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#poor gollum
cupcakeslushie · 1 year
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My gran glancing up to quietly watch lord of the rings
She fully put the magazine away 😂
“That little thing is creepy” reg Gollum.
Understatement.
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dougielombax · 4 months
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All Sphinx cats look like Gollum.
Nothing against them btw, it’s just an observation.
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ach-sss-no · 11 months
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Prompt: jewel
Gollum can’t be getting much sustenance out of bones that old, and he can’t really do anything with that jewel either. He’s just desecrated this person’s grave for practically nothing. Rude!
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trahald-the-burrower · 6 months
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Sméagol and Gollum - Forbidden Pool - Gifs
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lordork · 9 months
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Facts Boat Gollum
#lollercore
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Did I know, in my heart of hearts, what Gollum was? I think I did, but I closed my eyes.
Frodo, most likely
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sunriseparabellum · 2 years
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repotted all my beloved lil jade plants <3
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druckkugelschreiber · 21 days
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New plan how to destroy the one ring just dropped in my latest dream: hook it up to electricity (in this case a car battery) to disable its powers and then you can melt it down in a fire full of orc ashes
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la-pheacienne · 22 days
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I'm reading the lord of the rings and I'm once again amazed at how... good most characters are. Like, they are genuinely good people. They are a bunch of kindhearted, gracious, caring people, coming together under adverse circumstances and trying to figure things out and find a solution and support each other through it all. Like Frodo and Sam meet Faramir and Faramir is a bit suspicious at first and kind of implies Frodo may be a spy, and then when he hears his story and he's like Frodo, I pressed you so hard at first. Forgive me! It was unwise in such an hour and place. And this blows.my.mind. He wasn't even particularly mean or threatening to him in the beginning, he's just such a kind, considerate man, recognizing the kindness and honesty of another man. And they're all like that. Even Gollum starts slowly changing (for a short while) when he encounters Frodo because that's the thing about kindness and humility and grace, they are contagious. They transform people, even a creature like Gollum cannot be immune to that. Like, you may consider all this simple and basic and I get it but, hear me out. It is quite rare to see that in modern media and it is also pretty difficult to pull off in a way that is not corny and simplistic. It is mind blowing that you actually don't have to present the entire palette of human cruelty and vice in order to tell a compelling story, contrary to popular belief. Lotr does the exact opposite, and it is just beautiful and it warms my heart. Especially taking into consideration tolkien's pretty grim growing-up experience, him being a double orphan without a home, raised between an orphanage and a priest and having no family apart from his brother and then the war and then he almost dies and then he's poor as hell and then a second war and it all makes sense somehow. He writes to his wife who is also an orphan two days before the marriage "the next few years will bring us joy and content and love and sweetness such as could not be if we hadn't first been two homeless children and had found one another after long waiting" and, yes, yes! The love and sweetness just radiate from his work, the entire lotr series is a little radiant bubble of hope and love and grace that he imagined in his head to deal with a dismal reality and then he just gave that to the world, and isn't that what imagination and art is all about after all?
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c-rowlesdraws · 11 months
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"Now that I see him... I do pity him."
well well well, it's the most notorious video game star of summer 2023! A couple recent sketchbook pages of poor old Sméagol, drawn in distracted semidarkness while rewatching the Peter Jackson film trilogy, slightly digitally edited and collaged together.
I mostly took design cues from the PJ portrayal since that was what I was looking at, but if I draw him again, I want to keep nudging him in a more outright creaturey, less-human (or hobbit)-looking direction. @ach-sss-no draws a particularly good and inspiring Gollum.
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dougielombax · 3 months
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*gollum falls out of a tree*
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ao3cassandraic · 9 months
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What does Aziraphale know and when does he know it? Part 4: The Aftermath
Prologue, Part 1, Part 2, and Part 3, for those who need them.
After Crowley strides out, Aziraphale has a lot going on in his head still, and it shows on his poor devastated angry (he is angry, just a bit) face.
Then the Metatron comes back in, and Zira has to turn sharply away to pull himself back into some kind of kayfabe. "How did he take it?" the Metatron asks cheerfully, despite already knowing because he was watching. Jehoshaphat, y'all, I thought s1!Gabriel was punchable -- I want to drop the Metatron into Earth-core magma like Gollum at this point!
Aziraphale's heroic efforts at kayfabe are pretty successful, on the whole, but it hurts to see him stiff as a board, arms at his sides, letting the Metatron (argh, so punchable) insult Crowley and laughing nervously. Then the Metatron starts forcing him out the door again with "Right, ready to start?" The presumptuous wretch doesn't even wait for a yes -- just assumes it!
