at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Yo tengo recuerdos como si tuviera mil años.
Translation: I have memories as if I were a thousand years old.
— Rodrigo Arriagada-Zubieta, 'Extrañeza'
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Tell me about the girl
my mother was,
before she traded in
all her girl
to be my mother.
What did she smell like?
How many friends did she have,
before she had no room?
Before I took up so much
space in her prayers,
who did she pray for?
speak to me of my mother, who was she - jasmine mans
credits: the athletic / texas history / unh / cbc / sportsnet / on the bus with cammi & aj / espn / texas history
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If you are the sun, then I wanna be the moon
I wanna reflect the light that shines from you.
~
Happy November 5th !
original poem
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finding out that most other people have an internal monologue fucked me up so bad i swear. what do you MEAN you have a little voice talking inside your head the whole time? does that not drive you nuts???
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what makes a poem a poem? does it have to be written in a certain way? is this question a poem if i want it to be?
Fun question! This is just my personal sense as an avid reader and less-avid writer of poetry, but for me it’s useful to distinguish (roughly) between poetry as a genre and poetry as an attitude or philosophy through which language and the world can be understood. And of course these two go hand in hand. I see poetry the genre as essentially a type of literature where we as readers are signaled, somehow, to pay closer attention to language, to rhythm, to sound, to syntax, to images, and to meaning. That attentive posture is the “attitude” of broader poetic thinking, and while it’s most commonly applied to appreciate work that’s been written for that purpose, there’s nothing stopping us from applying that attentiveness elsewhere. Everywhere, even! That’s how you eventually end up writing poetry for yourself, after all. There’s a quote from Mary Ruefle floating around on here that a lot of folks have probably already seen, but it immediately comes to mind with this ask:
“And when you think about it, poets always want us to be moved by something, until in the end, you begin to suspect that a poet is someone who is moved by everything, who just stands in front of the world and weeps and laughs and laughs and weeps.”
Similarly, after adopting the attentive posture of poetics, there’s plenty of things that can feel or sound like a poem, even when they perhaps were not written with that purpose in mind. I’ve seen a couple of these “found poems” on here that are quite fun—this one, for example. The meaning and enjoyment you may derive from the language of a found poem isn’t any less real than that derived from a poem written for explicitly poetic purposes, so I don’t see why it shouldn’t be called poetry.
That said, I do think that if you’re going to go out and start looking for poetry everywhere, it’s still important to have a foundation in the actual language work of it all. Now, this doesn’t mean it has to be “written in a certain way” at all! But it does mean that in order to cultivate the attentiveness that’s vital to poetry, one needs to understand what makes language tick, down at its most basic levels. It will make you better at reading poetry, better at writing it, and better at spotting it out in the wild.
Mary Oliver’s A Poetry Handbook is an extraordinary resource to new writers and readers, and a great read for more experienced folks as well. Mary Oliver’s most popular poems are all to my knowledge in free verse, and yet you might be surprised to find her deep appreciation for metrical verse (patterns of stressed/unstressed syllables), as well as for the most minute devices of sound. In discussing the so-called poetry of the past, she writes,
“Acquaintance with the main body of English poetry is absolutely essential—it is the whole cake, while what has been written in the last hundred years or so, without meter, is no more than an icing. And, indeed, I do not really mean an acquaintanceship—I mean an engrossed and able affinity with metrical verse. To be without this felt sensitivity to a poem as a structure of lines and rhythmic energy and repetitive sound is to be forever less equipped, less deft than the poet who dreams of making a new thing can afford to be.”
In another section, after devoting lots of attention to the sounds at work in Robert Frost’s “Stopping by Woods on a Snowy Evening”, she writes,
“Everything transcends from the confines of its initial meaning; it is not only the transcendence in meaning but the sound of the transcendence that enables it to work. With the wrong sounds, it could not have happened.”
I hope all this helps to get across my opinion that what makes a poem a poem is not just about the author's intention, and not just about meaning (intended or attributed), but also about sound and rhythm and language and history, all coalescing into something that rises above the din of a language we would otherwise grow tired of while out in our day-to-day lives.
I'll always have more to say but I'm cutting myself off here! Thanks for the ask
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wanted to share maybe my favorite thing I've ever commissioned, this wonderful skin by Yelloweye! they are so incredibly talented and amazing to work with, I could not have asked for a more perfect skin for this guy.
Xun
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okay...next comic, i feel like the answer is obvious but i feel conflicted... ? more thoughts in tags
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"it's so embarrassing you like that popular thing" "oh ew that geeky/strange thing is so cringe lol" "oh it's kind of weird you get excited about that harmless shit"
dude i love how ironic and jaded you are and that's so cool and sexy of you. and i am so so glad to tell you - you won!! we all had a meeting and we decided that you won, and we are writing your name on the inside of a burger king crown. the marker smeared, sorry, but we knew any form of real effort is ugly to you. but anyway. congrats! you are officially the coolest, most ironic, most jaded person in-the-world-right-now. we would throw you a party but you would think it was totally boring - and besides, we're weird so we wouldn't have been coming. we would have brought our love of beetles and of baking and of little canapes. we would have brought our artsy videogames and pages of writing. we would have written a poem with you, our hands covered in ink, and spread out a canvas to dance on, the night so lurid and pink.
