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solarpunkwarlock · 10 months

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Ways to Live in Direct Opposition to Capitalism

I am by no means an expert in any of these things I’m gonna talk about, so keep that in mind! I am just making a compilation of things I know of that we can do to lessen the stranglehold the capitalist lifestyle has on us while enriching our lives, our surroundings, and the lives of others. Please add anything I miss or correct anything I may be getting wrong! Anyway here goes!

Use what you have, fix what’s you can, make what you can, accept from others, thrift what you can, and finally purchase as a last resort.

This is advice I have seen float around here a couple of times that can apply to a lot of things including clothing, furniture, food, and more besides. It’s meant to be done roughly in that order as it applies to what you’re wanting/needing/doing. It’s about preventing waste, promoting self-capability, having a heightened reliance on your community, and consciously rejecting the ingrained habit many of us have to just purchase things or services.

Here’s where you can read about growing an indoor garden!

Here’s where you can read about sewing things yourself!

Here’s an online site for giving and receiving items for free!

Here is where you can find a local Mutual Aid to get things from, learn skills from, give do, volunteer for, etc. (in the U.S.)

Be politically active! (from a U.S. perspective)

Vote for every election. Know your representatives and those who will be competing in the next election. Vote without ignorance and without falling for unfounded claims. While operating within the system that actively oppresses us will not bring about the future we want, it can serve as damage control (preventing worse candidates from taking office) and it can potentially create a national atmosphere more open to change.

Here’s a good article about getting more involved in the U.S. political process.

Here’s a site that will show you how to register to vote, when and where elections are held, and more!

Here’s good advice on finding protests in your city!

Here’s some readings on unionizing! It’s your legal right to unionize!

Here’s a more user friendly site for learning about unions!

Be active within your community!

Developing strong, motivated, capable, knowledgeable, and inclusive communities is the ultimate way to combat the relentless and bleak present and future. When you’ve worked on the things above and have gotten good at it (or even if you haven’t gotten good at it yet), start spreading what you know and what you can do with others!

Give your neighbors, coworkers, and friends some of the vegetables you’ve grown.

Invite your community members to volunteer events.

Talk to folks about how to vote, when you’re doing it, etc.

Take part in Mutual Aids to teach what you’ve learned or whatever you may be an expert in! Invite neighbors, friends, and coworkers when you take part in the Mutual Aid!

Accept your community. Take them for who and what they are. Discrimination is the enemy of cooperation. You have much more in common with everyone in your community than a single billionaire or corporation. We’re all passengers on this spaceship earth.

Do it one step at a time!

Obviously we can’t do all of these things at once. Do what you can when you can, and you’ll start to notice real change in your life!

Our online communities where we talk about our visions and hopes are fantastic, but they have little impact if we don’t actually get up and do the real work that change requires.

Want to be better, and keep hope for the future!

Harbor and nourish that desire to be a better person and to be the change you want to see in the world. You need to be hungry for a better future if you plan to make it through the rough times when everything feels pointless and without hope. Reach out to others when you’re down, and be someone others can lean on when their lives get hard.

That’s it! Please interact with this, spread it to others, and add your own thoughts and ideas! It’s important that we do the real work to get the change we crave!

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why-animals-do-the-thing · 9 months

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Are you disabled and do you like visiting zoos? If yes, I want your feedback!

I am giving a presentation this fall on small/easy things that zoos and aquariums can do to be more disability friendly (above and beyond simply being ADA compliant). I’m drawing from my own experiences as well as all the information contributed to the accessibility spreadsheet.

I realized that there’s probably a lot of feedback and great ideas I’m missing because the spreadsheet asks for specifics about facilities, and folk might not remember where something occurred or know enough details to feel like they should contribute. I want to fix that!

So, if you’ve had accessibility issues at zoos and aquariums, and want to share your thoughts on the problems or the solutions, I’d love to hear it. I want as much information as possible to inform this presentation.

Please feel free to comment here or message me! No facility location / dates needed (but if you want to include that, I can add your thoughts to the spreadsheet too).

#zoo accessibility #zoos #accessibility spreadsheet #crowdsourcing info

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wombywoo · 6 months

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Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

#tutorial #my art #art tutorial #since people have been asking #I remembered to save my process from this latest work~#enjoy 🙆‍♀️

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primofate · 6 months

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You, Wriothesley's therapist.

TW: mentions of murder, depression, trauma

Sigewinne takes care of the physical injuries in the Fortress...but that place must have a lot of mental instabilities, trauma, depressive states as well, right?