Aziraphale, however, knows he never said yes, so he tries playing for -- anything, really, more information or some kind of choice (arc word! arc! word!) or anything at all. No dice; the Metatron highhandedly gives his bookshop (his. BOOK. SHOP.) to Muriel. Aziraphale now knows why the Metatron wanted Muriel to stay behind on Earth, and he also knows that the Metatron will stop at nothing and trample anyone to get what he wants. Not comforting knowledge, that.
And Aziraphale, having essentially no more choice (I repeat: arc word!), but still horribly torn because he never got to make a decision about the job offer, still doesn't have a Metatron-thwarting plan, and wants Crowley with all his mind and heart, blurts "I think I --" Then he drops back into kayfabe, following the extremely punchable Metatron out the door.
Crowley's still there, standing by the Bentley. All our hearts shatter. But the extremely punchable Metatron (have I mentioned that he is extremely punchable?) keeps Aziraphale moving along by dropping hints at answers to his continuing questions: whatever the Metatron's up to, it's something to do with the Great Plan.
Aziraphale asks. And now that he's firmly in the Metatron's clutches, the Metatron answers: it's the Second Coming.
Watch Aziraphale drop kayfabe (fortunately, the Metatron isn't looking at him) for a look of helpless dismay. A.Z. "entire collection of Bibles, wicked and otherwise" Fell knows what that means! Watch him re-establish kayfabe when the Metatron looks at him from the elevator. Watch him turn back toward Crowley to tell him (unnecessary -- Crowley knows from his visit Upstairs -- but Aziraphale doesn't know Crowley knows), then decide (with another of those pulling-himself-together deep breaths) that he must instead play along. Watch him kayfabe-smile at the Metatron and enter the elevator.
And watch kayfabe warring with devastation and guardianly determination in Aziraphale's face over the credits. My read -- you may have a different one -- is that determination wins, and the eventual smile is an "okay, now I have a plan" smile.
Watch out, Metatron. Aziraphale's gonna wreck you and I'm gonna enjoy it.
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This interpretation of the Final Fifteen Minutes is parsimonious. It works with what's there onscreen, not assuming much beyond that -- the only Caveat About Offscreen Shenanigans I left in was to note that we don't necessarily see the entire chinwag. Exactly zero of the twistier, more elaborate fan theories, you may have noticed, made it into this meta -- heck, we don't even have to assume we didn't see the entire chinwag! We might have! What we did see was enough to lead to these outcomes!
The Gaiman-Pratchett-Finnemore brain trust likes jigsaw-puzzle plots where everything has its place and little or nothing is wasted. That's a big reason I think a parsimonious interpretation is likely to be close to a true interpretation. It's all there; why get wild if there's no need to?
This also aligns with what Michael Sheen has said (do please read this not-mine meta, it's lovely) about angels and goodness and making choices. I, too, want Aziraphale to have made the hard, hurting, noble choice at last, even if he was partly railroaded into it.
(Anyone who doesn't care for fan theories should stop reading now, with my effusive gratitude for making it this far.)
That said, the explosion of fan theories about the Final Fifteen Minutes also demonstrates that this interpretation is narratively accommodating. It doesn't have to assume poisoned or drugged coffee, but it doesn't preclude that. It doesn't require a body swap, but it allows it -- all that really has to change is the estimation of who's doing how much kayfabe when. It doesn't need some massive season-spanning conspiracy arc, but if there is one, it can make that work.
Neil knows fandom, none better. He knows we love our meta and our theories. So I have no trouble believing he wrote us a narratively accommodating finale so we could get our book-length Tumblr posts on. Appreciate it, and you, Neil.
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oneatlatime · 5 months
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City of Walls and Secrets
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I am also once again saving the commentary for a rewatch.
I still think rock trains are neat but their inefficiencies hurt my brain. The friction! They should at least install dynamic braking.
That's big. This show has really confined itself to the hinterlands so far, so this is really novel. I had no clue anything this big existed in the Avatar universe.
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Complete nitpick time! Given that earthbending is a thing that exists, why bother making things out of stone with individual tiles like this?
Single most threatening musical sting of the whole show so far goes to an overly smiley tour guide.
Wow! I hate this lady already!
"Oh, Ba Sing Se has many walls! There are the ones outside, protecting us, and the ones inside, protecting us from smelly poors!"
"In case someone brings home a lady friend!" Do you know your nephew AT ALL?
