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ayatxt · 2 months
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𖣠 ⦂ 💒 𓂃𓈒
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𖣠 ⦂ 💷 𓂃𓈒
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⇢ ˗ˏˋ 6 february 2024 4:24pm ࿐ྂ
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blazing7002 · 9 months
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♥ +♡ᕯ✴ᕯ♡ᕯ✴ᕯ♡+. ♥
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(𝐦𝐢𝐝𝐝𝐥𝐞 𝐩𝐡𝐨𝐭𝐨 𝐢𝐬 𝐦𝐢𝐧𝐞 ♡)
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vengo en moto, soy una mami
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artistsonthelam · 1 year
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Some of my favorites from the Opening Preview and Vernissage of Expo Chicago last night. (And, as always, the best part was running into old art friends! Since I mask up, folks recognized me via my eyes, hair, and shoes. 😅) The art fair opens to the public today!
Alfred Conteh (@aaconteh​), Loretta (Ms. T) (2022), acrylic and urethane plastic on canvas, Kavi Gupta.
Aaron Curry, Phantom (2010), painted wood, Michael Werner Gallery + Andrea Galvani, Instruments for Inquiring into the Wind and the Shaking Earth (2023), hand-blown white Murano glass mounted on artisanal metal structures, Galería Curro.
Ebony G. Patterson, ...pink...red...striped..carnations... (2021-2), collage on canvas, moniquemeloche.
Alia Ali, Foto Relevance.
Melissa Leandro, Andrew Rafacz Gallery.
Antonio Santín, Saudade (2022), oil on canvas, Marc Straus.
Mary Reid Kelley & Patrick Kelley, Night Kitchen (2021), plaster, wood, metal pipe, paint, LED screens, Fredericks & Freiser.
Edra Soto in front of her Graft Stars (2023), carved MDF, latex paint, mirrors, viewfinders, inkjet prints + Graft MDB (2020-3), sintra, aluminum, viewfinders, inkjet prints, latex paint, Luis de Jesus.
Shawn Huckins, Duran|Mashaal.
Lily Scout Kwong, Motherfire (2023), 55 shou sugi ban posts and saplings, Art at a Time Like This, Natural Resources Defence Council.
More of my highlights on Facebook & Instagram.
(c) Jenny Lam 2023
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rhodesiia · 2 years
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limaozinh-o · 3 years
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🧺💗🧸. . .
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Leo, ENFP, pink, blue, yellow who loves writing, blogging, animals, sunlight, art, and sunflowers. And I love your blog and aesthetics.
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Thank you so much! Hope you like it! Dm for changes
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januarysembers · 5 years
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aktionfsa-blog-blog · 3 years
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Nun gilt es die Euro-Drohne zu verhindern
Nein zur Kampfdrohnenbeschaffung ist ein Erfolg der Friedensbewegung
Wir feiern unseren Erfolg, wissen aber auch, dass dies nur ein kleiner Schritt war und der Kampf gegen einen Einstieg in automatisierte Kriege nach der Bundestagswahl weitergehen wird. Dann muss es das Ziel sein, die Eurodrohne zu verhindern, bzw ihr die Bewaffnung unmöglich zu machen!
Das Netzwerk Friedenskooperative, in dem wir seit über 10 Jahren arbeiten erklärt dazu in einer gemeinsamen Presseerklärung:
Nein zur Kampfdrohnenbeschaffung ist ein Erfolg der Friedensbewegung
Das Netzwerk Friedenskooperative begrüßt die Entscheidung der SPD-Bundestagsfraktion, die Entscheidung über die Anschaffung bewaffneter Drohnen zu vertagen. Die Friedensbewegung kritisierte bereits in der Vergangenheit, dass in der Drohnendebatte wichtige Stimmen, wie etwa Betroffene von Drohnenkriegen, nicht angehört wurden. Die ergebnisoffene Weiterführung wird das Netzwerk Friedenskooperative und die Friedensbewegung nutzen, um weiterhin Druck gegen die Anschaffung von Kampfdrohnen für die Bundeswehr zu machen.
„Es ist begrüßenswert, dass sich die SPD gegen die Anschaffung der Kampfdrohnen gestellt hat. Große Teile der Zivilgesellschaft verfolgen die immer neuen Aufrüstungspläne der Bundesregierung mit großer Skepsis.“, betont Philipp Ingenleuf vom Netzwerk Friedenskooperative. „Das Nein der SPD ist ein großer Erfolg der Friedensbewegung und bestätigt den Aufwind der Bewegung, die in den letzten Jahren stetig Zuwachs bekommen hat. Besonders in der aktuell schwierigen Situation ist es für viele Menschen nicht mehr akzeptabel, dass immer weiter aufgerüstet wird, obwohl das Geld viel dringender in zivilen Bereichen eingesetzt werden müsste, um die Folgen der Coronapandemie aufzufangen.“, so Ingenleuf weiter.
„Wir begrüßen die Entscheidung der SPD-Fraktion. Die Entscheidung ist ein Gewinn für das Völkerrecht und ein Halteschild auf dem Weg zur autonomen Kriegsführung, für die bewaffnete Drohnen der Türöffner sind", erklärt Susanne Grabenhorst, Vorsitzende der ärztlichen Friedensorganisation IPPNW und Mitglied im Arbeitskreis Drohnen.
In den vergangenen Monaten gab es vielfältige Aktionen der Friedensbewegung, mit denen die Bewaffnung von Bundeswehrdrohnen problematisiert wurde. Dazu gehörte u.a. ein Drohnen-Hearing, an dem sich auch Bundestagsabgeordnete von SPD, Grünen und Linken beteiligten. Das Netzwerk Friedenskooperative stellte verschiedene Mailaktionen über die Plattform www.lobbying4peace.de bereit, an denen sich mehrere Tausend Menschen mit Mails an ihre Abgeordnete beteiligten.
„Seit 2012 haben viele mutige Mitglieder und Abgeordnete in der SPD daran festgehalten, dass es eine ausführliche rechtliche und ethische Prüfung von automatisierten und autonomen Waffensystemen geben muss. Die wahren Experten zur ethischen Dimension sind diejenigen, die direkt Erfahrungen damit haben, ob auf der Täter- oder der Opferseite. Wir sind besonders MdB Dr. Karl-Heinz Brunner aus dem Verteidigungsausschuss dankbar, der die Einladung der Drohnen-Kampagne an seine Fraktion weitergeleitet hat, so dass sie direkt mit zwei kritischen US-Verteraninnen des Drohnenprogramms ins Gespräch kommen konnten. Die Veteraninnen mahnen, dass die Opfer immer noch nicht gehört worden sind. Trotzdem hat das Verteidigungsministerium vor, schon in den kommenden Monaten eine bewaffnungsfähige Euro-Drohne durchzusetzen. Wir müssen dran bleiben und international arbeiten, um die “virenartigen" Ausbreitung tödlicher digitaler Waffensystemen zu stoppen.”, so Elsa Rassbach, Mitbegründerin des bundesweiten Netzwerks Drohnen-Kampagne und Sprecherin zu Drohnen für attac Deutschland, DFG-VK und Code Pink.
Das Netzwerk Friedenskooperative spricht sich für eine baldige Beendigung der Drohnendiskussion aus, anstatt die Entscheidung über die Anschaffung von Kampfdrohnen immer wieder zu verschiebenDie vielen Jahre der Debatte zeigen, dass es für die Anschaffung von bewaffneten Drohnen keine Mehrheiten gibt. Stattdessen sollte sich die Bundesregierung auf internationaler Ebene für effektive Maßnahmen zur Eindämmung der Drohnenproliferation einsetzen und einen Augenmerk auf die enormen Gefahren durch die Automatisierung des Krieges legen. Daher sollte auch die Pläne für die Anschaffung der Euro-Drohne auf Eis gelegt werden.
