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#plots
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Sooooo like …
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Roleplay anyone??
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Plot ideas:
Buck and Tommy are boyfriends for about three months. Eddie just came out and is shy about trying to flirt with guys. So Buck and Tommy help him.
Buck and Eddie go to Spain/Italy/somewhere on a trip for the first time, and they meet Tommy the tour guide.
The boys work for an adult only hotel and Tommy’s dad is the owner, Buck works the bar inside the hotel, and Eddie works at the restaurant inside the hotel.
Eddie and Buck finally become boyfriends but something is missing? They don’t know the ways of being with guys at their older age. Google helps sure but it’s not the same as their best friend who has been out since forever. Tommy is that friend to help them.
Chef Eddie, Bakery Buck, and Bartender Tommy. All best friends. All friends with benefits. All together.
Doctor Buck, Nurse Tommy and EMT Eddie… all work at same hospital.
Interview With The Vampire theme ish. Eddie and Tommy are vampires.. and they share the house but when rent goes up stupid high in this new year (early 20s? Or we can pick different year idk 💯 setting but Louisiana is beautiful any time of year haha.) .. and with that happening they need another roommate. So ta da with a poster up they didn’t expect a human —Buck— to agree. Since it’s known vampires are real and they put that on poster.
Idk !! I have always loved and (want them endgame) Buddie butttt then again Tommy is so nice and sweet ! I been thinking would anyone want to rp as them???? I can be Eddie and then we can both write as Tommy and you can be to be Buck.
Also rated R I’m okay at it not best but I want to get better at it haha. Cuz one way to learn is to try instead of just skip it like I usually do haha. But also that doesn’t have to be main plot obviously.. just giving you heads up. And lastly I only roleplay here sorrryy!! So yeah anyone…?
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Any takers I’ll give you a cookie ! < 🍪 > ta da it’s and fresh from the oven.
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heroexxs · 1 year
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vavandeveresfan · 6 days
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When I write wonderful world-building:
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When I fuck it up with a stupid plot:
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soulrph · 7 months
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some vibes that i absolutely think need to be explored in a dnd thread (bc baldur's gate 3 has the lot of us CAUGHT!)
first, characters sitting by the campfire. cooking a nice meal with the supplies they've gathered along the way. maybe they use a very highly sought-after ration as a treat after a long day, like cream or fresh meat or a spice of some sort. they sit around the blaze together, and tell stories of their earlier travels, adding ingredients to the meal and fuel to the fire, and bonding as they discuss what's next in their shared adventure.
i also love the potential of them walking together along a long, winding country road! maybe they pick some flowers idly, or for each other, or maybe they find herbs or vegetables or fruits to add to their supplies. maybe they overhear footsteps up ahead and have to decide between keeping to the path or rushing into the nearby stream to avoid being seen or smelled. perhaps they have a horse, or two horses, or even a carriage, or maybe they're just walking along together. they could discuss what's next in a journey, or their choices from earlier encounters. if we think of roads as liminal spaces, this is an opportunity for many things to be happening, from a fallen tree blocking the road, to the road forking at a junction in the woods, or enemies/allies travelling along the same path, or even a side quest of sorts awaiting them in the woods!
character A meets character B when they're wounded and unconscious, and brings them back to their camp, either out of fear of what might happen if they don't, or for concern for B, or maybe they recognize them from somewhere! they nurse them back to health, and have to fend off attacks along the way because B is too weak to retaliate, and ultimately it leads to a curious bond where neither are willing to separate from the other, but they also don't know nearly enough about each other to understand what makes them trust each other so much.
the last one for this post: the two characters have travelled a long way. they're tired and weary, battered and bruised from past battles, and they find themselves in a merry kingdom that welcomes them heartily to a party, where they get to eat and rest and bathe and dress in finery and attend a ball together. and this may sound romantically leaning, but i also think it works in a platonic sense or a parental sense, because i think the concept of watching someone you've grown to care about finally laugh and smile and enjoy themselves after a long, brutal journey, is smth that would make many people very happy. and they get pulled to their feet for a dance, and this night of levity and merriment, as beautiful as it is, still inspires a transformation in the journey. perhaps the more experienced or worn-out of the two decides to slip away in the middle of the night, leaving a letter that begs the other to stay where they're happy and safe and allow them to finish the journey alone. or maybe they're about to leave but the other character intercepts. like there's so many outcomes for this one besties!!