Enter you who is hired by the Iudex to take frequent visits to the fortress and check on a list of people's well-beings.

The Iudex hired you, not the duke, though it WAS the duke's idea, he didn't think he was fit to choose and hire a "therapist", Neuvillette was probably more adept at that.

On the first day of your job, the list or people to check on is rather extensive and you talk and meet with a lot of new people just on the first day.

That guy who killed his best friend and is haunted by dreams of the scene.

That young lady who has spiralled into depression because she's separated from and unable to see her daughter.

That old man who has anger issues because he just didn't think he had done anything wrong.

It was probably a week or two after you were appointed that you finally met the person in charge of the place. The Duke, as they call him.

He seemed like a pretty strict guy, but when he thanked you for looking after the people here, you thought he wasn't that bad.

"I'm just doing my job,"

"A really hard one at that," he comments.

The next time you see him is months after, but this time he only passes you a glance, and rather quickly strides off to his office.

The next day, he seeks you out and apologizes for it.

"I was...in a bit of a rush,"

You wonder why he even apologizes. "...It's no big deal,"

"...I hope that you know that you're welcome here. I don't think you quite understand how difficult your job is, trying to shoulder everyone's past and fixing their psyche for their future,"

You look up at him, and tilt your head a little, squinting your eyes and trying to get a good read out of him...then it hits you.

The Duke needs therapy too.

"...I think you're a little stressed, your grace. Is there a quiet place where we can comfortably chat in?"

How were you to know it was going to end up in tea time? Yes the duke had issues, some deep seated ones, but not as much as the common folk that you were trying to work with. And yet you found yourself having tea with him even though it wasn't "work" related anymore.

All the two of you talked about were stories of the past, and shared a laugh or two about some silly or outrageous story he or you shared.

Weeks later there came a time when the angry old man you'd been working on had an outburst. He didn't mean to. None of your patients ever mean to, not when they had such big emotions, such big events to get over, such pent up emotions and such deep, deep regrets.

Old man had thrown a wrench at you, he was surprisingly strong, probably from working in the fortress for a while. You were caught off guard, not to mention you weren't even sitting too far away from him. You managed to shield yourself from it, but your arm bruised hours later.

You didn't think it merited a visit to Sigewinne, besides it was nearly home time for you.

"Done for the day?" You bristled a little at the sudden voice of the Duke, not expecting to see anymore of him today.

"Mmhmm," you simply answered his grin. You also didn't think it was something to hide from him. So your bruised arm was there for him to see in plain sight.

His grin disappearing and his eyes narrowing at the sight alerted you that it was perhaps something that you should've kept from him. "Where'd you get that?" He was 1000% sure you didn't have it when you had tea with him at noontime today.

"This...Well...Corrin was...having a particularly bad day," you moved your arm behind your back with a small smile, wanting to brush it off, but Wriothesley puts his hand out in expectation.

"Let me see it,"

For a moment the two of you just stare each other down. You wondering what the big deal was, him not backing down. When you didn't move an inch he gives in and adds the magic word. "Let me see it, please,"

You lift your arm up towards his head with a sigh and he receives it shockingly gently. He inspects it like it's some kind of puzzle he needs to solve, thorough and detailed. "Did you let Sigewinne see?" before you could even reply he adds "How did this even happen? Why was I not told?"

"It's..." You start. How do you explain? That you were supposed to be your patients' safe space. That nothing is supposed to harm them when in a session with you, that everything was in confidentiality. Working with troubled people, things like this were bound to happen, and it was only the first time.

He catches on to it quite quickly. "...It's your job," he finishes for you.

"...Precisely,"

The big sigh he lets out at the same time as releasing your arm has you wondering, really, why he seemed so stressed all over again. Over you.

Did you really not know the reason? You had an inkling why, you were a therapist after all. You got into people's minds for a living and Wriothesley wasn't exactly being subtle, but... you didn't want to assume.

"...How about I come with you next time?" he offers. You smile a little. "I don't think Corrin would be comfortable enough to talk with you hovering around,"

He grumbles something under his breath, like a defeated, stubborn puppy. "He doesn't have to know... I'll stand outside, or something,"

You laugh a little. "...The Iudex already has terms on my working contract when things like this happen. I'm supposed to drop the patient if "physical disputes" happen a total of three times and after three warnings are given."

Wriothesley huffs, though it sounds more like a scoff. "Leave it to him to think of everything. Doesn't seem fair," he moves so that he stands next to you, and places a hand on your upper back, pushing you the slightest bit to walk with him. You notice he's steering you towards the Fortress' infirmary.