Netzwerk Friedenskooperative Römerstr. 88, 53111 Bonn
Mehr dazu in unseren Artikel zum Thema Drohnenbewaffnung https://www.aktion-freiheitstattangst.org/cgi-bin/searchart.pl?suche=Drohnenbewaffnung&sel=meta
und https://www.aktion-freiheitstattangst.org/de/articles/7487-20201217-nun-gilt-es-die-euro-drohne-zu-verhindern.htm
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000h-la-la · 6 years
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MDB/SDB IRIS INVENTORY:
UPDATED 5/10/2022:
—-BLACK—-
BLACK STALLION (SDB) BLACK W/ WHITE BEARD 📷
DARK VADER (SDB) BLACK W/ BLUE BEARD 📷
—-LIGHT BLUE—-
DOT.COM (SDB) LIGHT BLUE W/ BLUE BEARD
TU TU TURQUOISE (SDB) PALE BLUE/LIGHT BLUE W/ LIGHT BLUE BEARD
BAY RUFFLES (SDB) LIGHT BLUE W/ LIGHT BLUE BEARD 📷
ICE INDIGO (SDB) LIGHT BLUE/PURPLE W/ WHITE BEARD 📷
MICROWAVE (MDB) LIGHT BLUE-ISH PURPLE W/ WHITE BEARD 📷
OPEN SKY (SDB) LIGHT BLUE W/ WHITE BEARD 📷
SAPPHIRE GEM (SDB)
—-LIGHT PURPLE—-
WORRY WART (SDB) LIGHT PURPLE W/ BLUE BEARD 📷
MY HUCKLEBERRY FRIEND (MDB) LIGHT PURPLE/PURPLE W/ WHITE BEARD
FANCY THIS (MDB) LIGHT PURPLE W/ LOGHT BLUE BEARD
BOWTIE (SDB) LIGHT PURPLE/ REDISH-PURPLE W/ WHITE BEARD
CELEBRATE (SDB) PURPLE/PINK W/ LIGHT PURPLE BEARD 📷
WILDCAT PAJAMAS (SDB) PURPLE /WHITE W/ PURPLE BEARD 📷
MUPPET (SDB) LIGHT PURPLE/LIGHT YELLOW W/ PURPLE BEARD
CIRCUS CLOWN (SDB) LIGHT PURPLE/PURPLE W/ ORANGE BEARD
SERENDIPITY ELF (SDB) LIGHT PURPLE/REDDISH STRIPES W/ LIGHT PURPLE BEARD 📷
JEOPARDY (SDB) REDDISH LIGHT PURPLE/RED W/ LIGHT PURPLE BEARD
—-PURPLE—-
JEWEL BABY (SDB) PURPLE
NOT GUILTY (SDB) REDISH-PURPLE W/ LIGHT BLUE BEARD
SANKT PAULI (SDB) PURPLE W/ PURPLE BEARD
FLOWER SHOWER (SDB) PURPLE W/ PURPLE BEARD
PULSATOR (SDB) PURPLE/DARK PURPLE W/ YELLOWISH-WHITE BEARD 📷
—-RED—-
SNUGGLEBUG (SDB) RED/DARK RED W/ PURPLE BEARD 📷
CATS EYE (SDB) PINK/RED W/ PURPLE BEARD
LITTLE BUCCANEER (SDB) RED W/ YELLOW BEARD
LADY IN RED (SDB) RED W/ ORANGE BEARD
JEWELERS ART (SDB) REDDISH-PURPLE/RED W/ PURPLE BEARD
CANDY APPLE (SDB) REDISH-PURPLE W/ PURPLE BEARD 📷
ON FIRE (SDB) RED/ORANGE W/ PURPLE BEARD 📷
AFRICAN WINE (MDB) RED W/ LIGHT PURPLE BEARD 📷
BUTTONWOOD (SDB) BLACK/YELLOW W/ BLUE BEARD 📷
BORDEAUX PEARL (SDB) BURGUNDY/WHITE STRIPES W/ BLUE BEARD
PUMPING IRON (SDB) PINKISH-RED/RED W/ BLUE BEARD 📷
BOWL OF CHERRIES (SDB) PINKISH-PURPLE-RED W/ PURPLE BEARD
REDDY FREDDY (SDB) PINK/RED W/ WHITE BEARD 📷
RASPBERRY TIGER (SDB) RED W/ WHITE BEARD 📷
RUBY ELF (MDB) REDDISH PURPLE W/ LIGHT PURPLE BEARD 📷
—-PINK—-
APRIL FANFARE (SDB) PINK/PURPLE W/ ORANGE BEARD 📷
JEWELS (SDB) PINK/PURPLE W/ ORANGE/WHITE BEARD
PAUSE (SDB) PINK/PURPLE W/ LIGHT PURPLE BEARD 📷
PUSSYCAT PINK (SDB) PINK W/ PINK BEARD
FRISK ME (SDB) PINK/PURPLE W/ BLUE BEARD
BREVITY (MDB) PINK W/ BLUE BEARD
CHANTED (SDB) PINK W/ PURPLE BEARD
—-ORANGE—-
SITTING PRETTY (SDB) LIGHT ORANGE W/ PURPLE BEARD
SPEAK NO EVIL (SDB) LIGHT ORANGE W/ ORANGE BEARD
PEACH COOLER (SDB) LIGHT ORANGE W/ ORANGE BEARD
TROLL (MDB) LIGHT ORANGE
TINY TITAN (MDB) LIGHT ORANGE W/ ORANGE BEARD 📷
ORANGE TIGER (SDB) YELLOW/YELLOW-ORANGE W/ ORANGE BEARD 📷
CHEROKEE SUNRISE (SDB) YELLOW/LIGHT ORANGE W/ ORANGE BEARD 📷
—-YELLOW—-
TASTY (SDB) BUTTER YELLOW W/ ORANGE BEARD
MARKSMAN (SDB) YELLOW W/ ORANGE BEARD 📷
LITTLE BLUE EYES (SDB) YELLOW W/ BLUE BEARD
—-WHITE—-
BLUEBEARDS GHOST (SDB) WHITE W/ BLUE BEARD 📷
RED HEART (SDB) WHITE/RED W/ WHITE BEARD
BLACK CHERRY (SDB) WHITE/RED W/ WHITE BEARD 📷
BALTIC BLUE (SDB) WHITE/YELLOW W/ BLUE BEARD
TEGAN (SDB) WHITE/LIGHT BLUE W/ YELLOW/ORANGE BEARD
EASTER HOLIDAY (SDB) WHITE W/ YELLOW CENTER 📷
NINE LIVES (SDB) WHITE/RED W/ WHITE BEARD
OPEN YOUR EYES (SDB) WHITE/BLUE W/ WHITE BEARD
STOP AND STARE (SDB) WHITE/PURPLE W/ ORANGE BEARD
BIG BLUE EYES (SDB) WHITE/BLUE W/ WHITE BEARD
ITS A SMALL WORLD (SDB) WHITE PEACH-CENTERED W/ ORANGE BEARD
—-?—-
ORIENTAL GEM (SDB) ?
LA DEE DA (SDB) ?
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ayatxt · 2 months
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彡 ⿻ 🎟️ ✩ ⋆。˚
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彡 ⿻ 🦩 ✩ ⋆。˚
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⇢ ˗ˏˋ 25 january 2024 7:12pm ࿐ྂ
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blazing7002 · 1 year
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Ballin' big time and I say "𝗔𝘆-𝗬𝗼!"