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rpmemes-galore · 1 year
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you know what makes me go absolutely  feral??  
when Muse A is injured, and scared, and won’t let anyone else check them out... just fights them all off / shrinks away, even though they’re really badly hurt and need medical attention.   and then Muse B --- the only person they trust --- approaches them, and gently talks them down and calms them down.  holds their hand while they get checked out.  let’s them squeeze it when it hurts. keeps them relaxed enough to them to get their injuries tended to
* chef’s kiss *
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gcldcnhour · 11 months
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taylor swift song inspo pt 1
getaway car 
bonnie & clyde. muse a and muse b meet on an off chance one night, maybe one is in the middle of a getaway and drags the other along only to learn that they both love the thrill of it all. then starts a series of crimes or just life on the run. the highs are high and the lows are low. they know their flame is burning bright and fast but they couldn’t care less. 
dancing with our hands tide
muse a has been hopelessly in love with muse b for far too long. and one night the two find themselves on the dance floor together (wedding, night out etc), and just as muse a is losing help that their love could ever be reciprocated, muse b kisses them. they don’t know what the future looks like, but they know what it is in that moment. 
champagne problems
muse a and b have been together for years, but muse a has been secretly unhappy. so on the night that muse b proposed, which muse a probably should have seen coming, they tell them they can’t do it and leaves them. flash forward, and the two run into each other. maybe they’ve both moved on, maybe one wants the other back, or maybe they are too caught up in the what-if’s. 
the 1
literally just taylor singing “take her home” live. but two old loves meet up randomly at a high school reunion, and they take a walk through memory lane together. as they do it stirs up everything that was left unsaid.
lavender haze
it’s simple, we’re in love. we can’t help how romantic and cheesy we are. in fact we’re living in our own bubble - our own haze if you will. but what happens when reality comes crashing in? when we can’t keep the outside world from prying? [ celebrities? celebrity x normal person? ] 
cruel summer
sometimes summer is all you’ve got. muse a moves to a beach town for the summer to finally write their book (or to do research for their job ie actor, journalist etc) and decided to take on a whole new persona. that’s where they meet muse b and try to woo them with their new self. and maybe there’s drama, or maybe muse a and b like who they’re becoming.
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cartiervisions · 1 year
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lowkey need a criminal x agent plot. muse a is an obsessive killer who does it because all she wants is the agent, muse b, to herself. from harming the women he dates, to sending nudes of herself covered in blood or with the bloody item from trap phones, calling him right after she does it and letting him know that she wouldn’t do this if he was hers. but what happens if she’s been right up under his nose the whole time? what if she’s the cute, innocent neighbor that lives close by that he sees after a long day? the one muse b finds attractive, but never pursues because he’s so busy on this case? i don’t know i feel like this plot would be everything.
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leahjcastle · 6 months
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how to build a character-driven story: an essential tip ⚜️ (wattpad: leahjcastle)
first, you design their personality. the traits. the essence. and from the essence, which is their point of convergence, you have all the answers.
my intention with each book was to psychologically explain why they were the way they were. it’s like building a case study.
like what kind of background story makes a man turn out rational, controlling, fearful, introspective?
or what kind of story explains one's impulses, explosive emotions, rage, passion, straightforwardness?
the events naturally surge once you have their essence clear in your head. for instance, i wanted Cade COLD. i wanted Traviz HOT. so their stories revolved around their respective essence.
start from that premise.
Cade's life was cold in every sense. socially, physically. it was a world of hierarchy, rules, expectations.
