Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)
exactly like that! though she's not the only one...
edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭
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I have officially edited and updated my DP fic recommendation document
I've so far only used it for friends but now I'm wondering if any of you guys would be interested...
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At first, I was just going to include their four big arguments, but I’m curious about how the other scenes and conflicts compare…
Vote however you like! For your favorite, or the one that would win in a meta-fight somehow, or the most disastrous, or the most Them…
more context for options:
Hume - does Lymond setting Will up to get himself arrested at Hume and swooping in as Don Luis count as a fight? Will gets beaten up, for sure, by the English and then hit in the face by his rescuer. It’s a conflict, even if it’s a one-sided and planned one. It’s an iconic moment in literature!
Lymond picks a fight about Will’s shoddy morals, and Will gets mad at him about Christian! And then Lymond gives him George Douglas’s letter about the hostage exchange. And tucks him into bed. I have thoughts about this scene!
Will secretly meets up with his father and walks into Richard and Janet’s trap. Johnnie gets him out but immediately tells Lymond what happened, and wow they have an argument. Incredible quotes about intentions and warm niches and quince seeds in cups of lukewarm water therein.
Will Scott wants to go to bed in his own bed! The door is locked! There’s a sword. There’s a fight. There’s a chance to take over …. And you will Never guess who wins!
Yes, he’s also mad about his dad being in danger. Lymond and Gideon run into an indignant Scott on the way back from Herriot. Gnatlike mockery and acrobatics ensue. “Get down!” “Make me?” … Brief but hilarious and fascinating to spectators. But there’s so little trust between them after all this, and what’s next is ….
… Betrayal! Pain! Symbolism! He hid the gold in the convent! Andrew Hunter has so much nerve! Turkey Mat is about to die! The narration gives us the final “marigold” of the book! Homoerotic wrestling!
“There is nothing very jolly about being locked in a cellar with a man whom, in every possible sense, you have just stabbed in the back.” THERE IS FOR ME!
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don't you love (hate) being at your relatives' and trying to write with no headphones (pure hate) while having to hear your family talk shit about you (blind fucking hate) out loud in the other room knowing perfectly well you can hear them (hate. hate. H. A. T. E. hate.)
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NGL I think one of my least favorite "gotchas" that I see/get while critiquing stories is "so how would you fix it? oh so you don't have an idea of how to rewrite the story to make it better? oh so basically you're just complaining that you don't like it and don't have actual critique."
Buddy.
Sometimes the reason I don't have a "solution" to how the author should've rewritten their story to be better, is because I'm not privy to the author's thought process, what their alternate story ideas were, what they talked about with their editor, what they might've been forced to do by deadlines, or even what they might've thought they were writing towards at first but then later changed the trajectory of their story to be about something else.
It's all well and good for me to say something like, idk, "I think Character A should've gotten more narrative focus because their story could have helped fix XYZ Plot Hole," but it could very well be that the author never intended for Character A to be a prominent character (just a secondary or tertiary character). Maybe using Character A to solve one Plot Hole would've gone against the writer's plans because then it would open up a different plot hole for something else they had planned later in the story. If it's an ongoing story, maybe something I see as a "plot hole" is actually a deliberate mystery that the creator left open to write about later-- or maybe the plot hole is because there was a deadline crunch and the author had to drop a certain character/plot point/etc because they couldn't fit it into the story any more. Maybe having Character A be a more prominent part of the story is just based on MY personal tastes and what I would want to write in MY version of the story, but completely clashes with the characters/conflicts the author wanted to focus on.
Because yes, there are some story critiques that are as simple as "part A doesn't make sense, you could just fix it by doing B", but there are also some story critiques where suggesting a viable "solution" would require BEING the author or someone involved in the production of the story to understand what limitations or plans were involved in the selection of that flawed plot point. There are also some story critiques where even if there is a "problem" and my critique offers a "solution," there could be another "solution" or even dozens that do just as good of a job fixing the issue, but involve vastly different characters, plot ideas, so on and so forth.