but do not worry. we will not throw the party. we will just get you a ringlight and that crown i mentioned. it is a nice crown, except for where one of us dropped it.
the vote was a really hard one because we had so many cool ironic people to pick off the shelves. all of you have hands that rot fruit, how strange is that - you can't look at something without destroying it for other people. you like it when you can squeeze a person into a pinpoint - all us small ones scampering our little feet around our ugly joys. the vote was also a hard one because we kept our voices down because you don't like it when we talk too loud. you were on your phone at the time, talking to people other than us. you are a ghoul of every moment - half in, half out, you resent us for being here without shame or embarrassment.
so good news! we have invented an island for people like you. you get to go there and speak into the air things like if you still like watching harmless twitch streamers in 2023 you're fucking boring. you will say things like liveplay podcasts are fucking ugly and it's kind of awkward they try to make everything gay. on the island we made you, all of your words will have weight. they will form in the air like icicles, large white behemoth letters that will crumple in anvils around your feet. maybe we will send someone there once in a while to sweep, but honestly you might be there for a while, alone, waiting. we are busy being outside looking for mushrooms and flapping our hands and humming. we are busy kicking our little heels while we watch cringey tv. we are busy - sorry! as an apology, we have pre-filled the island with every bland, mediocre, unscented thing we could find. the island has the texture of american cheese. the island has an ocean that never gets angry. the island is perfect for you, trust me. you will be so happy there - as happy as you can be, ironically.
we want to say we are sorry for doing harmless things that you find annoying, childish, or unappealing - but we are not sorry. we thought we could help you, because we don't mind laughing at ourselves, but it turns out you are allergic to color and noise and atmosphere, so this is the best that we can do for now. we are all making a big shirt that says i voted in the ironic monarchy. we got you one that is just a fast fashion buttondown. i am so excited for you and this island and the big life you have won. you have a cool jaded grey life and miles of irony to roam. i love you! be well.
now leave us alone.
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il principe dei satrici veneziani (1887) - vittorio malamani
“its morbin time”
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I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry
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"evan, i find you adorable". adorable as in able to be adored. as in capable of being adored. as in i find you worthy of adoration. adorable, from the latin adorare (to worship) to adorabilis (in the sense 'worthy of divine worship') to the current day adorable. as in maybe if we had made it to the movies or if eddie didn't show up, i could've showed you just how much i want to worship you. as in i look at you and there is a font of adoration in my heart for you. adorable as in i flew into a hurricane with you and yet this date is a thousand times more thrilling than that. adorable as in there is a person in your building who saw me jump up and down like a little kid in the lobby after i had kissed you for the first time. adorable as in i kissed you and immediately thought fuck i could do this forever if he lets me. adorable as in i want to press kisses to your birthmark. adorable as in i spent the entirety of the days leading up to our date wondering about you, if you liked your coffee with two sugars or one. if you liked storms or if the lightning strike had put you off on them all together. if you liked cats or dogs or if you were the kind of weirdo who liked goats instead. if you thought about the kiss as often as i did. if your stomach tangled into twisted knots as saturday drew closer. if you would be agreeable to sitting in my lap. if you would blush as prettily as you did the day i kissed you. if your world also realigned when our lips met. if our orbits had matched up now that we flew into a hurricane together. if the gravitational pull between us had finally been too strong for either of us to resist that night in your loft. or maybe, more simply, adorable as in, "evan, i find you adorable."
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Sokka was used to the cold.
He’d spent his whole life in it. He was born into frigid and bitter temperatures. He was used to breathing burning crisp air into his lungs, used to walking when he could barely feel his feet, used to sleeping surrounded by ice, and used to the coldness that struck deep into his heart while staring out over the empty tundra. He loved it. Just the feel of winter winds whipping through his hair made his spirits soar, smiling despite the pain of icy gales against his teeth.
And then.
He melted, slowly. Traveling the world had been quite the culture shock, and he had taken some time to adjust to no longer being surrounded by snow, but he grew to love the pleasant lukewarm air and the ability to wear short sleeves. But the firebender was another thing entirely.
Being close to Zuko was as uncomfortable it was so hot. The man’s very skin was a furnace that radiated heat, and somehow, it made Sokka’s own cheeks and chest burn for reasons he didn’t understand for years. But he got used to it. Despite how stubborn he was, Sokka was good at adapting. He was still from the water tribe, after all. Soon, the heat pulsing off of Zuko as they brushed shoulders or fought side by side wasn’t unnatural. It became welcome, especially…
Well. It was purely strategic to put their sleeping bags side by side, because once the campfire died down, laying by Zuko with their shoulders almost touching was the only way to stave off the brisk night air.
He wasn’t sure when it changed, when the embers of their friendship sparked into something more. They’d travelled the world together, trying to rebuild the world ravaged by the Fire Nation. Zuko refused to stay behind a desk, and Sokka refused to let him go at it alone. And slowly but surely, Sokka forgot what it was like to be cold. What it was like to not have Zuko by his side, to feel his warmth surround him like he was the center of a fire, the comforting lull of heat as he hugged him, that fiery, caring temper, and blazing hot fingers interlaced with his own.
And now, he was back in the Southern Water Tribe.
Alone.
And he has never felt so painfully…cold.
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