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hyacinth-tamagotchi · 2 years
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 ֢  ׄ    ꮼ  ׄ  ︵  ᰵ   ׄ  ׅ  jennierubyjane 𓇼 ∗  ˖࣪ ○ ° J
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withoutmyecho · 7 years
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Best of 2016: Songs
Same procedure as last year: one song per artist, with a bit more of a focus on non-album tracks. 1 Cigarettes After Sex - K 2 The Newsletters - Please You 3 Motorama - By Your Side 4 Palomica - Honeydew 5 Rory McVicar - Toothache 6 Blurred Moon - Far 7 Lowpines - Forest Finds 8 Tinsel Heart - Wasted Yet Sad 9 Sodastream - Three Sins 10 Hypoluxo - In My Head It's All Sand 11 Boys Forever - Cold Is The Colour 12 The Holiday Crowd - Cheer Up 13 Bigott - Coming Soon 14 The Ocean Party - Reach 15 Terry Malts - When The Nighttime Comes 16 Pete Astor - Really Something 17 Teleman - Düsseldorf 18 Roomtone - Up In The Air 19 Woods - Creature Comfort 20 Daughter - No Care 21 The Haywains - Girl In The Holly Court Diner 22 Lost Tapes - Going Nowhere 23 Chris Cohen - Torrey Pine 24 Bubblegum Lemonade - You Bring The Rain 25 J Churcher - Finding Roxanne 26 Paravelle - Cascades 27 The Crystal Furs - Capture You 28 Fascinations Grand Chorus - Actor/Actress 29 The Charlie Tipper Conspiracy - Lunar Garden Party 30 Ginnels - My Eyes! My Ears! 31 The Goon Sax - Home Haircuts 32 Plume Of Feathers - Lock In 33 The Pooches - Heart Attack 34 Songs For Walter - Moon/Two Out Of Ten 35 Love The Unicorn - Hate Forever 36 Young Romance - Wasting Time 37 E'spaniel - Just Another Day 38 Pavo Pavo - Ran Ran Run 39 Young Scum - If You Say That 40 Sunshine Faces - Some Kids You Knew 41 Leapling - I Decide When It Begins 42 Get Well Soon - It's Love 43 Amber Arcades - Perpetuum Mobile 44 Divino Niño - Time 45 Vasity - Still Apart 46 Mercury Girls - Ariana 47 The Real Numbers - Only Two Can Play 48 Innerspace Orchestra - One Way Glass 49 Suburban Living - Once/Twice 50 Milk Skin - Syrupy 51 Skytone - Second Hand Shops 52 Chook Race - Sometimes 53 Ari Roar - Karate Again 54 Destroyer - My Mystery 55 Plastic Mermaids - Paris Milkshake 56 Plastic Flowers - Diver 57 The King In Mirrors - Talk About Today 58 Swimming Tapes - Set The Fire 59 Seafang - Summertime 60 Impulsive Hearts - MDB 61 Lightning In A Twilight Hour - The Sky Beyond The Sky 62 Kidsmoke - Cut Yourself Loose 63 Tindersticks - How He Entered 64 Trowler - Walk Away 65 Romantic States - Take My Hand And Run 66 Astronauts - You Can Turn It Off 67 Featherfin - The Only Thing I Miss 68 Lake Ruth - The Only One Who Knows 69 Starry Eyed Cadet - Reaction 70 Crescendo - Said 71 Day Wave - Deadbeat Girl 72 Cool Sounds - Shake 73 Gringo Star - Get Closer 74 The Keep Left Signs - Modern Dilemmas 75 Lost Film - Temporary 76 Stephen's Shore - Ocean Blue 77 We. The Pigs - Something New 78 Sea Pinks - Yr Horoscope 79 Eskimeaux - Year of the Rabbit 80 Devendra Banhart - Middle Names 81 Dent May - Face Down In The Gutter Of Your Love 82 The Scotland Yard Gospel Choir - Clark & Belmont 83 Olov Antonsson - Det kan lika gärna bli september nu 84 Math and Physics Club - Coastal California, 1985 85 Pale Spectres - Your Boyfriend's Girlfriend 86 Cosines - Let's Start It Over 87 Animal Daydream - In My Room 88 Wild Nothing - Adore 89 Violent Femmes - Memory 90 Bent Shapes - What We Do Is Public 91 Posture - Dreamin' 92 Tele Novella - Fruits Of Misery 93 Star Parks - Souvenirs 94 Terribly Yours - Barbara 95 Lists - Millie & Ivor 96 Stephen Steinbrink - I'm Turning Inside Out 97 Galapaghost - Salt Lake City 98 Eerie Wanda - I Am Over Here 99 Roman Lakes - Cross Thread 100 The Beths - Rush Hour 3 If available, all songs included in my Spotify Best of 2016 playlist in this order, with another few hundred in no particular order.
Related: Best of 2016: Albums Best of 2015: Albums Best of 2015: Songs Best of 2014: Albums Best of 2014: Songs
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dylan38sanders · 5 years
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21 Creative Ideas for Corporate Stage Design
Do you need some fresh inspiration for corporate stage design? Is it time you discovered a new approach for that annual conference or general session? Yes? Then you’re in luck! We’ve searched around the globe to put together a list of creative corporate stage design ideas worth a look! Simply scroll through for images and tips to get the inspiration flowing for your next corporate event.
IBM Impact Conference
Source: Encore Event Technologies
With some 18,000 people attending the IBM Impact Conference, every aspect of the event must engage huge amounts of people. That’s why event organizers chose to create a multi-dimensional set with a series of screens layered across the stage. Organizers assigned each conference topic a color. So, with this creative corporate stage design, it was possible to transform the set with lighting and on-screen imagery in the designated color for each topic. This is high-energy multimedia at its best!
2. AT&T Developer Summit
Source: Freeman
What happens when a big name needs to reinforce their industry stature? They turn to eventprofs to overhaul their summit with more uniformed branding and an emphasis on innovation. That’s what Freeman did for the AT&T Developer Summit. And the result? A huge impact.
Consistency was the priority here, as you can see from their impressive corporate stage design. Everything from the curved stage to the circular mats, backdrop and ceiling fixtures ties to the AT&T Developer Summit logo featured on the screen. The right balance of bold color energizes, without over-stimulating the senses.
3. Life Sciences Trainers & Educators Network Annual Conference
For a corporate stage design reflective of conference themes, look no further than the Life Sciences Trainers and Educators Network Annual Conference. Aspects of the Arizona landscape and LTEN’s technology theme were the inspiration for this beautiful stage set, because of the event’s location.
Layered backdrop elements like waved panels combined to create a representation of the Grand Canyon. The set also played with different textures and patterns via circuitry panels and used a triple-wide screen for presentations because Arizona is a hub for growing tech. Color washes lit the stage and intense color saturation emphasized the many textures. Blues, pinks and yellows created a sunset desert palette that was nothing less than stunning.
4. Forbes Women’s Summit
Source: Forbes
At the Forbes Women’s Summit, four C-suite leaders took part in a panel titled “The Builders: Shaping the Future of Work Now.” Intentional or not, the backdrop of timber paneling was entirely fitting for the name of this panel. The rustic backdrop combined with contemporary furniture created a clean but comfortable presence, while the timber paneling and greenery have an eco-friendly feel.
You don’t notice the curtains behind the timber at first, but the purple lighting adds a touch of color and a warm glow to the staging, without overshadowing the panel of speakers. This isn’t a highly-technical corporate stage design, but it’s nonetheless very effective. The perfect inspiration if you’re looking for cost-effective staging for your next corporate event.
5. Sony E3 2012 Press Conference
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Now, we move to a huge-scale production with the Sony E3 2012 Press Conference. By using a variety of traditional 16:9 screens and square-shaped screens, with some set forward, while others receded, this created a fantastic sense of dimensionality. Rather than one wide stage raised at a single level, there is a central raised section that makes the speaker seem like he is among the audience which can help with attendee engagement.
Press play to see an impressive display of projection mapping interspersed with video. While you may not be working with a budget that allows you to create something that’s so high-impact, you can take inspiration to incorporate these elements on a smaller scale.
6. RECon Asia Pacific Conference 2017
Source: K&A International Co., Ltd.
RECon is the world’s largest global gathering of retail real estate professionals. You can see their staging was quite conventional; a large backdrop with the conference logo in plain sight, supported by a screen on either side to display content.
But, what stands out is their use of lighting to convey changing moods. Using different colors and even changes of direction for the beams of lighting helped create a variety of dramatic effects. To enhance further, they also used color washes across the staging and walls. Notice that more dramatic lighting was used for the guests’ arrival and while having dinner, with ambient blue washes used during conference sessions.
7. ICA (International Cotton Association) Trade Event 2016
Source: Adlib
The ICA Trade Event in 2016 was a celebration of the ICA’s 175th birthday. So fittingly, a custom built 40x7m stage set provided a backdrop for stunning projection mapping. This displayed a story of the past 185 years in the cotton industry. Look at the dramatic shift from the black and white projections to the bright colors of the poppy field which makes you feel like you’re really among them.
Lighting washes in blues and violets across the beautiful architecture add a sense of drama while highlighting the best features of the venue – the Titanic Hotel in Liverpool.
8. MariaDB 17 Tech Conference
Source: Visual Journal courtesy of Moniker
Consistent branding and clean lines were vital to an elevated conference experience at MDB 17 in New York. Layering bold colors and patterns created an aesthetically-pleasing corporate design that also had a sense of depth. A transparent speaker podium with a branded banner was the ideal choice to not detract from the bold backdrop.
