a greater goode (2002) - amy schor ferris
"boy rejoice" "boy you want some presents"
(happy holidays everyone stay safe stay merry)
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And if you missed a day, there was always the next,
and if you missed a year, it didn’t matter,
the hills weren’t going anywhere,
the thyme and rosemary kept coming back,
the sun kept rising, the bushes kept bearing fruit—
– Sunrise, by Louise Glück
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— Aure Vives, from ‘km ⇢ xo’
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I feel like an npc.
Lounging around my designated area (my couch)
Doing my designated task (watching tv)
Simply awaiting a mission (going to get pizza)
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i glance in the pool of algae,
and i reflect back to me
an image like narcissus, but
who i see is murky green
with a darkness underneath
eyes— a violent sea—
not due to the sprigs and leaves
or all that dirt and all the bees
that have drowned in it like me—
in another life, another time—
but only because who i see
is not who i know myself to be,
suddenly awash with a horrid wish
to be nobody.
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I've reached "The King of the Golden Hall" in my LOTR reread, and I am obsessed with the way the entire chapter circles around history and memory and narrative.
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Excerpt from Minnie Bruce Pratt's "All The Women Caught in Flaring Light"
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The Kiss.
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You'll never recover from that kind of devotion.
THE HIEROPHANT: Star Wars Episode III: Revenge of the Sith, Matthew Stover / Vintage Style Broaches, Jorunna / Antique Pearl Necklace, Bebemoon / What we’re reading, Johan Deckmann / Hierophant, King Women / Elie Saab Fall 2016 Couture Collection / Cherry, Archivered / War of the Foxes, Richard Siken / Ingydar, Adrianne Lenker / Hearts, Wherewolf / Pomegranates, Blacksailsgf / Hands, DannyLaiLai
THREE OF SWORDS: Red Lights : Vatican, Aishy / Night and Day, Virginia Woolf / Vintage Alexander McQueen / Pomegranates, Png-magician / Could Never Be Heaven, Brand New / Nineteen Minutes, Jodi Picoult / Blasted, Sarah Kane / Hearts, Wherewolf / Jack Krauser's Knife, Resident Evil / Dagger, Naturom--demonto / It's Just Us Now, Sleigh Bells / For A Good Boy, Missilecrashedtoearth / Rosary, Png-magician / Hannibal PNGs Pt 2, Snailspng
TEN OF SWORDS: Cinemas, Sylvia Ballhause / White Is for Witching, Helen Oyeyemi / Hearts, Wherewolf / Scissors, Weirdpngs / cut, Caitlyn Siehl / Roses, Unknown / I AM SORRY FOR WHAT I HAVE DONE, Brad Rohloff / Black Pear Tree, The Mountain Goats / I hope its us, Stinkytofubaby / Pomegranates, Blacksailsgf / V & Johnny, Cyberpunk 2077 / Unknown / Photos I took at 3am, Briscoe Park / Backpack, AJJ / Hannibal PNGs Pt 2, Snailspng / A Winged Hussar’s Zischägge, Poland, ca. 18th century, housed at the Wawel Royal Castle State Art Collection. / Church, Lucas Deshazer / NO TITLE (Valentines you you), Raymond Pettibon / Warm Healer, Everything Everything / Knives Out, Radiohead / Star Wars Episode III: Revenge of the Sith, Matthew Stover
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i think what makes louis so fascinating to me as an unreliable narrator is that there are vanishingly few times when he actually lies, and even then they're lies of omission more than anything. in fact, the most straightforward lies he tells aren't actually in his narration but in the present ("you're in your 20's rashid" "he stuffs himself with honey and pineapple"), and they're for the sake of not blowing his lover's cover and psychosexually tormenting daniel. when inconsistencies pop up in the narration, it's rarely because louis is consciously lying. it's because his memory is, like anyone's, imperfect. none of us can remember exactly what happened to us a month ago, let alone decades ago. we all filter the past through the lens of our own experience. we would all editorialize and omit and forget things if we tried to tell someone our entire life's story. the only difference is that a) the psychological stakes for louis are sky-high because of all the trauma he's trying to bury and b) he has an investigative journalist picking apart the inconsistencies. some of those inconsistencies are minor and born of forgetfulness (the first "was it raining?") and some of them are astronomical and born of repression (the second "was it raining?") but they all, without almost no exception, stem from the liquid nature of memory rather than from any deliberate intent to mislead. and when louis does mislead, he's not so much misleading daniel or the audience as he is misleading himself.
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Honestly, I really love how poetry and wordplay is such an integral part of Yuma and Makoto's character. How they use such words to reflect on themselves and the world around them.
