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90smovies · 23 days
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davidwatchedthat · 11 months
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5/23/23
FANTASIA 2000, directed by James Algar and Don Hahn and Gaetan Brizzi and Eric Goldberg and Hendel Butoy and Francis Glebas and Pixote Hunt, 1999.
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rye-views · 2 months
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Fantasia 2000 (1999) dir. James Algar, Eric Goldberg, Pixote Hunt, Hendel Butoy, Don Hahn, Francis Glebas, Gaëtan Brizzi, Paul Brizzi. 7.7/10
I would recommend this movie to my friends. I would rewatch this movie.
Omg Steve Martin, I forgot.
Disney really be wilding for having this kinda movie as a concept. We just love art, don't we? This really is revolutionary though in my opinion. Little me was just entertainined. Current me is like this is art. This really be taking me back to my childhood. I really enjoyed the New York City one. What I like is how whimsical this is. And it's like made by adults. I love how cute Mickey is and how in love Donald is.
I really had to focus on this, because my attention span was not having it. Little me was better.
I never thought that Noah's Ark was gonna be that ginormous. I just thought, ain't no way Noah's Ark can hold all these animals.
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adamwatchesmovies · 1 year
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Fantasia 2000 (1999)
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Coming 60 years after the original, Fantasia 2000 mostly captures the majesty and wonder of its predecessor with a visually stunning, inspired blend of animation and music.
Introduced by a variety of celebrities which include Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler, James Earl Jones, Penn & Teller and Angela Lansbury, the program includes several classical musical pieces, each brought to life by distinct styles of animation, including:
Ludwig van Beethoven’s Symphony No. 5, in which abstract shapes resembling butterflies and birds (or perhaps bats) battle.
Pines of Rome by Ottorino Respighi, about a family of flying humpback whales who become separated and must find each other again.
Rhapsody in Blue by George Gershwin is set in 1930’s New York City and follows four people who dream of a better life.
Piano Concerto No. 2, Allegro, Opus 102 by Dmitri Shostakovich, which is loosely based on Han Christian Andersen’s The Steadfast Tin Soldier, in which a one-legged toy soldier falls in love with a toy ballerina and protects her from a lustful jack-in-the-box.
The Carnival of the Animals (Le Carnival des Animaux), finale by Camille Saint-Saëns, about a disapproving group of flamingos that attempts to discourage one of their members from playing with his yo-yo.
The Sorcerer’s Apprentice by Paul Dukas, a segment carried over from the original Fantasia that sees Mickey Mouse play with the magic spells of his master, with disastrous results.
Pomp and Circumstance – Marches 1, 2, 3 and 4 by Edward Elgar, in which Donald and Daisy Duck act as assistants to Noah and help him gather two of each animal for his ark before the world is flooded.
Firebird Suite – 1919 Version by Igor Stravinsky. In this final tale, a forest sprite accidentally wakes the Firebird, a volcanic creature that burns everything in its wake.
Besides the occasional use of CGI imagery, the biggest difference between this film and its predecessor is the hosts that introduce the musical segments. While some of them do make the film a tad dated (I’m not sure how Penn and Teller will be seen by the time we get “Fantasia 3000”, for example), generally they serve their purpose. When Fantasia was conceived, it was intended to be in a constant state of flux. Every few years it would’ve been re-released with segments added or removed. Had this plan gone forward, we probably would've had Deems Taylor introduce some of the “Fantasia 2.0” releases but not others. This would've been weird and Fantasia 2000 seeks to rectify this with a slew of different hosts. Had it been a big hit (it wasn’t), it would’ve been much easier to remove or add pieces in subsequent releases.
Enough about that. Let’s talk about the main feature. I wouldn’t call this 1999 film as ambitious as the one in 1940 but in some ways, it is. The Rhapsody in Blue story, for example, does not use a style of animation that resembles anything else Disney but you wish more films would ape its style. Less successful is the whales’ story, which utilizes a blend of CGI and traditional animation. Unfortunately, the mix is often glaring. The finale is strong but the whole thing is too cutesy. Similarly, the Tin Soldier story is visually dynamic, vibrant and able to cram a sweet little bit of romance in its short running time but has been softened from the original tale – seemingly to appeal to kids. Many of Disney’s first pictures weren’t afraid to be frightening. Stories like Dumbo, Bambi or Pinocchio could be too intense for the littlest ones… and we love them for it. You can tell the years have made the studio more cautious.