A screen positioned to the side of the stage displayed content while allowing the speakers to be front and center. Consistency certainly doesn’t mean dull here. What stands out overall is a bright and uplifting vibe to energize attendees.
9. Pivot Summit
Source: Microhire
The Pivot Summit is a tech-centric business event in Geelong, Australia. So, the decorative staged features used here are a good choice. They resemble building blocks that bring to mind Tetris or molecules. Aside from unique shapes, a bold 3D logo and a color wash do wonders to bring this staging to life. These are a great foundation to use whenever you’re planning a corporate event.
Keeping the decorative features white makes sense for creating a contrast between them and the colored lighting. Positioning the widescreen above the stage, rather than to the side helps to continue drawing the eye of the audience to the front and center (whether they are sitting close by or towards the back.)
10. TTI Success Insights Conference
The TTI Success Insights Conference needed to change-up how their event presented, but it meant getting creative. It was essential to be able to easily reconfigure the one space to hold both general and breakout sessions. We also replicated the appearance of the main session staging for the breakout sessions. Attendees appreciated the consistency of quality as they moved between sessions and it helped to keep their energy up.
Panels of scenic fabrication placed at intervals between projection screens helped maintain that consistency, with easy mobility for the room changes. A blue light wash over the backdrop created a great work environment for attendees. The feel was classy but also uplifted.
11. In Good Company Conference
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Today’s the DAY. Meeting up and fueling up with coffee by @ladyfalconcoffeeclub, breakfast with @navitasorganics and more. #ingoodcompany2018
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Special thanks to everyone who helped to make this happen, including @beautycounter @interiordefine @floyddetroit @oldnavy @dysonhair @potterybarnkids @moxxlyinc @thirdlove @framedandmatted @uppababy @alaskaair @sajewellness @methodhome @sweetgreen @ingridandisabel @onceuponafarm @littlefund @skyyvodka @biritesf @winc @native_cos @neveandhawk @oldnavy and so many others.
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A post shared by @ beingoodcompany on Sep 28, 2018 at 10:31am PDT
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Now we turn to a smaller, but no less beautiful corporate stage design, for the In Good Company Conference. The overall design combines living room-like comfort with elements of nature – a breath of fresh air. The simple backdrop in all-white highlights the conference without any distraction.
Beautiful greenery disguises the front and sides of the black stage and helps to create a sense of happiness and balance. The furniture invokes a sense of intimacy, which is a perfect tie into both the conference name and purpose – for creative entrepreneurs who are women and mothers to connect with each other.
12. Forca Dimec 2018
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#EverBlock adds an impressive and creative presence to any event, and can be built and designed to any scale! . . . #staging #temporarystage #colorful #eventplatform #eventstaging #podium #specialevent #bigblocks #stagepresence #event #eventdecor #conference #entrepreneur #eventspace #specialevent #companyevent #companytraining #employeetraining #corporateevent #backdrop #backwall #featurewall #design #eventdesign #tedtalk #stagedecor #marketing
A post shared by EverBlock Systems (@everblock) on Sep 17, 2018 at 12:41pm PDT
//www.instagram.com/embed.js
You’re only limited by your imagination when it comes to creative temporary staging. A perfect example is this corporate event in Brazil. Two purpose-built brick walls from EverBlock flanked a curved widescreen for video projection mapping. Because the blocks can be taken apart and rebuilt for the next event or even to create something entirely new, they’re essentially a green building element. They’re also a great option for adding a sense of playfulness to a corporate event which might otherwise run the risk of appearing too serious.
We love that the blocks add color, texture and interest. But it’s also about the contrast created between technology and physical, tangible objects.
13. VOICE Summit 2018
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Day 2 of the VOICE Summit at NJIT and I still can't get over this gorgeous stage (or the presenters that have spoken on it)
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#eventplanning
A post shared by Beth Lawrence (@_beth_lawrence_) on Jul 25, 2018 at 11:51am PDT
//www.instagram.com/embed.js
At this tech event, 3D decorative panels with a resemblance to computer motherboards were used. To highlight the creative corporate stage design further, the fabric backdrop, stage and even the attendee furniture are all in black.
3D lettering is always a favorite because of its tangible nature. Also, because it was white, it could be projected onto for color changes throughout the event. Large screens were set to the side of each stage for optimum viewing, without detracting from the stage design.
14. Ministry of Education Event – Republic of Maldives
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Gov’t. announces fulfilment of free preschool education pledge An event of Ministry of Education – Republic of Maldives Event Managed by Iskandhar School #StagecoremvEvents #EventRigging #EventLighting #EventVideo #EventStaging #EventAutomation #EventSet and . #EventRental Photography: @framed.mv
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As this event was for the announcement of a pledge fulfillment for a free preschool initiative, the child-like feel to the staging was the perfect choice.
One of the most creative features at this event were the playful lighting projections onto the paneled ceiling. These projections were in the same colors as the bold stage backdrop panels. Because of the positioning of the panels, along with bold imagery and a small amount of text, it made them appear like pages in a children’s book.
15. Dubai Islamic Bank Gala Dinner
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Protec partnered @alsayeghmedia with #EventLighting #EventVideo #EventAudio #EventStaging & #EventRigging for the Dubai Islamic Bank gala dinner. #EventRental #EventProfs #GalaDinner #ProtecEvents
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This event makes our list because it’s the perfect example of creating a theme with corporate stage design. Of course, magnificence and opulence are just right for a bank’s gala dinner! Lighting, screens and 3D objects were all used as features that, when combined, resembled a galaxy with a night sky and a central planet with rings.
The brilliant lighting across each step reflects that of the rings, while also directing attention to the stage. We’re in awe of those lighting beams projecting outward from the stage. They create a feeling of inclusivity – that attendees are really part of what is happening on stage.
16. Microsoft EDU Keynote
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That time @heyheysu live illustrated our #MicrosoftEDU keynote
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⠀⠀⠀⠀⠀⠀⠀⠀⠀ … #Repost @Microsoft⠀⠀ #hyesulee #handdraw #illustration #surface #surfacestudio #livedrawing #keynote #scenicdesign #design #designagency #production #creative #liveproduction #liveevents #experiential #eventdesign #experientialmarketing #eventproduction #creativeagency
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If you’re looking for something completely different, with a live, off-the-cuff feel, then this is the one for you! After all, who says you must do what everyone else is doing?
During a Microsoft EDU keynote, illustrator Hyesu Lee created an illustration using the Microsoft Surface Pro. It was shown live on a screen which became the backdrop for the session. Because of this colorful and attention-grabbing backdrop, it was essential that the rest of the corporate stage design didn’t compete for the audience’s attention.
17. YAHOO! Partner Day at Levi’s Stadium
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What a great team! #Repost @roarevents ・・・ And we are live! Final look at the stage! The transformation of the United Club is pretty spectacular! Thanks team @nicolesunday @blueprintstudiosevents @_designinmind @huckleberrykaren it looks FAB! #eventdesign #eventplanning #eventbranding #eventstaging #branding #design #creativepartners #workwiththebest #eventprofs
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The goal for this corporate stage design was to wow the startup’s super-users, who were known for their appreciation of good design. In other words, the set needed to be Insta-worthy! Here, we see that sleek and stylish, rather than showy was more appropriate for the audience. And a sense of symmetry was essential too.
Staggered panels added depth, while still maintaining clean lines. The panels were also subtly shaded in different colors. A light stage is a nice change up from the many black and dark grey rental decks we see.
18. UP Global
Source: designworklife courtesy of Moniker
Don’t make the mistake of thinking “corporate” must be “impersonal”. UP Global showed an essential human element at their corporate event by using people’s images as part of their stage backdrop. After all, this is in line with UP Global’s desire to support entrepreneurial communities. We think obvious references like these can be more effective than the obscure. When you plan your next corporate event, think about the best way you can form a connection with attendees – not just wow them.
19. Turner Internal Meeting
Source: ATOMIC
The Turner Internal Meeting showcased completely different corporate stage design elements than our other list entries. A stand-out feature was their custom-built wood hero wall. Comb SuperWall was then positioned between the hero wall and the projection screens which were used to display both imagery and content. Notably, sections of Comb SuperWall were used around the rest of the venue too, to imitate columns for example.