It truly shows that despite their logical side, despite being dubbed as the "greastest mind of the world", they're still human in essence. Because they can still view the world through colored lenses and the ambiguity of imagination. Of emotions and ideals that are not actually completely rooted in hard cold logic.
The clash of the ideals Yuma and Makoto shares and the creed forced upon them by the WDO meld into a fascinating multi-faceted character. Whose multiple sides we can see and share due to their odd coexistence via strange circumstances. It also somewhat makes it hard to talk about one of them without mentioning the other when they're so interwined together.
I really do love it.
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first official day of napowrimo!!! april 1st prompt is: poem that recounts the plot of a novel you haven't read in a while. (warning for themes of war, bombing, & past abuse)
overnight in a bomb shelter
if the world ends this week
please brush my hair
i won’t ask you to be gentle
let me walk barefoot
farther away than the eye can see
in weather cold or warm
i may bite you
sting and curse you
don’t come too close
feed me and bathe me
that’s all i ask
but bombs scream overhead
planes shriek with their engines
sirens blare from the streets
in a murky shelter
buried beneath the mud
of your childhood home
your calloused hands are soft
dropping a blanket ‘round my shoulders
reading a book in the dark
my ears ring and my hands shake
you shield me with your palms
you promise to teach me to sew
to read and write
to run and climb
in moments in the dark
where the world might end
where all i smell is mold
you treat me like a child
who has never known love
i treat you like a woman
who has never known love
and for a moment
the world feels right
as the bombs scream overhead
‘cause the world might end tonight
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I have the urge to write again.
The editor doubter is loud in my ear.
A heavy touch ripping away commas, words, and thoughts.
It’s been years of her
snapping up my words.
She wants stand up straight
and spell it correctly.
No made up words.
No sentences that start with. And
I was slow to learn.
Letters and numbers mixed up and bumbling over ahead several words ahead.
I was told I couldn’t write.
Don’t even try.
Don’t do it that way.
Do not do it this way.
He said, she shouts, they whisper.
Be more creative, more descriptive.
Write what you know.
I know I moved on, I let the editor doubter go.
Looked past the carefully chosen words from the thesaurus to describe:
Stupid.
Foolish.
And there she is again.
10th grade English class, standing taller than me. Dark hair. Angry. Telling me to stop,
telling me I’m doing it wrong—
so don’t do it at all.
I want to write again.
The urge is biting at my fingers faster than she can erase my words.
i dont care if it’s bad
I want to write again.
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I love the rhyming on ttpd. can only think of two examples currently but I know there’s more.
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it is the version of me fading in photos that I most wish to dance with. just once before the coughing black makes a ghost of him. no one asks me to smile these days & so here is my mouth, again a straight line. border between an ocean and thirst. I thumb the edges of the picture frame & consider the wood - what tree had to fall in order for this younger & smiling version of myself to have a home. it is the killing season again. all of the flowers drag the crowns of their heads along the snow & die with a prayer of softer ground on their lips. I wish this type of betrayal on no one: being born out of that which will be your undoing. imagine, instead: the place where you have a bed of your own & a table to sit across from someone who laughs thick & echoing at your smallest joy as an open palm & then
the fingers close.
(hanif abdurraqib, welcome to heartbreak)
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isn't it strange? how you can love someone, with only part of you heart?
because i do love you. i do. but the people i consider some of my closest friends are the ones you think an abomination–you would spit at them in the street–you are afraid of them.
they're my age. they do not know you–they want nothing more than to be left alone to live their lives.
you love me.
but you pick and choose which parts of me to love and sometimes i wonder if you only love the person i was when i was two and five and ten and twelve.
that person does not exist. she is a mask i wear when i talk to you, smiling and laughing and not once letting on that there's something beneath because you wouldn't be able to see it anyway.
i will only ever be that little girl to you.
i haven't been her in a long time.
and we have it in common, that we both love her.
but i never had a chance to pretend that she didn't grow up, and you will never do anything but.
so i love you, but not with my whole heart.
there is a part of me that hates you, an instinctive reaction to anyone who would threaten the people i care about. there is a part of me that hates you because you will not look at me–only at who i was when they put me in your arms for the first time.
and i hate this, hating you, but what else do you want me to do?
because.
i am afraid of you.
i am afraid of losing that cornerstone of love that has been there my whole life.
only–maybe i lost it the second i grew limbs you wouldn't look at and heads you wouldn't kiss and eyes you wouldn't meet.
so.
you love me. i love you.
and somehow, this room is still so empty.
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