Both Iroh and Zuko are right. Life does happen everywhere and without your permission. But, the city is also remarkably prison-like.
He got them jobs in an afternoon. AN AFTERNOON. Stop it Iroh, you're making me feel inadequate.
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Once a fuckboy, always a fuckboy. This particular leopard can't change his spots, no matter how he tries to dress up his actions in a new law-abiding veneer. I feel sorry for Smellerbee. Her faith in her leader isn't exactly being rewarded.
So... is there a law on the books that makes being a firebender illegal in Ba Sing Se? Because the head-in-the-sand vibe I'm getting from Judy makes me think that the average citizen doesn't even know there's a reason to dislike the Fire Nation. Iroh and Zuko could probably bend as openly as a waterbender or an earthbender could here.
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This whole being handled thing must be dredging up some pretty nasty feelings for Toph. This is specifically what she left behind.
Speaking of precisely targeted torture, Judy is engineered to be as irritating to Sokka as possible. Man of action versus Lady of script.
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What a productive use of time! What an exemplary case of turning over a new leaf!
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Iroh buddy I have news for you regarding the ingredients of tea.
That's like the nicest thing a member of the Fire Nation royal family has said all year.
How to get Iroh's ass in gear: Step 1: Make insulting tea. Step 2: There is no step 2.
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I thought that little thingy in the background was one of those electricity things.
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The attention to detail in this show is stupid. There's a moving reflection of the carriage in the water as it goes past.
Hi forbidden city!
Ba Sing Se has a morality police?
I've already run out of patience with the city and I'm 7 minutes in. I haven't even made it to a commercial break yet!
Their house is cute but the veranda is so substantial that it's probably really dark inside. Also there's a pumpkin hood ornament on the roof.
I don't think you can stop there for a month. Have you guys forgotten the now-doubled ticking clock? Eclipse and comet?
Oh ok we're doing 1984 now. Damn. This show goes places.
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I stand corrected. Everyone knows about the war and would be appropriately non-welcoming to firebending. But not openly. This could be like one of those Bugs Bunny bits where he traps someone in societal rules. If someone told a firebender not to bend, all they would have to do to get the guy off their case would be to ask why they aren't supposed to be firebending. What's the guy going to say, because there's a war on?
Shout out to Pong for doing the Gaang a solid and providing the only useful info since they've arrived.
There is something very Gollum-like about Jet, crouched in laundry on a roof in the dark, talking to his stolen spark rocks.
Sokka. Feet off the artwork.
Time for Toph to weaponise her oppressive upbringing and out-fancy the fancies in the name of ending the war.
Aang can master an element in a couple of months but a qualified expert declared manners to be beyond him.
I just realised that Sokka and Katara don't have a last name.
Sneaking into a Bear's (JUST Bear's) birthday party may be the single least violent infiltration attempt in the show so far.
Smellerbee is very articulate, and it's rare that this show spells out its themes so obviously. No metaphors, just "you're obsessed. It's not healthy." And Jet still doesn't get it. Maybe Smellerbee should have tried metaphors.
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Normally glowy green stuff is bad news, but all of Ba Sing Se's green lighting is surprisingly cozy.
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Sometimes, rarely but sometimes, Zuko has to put up with a lot of nonsense.
A raise? Did I miss a timeskip?
Busting in to a local business, yelling about the enemy, pulling out a lethal weapon: How to Look Sane, A Guide by Jet.
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Customers, amirite?
I guess the Bei Fongs are too minor as nobles?
"You don't know what I had to do to get seats this near the bear!" but I want to.
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I know this guy's voice from something.
Momo ghost plan. I want it.
Pretty funny that the busboys plan works better than the fancy ladies plan. Goes to show you should always play to your strengths.
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Get de-wheated punk.
I'm not sure I've rooted for Zuko this wholeheartedly since The Storm.
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Jet be like.
Judy is not good at her job. Like really not good. Her insistence on getting out of there before they cause a scene caused the scene. Nice going!
The music slowing down when Judy's face falls is really effective.
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You ever get the feeling that it should be Aang who ran away to the circus rather than Ty Lee?
Actually a travelling circus would be a great way to be, and remain, an incognito airbender. Aang should have done that rather than frozen himself. Ok I'm not sure how much say he had in that, but you know what I mean.
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For the first time in his life, Zuko has people take his side. It's too bad that it's based on a lie, but it must feel nice.
I would have preferred if Zuko had a clean win against Jet - they're both great with swords, but I thought Zuko was better - but an assist from the funky hat police works too.