With eye-catching features like these, it’s essential to then create some balance. And so, a clear podium and grey stage let the backdrop take the focus.
20. PARP at CeBIT ICT fair in Hannover
Source: Poland at CeBIT
For the largest ICT fair in the world, the high-tech and sleek staging we saw at Hannover was the perfect fit. The screens on stage function both as practical items for displaying content and decorative elements, thanks to unique shapes and their overlapping layout. Color also plays an important role. The red and orange hues are on-brand, while blues create some relief. A variety of lighting helps to create a dramatic multi-dimensional feel to the staging.
21. TOBY Awards 2009 for BOMA
Source: Smart Meetings, courtesy of Bravo Productions
What do you do when you need to create a beautiful awards dinner on a budget? You create an eco-friendly and reusable corporate stage design! For the client, Building Owners and Managers Association International (BOMA), event sponsors created a city skyline out of timber to build into a set. They added to the effect by renting trees indigenous to Southern California and using a gobo crafted into a representation of skyscraper windows to project light onto the set.
LED lighting was chosen for its energy efficiency, to continue the theme of eco-friendly design. But, it also allowed for more color changes throughout the event and therefore, a more dynamic corporate stage design.
  As you can see, there are so many options now for creative corporate stage design. Look to elements of dimensionality, texture, color or lighting. But ultimately, you should choose what will best represent the event theme and the client’s brand, while keeping the energy of attendees up.
Did you find any corporate stage design inspiration here? What are you thinking about trying for your next corporate event?
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     Bluebird Haven Iris Garden is a Victorian show garden in the foothills of the Sierra Nevada Mountains of California. An acre of landscaped iris, daffodils, wildflowers, and a variety of shrubs and trees are surrounded by acres of row-cultivated iris. During the bloom season over 100,000 iris will be displaying their vibrant colors. Our garden features a Victorian gazebo, park benches, paths for viewing and selecting your favorite irises, and picnic tables for a leisurely lunch. We have a wide selection of outstanding iris varieties for you to choose from, featuring both antique and moderns.
Bluebird Haven Iris Garden may be reached at
(530) 620-5017
or e-mail [email protected]. Mary Hess said she would welcome anyone, service clubs or individuals, wishing to volunteer to help in her garden.
Printable Order Form-Page 1 (HTML Version)
Printable Order Form-Page 2 (HTML Version)
Catalog Key
Class      TB    Tall Bearded (greater than 28" tall)        MTB    Miniature Tall Bearded (small bloom, TB height)        BB    Border Bearded (15"-28" tall)        IB    Intermediate Bearded (15"-28" tall)        SDB    Standard Dwarf Bearded (less than 15" tall)        MDB    Miniature Dwarf Bearded (less than 8" tall)        AB    Arilbred, Oncobred, etc.   Bloom Time      E    Early        M    Medium        L    Late        Re    Rebloomer (blooms spring and fall or winter)   Color Type      Self    Iris of a single color        Bitone    Standards and Falls different shades of the same color        Bicolor    Standards and Falls of different colors        Blend    Two or more colors blended together        Plicata    Stitched, spotted or stippled color on different colored background        Halo    Falls have a distinct solid rim of  a color different from center   Description      S    Standards; the upper blossom petals        F    Falls; the lower blossom petals        B    Beard; the clustered hairs on the falls  
Mail Order Information
SOMETHING NEW! I now have over 4000 different cultivars in the garden. I did two huge rare iris garden rescues in the last two years. I have been asked to list my entire inventory, whether they are ready to sell or not for tracking purposes.  I have about 500 new to me entries going in and I am dropping those I've lost. In doing so, those that I have 5 or fewer of will be listed but no price (NFS- not for sale). Those will not be for sale in 2018. This year's catalog will be very fluid. Garden rescues are always challenging. Names will come and go as the bloom season progresses and I establish what I really have. I am also adding "RARE" to those found in two or fewer commercial gardens in the U.S. They need saving from extinction.With that, we are happy to announce our 2018 catalog!  This listing replaces all previous catalogs and price lists.  We offer a carefully selected variety of irises for your garden, including a rainbow of different colors, a variety of styles, different heights and bloom times.  Please use the order form above for your order and send in as soon as possible to ensure availability of all your selections.  Depending on the size of your order, you will receive one or more BONUS selections of our choice (but we love hints) with your order.  Minimum order is $10.00.
Terms
All prices are net. CA residents please add 7.25% sales tax.   Shipping fees are as follows:  There is a minimum $8 shipping and handling fee. Mississippi area please add $2, East Coast add $4.  Please include $8 for 1-9 iris, $9 for 10-14 iris, $10 for 15-19 iris, $12 for 20-24 iris.  Add $.50 for each iris after that.   Payment in full must accompany each order.  Your canceled check is notification of receipt and acceptance of your order.  Make checks payable to BLUEBIRD HAVEN IRIS GARDEN.  Sorry we do not take credit or debit cards or PayPal.
Shipping
We can ship anywhere in the U.S.  Since shipping is by USPS, please show a complete delivery address.  The main shipping season is July and August.  We do not ship outside the US.  Order Cutoff Date:  No orders will be accepted after August 15.
Substitutions
Supplies of plants are limited to available stock.  If we are out of stock on a particular iris, we will substitute a similar colored variety (of equal or greater value) only with your permission.  If you have specific irises you wish us to substitute with, please indicate them on your order.  PLEASE ORDER EARLY!  We try to list iris that we feel can meet all of the year's demand, but sometimes we do fall short.  PLEASE list several alternate varieties for substitutions OR give me a hint as to what goal you have in mind for your garden so that I can better serve your needs if you choose to accept substitutes.  We also often use your alternate list for our bonus iris.
Guaranteed Plant Quality
Our irises are guaranteed true to variety name.  Open your shipment as soon as it arrives.  If you cannot plant the rhizomes within a few days, store them upright in a cool, well ventilated place until planting.  If you are dissatisfied, we will replace or refund your order if you notify us of a problem within 14 days, and return the iris. We'll pay return shipping.  We cannot be responsible for weather or growing conditions in your garden.  Planting instructions are included with each order.