Traviz's life was hot in every sense. brimmed with emotions, with too much love and too much revolt, dance, hyperactivity.
the environment shapes who you are.
so whenever you’re writing a character-driven story, don’t obsess over plots. no. have their traits defined to a point it is natural to spot their background story (a collection of experiences that range from core memories to trauma).
my books: S.CHORIANS 💙 https://books2read.com/u/bPXR07 and RED PARALLEL ❤️ https://books2read.com/u/3JpAeQ you can read them for free on my Wattpad (link pinned on my page).
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ariesmusingz · 5 months
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૮ ˶ᵔ ᵕ ᵔ˶ ა  / HEAD IN THE CLOUDS II PLOTS PT 2 ; plots based off songs on 88rising's head in the clouds ii
walking / muse a wants muse b and badly. they keep asking what it will take for muse b to give them a chance, for what is needed for them to progress a relationship. muse b is hesitant but muse a keeps saying all the right things. every time they talk muse a is spewing words and words of things to muse b to give in and give their relationship a chance. it's a dance of will they won't they. breathe / muse a and muse b are both in a dead end relationship but neither of them can admit that. neither of them want to be the person to cut it off because they have been together for so long that they aren't sure what life is without the other. muse a is asking for clarity on what muse b wants as muse b is always avoiding difficult conversations as they know it will lead to the end of them as as a couple. shouldn't couldn't wouldn't / muse a is begging for muse b to commit to their newfound relationship. they've been dating and hooking up for a while but muse b is reluctant to put a label on anything. muse a doesn't want to be friends and is making it clear that the only thing they want is commitment or nothing at all. muse b is running laps around the conversation when it comes up but it's down for muse a to force an answer out of muse b. muse b constantly calls muse a up for another hook up but muse a wants more than booty calls. just used music again / muse a is in the music industry and muse b is their on and off ex. every time muse b comes running back to muse a, they end up getting their heart broken again which creates another best selling album. it's a joke in their fandom that they almost thank whoever is hurting them for more and more songs but muse a hates the turmoil they are in with muse b. not only is muse a trying to protect themselves but they are also trying to make sure their fans do not find out who muse b is, as they are a normal person with a private life. muse b knows they are wrong but can't stop themselves from going back constantly.
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1amboring · 3 months
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Bob Velseb Farmer AU!!
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I finally got original AU and my own plot😭😭😭 Ima Start The story so soon🥺
Here some little spoiled👇
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And now 😭
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Here with some Color
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Follow for more😈
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katherinecrighton · 6 months
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Nuts and Bolts: Thoughts on Plotting
(Reposting a 2013 post from the Anna Katherine co-tumblr)
Here, have some really straightforward, practical thoughts about plots and plotting. Of which I have way too many, btw.
(Previous nuts and bolts caveats apply, naturally. Assume I have so many thoughts about this stuff because I’ve fucked it up pretty often.)
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1. A short story is a single idea, examined or played out. (Movies are also short stories. This is why turning books into movies leads to tears.) Figure out what your “idea” is – or the goal of your story, or the point you’re trying to make, whichever terminology floats your boat – and aim toward that without wavering.
2. Your plot and your characters go hand in hand. They inform each other – if you have one, you have the other. It’s one of the ways that storytelling is the least like real life. The entire plot might as well be a metaphor for whatever issues are going on in the characters lives – but once you realize that, you can use that fact to reverse-engineer your characters or your plot if you’re stuck without one or the other.
3. Frequently problems with plots are just problems with structure. Go find your favorite book (or rather, your favorite book that is most like the kind of book that you’re trying to write) and break it down, section by section, until you’ve got something really basic like “meet-cute” and “things go bad” and shit like that. Then see if you can’t just drape your plot right on over that structure like a brand new Sunday suit.
4. It’s okay to borrow structures. It’s okay to borrow stories, for that matter. Plots can come from a lot of places. “Write what you know” clearly meant “steal every anecdote in England” to Chaucer, and he became the father of English literature, so. 
