for a while i lived in an old house; the kind u.s americans don't often get to live in - living in a really old house here is super expensive. i found out right before i moved out that the house was actually so old that it features in a poem by emily dickinson.
i liked that there were footprints in front of the sink, worn into the hardwood. there were handprints on some of the handrails. we'd find secret marks from other tenants, little hints someone else had lived and died there. and yeah, there was a lot wrong with the house. there are a lot of DIY skills you learn when you are a grad student that cannot afford to pay someone else to do-it-for-ya. i shared the house with 8 others. the house always had this noise to it. sometimes that noise was really fucking awful.
in the mornings though, the sun would slant in thick amber skiens through the windows, and i'd be the first one up. i'd shuffle around, get showered in this tub that was trying to exit through the floor, get my clothes on. i would usually creep around in the kitchen until it was time to start waking everyone else up - some of them required multiple rounds of polite hey man we gotta go knocks. and it felt... outside of time. a loud kind of quiet.
the ghosts of the house always felt like they were humming in a melody just out of reach. i know people say that the witching hour happens in the dark, but i always felt like it occurred somewhere around 6:45 in the morning. like - for literal centuries, somebody stood here and did the dishes. for literal centuries, somebody else has been looking out the window to this tree in our garden. for literal centuries, people have been stubbing their toes and cracking their backs and complaining about the weather. something about that was so... strangely lovely.
i have to be honest. i'm not a history aficionado. i know, i know; it's tragic of me. i usually respond to "this thing is super old" by being like, wow! cool! and moving on. but this house was the first time i felt like the past was standing there. like it was breathing. like someone else was drying their hands with me. playing chess on the sofa. adding honey to their tea.
i grew up in an old town. like, literally, a few miles off of walden pond (as in of the walden). (also, relatedly, don't swim in walden, it's so unbelievably dirty). but my family didn't have "old house" kind of money. we had a barely-standing house from the 70's. history existed kind of... parallel to me. you had to go somewhere to be in history. your school would pack you up on a bus and take you to some "ye olden times" place and you'd see how they used to make glass or whatever, and then you'd go home to your LEDs. most museums were small and closed before 5. you knew history was, like, somewhere, but the only thing that was open was the mcdonalds and the mall.
i remember one of my seventh grade history teachers telling us - some day you'll see how long we've been human for and that thing has been puzzling me. i know the scientific number, technically.
the house had these little scars of use. my floors didn't actually touch the walls; i had to fill them with a stopgap to stop the wind. other people had shoved rags and pieces of newspaper. i know i've lost rings and earring backs down some of the floorboards. i think the raccoons that lived in our basement probably have collected a small fortune over the years. i complain out loud to myself about how awful the stairs are (uneven, steep, evil, turning, hard to get down while holding anything) and know - someone else has said this exact same thing.
when i was packing up to leave and doing a final deep cleaning, i found a note carved in the furthest corner in the narrow cave of my closet. a child's scrawled name, a faded paint handprint, the scrangly numbers: 1857.
we've been human for a long time. way back before we can remember.
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Thinking about if Dani ever gets added to the Villain Everlasting Trio au, like how would she fit in? Obviously the JL would have to figure out she's a clone and try and figure out why she exists ("maybe fenton is just that narcissistic?" flash asks, meanwhile batman is already texts agent a to get ready another room in addition to the three already prepared). Maybe she acts like the innocent kid in danger until heroes get close? batfamily trying to pspspsps her away from fenton? The trio collectively calling her their daughter?
I love this au so much, even if I still don't fully forgive you for making Tucker hot.
The way I SPRINTED to my computer.
Disclaimer: This particular AU has nothing to do with Fun Sized and Feral by @nutcase8691 or my Dani Fenton redesign from a while ago. This isn’t really important, but I thought the plot of this au might be straying the tiniest bit too close to the Feral AU (which I love btw) and I just didn’t want to cause confusion.
TLDR: Dani had to mature too quickly in their home world, so when she arrived in the DC universe, she finally got to slow down and be a kid. :)
Okay okay. Give me a moment. Since everyone is acting like the opposite of their usual self when they're playing villains, your question was, how would she fit in? To backtrack to this earlier post, I said that each of the trio's specific gimmicks somehow ties into their everyday lives. They looked at their immediate friends, family and acquaintances, picked out the traits they saw as 'villainous,' and then applied that to themselves.