"What doesn't seem fair?" You ask with genuine curiosity, not knowing what he was implying.

He's silent only for a beat more, but he doesn't look at you as he answers, only continues walking forward. "That he gets to protect you and I don't,"

You can't mistake the somersault your heart makes, you bite the inside of your cheek to keep from smiling silly.

The Duke needs the occasional therapy.

Or maybe he just needs you.

#genshin impact #genshin impact fluff #wriothesley #wriothesley x reader #wriothesley fluff #genshin impact wriothesley

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herhimthem · 2 months

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KOSA ISNT BEING VOTED TODAY I REPEAT KOSA ISNT BEING VOTED TODAY!!!!

https://www.senate.gov/committees/hearings_meetings.htm

THERE ISNT ANY SENATE MEETING OR HEARING TODAY. PLEASE DO NOT PANIC. WE HAVE UNTIL AFTER MARCH 13TH.

KEEP CALLING YOUR GOVERNORS AND START ORGANIZING!!! START PROTESTING OUTSIDE BUILDINGS, START MARCHING, START FIGHTING IF YOU CAN!!!!!!! AND IF YOU CANT, START SPREADING THE WORD ABIUT THESE THINGS!!!

OH MY GOD WAIT WHAT

IS THIS TRUE?? SOMEONE PLEASE COMMENT OR REBLOG AND LET ME KNOW

────────────

Update #2 - 2/26/2024

edit in case folks don't see the reblog:

Update on this.

I looked at the website and yes, there *is* no mention of any voting on KOSA happening before or past March 13th, March 13th is where the schedule ends. I'm still not sure, so keep digging for more info.

putting the link again so others can examine

U.S. Senate: Hearings & Meetings

────────────

Update #3 - 2/27/2024

ANOTHER another update, somebody relogged this with extra info

I'm gonna start putting dates on these updates so people know what's happening when

────────────

Update #4 - 3/2/2024

So, today I was on Reddit reading about KOSA, and I found this on r/AO3

Here's the Invest in Child Safety Act, it only has five cosponsors compared to KOSA's sixty-three.. wonder why..

Anyways, I was wondering, could steering reps away from KOSA while leading them towards other and SAFER bills help? :P

If these bills really ARE safer, wouldn't it give us a better chance of KOSA not being passed if we gave our Senators and Reps examples of alternative bills they could support?

Like, instead of just saying "DON'T DO THIS!!!" We could say "DON'T DO THIS, but THIS is a better alternative that will keep everyone safe AND actually be helpful."

I have a feeling most of the Democrats supporting this bill have fallen for the "We're protecting the children!!" farse. So, let's not just tell them the problem, but offer a solution! An alternative that will ACTUALLY protect children.

I posted this as it's own thing, but I wanted to add it to this update thread so people are more likely to see it.

Please post this on other sites, on Twitter, TikTok, other Reddit pages, etc. I only ask that you cover-up my username :]

(link to the actual post)

#kosa bill #stop kosa #bad internet bills #update thread

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clarenecessities · 6 months

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He-man.org will close in 5 days.

He-man.org has been a staple of the Masters of the Universe community since the early days, originating as an email list that worked to document episodes before anything (not footage, not lists, nothing) was available online. It grew into a sprawling, multi-faceted beast of a thing, including an encyclopedia (an in-house wiki), merch lists, a marketplace, forums, anything you could think of.

Several years ago now, the main site went down for updates/maintenance. For a few weeks, we were told, maybe months. The forums remained open for fans to communicate, and barring a period of downtime earlier this year things were going smoothly.

Yesterday, the owner of the site, Val Staples, announced the site would be closed on November 14th, 2023. Six days later. We are currently attempting to contact him, to see if he’s interested in selling, and if he means closed as in “no new posts” or closed as in deleted entirely. Regardless of its eventual fate, the archiving of these forums is essential to preserving the history of the franchise, the fandom, and the brand.

TO SHE-RA (and MotU) FANS SPECIFICALLY: I have personally used these forums to answer questions that could be answered nowhere else. Had I not had access to them, I would never have been able to prove that Purrsia was fake, or found so much unpublished concept art, or discovered that Scott “Toyguru” Neitlich personally wrote Catra’s MOTUC bio (even if he’s put off answering my questions about it for over a year now). Forum members have conducted interviews with the likes of Jon Seisa, Cathy Larson, Janice Varney-Hamlin—essential figures in the very foundations of POP, and those interviews revealed and recorded priceless information for future generations (me! you! us!) to find. Did you know Cathy Larson named Adora? That she originally pushed for “Dorian”, after her own daughter? We cannot let this treasure trove disappear into the ether(ia).