2375    
AACHEN
   Mahoney, J. 1982/83    TB    32    M    Self    RARE Laced and ruffled light red purple, yellow hafts veined greyed orange; B: yellow orange with 3/4" horns    NFS        3938    AACHEN ELF    Kennedy, G. 1984/84    MTB    20    M    Bicolor    RARE S:yellow, F:lavender, edged yellow, B:yellow    5.00        2210    
ACCENT
   Buss, W. 1952/53    TB    46    M    Bicolor    S:medium light yellow, F:rose-red, lines at haft on pale yellow ground, B:orange    5.00        1660    
ACCLAMATION
   Corlew, G. 1978/80    TB    35    M    Self    RARE Medium yellow with lighter center on falls, B:darker yellow    7.00        2465    
ACE OF CLUBS
   Hager, B. 1983/84    SDB    10    M    Self    RARE Yellow self, black signal; B:yellow    5.00        1298    ACROBAT    Williamson, B. 1977/80    TB    35    ML    Bitone    RARE S:medium violet, blended plum brown from midribs, 1/4" plum brown edge, F:silver lilac, 1/4" plum brown edge, B:lemon, tipped white    7.00        3831    ACROPOLIS    Berry, S. 1929/29    TB    48    EM    Bitone    S:mid blue-purple, F:dark blue-purple, B:yellow, tip blue-white    SO         618    
ACTRESS
   Keppel, K. 1975/76    TB    35    EM,Re    Self    Wisteria violet, Indian orange in throat, B:white base, bright orange tips    6.00        4080    AD ASTRA    Babson, S. 1964/67    TB    38    M    Halo    RARE S:medium yellow, F:white, edged yellow, B:white, tipped yellow    NFS        1009    ADAM    Craig, T. 1962/62    TB    38    EL    Self    RARE S:vineyard red, F:same but brighter    NFS        1309    
ADVENTURE BAY
   Plough, G. 1978/79    TB    36    EM    Bicolor    S:majolica yellow with pink infusion in center, F:dauphin violet with muted brown hafts, 1/4" blended border, B:nasturtium orange    7.00        2600    
AFFAIRE
   Blyth, B. 1992/93    TB    36    EM    Bicolor    S:blue-grey, F:greenish mustard, yellow around B, tan wash    8.00         997    AFTER DARK    Schreiners 1963/63    TB    44    EM    Self    RARE Dark violet-blue-black, B:deep red    6.00        3775    AFTERGLOW    Sturtevant, G. 1917/17    TB    36    M    Self    RARE Grayish lavender shading to rich yellow thru center, B:bronzy orange    NFS         855    
AFTERNOON DELIGHT
   Ernst, R. 1983/85    TB    36    M    Bicolor    S:lightly laced lt golden tan with lav infusion, F:lav with 1/8" golden tan border, gold shoulders, white infusion near yellow B; ruffled    8.00        3956    AGATINE    Schreiner, R. 1959/59    TB    34    M    Bitone    RARE S:copper brown-red, F:mahogany red    NFS        2601    
AGE OF INNOCENCE
   Kerr, F. by Stockton Iris 1994/94    TB    38    M    Halo    RARE PS:pure white, F:white, edged with sky blue rim, B:yellow, flaring    7.00        2003    
ALABAMA BOUND
   Foster, F. 1979/79    TB    36    E-M    Self    Big ruffled white self, lines deep in throat, B:orange; fluted    6.00        2448    
ALADDIN'S WISH
   Murawska, A. 1943/45    TB    32    E-L    Self    Blue plicata with brushed cream (gold) radiating through flower like sunrays; strong fragrance, unusual    5.00        3781    ALBERT VICTOR    Barr & Sons 1885/85    TB    40    M    Self    RARE Lavender violet self, blue lav. spear, B:bluish white, orange tips    NFS        1651    
ALBICANS
   Lange, J. collected 1860    SPC    20    E    Self    RARE Very old antique, white, somewhat fragrant; listed by some as PRINCESS OF WALES    7.00        4355    ALCALDE    Babson, S. 1968/68    TB    40    M    Self    Deep indigo violet self, B:blue    NFS        2985    ALCAZAR    Vilmorin 1910/10    TB    36    ML    Bicolor    S:mauve, F:dark purple, bronze and yellow center with veins,B:orange    6.00        2826    ALLEPO PLAIN    Sass, J. 1941/41    TB    30    L    Plicata    S:reddish brown on white, yellow at midrib, F:white, reddish brown speckled rim, yellow at haft with veins, B:yellow-orange    NRS         22    
ALI BABA
   Lyon, D. 1951/52    TB    38    M    Bitone    RARE Very pleasing color combination on this older variety. S:light red-brown, F:dark red-brown; B:gold w/ maroon flecks; fragrant    6.00        2284    ALICE HARDING    Cayeux, F. 1933/33    TB    36    M    Self    Soft medium yellow, semi-flaring, B:bright orange; strong fragrance    NFS        4193    ALL AFLAME    Plough, G. 1968/69    TB    37    EML    Bitone    RARE S:tangerine-orange, F:cadmium-orange, B:marigold-orange    NFS         894    
ALL THAT JAZZ
   Denney, D. 1981/82    TB    36    M    Bicolor    S:light yellow, F:dark wine, lines at haft, B:yellow    7.00         315    
ALLAGLOW
   Tompkins, C. 1958/58    TB    37    ML    Self    Sunburst gold, blended butterscotch and copper-yellow; colossal bloom    5.00         297    
ALLAH
   Doriot, H. 1956/57    IB    15    VE    Bitone     RARE S:light lavender blue, ribbed green, F:parrot green-brown, edged blue, B:orange tipped white; slight ruffle    3.00        2353    
ALLEGIANCE
   Cook, P. 1957/58    TB    38    M    Bitone    S:violet-ultramarine, F:roslyn blue, B:med blue, tipped yellow; Dykes Medal 1964    6.00        4221    ALLINE ROGERS    Kleinsorge, R. 1949/49    TB    34    M    Blend    Blend of pink to rose and gold at haft, B:orange    NFS        2936    
ALLURA
   Brown, O. 1968/70    TB    34    M    Self    RARE Lavender blue self, edges of F deeper, lighter in center, B:white brushed lemon    NFS        3935    AL-LU-WE    Sass, H. 1932/32    TB    40    M    Bicolor    RARE S:yellow, pink wash, F:red, tan rim, lighter midline, yellow haft with maroon veins, B:orange    SO        1682    
ALMOND BLOSSOM
   Craig, T. 1953/53    TB    40    M    Self    RARE Clear peach-blossom-pink, baby pink at haft, B:ibis pink; Good pink color for an older variety, lines at haft, GBF    SO         962    ALMOST GLADYS    Ensminger, A. 1978/82    TB    34    ML    Bicolor    RARE S:white with pink flush at base, F:coral pink with 1/4 inch white edging, B:red    7.00         494    
ALPINE CASTLE
   Blyth, B. 1979/79    TB    36    E-M    Self    S:white with faint blue infusion at edges, F:white, deepening from blue to violet at edges, B:tangerine    7.00        3838    ALPINE GLOW    Kleinsorge, R. 1944/45    TB    40    L    Self    RARE Rose tones with lilac influence, brown shading at haft, B:gold orange    NFS        2602    
ALPINE JOURNEY
   Blyth, B. 1983/84    TB    38    E-EM    Bicolor    S:snow white, F:golden yellow, B:golden yellow    8.00        2565    ALTA CALIFORNIA    Mohr-Mitchell 1931/31    TB    48    M    Bicolorf    RARE S:mustard yellow, F:olive, buff flecked, dotted, and veined, B:yellow-orange    5.00         463    
AM I BLUE
   Denney, D. 1977/77    BB    20    E    Self    RARE S:pale blue with intense navy blue infusion through midribs and styles, F:pale blue, B:deep navy blue    NFS         909    
AMADEUS
   Tompkins, C. 1989/89    TB    37    ML    Self    RARE A ruffled and flaring silver toned, orchid lilac blended with pale chicory blue, B:lemon white, tipped orange pink    7.00        2354    
AMAS
   Foster, M. 1885/85    TB    24    E    Bitone     Dark blue violet bitone, white at haft    5.00        1306    
AMAZON PRINCESS
   Nichols, H. 1971/73    SDB    14    E    Self    
Lemon yellow, B:orange with vivid red-brown halo on F
       4.00        3359    AMBASSADEUR    Vilmorin 1920/20    TB    40    M-L    Bicolor    S:smoky lavender, F:velvety purple- maroon, haft white, veined maroon, B:orange; yellow center, dark wire rim    6.00         946    
AMBER BEAUTY
   Schreiners 1982/82    TB    37    ML    Self    RARE Ruffled full golden yellow with amber cast,  S: slightly lighter, F: darker lines at haft,  B:rich gold    7.00         490    
AMBROSIA DELIGHT