The comedic stories are where Fantasia 2000 fares best. The yo-yo spinning flamingo is a riot. The slapstick and musical beats are so perfectly choreographed you’ll wish it could last longer. Similarly, forever-favorites Donald Duck and Daisy make for big laughs. The aforementioned Rhapsody in Blue also contains many clever moments to bring a smile to your face.
Then, we get to the finale, one that’s worthy of following up the Night on Bald Mountain/Ave Maria conclusion of the 1940 picture. Dynamic uses of color, fluid visuals that tell a narrative without needing words or being too on-the-nose and plenty of memorable imagery. It caps off a picture that began with a wonderfully abstract interpretation of music and paves over any rough patches that might’ve been in between. It makes you crave more “Fantasias” but we're unlikely to see any for a while. A shame.
There’s so much imagination in Fantasia 2000 and it’s so refreshing to see. Perhaps a higher-up at the studio will find a way to convince the right people and green-light another. Until then, Fantasia 2000 is a fine picture. Perhaps not a must-see like the original, but a memorable program that offers a lot. (On Blu-ray, September 1, 2018)
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talesfromthecrypts · 2 years
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Welcome to the library, young man. Don't tell me. You're here for a special book. 
The Pagemaster (1994) dir. Pixote Hunt & Joe Johnston
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01sentencereviews · 1 year
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“New-To-Me” - March 2023
Sextool (1975, Fred Halsted)
History of the World: Part I (1981, Mel Brooks)
Two Lovers (2008, James Gray)
Bloody Muscle Body Builder in Hell (1995, Shinichi Fukazawa)
Body Double (1984, Brian De Palma)
The Inheritance (2020, Ephraim Asili)
That Thing You Do! (1996, Tom Hanks)
Freeway (1996, Matthew Bright)
Obsession (1976, Brian De Palma)
Parallel Mothers (2021, Pedro Almodóvar)
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Fantasia 2000 (1999, James Algar, Don Hahn, Gaëtan Brizz,i Paul Brizzi, Eric Goldberg, Hendel Butoy, Francis Glebas, & Pixote Hunt)
My Year of Dicks (2022, Sara Gunnarsdóttir)
Open to the World (2020, Miranda July & Michael Morris)
Origin Story (2018, Kulap Vilaysack)
Phantasm (1979, Don Coscarelli)
Piggy (2022, Carlota Pereda)
Triangle of Sadness (2022, Ruben Östlund)
New Releases:
Card Zero (Robbie Banfitch)
Creed III (Michael B. Jordan)
Enys Men (Mark Jenkin)
File VL-624 (Robbie Banfitch)
Full River Red (Zhang Yimou)
Growing Up Absurd (Ben Balcom & Julie Niemi)
I Thought the World of You (Kurt Walker)*
John Wick: Chapter 4 (Chad Stahelski)
La Source De La Loire (2021, Rose Lowder)
Light Signal (Emily Chao)
Social Skills (2021, Henry Hills)
Zero Woods of the Wild Place (Josh Weissbach)
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thestorymonster · 6 months
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The Pagemaster (1994) Spoiler-Free Review 
Enter a world of adventure and imagination with 'The Pagemaster' (1994)! 📚 Directed by Joe Johnston and starring Macaulay Culkin, Christopher Lloyd, and Whoopi Goldberg, it's a family-friendly celebration of storytelling magic.
Directed by Pixote Hunt and Joe Johnston, “The Pagemaster” (1994) is a delightful blend of live-action and animation, weaving a tale of adventure and self-discovery. The film boasts a talented cast, with Macaulay Culkin leading as Richard Tyler. Accompanied by Christopher Lloyd and the enchanting Whoopi Goldberg, the trio brings their characters to life with a touch of magic. A Journey of…
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moviemosaics · 3 years
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The Pagemaster
directed by Joe Johnston and Maurice Hunt, 1994
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vendriin · 5 years
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The Pagemaster (1994)
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frankenpagie · 6 years
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8.11.18 (3)
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90smovies · 22 days
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Today’s animated film is: “The Pagemaster” (1995)
“A cowardly boy who buries himself in accident statistics enters a library to escape a storm only to be transformed into an animated illustration by the Pagemaster. He has to work through obstacles from classic books to return to real life.”