I'm getting some funky vibes from the funky hat police.
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Bye! I won't miss you!
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The face on the guy on the left is the funniest part of this episode.
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Now these are some funky hats.
I know this scene is supposed to be scary and tense and action-packed, but I can't get over the fact that the king just did a drive by. They carried him in one side and out the other. This concludes the King's presence at his Bear's birthday party. He's a very busy man, you see.
Long Fang's title keeps getting fancier.
Brain washing crops up quite a lot in kids' cartoons. This is not the first time I've seen this plot beat.
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Forget the Fire Lord. Forget the Fire Nation. Long Fang just threatened Appa. Long Fang has to die now.
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The Judys are replaceable. Given everything else this city seems ok with, they're probably disposable too. Yikes!
Final Thoughts
This episode was probably the most expository I've seen this season. Maybe even the whole show. It was a big infodump with barely any humour. Actually that's wrong; there was humour, but not to my taste.
Jet is infuriating as usual. I think the writers are going for the villainous decay trope, because smooth-talking season one Jet hasn't reappeared once.
I feel really sorry for Smellerbee and the archer guy. I wonder if they even wanted to go to Ba Sing Se in the first place.
Once again, for the third episode in a row, Zuko is one of, if not the, most reasonable character. Season one shouty Zuko is gone. Is this what I think it is? Has Zuko really turned a corner? If so, I'm liking (rather, disliking less) this new Zuko. This is good. I'm also surprised, because in my experience, if you want to domesticate someone, you don't put them in a customer-facing role. That will have the opposite effect and make them turn feral.
Iroh is having too much fun. It's good for him to have something of his own going on. I think he's been in Zuko wrangling mode 24/7 for the last two? three? years, so he definitely deserves to pursue his own interests for a bit. But I can't see Zuko being a tea boy for long before he's back to needing wrangling.
What's the long term plan though? Are Zuko and Iroh going to live the rest of their lives in Ba Sing Se? Are they waiting for something? Are Iroh and Zuko functionally dead, with Lee and Mushi taking their place?
I will give the show credit for finally coming up with and antagonistic force that Aang & company can't just bend or talk into submission. Bureaucratic tomfoolery covering for authoritarian censorship and information suppression and re-education was not something I'd ever have expected in this show, because it's a little too much like the real world, if you know what I mean.
I don't like seeing our heroes unable to triumph, so this episode was kind of uncomfortable to watch. It felt off the whole way through, which I credit to that creepy music box tune that played throughout. The soundtrack of this episode was a cut above what I usually hear in this show. I noticed it more than I usually do, and I mean that in a good way.
As someone who'd be lucky to pass as a busboy, upper class intrigue and social games stuff doesn't do it for me, so this wasn't an episode I was going to enjoy anyway. I preferred the B plot with Zuko and Iroh, for the sheer absurdity of the concept. Imagine you're in 1950s London, having barely survived the Blitz, and you come across Himmler working in a pub. It's so odd that it almost wraps back around to normal again.
I didn't find this episode very enjoyable. I don't like the forced inactivity that's been imposed on the Gaang. The humour was not to my taste. The worldbuilding was substantial, but - probably thanks to Joo Dee, whose name I've definitely been misspelling - it felt inorganic, like a lecture. Which the writers do lampshade by making Joo Dee sound like one of those audio guide things you rent from tourist attractions. But lampshading a fault does not make a fault go away.
Thanks to what happens to Jet, I know that the people of Ba Sing Se don't dare even think about the war, for their own safety. But after spending more than half a season being shown every type of refugee and victim of war in other parts of the Earth Kingdom, I could not bring myself to give a flying fuck over Pong's concern for keeping his house. The city is frustrating, the officials are frustrating, their priorities are beyond frustrating. Zuko was right when he said he didn't want to make a life there, although I did find the lower ring where Zuko and Iroh are to be far more comfortable than the high ring where the gaang is.
This episode makes me want to bite something.
And still no Appa.
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nateofgreat · 5 months
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So I think I finally realized why Sauron disguising himself as a human in ROP bothers me so much, beyond the obvious shipbait and the fact that it was motivated by wanting to make him the poor, sexy, misunderstood bad guy :(
The thing about Sauron in the books is that he doesn't understood the people of Middle Earth. He's ancient, knowledgable, powerful... But he really doesn't get them. Sure, he knows how to tempt and corrupt them with promises of power and preservation of what they care about most.