Being a good critic isn't (just) about going "the story would've been better if X happened" because the story is ultimately in control of the author and their vision, and without knowing what the author's vision was (something that you almost exclusively know if you're 1. the author or 2. their beta reader), it's impossible to definitively say "this plot point should've been cut/[completely different thing] should've happened instead" because THAT is the point at which you're complaining, not critiquing. I would argue that in some cases, trying to "fix" a story yourself actually makes your critique worse, not better, because it ends up being a case of you simply imposing your artistic vision over the author's to say "I think it would've been better this way."
At least if you just say "this part of the story was flawed because XYZ" without saying "it should have been ABC instead", then you're stating your grievances with the story without being presumptuous enough to assume that YOUR version of the story would fit the author's original vision, or the constraints they were working under, or the other versions of the story that they were debating over at the time before ultimately settling on one version (even if flawed).
There's a point at which "this plot is flawed, that should've happened instead" is just fix-it fan fiction and not actual critique that could help the writer write their story in a way that fits their vision.
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Okay but the CLEVERNESS of using the little girl as the PoV for our first glance at the Dark Friend Social. The way it lets them drop hints while keeping everyone's identity obscured and hidden. The way it keeps from giving away to much information to quickly to the viewer. The way it lets us see the Shadow from an outsider perspective, and at the same time see the Shadow working it's tendrils to convert and twisted someone to their way of thinking.
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donnie darko - the best movie i’ve ever seen. such an interesting depiction of mental health. it’s interesting fuck the director though he’s a dumbass.
prisoners - THE movie to recommend people. idk anyone who has watched it and hated it. it’s so fucking good . tbh jake is like the least interesting part of the movie he’s pretty ugly. paul dano is the goat. the best movie i’ve seen revolving around some mystery. always on my toes always scared. when u think you know u end up being wrong. it gets u.
zodiac - he’s so cute in this movie and that’s as good as it gets. it’s good for one viewing and that’s IT. it’s very interesting has good sequences. but it’s so damn long. i guess if u wanna argue that it wants u to FEEL how they felt waiting so long trying to catch the zodiac killer id say sure fine but also they never even catch him so what’s the point of the movie. idk.
brokeback mountain - no comment
nocturnal animals - this movie is absolutely insane in the worst way. the two main characters r fuxking deranged. jake’s character is deranged for being like that. his weird revenge thing is so strange and it’s uncomfortable. i didn’t get it i didn’t like it i wouldn’t watch again.
enemy - this fucking movie…. idk how i sat thru it all actually. i’m proud of myself but i didn’t need to put myself thru that. jake is so boring in this. the movie itself is so fucking boring. it’s so weird. it’s so ugly. it looks like shit and it’s shot like shit and i don’t get why bc it’s a denis movie. maybe i’m not smart enough to get it but it sucked dick AND balls.
the guilty - okay. i know this movie isn’t very good. but i watched it and was entertained. it rlly is something you’d catch on the tv while ur at the dentist and get rlly invested in the 30 minutes ur in the waiting room. its nothing life changing but i had a good time
ambulance - HWHSJFJJDJAJAJS. the worst shit i’ve ever fucking seeeeeen. it’s hilarious tho . watch it drunk otherwise u might be bored out of ur mind. this movie is so insanely shot. i remember the billion drone shots. i remember the spleen burst. i remember the goofy shots they did of jake. idk how it got made. idk how jake is in it.
brothers - this movie… isn’t BAD…. i think? it made me uncomfortable. which yeah. that’s the point. but like the scene of tobey like being captured whatever . idk enough about anything but was that offensive in some way? let me know… it felt strange . the movie tho is super hard to watch. it’s cringey and scary. i wanna rewatch to get my full thoughts on it because it was awhile ago . great acting tho.
end of watch - Stupid baka fucking movie. i made my mom rent this shit and im sorry i wasted 4 of ur hard earned dollars. this movie is worth nothing. it’s so racist to mexicans. it’s embarrassing. like the main guy is mexicans and it does all that cringe cholo shit it made me want to claw my eyes out and never watch another movie again.