TO THE UNAFFILIATED: Please help. Pretty please. If you’ve ever liked my art or my writing or my haphazard blogging, ever, at all, consider archiving just one board. Just one page. Literally anything helps. I am spiraling into madness & this is my library of Alexandria. The mythical one that was totally unique and persevered nowhere else and was destroyed in a single cataclysmic event. Pretty pretty please help.

HOW TO HELP:

Archive.org has several ways to upload shit but most of them are longer term than “a few days” so we’re focusing on two (which can be run simultaneously): Save Page Now, and browser extensions. From their help page:

1. Save Page Now

Put a URL into the form, press the button, and we save the page. You will instantly have a permanent URL for your page. Please note, this method only saves a single page, not the whole site.

We want to keep outlinks and screenshots wherever possible. The Archive does not keep your IP address, so your submission is anonymous.

2. Browser extensions and add-ons

Install the Wayback Machine Chrome extension in your browser. Go to a page you want to archive, click the icon in your toolbar, and select Save Page Now. We will save the page and give you a permanent URL.

One plus to installing the extension is that as you surf around, when you run into a missing page they will alert you if we have a saved copy.

More extensions, apps, and add-ons:

Firefox add-on

Safari Extension

iOS app

Android app

I strongly encourage you to use these tools even if you aren’t helping with this project/after it ends. Documenting and preserving information is essential in this day and age & The Internet Archive is at the heart of it. Please support them however you can.

I’m serious about paying you, though I may need more communication with folks I don’t know so we can coordinate/verify shit gets done. I think this is a worthwhile pursuit in itself but I recognize your time is valuable & like, people gotta eat. DM me if you’re interested and we’ll talk. I may need to adjust pay depending how many people bite but I’ll do what I can

#motu #he man #she ra #spop #pop #sorry for tag spam but this is important and relevant to you #catradora #it counts!#sorry also if the formatting on this is a disaster #i’m on my phone and haven’t updated my tumblr app in… a couple years #archives #archive #archive.org #wayback machine #help #org forums #neotag #brothers. this has nothing to do with you but don’t you wanna help a bitch out? do it for illusen #please signal boost if you can

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ohhgingersnaps · 11 months

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I'm seeing some frustration over fandom creatives expressing anger or distress over people feeding their work into ChatGPT. I'm not responding to OP directly because I don't want to derail their post (their intent was to provide perspective on how these models actually work, and reduce undue panic, which is all coming from a good place!), but reassurances that the addition of our work will have a negligible impact on the model (which is true at this point) does kind of miss the point? Speaking for myself, my distress is less about the practical ramifications of feeding my fic into ChatGPT, and more about the principle of someone taking my work and deliberately adding it to the dataset.

Like, I fully realize that my work is a drop in the bucket of ChatGPT's several-billion-token training set! It will not make a demonstrable practical difference in the output of the model! That doesn't change the fact that I do not want my work to be part of the set of data that the ChatGPT devs use for training.

According to their FAQ, ChatGPT can and will use user input to train itself. The terms and conditions explicitly state that they save your chats to help train and improve their models. (You can opt-out, but sharing is the default.) So if you're feeding a fic into ChatGPT, unless you've explicitly opted out, you are handing it to the ChatGPT team and giving them permission to use it for training, whether or not that was your intent.

Now, will one fic make a demonstrable difference in the output of the model? No! But as the person who spent a year and a handful of months laboring over my fic, it makes a difference to me whether my fic, specifically, is being used in the dataset. If authors are allowed to have a problem with the ChatGPT devs for scraping millions of fics without permission, they're also allowed to have a problem with folks handing their individual fics over via the chat interface.

I do want to add that if you've done this to a fic, please don't take this as me being upset with you personally! Folks are still learning new information and puzzling out what "good" vs. "bad" use is, from an ethical standpoint. (Heck, my own perspective on this is deeply based on my own subjective feelings!) And we certainly shouldn't act like one person feeding a fic into ChatGPT has the same practical negative impact, on a broad societal scale, as a team using a web crawler to scrape five billion pieces of artwork for Stable Diffusion.

The point is that fundamentally, an ethical dataset should be obtained with the consent of those providing the data. Just because it's normalized for our data to be scraped without consent doesn't make it ethical, and this is why ChatGPT gives users the option to not share data— there is actually a standardized way (robots.txt) for website servers to set policies for how bots/crawlers can interact with them, for exactly this reason— and I think fandom artists and authors are well within their rights to express a desire for opting out to be the socially-respected default within the fandom community.