   Niswonger, D. 1982/84    TB    36    M    Bicolor    S:white, F:orange, B:orange; slightly ruffled    7.00        3355    AMENTI    Sass, H. 1935/36    TB    36    L    Bicolor    S:grayish-yellow vinaceous, F:light violet mauve, buff edge, haft to end of B yellow with gray veins, B:yellow    6.00        4312    AMERICAN CLASSIC    Schreiners 1996/96    TB    36    E-L    Plicata    S:white, 1"violet blue edge, F:white, 1/2"violet blue plicata edging, B:light blue, tipped yellow; heavily ruffled    NFS         231    
AMERICAN HERITAGE
   Williamson, B. 1975/78    TB    33    E-M    Plicata    RARE Plicata: deep blue-violet on white, 1" purple wash on bottom half of F, B:lemon yellow, tipped lt blue    NFS         512    
AMERICAN SWEETHEART
   Sexton, N. 1983/8    TB    36    M    Bicolor    S:golden brown, F:rich black with gold haft markings, B:golden brown (orange)    7.00        1462    
AMETHYST FLAME
   Schreiner, R. 1957/58    TB    38    ML    Self    RARE Amethyst-orchid with pink sheen, warm amber wash on hafts; Dykes Medal 1963    6.00         252    AMETHYST SUNSET    Welch, W. 1972/73    MTB    12    E    Bicolor    S:light yellow, F:light lavender    5.00         56    
AMIGO
   Williamson, E. 1933/34    TB    34    M    Bitone    S:light lavender blue, F:rich deep velvety pansy purple, lines at haft, thin light blue-white rim, B:orange    6.00         160    
AMIGO'S GUITAR
   Plough,G. 1963/64    TB    36    EM    Bicolor    S:butterscotch with violet midrib, F:blue-violet, B:yellow; white area at haft w/ veins.    5.00         38    
AMITOLA
   Sass, H. 1935/36    TB    32    L    Blend    RARE S:blend of light lavender and buff w/ yellow undertones, F:light violet and lavender blending to buff yellow edge, B:yellow    NFS        1284    
AMOROUS EMBRACE
   Nelson, J. 1988/87    TB    34    M    Self    RARE Ruffled and laced baby-ribbon pink, B:tangerine    NFS        2874    
ANEMBO
   Bootes, G. 1958/59    TB    40    EML        RARE Light yellow self, lighter area in F; (name means peaceful)    5.00        3329    ANGEL BRIGHT    Rees, C. 1965/66    TB    36    M    Self    RARE White self with brilliant gold on haft, B:orange    NFS         876    
ANGEL CHOIR
   Schliefert, A. 1970/70    TB    32    M    Self    RARE Fluted pure white, B:pale yellow    5.00        1613    ANGEL SYMPHONY    Meek,D. 1979/79    TB    34    EM    Self    RARE White, heavy texture veining with hint of green, B:orange, tipped white    6.00         689    
ANGEL UNAWARES
   Terrell, C. 1970/70    TB    38    EM    Self    RARE Ruffled snow white, B:white, slightly yellow at haft    6.00        2603    
ANGELS IN FLIGHT
   Messick, V. 1995/95    TB    37    M    Self    White self with blue infusion up S and in middle of F, B:cream; ruffled    8.00        4067    ANGELS IN THE ARCHITECTURE    Silvers, T. 2017/17    SPX            Plicata    
S:white ground, blue-purple wide edge, F:white, blue-purple 1/2" rim, distinct purple veins at haft, B:orange, thin bluish end    
   NFS        4232    ANGIE    Smith, C. 1957/59    TB    36    M    Self    Imperial purple self    5.00        1119    
ANNA BELLE BABSON
   Hager, B. 1984/85    TB    36    M    Self    Intense deep pink; B:narrow tangerine    8.00        3536    ANNA ELVIRA NASH    Callis, E. 1939/41    TB    34    L    Self    RARE Light wine to pink toned self, darker on hafts and rims, B:white    5.00        2818    ANNE LESLIE    Sturtevant, G. 1917/17    TB    27    M    Bicolor    S:white, F:red -violet, white haft with heavy red-violet veining, yellow styles, B:yellow, tips brown    5.00        2124    
ANNE NEWHARD
   Weisner, J. 1948/40    TB    38    VL    Bitone     RARE S:med blue-grape F:rich velvety purple-black B:white/maroon/yellow    NFS        2115    ANNE-MARIE CAYEUX    Cayeux, F. 1928/28    TB    36    E    Blend    RARE Soft rosy-heliotrope with greyish amber, B:orange; great vigor, pinkish violet in effect    NFS         429    
ANON
   Gibson, J. 1974/75    TB    40    M    Plicata    S:carrot red, F:amber-yellow on rim, flushed brown-lemon on yellow-white ground, garnet-brown hafts, B:tangerine; ruffled and fluted    SO        2604    
ANSWERED PRAYERS
   Keppel, K. 1994/95    TB    36    EM    Bitone    S:sea shell pink F:white w/ shell pink rim, B:deep orange, lighter tip    NFS         15    
ANTHEM
   Schreiner, R. 1956/58    TB    40    M    Self    RARE Fuchsia-purple shot rose with bronze border, B:white base, yellow tips; wide flaring falls    6.00        2994    ANTIGONE    Cayeux, F. 1939/39    TB        M    Self    RARE Golden yellow self, B:bushy yellow-orange    NFS         87    ANTIQUE IVORY    Schreiners 1972/72    TB    36    ML    Halo    RARE Creamy white with light yellow border on S and F, B:yellow    6.00        3325    APACHE    Farr, B. 1926/26    IB        M    Bitone    S;copper vinous purple, lighter at base, F:dark crimson brown, heavy veining at haft on white, B:yellow    NFS        1275    
APACHE ROSE
   Meek, D. 1982/82    TB    36    EM    Plicata    S:cream-brown with gold wash, F:cream-brown, peppered brownish plum, gold halo, B:burnt orange; ruffled    6.00        1841    
APPLE VALLEY
   DeForest,F. 1958/58    TB    38    M    Self    RARE White, tinted pink, hafts deeper pink, B:pinkish tangerine; laced edges    NFS        2020    
APPLEBLOSSOM PINK
   Boushay, J. 1973/74    IB    18    E-M    Self    S:orient pink, F:white in center, darker pink at edges and hafts, B:white; short, very pretty    6.00        2858    
APPLEJACK
   Schreiner 1968/68    TB    37    L    Blend    Blend of russet brown to honey-peach, white w/ lines at haft, white line 1" below B, B:light orange; vigorous    6.00         636    
APPRECIATION
   Hager, B. 1983/83    TB    40    M    Bicolor    S:buff tan, gilt edge, F:orchid lavender, red-brown hafts, B:yellow    NFS         715    
APRICOT BLAZE
   Gibson, J. 1970/71    TB    37    M    Bitone    RARE S:apricot-buff, F:cream overlain by copper-amber, B:bright orange    NFS        4177    APRICOT GLORY    Muhlesteirn, T. 1948/48    TB    36    EM    Self    RARE Apricot self, hafts flushed deeper, B:apricot    SO         676    
APRICOT SUPREME
   Tompkins, C. 1951/51    TB    40    ML    Self    RARE Apricot-toned shell-pink, B:geranium red    5.00         964    
APRIL HOPE
   Gibson, J. 1979/80    TB    36    M    Bicolor    S:buff yellow-orange, F:violet with deeper violet veins, 1/4 inch brown rim, light brown hafts, B:yellow-orange; ruffled and serrated    6.00        4315    APROPOS    Babson, S. 1963/64    TB    38    M    Bitone    RARE S:pastel lavender, F:deeper lavender and still darker midvein, B:blue; ruffled    NFS        2979    ARABI TREASURE    Burnett, M. 1962/63    IB    18    E    Self    RARE Deep violet self, darker around beard, B:wide fuzzy blue    5.00         971    
ARABIAN TAPESTRY
   Niswonger, D. 1983/83    TB    34    M    Self    Ruffled reddish brown with violet blaze in center of F, B:gold    7.00        1710    
ARCADIA BUTTERCUP
   Milliken, C. 1947/47    TB    30    E,Re    Self    RARE Sparkling deep golden yellow    NFS        3570    ARCHEVEQUE    Vilmorin 1911/11    TB    24    M    Bitone    RARE S:deep purple violet, F:velvety raisin purple, B:orange, maroon tips;    6.00         383    
ARCTIC BLUSH
   Austin, L. 1958/58    TB    40    M    Self    RARE Pale pink, B:tangerine; large bloom    5.00        3545    ARCTIC WINE    Brown, A. 1963/64    IB    21    EM    Self    RARE Deep wine-red self, darker haft, B:bronze    5.00        4358    ARDIMAC    Sundt, E. 1959/59    AB/TB    26    EM    Bitone    RARE S:violet purple, F:maroon, black signal, hafts and styles veined, B:black    NFS        2449    
ARGENT
   Forbes. J. 1882/82    TB        M    Self    RARE Med grape, white at haft to below B with dark grape lines 3/4 way down F, B:white base yellow tips    6.00         165    