Danny became a mad scientist because even though his parents love him through and through, they still hurt him the most. The threat of capture and dissection from the GIW didn't help, either. He wears a suit similar to his parents, pushes his hair up so he can see better, and his white lab coat looks a little like the GIW's suits. The suit is also red, which is the opposite of green, distancing himself further from his hero life as Phantom and connecting him more to his civilian self, where red is present on his shirt. He refuses to use his powers, as well.
Sam looks like an angel, which seems odd given her completely goth look and slightly pessimistic attitude. And if she uses her plant powers (shut up, she totally has them) as part of Team Phantom, then that rules out using them as a villain. They want to completely separate these alter-egos from each other. Well, one of the most significant sources of strife in Sam's personal life is her parents. In the show, they're seen constantly fighting with Sam, trying to mold her into their perfect daughter, when Sam is very obviously happy with how she is right now. So as a silent fuck you to her parents, Sam gets a hold of a Realm artifact, the halo, which gives her a pair of ghostly wings and the ability of flight. Now, she's the one in the air, and Sam is still doing what she does best, even as an angel. She tries to show the world that not all angels are perfect, and in fact, they can be downright monstrous. (This is where her more aggressive and destructive attitude comes in.)
As far as I'm aware, Tucker doesn't have any trauma related to his parents. (The lucky bastard.) He is the tech-nerd stereotype, however. And since he's from a cartoon from 2004, that means he gets bullied. A lot. The show focuses mainly on Danny, but you cannot tell me Tucker wasn't bullied like that, either. For the sake of the au, let's say Danny was taking all the beatings for Tucker. Maybe he was in canon; I can't remember. But not only is Tucker being physically bullied but so is his best friend. (Eventually lover!) And imagine his feelings when Team Phantom shows up to a ghost fight, and Tucker is absolutely useless the entire time. He just can't help at all. Danny and Sam are on the front lines, redirecting hits and doing damage control, and here he is, waiting for the Wi-Fi to catch up on his PDA. It eats him up. He wants to be helpful in more ways than one, and that's what the DC universe gives him. He takes another Realm artifact; this time, it's actually his by birthright, and the artifact drastically increases his physical power, just like he's always wanted. He learns Egyptian magic and dresses in a way that gives homage to his time in Egypt-which was traumatizing by itself, but hey, he has sweet beetle magic now.
Basically, Fenton, Manson, and Foley are all the results of the trio's frustrations and fears. They become the things they stress about the most to help cope with their everyday lives. The DC universe is their outlet.
So where does Dani fit in?
Well, Dani is a clone, as we know. Her creation and introduction to the world were rather sudden if you compare her to a typical baby. And that's what she is; a baby. Unless you jumped the timeline far into the future, Dani is barely a year old in canon (I think.) And after her team-up with Danny to defeat Vlad, she makes the decision to leave Amity and travels the world. She has to navigate an entire world independently, even if Danny wants to help her. So now, plop her in the DC verse. What's the opposite of an independent clone who's had to fend for herself from a very young age and has had almost no real familial bonds?
A kid. A scared, touched-starved child who's had no one to look after her for who knows how long. (Vlad doesn't count here.) Dani gets to the DC verse and cries because she and Danny can finally bond like she always wanted to. She doesn't have to put up a strong front because the trio is there to protect her. Dani is extremely young, and now she can finally be a kid. It's not mental age regression; instead, Dani no longer has to hold herself back from doing childish things or crying. Both are things that could be a danger when you're living on the streets. She spends almost all her time here now.
The Everlasting Trio had already missed her before, but they had just fully adopted her in this new world. Dani is their baby. Their little girl. She didn't ask to be born-she shouldn't have to suffer because it was unsafe at home. Well, they can make a new one, just for her, here in this universe. And look! There’s more clones for her to bond with! The GZ is more accessible than ever, and their commute between universes really isn’t that bad. They like it here! And the heroes and villains will never take her away, no matter how hard they try. Sure, Dani can have playdates with some of them, but she will wail and scream if anyone so much as suggests she stay the night without her parent's permission.
Oh, and she never stops being a little shit. If anyone doubts that Fenton and Dani are related, they are simply ushered online to see that one viral clip of Dani latching on to King Shark with her teeth and not letting go in the middle of a shopping plaza. The camera pans to the left a moment later, and the audience spots Fenton doing the exact same thing to John Constantine.
The first time the Justice League meets Dani, it's right after she got lost during a spacewalk with Danny and Sam. She enters the first place she sees, the Watchtower, and breaks down in front of Wonder Woman about how she can't find her parents and doesn't know how to get home. The heroes are baffled and try to comfort her until Danny comes barging in five minutes later, panicking over his baby girl missing. They reunite, the heroes are reeling, and Superman mentions he didn't think Fenton was old enough to have a kid.
