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#pierre schaeffer
already-14 · 2 years
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1966 -  Production : Pierre Schaeffer, le Groupe de Recherches Musicales du service de la recherche de l'ORTF Une émission de Luc Ferrari Réalisation S.G. Patris Martina Arroyo (Soprano solo) Orchestre et choeurs West Deutcher Rundfunk Chef des choeurs : Herbert Schernus, Orgues Alois et Alfons Kontarsky 
 Dans la salle de répétition d'un studio de Cologne, Stockhausen évoque la genèse et la signification de cette oeuvre d'amour : "Je ne vis pas d'histoire, je ne vis que des moments." Ce sont ceux que le compositeur a voulu recréer musicalement qui se succèdent ici, se rencontrent et se surimpressionnent dans l'écoute.
"Momente n'est pas une histoire inventée, c'est une oeuvre qui n'existe que par le degré de présence de chaque évènement. Ces moments ne s'expliquent que par le passé et l'expérience, et ne sont là que pour créer l'espoir d'autres moments à vivre".
(via Karlheinz Stockhausen : Momente - YouTube)
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ozkar-krapo · 1 year
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Pierre SCHAEFFER, Guy REIBEL & Beatriz FERREYRA
"Solfège de l'Objet sonore - vol.2: Attaques, Timbres, Morphologie"
(cassette. INA-GRM. 1983 / rec. 1967) [FR]
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henricamille · 2 months
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spaceintruderdetector · 3 months
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En el Tratado de los objetos musicales Pierre Schaeffer intenta dar cuenta de las leyes generales de la percepcion sonora y de los caracteres y valores del objeto musical, unidad elemental de toda articulacion expresiva.
Tratado De Los Objetos Musicales : Schaeffer, Pierre, 1910-1995, author : Free Download, Borrow, and Streaming : Internet Archive
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clamarcap · 5 months
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Orphée 53
Pierre Schaeffer (1910 - 1995) e Pierre Henry (9 dicembre 1927 - 2017): Orphée 53, musique concrète (1953). Prolog Premier air d’Orphée [1:15] Premier récitativ d’Orphée [3:17] Les Monstres [6:37] Parade d’Eurydice [10:00] Débat d’Orphée [13:24] Rupture finale [18:39]
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occultamusica · 11 months
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Pierre Henry - Voix Intérieures (in Pierre Schaeffer, L'Œuvre Musicale, 2005)
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krisis-krinein · 1 year
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music-concrete · 2 years
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óblíðurorð is an album de pensées vocalisées ; featuring : KR Seward ,  Artammon , I,Eternal , klangkunst , DJ Iterate , RDKPL , Apophenia , unconscious collective , Mean Flow , основа , Nijim & Chaklanabis , MubisMusic ,  Oriondrive , phenomenon , phog masheeen
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codelyokooutofcontext · 5 months
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teen-lyoko-fan7777 · 4 months
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Wild in the Streets will premiere on Saturday, December 23rd at 1:00 PM Central Standard Time. :)
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already-14 · 2 years
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Pierre Schaeffer (1910-1995) & Pierre Henry (1927-2017): Orphée 53, Spectacle Lyrique, per nastro e campionamenti (1953).
(via Pierre Schaeffer & Pierre Henry: Orphée 53 (1953) - YouTube)
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ozkar-krapo · 2 years
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Pierre SCHAEFFER & Guy REIBEL
"Solfège de l'Objet sonore - vol.1: Corrélations, Seuils, Anamorphoses"
(cassette. INA-GRM. 1983 / rec. 1967) [FR]
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game-stationed · 1 year
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They look like good friends
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(Shorter man is Leith Pierre, taller one is Nathaniel Schaeffer [OC])
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pedroam-bang · 3 months
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Django Unchained (2012)
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clamarcap · 1 year
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Symphonie pour un homme seul
Symphonie pour un homme seul
Pierre Schaeffer (1910 - 1995) e Pierre Henry (9 dicembre 1927 - 2017): Symphonie pour un homme seul, musique concrète (1949–50). Prosopopée I Partita Valse Erotic Scherzo Collectif Prosopopée II Eroïca Apostrophe Intermezzo Cadence Strette
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saint-vagrant · 8 months
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Oh I forgot to ask a question!
😂
Ok, here it is: Who’s your inspirations for your artistry?
Big question, I know.