#maybe this is an ice cold take but i've been meaning to go off about datasets for a while so here we are i guess #i can respect what op's frustrations were and what they were trying to get at! but also i do not want my fic in chatgpt's dataset #regardless of whether it will make a practical difference #and again i don't think the people doing this are necessarily bad actors or having a huge negative social impact #chatgpt #chat gpt #ai #fandom #negative #(possibly! i'm trying not to be!! especially because this is very feelings-based and there are many things i am not considering)#the model may not demonstrably change because of your fic. but it does have your fic now and that does matter maybe idk

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loveinhawkins · 10 months

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Every so often, Eddie will get the bus to Starcourt Mall (because what else is there to do?) and watch the world go by.

It’s not like he’s above a cliché or two—maybe he wants to indulge in being a lone figure within the crowd. Maybe he just feels like wallowing in the aimlessness of it all, damn it.

This is where Wayne would point out that Eddie is exactly the opposite of aimless, what with how he’d stormed into the trailer last month, failed test results in hand and snarled, “Next year. I’ll fuckin’ show ‘em.”

But there’s a long time between now and the new school year starting, the summer stretching out before him like taffy. He’d tried to start his reading list early again, but that’s never done him much good; this time he’d gotten through one chapter of Moby-fucking-Dick before despairing.

So. People-watching at the mall it is.

It’s surprisingly not all that terrible an activity, apart from discovering which teachers are suddenly very passionate about jazzercise—a sight Eddie could’ve blissfully lived the rest of his life without seeing.

There’s also the confirmation that the Starcourt commercial he saw was not a vivid hallucination—that Scoops Ahoy is, in fact, real.

And so are the ridiculous sailor outfits.

Well, I’ll be damned, Eddie thinks.

Robin Buckley and Steve Harrington are an incredibly unlikely duo. It’s like the universe abandoned all sense, spun a wheel and paired them up just for the fun of it.

When he joins the line for ice-cream, Eddie initially thinks he’ll find the whole thing laughable: seeing people forced to work together when usually the laws of the universe (and Hawkins High) would keep them as far apart as possible.

But then he discovers that the ice-cream parlor is packed, one hell of a bottleneck forming right up at the counter, where folks are waiting for a seemingly never-ending amount of floats to be poured.

It takes a while for Eddie to near the front of the line; enough time passes that he honestly feels kind of bad for even taking up a spot, for adding to the workload that has Robin shouting herself hoarse with every, “Next please!”

He strongly considers just leaving, but he hesitates for a moment too long, and unintentionally meets eyes with…

“Hi,” Steve says, pleasantly enough, if a little distracted as he prods at the soda machine. He smiles apologetically. “Be with you in a sec.”

Eddie almost wants to tell him you know it’s me, right? He doesn’t.

It’s not that he expects Steve to be mean, exactly; it’s just that he’s getting more than familiar with the whole post graduation routine. It’s like there’s a secret page in folks’ yearbooks, instructing them to look at anyone still attached to high school with either indifference or embarrassment—or both.

Steve must not have got the memo.

“Next!”

Robin beckons Eddie forward with a sweeping arm gesture, looks somewhere behind him and sighs in relief, puffing out her cheeks.

“Oh, thank God. You stopped the tide.”

Eddie glances over his shoulder; sure enough, he’s the last person left to order.

“Don’t think I’ve got that power, Buckley.”

Robin raises an eyebrow. “Debatable.”

Eddie almost laughs. There was a rumour in his first attempt at senior year that he could curse people: it only came about because he ominously whispered some Pig Latin he’d once overheard Robin herself use during History, and Molly Pritchard crossed herself in horror.

“I’ll have a vanilla cup.”

“Ooh,” Robin says dryly, “adventurous.”

“Nothing wrong with a classic,” Eddie says.

Robin smirks as she rings him up. They don’t know each other that well, but there’s admittedly something nice in the distant familiarity they share; at the very least, she’s not gonna add to any potential awfulness when school starts again.

While Robin hands over his change, Steve is filling up a cup—Eddie would say he’s uncharacteristically quiet, except for the fact that he doesn’t actually know what truly is characteristic of Steve Harrington.

Plus he’s stuck on the fact that he only paid for one scoop, but the amount of ice-cream Steve manages to cram in is almost double that.

And he does this ridiculous little twirly thing with the scooper before he even reaches for the tray of vanilla.

Eddie tells himself he notices just because the move is so stupid; it’s definitely not because he’s noticing Steve’s hands in general. It’s just… eyes get drawn to movement. That’s all.

“Syrup?” Steve asks, nodding his head at the dispensers.