Fenton looks up from his bear hug and goes: "Huh? Oh, no. I'm only seventeen. (work with me here) Dani is technically my clone, but we adopted her properly as soon as possible."
And now the League has two issues. Their most annoying enemy is only seventeen. And he has a clone.
What the f u c k.
Extra analysis: Dani's outfit is cleaner and a little fancier than what she wore in the show. She ties her hair up like Tucker and pins her bangs back like Sam. She already looks identical to Danny but likes to wear his sweaters, especially in cold weather. The oversized clothes remind her of her time with Danny in Amity Park, and helps hide her physique better, so it's hard to tell how old she is. She wears leggings to show that she no longer has to fight for her life every day on the streets. Now that the trio adopted her, she can relax and let someone else take the hits for a while. (We all know how fast leggings and tights can be ruined when doing literally anything.) Fright Knight gifts her a cursed doll that helps protect her in stressful situations and functions like an SOS beacon. JLD hates the bear. (She named it Strawbeary.)
She acts on her impulses more often, which the trio sees as a good thing. Even if that impulsive desire gets her in trouble, it gives everyone a chance to learn and grow as a family. Dani also refrains from going ghost at first, following her dad's wishes. Right now, she's just giving herself a break from her previous nomadic lifestyle. After a bit, she and Danny will bond over their halfa status, and she'll grow into her own unique core and powerset. The heroes dread the day the littlest Fenton decides to join her parents in their shenanigans.
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hi nell! can you share some insight into how writing things (e.g., letters) in-character affected your experience of playing d&d, and what made you start doing it to begin with? (also, any tips for note-taking during sessions?)
I started doing writing letter recaps because @samyazaz was doing it and I'm a joiner! So the reasons behind it were as simple as that, and I love epistolary anything so as soon as she told me she was doing it I was sold.
So, overall, I found them an incredibly helpful tool. They helped coalesce my notes into a narrative, and they helped me check in with where my PC was at in her head after every session (I am not an improv professional, I found those few hours of distance REALLY helpful for coming back into the next session with a good idea of how to play things). They also gave my DM and party a chance to see the same, and there was definitely a time or two when my letters made @sovinly realize I'd misinterpreted or missed something. Because none of us were super confident at roleplay, it also gave me a chance to do some relationship development between my PC and NPCs who were in a different place (and eventually allowed me to do my big epistolary romance because of the narrative I'd built up across letters with my DM's help).
So, overall, it really helped me with a lot of character arc and relationship things! And beyond that, it felt like a fun little meta-game to play (not in the sense of metagaming (derogatory) like people talk about with D&D, like more a game of making it into a fandom while it was being constructed), and it helped me pay better attention and write better notes! I went from writing a few scattered NPC names and basic summaries to writing something like a thousand words of notes per session because I wanted to remember as well as possible for the recaps.
But, okay, re: your other question, I'm going to be very honest here: I am not good at notes. As you might have picked up from what I literally just wrote, they tend to be either feast or famine with me! I write the titles of the powerpoint slides or I write down everything the teacher says with very little in-between, to use a class notes metaphor.
But on the whole I highly recommend your session notes include:
New NPC names and jobs, and their general relationship to your party (friendly shopkeeper, the rogue's aunt, the sorcerer's fifth grade nemesis, whatever)*
New locations and anything important about them (abandoned temple outside of town, sea cliff dotted with caves)
New information received (definitely from the DM, but also from fellow PCs for bonus points, your cleric will be delighted if you remember they're from the town of Bibblesworth next time you all RP together)
New lore received
A vague sketch of the session's events (including mention of any old NPCs or locations that have come into play)
A summary of any plans for what's coming up that you're party has come up with, especially if you were planning for next time (don't be that guy who forgets in the week(s) between sessions that you all decided that you were all going to sneak into the sea cliffs together and wanders off to chat with mermaids instead while the rest of your party gets TPKed)
The first four things I recommend you take notes on during the session, and the last two I recommend you jot down when it's over, either right there at the table or as soon as you get home/off the zoom call from the session. It's a balance I've never quiiite managed, but it seems like a very reasonable and functional one to me.
*Optionally, take down a bit about their appearance too, because while no DM I've played with has done this, I feel like plenty of DMs do put on an expectant voice and say "And in front of you is standing a redheaded gnome wearing golden armor" and think the party will greet a familiar NPC with joy when they might not have that description memorized.
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