^__^
hmmmm you're right, that is a big question! since you asked "who" i'm going to assume you mean other artists?
for painting i'm particularly inspired by Anthony Cudahy, Alex Beck, Sterling Hundley, Ashley Wood (all contemporary,) Euan Uglow, Joaquin Sorolla, Sargent, Arkady Plastov, Ivan Shishkin, Konstantin Yuon, Ferenc Pinter, and a number of names in the Brandywine school like Mead Schaeffer and NC Wyeth.
i reformatted my brain a little in 2021 by reading Fujimoto's Chainsaw Man. Other mangaka are Hirohiko Araki, Kosuke Fujishima, Otomo, Inoue, Urasawa, Miura. the 2S artist Brandon Hoax is a HUGE inspiration to me. same for Chase Conley, Peter Chung, Freddy Carrasco, Xia Gordon, Ron Wimberly, Chris Kindred, Mel Tow, Hiro Isono, mozame_mo, Yoshitake Yamane, @maxbanshees @potogawaryuiki @coshkunz @cparrisartand @fourcorneredgod @newjackcole @choodraws @doctop @hirosemaryhello @nocturnalwalkr @fanficciera @oak-n @purenonsens @juangeedraws @plaest2k @blackblobyellowcone @turndecassette2 many more friends and strangers whose work i'm delighted to spend time traveling thru (and whose names i'll add in once i publish this enormous reply lol. rn i'm afraid of tumblr eating it!!)
most importantly, my partner Anka @kingfisher-cove charmed and captivated me from day one. the personality and dynamism of their work, specificity of place, time, body, personal effects, there's always been so much life in their art. i have little to no interest in stories/characters without limits, where mobility is never a concern, especially featuring the wealthy. stories where people don't sweat or pee or have "bad" teeth or talk too loud. Anka's always portrayed peeling paint and rusted metal as a fact of life. you get a sense of dimension/volume in their art— the way material hangs off a body, and that body's form, how gravity and weight conform feet to the ground— and the same goes for the personalities and ideas populating it. the viewer too has a home here beyond "representation." it's not just window-dressing, nor ponderous hyperrealism. there's cartoon whimsy and cartoon stakes. i wish i could describe the extent it's meaningful to me. i feel lucky to see it! plus i really making them yell and art is a good way of accomplishing it.
so because this is veering into WHAT inspires me...
other than like, transness and communism and everything that entails, i'm inspired heavily by pornography and leather culture, and (mostly vintage) magazines like Honcho and Juggs, 70s italian erotica/nunsploitation. relatedly, the lush scenes of Pierre et Gilles and Tarsem and Christian Riese Lassen. i'm also deeply inspired by hyperlink/multimedia art, such as that by Olia Lialina of @oneterabyteofkilobyteage or projects like Ted's Cave. places and delights of my childhood like Myst/Riven, Fin Fin, rural river water, rocky beaches, soft glowing glades, sharks in coral outcrops. autonomy and dissociation, too.
with a lot of the artists i mentioned, there is a handiness, a presence in their work, a dedication to indulgence and/or experimentation, in subject, setting, medium, whatever. an interest not feigned. i also love maximalist colour and texture... in drawings, in textiles, anything! worldwide and through history. i'm inspired by golden age illustration and Iranian turquoise and carpets. miniatures. iconography. lotuses. magnolia.
you can fake sincerity of course. when it comes to making art that seems like a waste of precious effort. when i get a sense that the artist really loves People beyond serving up a telephone game of vibe-mood-aesthetic... that is cool to me. if the art isn't well-lived, then it's well-cared for. a lot of the nostalgia fodder is based on a memory of a memory that was sold for mass market consumers, so i'm a bit distrusting of it. which isn't to say that i don't love a tone poem (i do-- Legend is one of my favourite films) nor that it requires "realism" to accomplish either. i love being sold on the ridiculous. i respond well to like, an artist (in whatever respect) showing me something absurd with 100% unbridled earnestness and fearlessness about being silly. my top 3 favourite series are JoJo's Bizarre Adventure, Metal Gear Solid, and Ace Attorney. these are objectively as exaggerated in their drama as they are serious about their intent, and populated by straight freaks. one of my favourite directors is Michael Mann (Miami Vice, Manhunter, Heat, Thief, Collateral) who is known for his obsessive, even illustrative details but also, Audioslave plays during an emotional night drive. they don't let Audioslave play during an emotional night drive anymore. all these things are related lmao. let me go on a further tangent
there's an internal logic, right? and when it's flipped? that's the best. i don't mean a "twist," either. it's something else-- the author/artist revealing that, emotionally, things were always more complex than you were lead to believe, and it recontextualises the entire piece. if surprise is the best part of comedy then i think the same goes for melancholy. i love when the rug is pulled out from under me through something as simple as the reimagined N'doul episodes of the JJBA OVA. (YES! YES! I'LL TALK ABOUT IT FOREVER! I'M CRAZY! BUT I'M RIGHT!) is it a twist? nothing's actually changed about where the story is headed. you know where it's headed. but the meaning of that story has-- by creating an emotional trapdoor like that, it establishes a particular sense of suspense.
i'm mentioning these because i rewatched them recently-- films like Solaris and Sunshine and... you know what? Terminator are bigger to me than their subject matter because the emotional space they create is unnerving, where hope is fragile if it's present at all. something hard to accomplish... the bittersweet potency of ironic regret.
i'll keep adding to this. i could go on and on lol
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