the covenant - GEHHRDHHFHRHSJZJFJRJEJ the most boring movie of all these honestly. i think i almost fell asleep. jake is in too many military movies actually holy shit. don’t watch this one at all lmfao .
jarhead - this one is the most interesting military movie he’s in but it’s also graphically one of the worst so beware. it rlly doesn’t hold back with trying to be gross and bad. and i understand why. but it does make it hard to watch. it’s shot rlly well though. and the acting is great.
demolition - OH BROTHHERRRRR. i thought this movie would be worth something because it’s one of those u see a lot of clips of online. it’s genuinely so stupid tho. i can barely remember the plot but i just remember it made no sense. ppl keep getting jake for these insane characters except it’s just dumb as shit.
october sky - this is a cute fun movie you’d watch in middle school ^_^! cute little time!!! and it has laura dern so what’s not to like!! maybe a little boring to some tho.
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If you had to pick your five most favorite scenes you've ever written in your fics, what would they be?
Ok time to answer this lol. It’s so hard for me to pick 5 scenes that are my favorite to write, idk why, I’m just an odd person. But I did ask some of my mutuals what their favorite scenes were & they gave me their opinions! (Thanks guys)
1. The tree comfort scene in the first book of LIAB. I remember that particular section of the story was really dark and tense & then POOF we had tree cuddles. It was the first time the boys were cuddly together before things were official between them. Idk it was a nice breath of fresh air before it all went to hell.
2. The first bathtub scene in RIA with Sokka confronting his scars and Zuko being there for him and washing him while trying to give helpful advice he remembered from uncle. That was fun & I know a lot of people enjoyed that.
3. I’d have to say I enjoyed writing Aang & Sokka first meditation scene in ITF because I love meditation & exploring the depth of the human mind. I also loved giving Aang’s character more depth than just a goofy kid. He is wise and experienced so it was nice to give him an area that he was skilled in that allowed him to slow down and help his friend.
4. I gotta say in RIA I liked writing Sokka destroying that RR with a stick. Not just the murder but the conversation leading up to it and the implications the man made and Sokka twisting that around to justify his actions. (Also the man took pity and took of his helmet to seem more human to the boy he was trying to bond with which was his ultimate demise.) & it was cool that on the other side of camp Zuko was also taking control of his situation and killed the archer RR.
5. Last but not least would be Sokka’s fever dream, I enjoyed writing it even though it made me incredibly insecure to post haha. I pack in a lot of strange weird symbolism & hidden meaning & foreshadowing that I just know doesn’t make any sense but does it have to? It’s a fever dream! Idk it was nice & Yue was there so that was awesome.
Soooooo that’s it I guess!! (I do have a few scenes coming up with Zuko & an adult that I’ve already written & I’m really excited about because oh thank god it’s a fucking adult talking to Zuko & he isn’t growling and he is actually SHARING?? whaaatttt??? ;)
Oh & I’m really excited about TWO adults who have some scenes together that make me giggle just thinking about them interacting but that’s future stuff)
Ok that’s it!! Yippieee
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I love how you wrote “crying” in the latest baby jason art, the y and g look like they have little fishes there hehe. Sorry this is so random,,,also I love your baby jason uwu
I need to stop drawing baby jason he's literally all I've been drawing for two days now I need to draw other things
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my takes on the desert rose after romancing both adil and mustafa:
> starting off with the most important one imo - mc doesn't find out adil is jack's brother if you're not on his path
> also on that note the finale is waaay better on adil's path, you find some more clues together + obviously the big revelation
> while on adil's path mc's friendship with mustafa is just as much part of the story, on mustafa's (and i assume others' as well) it's like they didn't really know what to do with adil - their scenes were quite underwhelming this time
> adil has waaay more 'free' scenes like the ♡ fireworks, rajab and madi teasing him etc
> on mustafa's path the other characters notice mc being in love way more easily
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board game night on the tardis where the doctor teaches the gang ancient and alien games
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Thinks oh so hard abt the spiraling upwards clan founders, especially the birchclan founders. Silly lil kitties who's pasts are drenched in blood with the primary regret of not drawing it sooner
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