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caneatcalarts · 6 years
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Day 30: Odds and Ends
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We’re in the homestretch, but there’s still quite a bit of loose ends to finish off before we go!
Foremost on everyone’s minds are our assignments, and we’re focused on our one-on-ones with Linda and Píxote, and especially engrossed in preparing for our big Story class final. To that end, on Sunday, Robert embarked on the Herculean task of meeting with all 40-odd animation residents one-on-one to critique our progress.
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While waiting for our turn, we got into groups and hashed out our stories a bit in preparation: 
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By the time Robert was done with everyone, the sun had long since set. It was about 14 hours of work in total!
As I type this, one of my suitemates has come back from her one-on-ones and is discussing it with the others. 
It’s really wrapping up, isn’t it?
Next time (not for a few days): It all wraps up.
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eyeliketwowatch · 7 years
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Fantasia 2000 - Interesting idea, but been there done that
Took a peek at this one on video the year after it came out. The original 'Fantasia' isn't my favorite animated movie to begin with, so I had only a half hearted interest in this updated version. About the only sequence that I was really impressed with was the Gershwin segment, with the Hirschfield style animation. Otherwise the whole project just struck me as yet another attempt by the Disney Corporation to keep squeezing more money out of the same old cash cows.
3 stars out of 5
Released 1999, First Viewing March 2000
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docrotten · 2 years
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DOS MONJES (1934, aka TWO MONKS) – Episode 119 – Decades of Horror: The Classic Era
"Hear me out and perhaps you'll understand the madness that drove me to harm him." Because, of course, self-justified madness makes it all okay. Join this episode’s Grue-Crew - Whitney Collazo, Chad Hunt, Daphne Monary-Ernsdorff, and Jeff Mohr - as they take a trip south of the border to experience Dos Monjes (1934), Mexico’s second horror film.
Decades of Horror: The Classic Era Episode 119 – Dos Monjes (1934, Two Monks)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/
In a monastery, a monk named Javier sees the face of another monk, Juan, and suddenly attempts to bludgeon him to death with a heavy crucifix. Both men then relate their own versions of a story of their romantic rivalry for Anita, and the two versions of the story differ significantly. Both men later became monks, leading to their latest encounter. As Juan begins to recover from the blow, Javier is subjected to horrific hallucinations.
IMDb
  Director: Juan Bustillo Oro
Writers: Juan Bustillo Oro, José Manuel Cordero
Cinematographer: Agustín Jiménez
Selected Cast:
Víctor Urruchúa as Juan
Carlos Villatoro as Javier
Magda Haller as Anita (Ana)
Beltrán de Heredia as PriorCarlos Villatora
Emma Roldán as Gertrudis
Dos Monjes, Mexico’s second horror film after El fantasma del convento (1934), is Whitney’s pick and the Classic Era Grue-Crew find it fascinating. Whitney is interested in the two-points-of-view retelling of the conflict fueled by a love triangle. She loves the gothic atmosphere and discovers the horror of the film in the moralities of the characters. Daphne loves the expressionistic beauty of the film and is impressed with the acting. After seeing Dos Monjes, she plans to check out El misterio del rostro pálido (1935, Mystery of the Ghastly Face), another horror film written and directed by Juan Bustillo Oro. It is a very cool, beautifully shot movie in Chad’s opinion and he really likes the two-points-of-view kind of storytelling. To him, Dos Monjes looks just like a Universal horror film with its gothic feel and air of mystery and creepiness. He also finds a stylistic connection to Batman (TV series, 1966-1968). It’s the kind of movie Jeff likes to watch more than once in order to wallow in the expressionism and take in the brilliance of Agustín Jiménez’s cinematography. He also found the opposing, subjective points of view used in Dos Monjes to be fascinating.
If the Grue-Crew’s discussion piques your interest (and it should), Dos Monjes is available to stream from The Criterion Channel and YouTube, and is available on physical media as Blu-ray from Criterion in the collection Martin Scorsese’s World Cinema Project No. 3, which includes: Pixote (1980, Brazil); Lucía (1968, Brazil); After the Curfew (1954, Indonesia); Downpour (1972, Iran), Soleil Ô (1970, Mauritania), and Dos monjes (1934, Mexico).
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule is one chosen by Chad: Donovan’s Brain (1953) a science fiction/horror B-movie classic!
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the site or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of us, “Thank you so much for listening!” 
Check out this episode!
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