5. Middle sections of books are terrible. They just are. Everyone wants to give up. This is the number one reason to have an outline or at least a game plan, oh my god. You want to see some hope of a way out, because the middle of a book lasts twice as long as the end of infinity.
6. To that end, once I’ve got some characters and a vague idea of what I want to do with them, I like to put together a list of “adventures”. It’s just stuff I’d like them to do during the course of the story. Sex scenes, car chases, dress fittings, amusing adventures with food, anything like that. Just stuff that I think would be fun to write, and that I know I will need to fill the endless fucking wasteland of the middle of the book.
7. (Those adventures? Should reflect the issues of the characters. Because characters and plots are the same thing. See point 2.)
8. For short stories, have an end point to aim toward, along with a general emotional zone to wallow in. I had a short story whose working title was literally “and then somehow, making out,” which was indeed the end point I was aiming at. The emotional zone I wanted to stay in was fairly light with some emotional dips into heavy stuff for contrast. But mostly what it said on the tin.
9. For books, writing the last scene right at the start of your process is sometimes nice, because it gives you a sort of mark to aim for. (You can always rewrite it later.)
10. Try to capture some really vivid mental pictures of strong scenes. Add those to your “adventure” list, or, better, just write them down. It doesn’t have to be perfect – if you want, just bro it out like you’re describing your favorite badass robot move from Pacific Rim to someone who’s never seen it. At that point there are barely any characters, there’s just the broad sweeps of movement across the page.
+1. Remember: You are the god-king of the book. If worse comes to worst, have a plague of shrews suddenly appear and make your characters deal with it. You can do anything! If you don’t know what to do, do anything. It’s better than doing nothing, and frankly, if it doesn’t work, at least you’ll have written something. You can always delete it tomorrow.
+2. No, seriously, I was writing a book and I could tell there needed to be some kind of big turn in the narrative (because of structure!), and I couldn’t think of what, so I literally wrote down a list of random shit I could make happen to the characters. Just because I could. That list included:
set house on fire airplane explosion hunting accident heatstroke
I was willing to set a house on fire, possibly by having a plane explode on it, just to get my characters doing something for another twenty pages. And the best part was: All I had to do was write the consequences, and add some foreshadowing, and I’d get away scot-free. The perfect crime. GOD-KING, Y'ALL.
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Soooo like ✨ RP Steddie ✨anyone??
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kruffles · 2 years
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an enthusiastic virgin and an experienced, possessive male plot. give me muse a thigh riding muse b because she isn’t ready to fuck him yet. a lot of ’you’re doing so good, kitten’ and ’just like that baby.’ the slow burn surrounding muse a’s first time. muse b taking care of her the morning after, tracing her hickeys in front of the mirror while they’re both still nude. let me be muse a, i’ll love you forever!
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bunnimarae · 1 month
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My extra furniture plot
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Nothing special, but I opened it to the server for everyone to see furniture items placed in-game.
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mcflymax · 2 months
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Doação de Plots Maxmcfly
Regras
♡ 1 plot por pessoa.
♡ Prazo de dois meses para a publicação da fanfic usando o plot (caso precise de mais tempo, basta me avisar).
♡ Para adotar um plot, me mande uma DM informando seu user do Spirit e qual o plot da sua escolha.
♡ Autorizo a mudança dos idols do plot quando for desenvolver a estória.
♡ Me dê os devidos créditos.
♡ Caso tenha alguma dúvida, é só me chamar!
Para ter acesso aos plots, clique aqui: 📖
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akcolmeltem · 8 months
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my tiktok seems to be living for the ice skating couple that's no longer competing together. and this idea has been haunting me ever since i saw them for the first time. muse a and muse b have been competing ever since they were young. they're the top in their competitions / country and it's all because of their insane chemistry -- both on the ice and outside. everyone seems to think they should be a couple, and they do try for a brief time. but it only makes everything more difficult and they're afraid of failing as a team the same way they failed as a couple. give me all the drama that can come with this situation. almost losing a competition bc one of them can't focus. one of them thinking that going their separate ways is the best for them. all!!! the!!! angst!!!!!!
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