“Sure,” Eddie says. “Strawberry.”

Steve wrinkles his nose. “Oh, don’t do that, man. Get it with butterscotch.”

Robin’s eyes rise to the heavens, as if some longstanding argument has begun once again.

“And why should I do that, Harrington?” Eddie says.

“Because,” Steve says, like he’s patiently explaining that two plus two equals four, “butterscotch is better. Obviously.”

“Obviously,” Robin parrots mockingly. She closes the register drawer and says, “I’m taking my break, Popeye. Try not to judge the customers too hard.”

Eddie’s pretty sure he hears Steve mutter under his breath as she leaves, “Seriously? You’re worse than me.”

His cup of ice-cream is under hostage, apparently. Steve still hasn’t pressed down on the damn syrup pump.

“This your usual sales technique?” Eddie says. “Browbeating the customers?”

“Only the lucky ones,” Steve returns mildly.

Eddie scoffs. “Fine. Gimme the damn butterscotch then.”

“Knew you’d come to your senses,” Steve says.

He hands the cup over without any more quips; just as he’s done with the syrup, a large family swoops in with multiple sundae orders.

Eddie eats the ice-cream while waiting for the bus back home. He grudgingly has to admit that the butterscotch isn’t bad.

But that’s not really what’s bugging him.

He has to know if it’s a fluke—if maybe, just maybe, Steve Harrington only deigned to talk to him because he was, like… delirious or something. Maybe the flood of demanding customers scrambled his brain.

Of course, when Eddie goes back to the mall, it’s purely to test his theory. Strictly observational—educational, even. Like… summer school. (Take that, O’Donnell.)

The bus drops them off a little bit before the mall actually opens, but they’re allowed inside anyway. Eddie inwardly cringes at the sight of grown adults tapping persistently on the windows of still closed stores. Jesus Christ, they’re worse than zombies.

Scoops Ahoy isn’t open yet either; Eddie’s soon witness to a very stressed looking Steve striding over to unlock the place.

He flits in and out of view for a while, taking mops round to the back, filling up the jars of toppings.

Eddie actually considers heading over to Waldenbooks to check if it’s open (it’s not like he’s coming here for one store in particular, obviously), but then he hears metal clacking against the tiles.

When he looks back at Scoops Ahoy, he spots a set of keys on the ground right at the entrance, Steve nowhere in sight.

Goddamn it. He’s gonna have to be a Good Samaritan. Ugh.

Eddie briefly looks up to the ceiling as if he can condemn the ways of the universe from here. Then he sighs, picks up the keys and steps into the store.

“Harrington, you dropped these—”

“Shit,” comes Steve’s voice from the back, followed by an almighty clatter.

Eddie hesitates before his curiosity inevitably wins out.

He goes behind the register, through the door and finds the aftermath of complete disaster: Steve standing in front of an entire vat of ice-cream that’s been dropped onto the floor. It’s splattered all up his legs, cookies and cream clinging to the hairs.

Holy shit, stop thinking about his leg hair, Eddie thinks.

Up until this point in time, he’d believed it was physically impossible to look anything other than comical in that stupid sailor outfit.

(Well. Almost.)

But right now Steve looks absolutely tragic. Like he’s a crew member on the Titanic levels of tragic, and he’s about to deliver the news that there’s simply no more lifeboats.

Steve meets Eddie’s gaze.

“That was limited edition,” he says pitifully.

They both look down at the floor.

“Well,” Eddie says. “It definitely is now. Still, uh, what’s the phrase? No use crying over spilled… ice-cream.”

“Oh, I’m not gonna cry over it,” Steve says. “I’m gonna scream.” For a moment he looks murderous. “Robin’s not coming in.”

“Is she sick?”

Steve snorts. “Sick my ass. No, she’s keeping The Hawk in business—gonna see a movie about an ice-cream parlor, something like that.”

“An ice-cream parlor,” Eddie echoes. “Um. Are you sure she didn’t just make it up?”

Steve shakes his head. “No, it’s one of those foreign—never mind.”

He cuts himself off, lifts up one foot, as if he’s become aware of his predicament all over again.

“I was fine with her ditching, she can do whatever; it’s not like we have managers checking up on us. But I forgot a huge delivery was coming, and it’s Saturday so it’s gonna be crazy, so I’m not gonna have time to put all of it in the freezer or check the stock chart, so it’s all just gonna become fucking soup, Jesus, maybe I should just throw everything on the floor and—”

“I could help,” Eddie interrupts, because apparently a little alien has burrowed into his brain and now he just says things.