ARGUS PHEASANT
   DeForest, F. 1947/48    TB    38    EM    Self    Rich golden honey brown, bright coppery sheen, B:old gold; large bloom, somewhat flaring, Dykes Medal 1952; still a popular brown    7 .00        2312    ARIANE    Cayeux, F. 1935/35    TB    40    M    Plicata    RARE White ground with medium purple veining. Falls look like color was wiped and smeared in center, B:yellow    5.00        1026    ARKANSAS GIRL    Sexton, N. 1982/82    TB    36    M    Self    RARE Lightly laced green-gold, B:green-gold    NFS        2065    
ARKANSAS SKIES
   Rowlan, H. 1981/82    TB    35    M    Self    RARE Pale violet blue self, B:yellow, variable short blue-tipped horn    7.00        1121    
ARPEGE
   Schreiners 1966/66    TB    36    E    Bicolor    RARE S:mottled very light lavender-blue, F:dark blue-purple-violet, white at haft w/ lines, B:orange with blue tip; fades, GBF    6.00        4044    ARRIVEDERCI    Keppel, K. 2013/14    TB    37    ML    Bicolor    S:pale peach, soft lavender midrib, F:warm lavender blend, slight blue center, B:orange, lavender white end; heavily rufflled    NFS        3299    ARROYO    Schreiners 1973/74    TB    36    M    Self    RARE Dark brown self, feather tip of blue below brown-red-copper beard    NFS        2357    
ART SHOW
   Keppel, K. 1989/90    TB    34    M    Bicolor    RARE S:maise yellow blended peach beige except edge, F:cordovan red with 1/4" maise edge, upper 1/3 maise, striped cordovan, B:red orange; fragrant    9.00        2295    
ASHA MICHELLE
   Blyth, B. 1981/82    TB    38    M-ML    Bicolor    RARE S:lemon, F:creamy white, lightly stitched rose brown, lines of violet on F w/ midrib line part way down, B:yellow    6.00        3707    ASPENGLOW    Loomis, by E. Long 1956/56    TB    36    M-L    Self    RARE Rich full well formed saffron yellow; slightly ruffled, strong well branched stalks.    NFS        3395    ASTRO FLASH    Schreiners 1976/76    TB    37    M    Blend    Rich blend of golden brown with henna accent, heart-shaped area of blue on F, B:yellow to gold    NFS        1051    
ASTRO FLIGHT
   Rowlan, H. 1983/84    TB    33    ML    Self    RARE Lightly laced and ruffled wisteria blue self, darker lines at haft, B:yellow with 3/4" blue horn    7.00        3810    AT DAWNING    Kirkland, J. 1933/35    TB    36    M    Bicolor    RARE S:pale pink-mother of pearl, gold base, F:rose-pink, white haft gold lined, B:golden orange; better in shade    NFS        1056    
ATLANTIC RIPPLES
   Powell, L. 1974/74    TB    35    E-VL    Self    RARE Ruffled blue orchid, lighter at haft, B:blue    NFS        3779    ATROVIOLACEA    Todaro,A. 1856/56    MDB    6    EE    Bitone    RARE S:red-violet, F:deeper red-violet, B:thin white    6.00        2268    
ATTENTION PLEASE
   Mohr, H. 1973/74    TB    34    M    Plicata    RARE S:lilac purple with a few flecks of white, F:specturm violet on white ground washed with cream, B:orange-brown    7.00        3854    AUBURN    Kleinsorge, R. 1945/45    TB    39    E    Self    RARE S:coppery henna brown, F:sa,me with wide blue patch below B, B:orange    NFS        4077    AULD LANG SYNE    Spahn, F. 1981/82    TB    35    EM    Bitone    S:creamy pink, F:peach pink, B:bright tangerine; ruffled    8.00        2309    AUREA or I. VARIEGATA    variety id 1938    TB        E    Self    RARE Has varigated leaves of yellow and green. Waiting for bloom.    NFS        2855    
AURIFERO
   Mohr-Mitchell 1923/27    TB    40    M    Bitone     RARE S:soft lavender, F:flaring lavender flushed rose, white at haft with rich gold veining, B:golden yellow    5.00        3916    AUSTRALIS    Todaro, A. 1861/61    TB        M        RARE S:pallid blue-violet, veining red-brown, F:pale violet, gray inner haft, B:white, tipped yellow at base, projecting; nice fragrance    8.00         5    
AUTUMN APRICOT
   Thimsen, A. 1987/88    TB    30    M,Re    Bitone    RARE S:light orange, F:light orange, cream area below B,  B:red; ruffled    8.00        1186    
AUTUMN BLUSH
   Black, P. 1983/84    TB    33    EM    Bicolor    RARE S:mauve-pink with paler edge, F:cream with greenish cast, amber-rose hafts, pale pink suffused halo, B:deep sienna; ruffled and laced, frag    NFS        3138    AUTUMN CIRCUS    Hager, B. 1990/90    TB    34    E, Re    Plicata    S:white, lightly peppered blue-violet to solid edge, F:white, bold lines radiating from B, blue-violet plicata edge, B:white, blue tip    8.00         254    
AUTUMN DELIGHT
   Austin, L. 1952/52    TB    28    M,Re    Bitone    RARE S:amethyst pink, F:deep rosy mulberry, yellow haft with lines to end of B, B:yellow orange    5.00         809    
AUTUMN ECHO
   Gibson, J. 1973/75    TB    36    E,Re    Plicata    S:yellow speckled garnet-brown, rim flushed yellow, F:canary yellow, speckled garnet-brown, garnet-brown rim, small white signal, B:orange    7.00        2807    
AUTUMN KING
   Sass, H. 1924/24    TB        M,Re    Bitone    RARE S:light bluish purple. F:darker w/ lighter rim, B:white base, yellow tips    6.00         732    
AUTUMN LEAVES
   Keppel, K. 1972/74    TB    34    M    Bicolor    S:brownish yellow, F:maroon with brown edges, B:orange-yellow; ruffled    7.00        2848    
AUTUMN QUEEN
   Sass, H. 1926/26    SDB    12    E,Re    Self    RARE White;  rebloomer    6.00        1684    
AUTUMN ROSEMIST
   Austin, L. 1960/61    TB    34    M,Re    Bitone    S:misty buff pink, F:soft crimson pink, 1/4" darker rim, yellow at haft w/ lines, B:bright orange-yellow    5.00        1685    
AUTUMN ROSYCHEEKS
   Austin, L. 1963/63    TB    32    EE,Re    Bitone    RARE Light fuchsia-pink, mulberry cheeks on falls, lines at haft, B:red-orange; Wanted by many antique collectors.    5.00        1604    
AUTUMN SUNSET
   Lapham, E. G. 1939/39    TB    32    M,Re    Bitone    S:pale buff yellow w/ pale reddish violet wash, F:darker reddish violet w/ buff yellow blended rim, copper red at haft, B:yellow    5.00        3463    AUTUMN TWILIGHT    Brown, G.P. 1971/71    TB    33    M, Re    Bicolor    S:brownish yellow, F:lavender with brown edging, hafts ecru with lavender veins    6.00        1686    
AUTUMN VELVET
   Brown, G. P. 1962/62    TB    33    EM,Re    Bitone    RARE S:deep carmine, F:darker carmine with a velvety sheen, B:gold-bronze; short bloom stalks    6.00         742    
AVALON BAY
   Hamner, B. 1973/74    TB    36    M,Re    Self    RARE Ruffled bluebird blue, B:yellow, tipped blue    NFS        1192    
AVENGING ANGEL
   Williamson, B. 1980/84    TB    38    ML    Self    Ruffled burgundy red, B:burgundy    7.00        2606    
AWAKENING
   Meek, D. 1994/94    TB    35    ML    Self    S:deep pink with slight lavender infusion, F:pink to ivory from B to above lower rim, tan hint at haft, B:henna, lav-blue; sweet fragrance    NFS        2802    
AZTEC BURST
   Blyth, B. 1993/94    TB    38    VE    Bicolor    S:white, F:apricot to light orange, B:apricot tangerine    NFS         50    AZTEC COPPER    Kleinsorge, R. 1939/39    TB    38    M        RARE Lovely blend of smokey violets and coppper; slight fragrance    8.00         519    AZTEC STAR    Niswonger, D. 1981/81    SDB    12    M    Bicolor    RARE S:pale yellow, F:red, edged pale yellow, deeper yellow in throat, B:pale yellow    4.00        1243    AZURE LUSTER    Weiler,  J. 1981/82    TB    36    M-L    Self    RARE Ruffled clean light azure-blue, lighter area around B, maroon lines deep in throat, B:yellow; semiflaring, pronounced fragrance    7.00        2399    
AZURE WHIR
   Durrance, J. 1992/92    TB    35    E    Self    Ruffled light blue-grey self, B:light yellow tipped blue    NFS 
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