Cooked the Last Supper by Rosalind Miles
-Why Does He Do That by Lundy Bancroft
-Why Women Are Blamed for Everything by Jessica Taylor
-Why Women Need the Goddess by Carol P. Christ
-Wildfire by Sonia Johnson
-Witches, Midwives, and Nurses by Barbara Ehrenreich
-Witches, Witch Hunting, and Women by Silvia Federici
-Woman and Nature by Susan Griffith
-Woman Hating by Andrea Dworkin
-Woman-Identified Woman by Trudy Darty
-Women v. Religion by Karen L. Garst
-Women’s Lives, Men’s Laws by Catharine MacKinnon
-The Women’s Room by Marilyn French
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hbomaxemea · 1 year
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From one cutthroat industry to the next.
Sarah Goldberg has been cast in Season 3 of #Industry as Petra Koenig, a portfolio manager at ethical investment fund FutureDawn.
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kudosmyhero · 5 months
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Daredevil (vol. 1) #104: Prey of the Hunter!
Read Date: March 27, 2023 Cover Date: October 1973 ● Writer: Steve Gerber ● Penciler: Don Heck ● Inker: Sal Trapani ● Colorist: Petra Goldberg ● Letterer: Charlotte Jetter ● Editor: Roy Thomas ●
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**HERE BE SPOILERS: Skip ahead to the fan art/podcast to avoid spoilers
Reactions As I Read: ● Matthew, stop working out with your glasses on ● ok, so some dude has controlled the Dark Messiah, Angar the Screamer, Ramrod, and now Kraven the Hunter. who are you??
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● Sal Trapani’s inking is a little heavy at times for my preference ● Woman, to Tasha: “So you live alone—with two men?” / Tasha: “On separate floors, deary. Does that scandalize you, or just make you jealous?”
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● 👏👏👏
Synopsis: Daredevil and Black Widow are in an training session talking about their personal matters, and how as Matthew Murdock, he hasn't met Kerwin J. Broderick, the head of Broderick, Sloan, & Murdock, and how Matt has yet to meet him since being employed there. After their session together, they meet with Ivan who brings them their mail. Inside they find an invitation to a cocktail party being held by Kerwin J. Broderick himself, who is anxious to meet Matt Murdock.
Meanwhile, the mastermind behind San Francisco's crime rackets has hired Kraven the Hunter in order to defeat or kill Daredevil. When the man offers Kraven the money, the hunter refuses telling him he only works for the thrill of the hunt.
Later that date, Matthew Murdock arrives on the job at Broderick, Sloan & Murdock to learn that his partner Jason Sloan has gotten him an postponement of trail on the Research Centre vandals that he is representing. Murdock is furious because he has no intention to change his plea because he has enough evidence to find them innocent. This causes turbulence between Jason and Matt, and makes him wonder about the ethics of his employer since the orders came from Broderick.
Returning home, Matt finds that the mansion has been attacked and Ivan bound up. Untying Natasha's bodyguard he learns that Natasha has been kidnapped by Kraven the Hunter who has demanded at Daredevil meet him at the San Francisco Zoo. Arriving there Daredevil is instantly attacked by Kraven. As the Man Without Fear manages to hold his own, he demands that Kraven show him where Natasha is. When Kraven finally does, he does so with dramatic flair: He has Natasha tied to the ground in the elephants pen and has blown a horn sending the gigantic beasts into a frenzy. Daredevil breaks off the first to rescue Natasha allowing Kraven to escape and begin plotting the next phase of his attack on Daredevil.
Six days alter, Matt and Natasha head over to Broderick's mansion for the cocktail party and meet Broderick for the first time. The party is dull and Matt and Natasha cause some controversy among the elite that are there. Just then Kraven the Hunter bursts through the window. While Natasha keeps him busy, Matt slips away in order to change into Daredevil. The two heroes have the upper hand fighting Kraven in closed quarters, forcing the criminal to take the battle outside.
There Kraven gets the advantage, knocking out Black Widow with a tranquilizer dart and then knocking Daredevil unconscious. With the Man Without Fear knocked out, Kraven lifts the hero over his head, poised to throw him off a cliff into the rocky waters below.
(https://marvel.fandom.com/wiki/Daredevil_Vol_1_104)
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Fan Art: Kraven the Hunter by RoyK93
Accompanying Podcast: ● Josh and Jamie Do Daredevil - episode 16
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daresplaining · 2 years
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Sooo… is Matt Murdock a male-chauvinist? (This is 80% a joke question but do with it what you like.)
Well...
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Matt: "So why don't you slip into something barely legal? I want my date to be the most gorgeous thing at the party!" Natasha: "You male chauvinist-- ow!" Matt: "I said move it, darling." Daredevil vol. 1 #120 by Tony Isabella, Bob Brown, Vinnie Colletta, Petra Goldberg, and Ray Holloway
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the-gershomite · 5 months
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Red Sonja She-devil with a Sword #3 -March 1976-
"Balek Lives!" (1-10 of 17)
written by Bruce Jones
art by Frank Thorne
colors by Petra Goldberg
editor: Roy Thomas
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balu8 · 7 months
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Marvel Comics Super Special #4: The Story of the Beatles
by David Anthony Kraft; George Perez; Klaus Janson; Petra Goldberg and Tom Orzechowski
Marvel
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"A SHE-DEVIL -- FEARING NOTHING -- ONLY WAITING -- FOR THE PROPER MOMENT -- TO STRIKE!"
PIC(S) INFO: Spotlight on cover art + the first two pages to "SHANNA THE SHE-DEVIL" Vol. 1 #4 [Cry...Mandrill!]. June, 1973. Marvel Comics. Artwork by John Romita, Sr. & Morrie Kuramoto.
"Half a ton of angered armored might -- pitted against 128 pounds of wiry, withy woman -- a she-devil -- fearing nothing -- only waiting -- for the proper moment - to strike!"
-- "SHANNA THE SHE-DEVIL" Vol. 1 #4
STORY/SCRIPT: Carole Seuling & Steve Gerber
PENCILER: Ross Andru
INKER: Vince Colletta
COLORIST: Petra Goldberg
LETTERER: Jean Izzo
Source: https://viewcomiconline.com/shanna-the-she-devil-1972-issue-4.
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intrapanelreturns · 1 year
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“I’ll bring you his severed head.”
AMAZING ADVENTURES v.1 #27 1974, Marvel Comics Jim Starlin cover Don McGregor writer, Craig Russell art, Jack Abel inks, Petra Goldberg colors, John Costanza letters
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agentxthirteen · 2 years
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Sharon-A-Day, Day 187 (7/8/22)
Marvel Two-In-One 5. On sale 6/18/74. "Seven Against the Empire"
Writer: Steve Gerber
Penciller: Sal Buscema
Inker: Michael Esposito
Letterer: Annette Kawecki
Colorist: Petra Scotese (Goldberg)
Editor: Roy Thomas
Sharon helps liberate the future.
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