Steve stares at him. “Why would you do that?”

“Yeah, uh, sorry,” Eddie says. He wishes his brain-invading alien an immediate death. “Bad idea, just—”

“No, I mean why would you do that? Dude, it’s not like I can pay you or—”

“I don’t really have plans,” Eddie says—oh great, the alien hasn’t died! “Uh, you can pay me with, like, a name tag?” What? Stop talking. “Like a souvenir?” Stop! “Oh sorry,” Steve says, as if on automatic pilot. He pulls at his shirt. “We don’t have—our names are stitched on.”

I was kidding about the name tag. Actually, maybe you should just murder me instead.

By some miracle, Eddie’s expression must somehow still look fairly normal because Steve continues, deadly serious, “Munson. Are you sure?”

This is the time to back out—

“Yeah,” Eddie says. “Look, man, it’s no big deal. I can clean this up and—”

A bell starts ringing from the front, being struck over and over again in the most obnoxious way possible.

Something in Steve’s eyes flickers, a shift from panic into planning mode, and Eddie has the sudden bizarre feeling that this is what the basketball team saw whenever a crisis timeout was called.

“You sure you’re okay if I leave you back here?” Steve asks, and the gravity with which he says it threatens to send Eddie into hysterics—Christ, you’d think they were in the goddamn trenches.

“Think I’ll survive,” Eddie says. “I’m basically cleaning up, and putting everything into the freezer?”

Steve nods. “And, um, a stock check too, if that’s okay? There’s a chart pinned up, you just gotta count the flavours and put, like, tally marks next to—”

“Oh my God, not tally marks,” Eddie drawls. “The horror.”

Steve huffs. “I was just—”

The bell rings even more insistently.

“Uh, think you’re needed on the front line,” Eddie says.

He nearly chokes on his own spit when Steve turns to just march right on out there.

“Harrington, wait! Your—your legs,” he says weakly.

Steve has the audacity to look puzzled. “What about them?”

They’re very long.

Eddie gestures silently to the ice-cream on the floor, then attempts a vague hovering motion in the direction of Steve’s legs.

Steve’s eyes go wide in realisation. His cheeks turn slightly red. “Oh! Yeah, um, thanks. Um. I’ll just…”

He disappears into the world’s tiniest restroom, comes back free of cookies and cream before heading out to the front.

Well, Eddie thinks to the mop he finds, this is definitely a situation.

It’s not the worst way he’s spent a few hours, apart from having to listen to a Sailor’s Hornpipe on loop through the speakers (he briefly wonders how Robin and Steve stay sane). He cleans up, gets the rest of the delivery into the freezer, even jots down some tally marks, wonder of wonders.

Steve will occasionally slide back the shutters and pop his head in, passing over a soda.

“Employee perks,” he says, then has to hurriedly retreat to keep serving.

Eddie keeps waiting for the stiltedness to set in, but it seems Steve’s far too busy for there to be any awkwardness.

At midday the shutter slides back again and Steve says, “Hey, can you do me one last thing, and I’ll never ask you for anything ever again, I swear.”

“Harrington, you’ve technically never asked me for anything. Gimme the mission.”

Turns out the mission is just to use some employee only coupons at Burger King so Steve can take his lunch.

Eddie returns to Scoops Ahoy with two burgers to find that Steve’s strategically placed a pile of chairs and wet floor signs at the threshold to deter people from entering.

There’s also a hand-drawn sign on top of one of the chairs: Out for Lunch. Underneath, there’s a horrendously bad drawing of a ship on choppy waves.

Eddie tries very hard to not find it endearing.

He gives Steve a burger, hops onto the table in the back and starts eating his own.

A quarter of the way through, he realises that he could leave now—he’s done everything Steve’s asked, and Steve’s already said he can manage the remaining shift on his own now that the delivery’s been put away.

Huh. Well, he’s already gone to all the effort of sitting here…

Steve’s quiet for most of his lunch. Eddie doesn’t mind; he enjoys his free food, comes up with a half-baked campaign idea before discarding it, counts every tile in the room…

Looks over.

Steve’s sat with one leg hunched up to his chest, a book resting on his knee—the cover’s folded over the back as he reads, the spine broken. Eddie doesn’t know why on earth it’s attractive, but it is; he feels like some mooning middle schooler, entranced by the way their stupid crush eats spaghetti or some bullshit like that.

But then again, there’s always been an easy grace to Steve Harrington.

A beeping noise; Steve checks his wristwatch with a sigh.

“Ugh.”

He leaves the book on the table, at just the right angle for Eddie to read the title: Tinker Tailor Soldier Spy.

“Is it good?”

“Hmm? Oh. Yeah, I’m only a couple chapters in, so…” Steve shrugs. “Honestly, it’s the most I’ve read since starting high school.”

And Eddie gets that: the senior years he’s suffered through have left him each time with a brain like a wrung out sponge, not even having the energy for Tolkien.

God. At this rate he’s never gonna read for fun ever again.

His face must do something because Steve opens and closes his mouth a few times before saying, a little hesitant, “Hey, I’m sorry you never, uh… made it through, y’know? You—you were so close, man.” Eddie doesn’t bother wasting time on being pissed that Steve knows some of the details: ‘test results’ and ‘confidentiality’ don’t exactly go together in Hawkins High.

“Yeah, uh. Thanks. Here’s hoping third time’s the charm.”

Steve claps his shoulder. “You’ll do it, it was just tough this year. Like, I scraped through, trust me.”

Eddie snorts—he would literally kill to have a handful of Steve’s grades.

“Think my definition of ‘scraped through’ is different to yours.”

He helps Steve disassemble the mountain of chairs, and now it really is obvious that he could just leave; he only has to take a few steps, and then he’s out of there.

But he pauses.

The store is still empty.

Eddie shuffles back from the doorway. “Ice-cream for the road?”

Steve laughs. “Sure. Least I can do.”

He doesn’t ask Eddie what he wants, just serves a vanilla cup with butterscotch syrup.

Eddie suddenly feels himself fighting a smile. “Think you’ve got an agenda, man.”

“Nope. Just giving you the superior choice, Munson.”

Then Steve picks up an empty cup and pours more butterscotch into it, nothing else. He knocks it back like a shot. “Gross,” Eddie says.

Steve flashes him a syrup-streaked grin.

It’s so… juvenile.

If it wasn’t for the fact that they’re in a mall, Eddie would almost think that he’d gone back a few years, made an unexpected temporary friend that goofed off with him in the back of the class.

He finishes his ice-cream as more people flock to the counter; in what seems like no time at all, Steve’s ushering Eddie out, pulling down the security grille.

It feels a bit like a soap bubble has burst. Like the bell’s unexpectedly rung at the end of last period, in a class he was actually enjoying, against all odds.

Steve does say, quite sincerely, “Thanks, Munson. You didn’t have to… you really saved my ass.”

Eddie’s about to clumsily work his way through some reply about how it was nothing, but then they really do have to go, because some stern-faced security guard’s staring like he might vaporise them.

It’s just one day, Eddie thinks. A… what’s-it-called. An anomaly.

But he goes back to the mall the next afternoon. He doesn’t bother to make up an excuse even in his own head.

Scoops Ahoy is somehow even more packed this time—Steve’s serving up samples while Robin’s back at the register, and when she sees Eddie coming, she points at the vanilla, mouths, “The classic?”

He chuckles, nods. “How was your movie, Buckley?”

“No idea what you’re talking about,” she says serenely. “I was very sick.” She coughs delicately.

“Praying for your miraculous recovery.”

He gets vanilla with butterscotch syrup (just because Robin’s the closest to that particular dispenser, that’s all).

It’s so busy that once Robin’s finished at the register, she starts filling orders alongside Steve. When Eddie picks up his cup, they barely look at him, surrounded by other cups and plastic bowls laid out for ice-cream.

Figures. Eddie knows it’s not personal. Just. Soap bubble’s burst, and all that.

He’s almost out the store when he hears a whistle.

“Hey, Munson! Go long!”

“Fuck off, no,” Eddie says automatically, a response drilled into him from many a compulsory Phys Ed class.

But he turns, just in time to see Steve throw something at him. He catches it—it’s plastic, round—somehow manages to keep a hold of his ice-cream, too.

Steve gives a brief thumbs up, before he’s back to scooping. He still finds time to do that stupid twirl move again.

Once outside, Eddie opens up his hand. Snorts.

It’s a shitty white badge, chipped in several places. His name’s scrawled on it in red marker, a cartoony anchor in the upper right corner.

On the bus home, Eddie mulls over the thought of flicking through a couple chapters of The Hobbit, something like that. No pressure, no notes—no imagining the year ahead, a teacher looming over his shoulder. Just for fun.

There’s plenty of time.

He puts his souvenir in his pocket, takes another spoonful of ice-cream.

And he has to admit that butterscotch is pretty damn good.

#my second scoops fic! such a fun setting #pre steddie #steddie fic #steddie ficlet #steddie #steve x eddie #steve harrington #eddie munson

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