But things like goodness, small acts of kindness, humility, etc, are things he's shown he doesn't understand. By that I mean it's literally the reason he loses, because even in his darkest dreams he never thought that someone would reject power (in the form of the Ring) and even try to destroy it at great risk to himself. He lost because he failed to understand the hearts of people, even though Frodo couldn't go through with it, he and Bilbo's act of pity toward Gollum enabled the Ring (and Sauron) to be destroyed.
In ROP, meanwhile, Sauron wants to give up being a Dark Lord to become a blacksmith in Numenor instead. Not a royal blacksmith either, just a simple man working a simple job... In other words, he seems to have suddenly developed a love of humility and living a simple life. The very things he didn't understand that led to his defeat are now what he wants to do in ROP.
In comparison, ROP Galadriel's shown to belittle the idea of a simple life in favor of grand ambitions. She presents the idea of rejecting royalty to be ordinary as a cowardly waste of potential and bullies Sauron back into the game. So, jokes completely aside, Galadriel really is more Sauron-like than Sauron in ROP.
The only actual motivation for Sauron's evil now is that he's heartbroken. Which is... Underwhelming, let's just say.
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middleearth-polls · 8 months
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Please see each moment quoted below the poll under the cut.
1. Sam finds Frodo in Cirith Ungol:
‘I can hardly believe it,’ said Frodo, clutching him. ‘There was an orc with a whip, and then it turns into Sam! Then I wasn’t dreaming after all when I heard that singing down below, and I tried to answer? Was it you?’ ‘It was indeed, Mr. Frodo. I’d given up hope, almost. I couldn’t find you.’ ‘Well, you have now, Sam, dear Sam,’ said Frodo, and he lay back in Sam’s gentle arms, closing his eyes, like a child at rest when night-fears are driven away by some loved voice or hand.
2. Aragorn finds Boromir near Parth Galen
A mile, maybe, from Parth Galen in a little glade not far from the lake he found Boromir. He was sitting with his back to a great tree, as if he was resting. But Aragorn saw that he was pierced with many black-feathered arrows; his sword was still in his hand, but it was broken near the hilt; his horn cloven in two was at his side. Many Orcs lay slain, piled all about him and at his feet. Aragorn knelt beside him. Boromir opened his eyes and strove to speak. At last slow words came. ‘I tried to take the Ring from Frodo,’ he said. ‘I am sorry. I have paid.’ His glance strayed to his fallen enemies; twenty at least lay there. ‘They have gone: the Halflings: the Orcs have taken them. I think they are not dead. Orcs bound them.’ He paused and his eyes closed wearily. After a moment he spoke again. ‘Farewell, Aragorn! Go to Minas Tirith and save my people! I have failed.’ ‘No!’ said Aragorn, taking his hand and kissing his brow. ‘You have conquered. Few have gained such a victory. Be at peace! Minas Tirith shall not fall!’ Boromir smiled. ‘Which way did they go? Was Frodo there?’ said Aragorn. But Boromir did not speak again.
3. Pippin finds Merry in Minas Tirith:
Pippin’s face was anxious. ‘Well, you had better come with me as quick as you can,’ he said. ‘I wish I could carry you. You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from the battle is easily overlooked.’ ‘It’s not always a misfortune being overlooked,’ said Merry. ‘I was overlooked just now by – no, no, I can’t speak of it. Help me, Pippin! It’s all going dark again, and my arm is so cold.’ ‘Lean on me, Merry lad!’ said Pippin. ‘Come now! Foot by foot. It’s not far.’ ‘Are you going to bury me?’ said Merry. ‘No, indeed!’ said Pippin, trying to sound cheerful, though his heart was wrung with fear and pity. ‘No, we are going to the Houses of Healing.’
4. Bilbo reunites with Thorin after the Battle of Five Armies
‘Farewell, good thief,’ [Thorin] said. ‘I go now to the halls of waiting to sit beside my fathers, until the world is renewed. Since I leave now all gold and silver, and go where it is of little worth, I wish to part in friendship from you, and I would take back my words and deeds at the Gate.’ Bilbo knelt on one knee filled with sorrow. "‘Farewell, King under the Mountain!’ he said. ‘This is a bitter adventure, if it must end so; and not a mountain of gold can amend it. Yet I am glad that I have shared in your perils - that has been more than any Baggins deserves.’ ‘No!’ said Thorin. ‘There is more in you of good than you know, child of the kindly West. Some courage and some wisdom, blended in measure. If more of us valued food and cheer and song above hoarded gold, it would be a merrier world. But sad or merry, I must leave it now. Farewell!’ Then Bilbo turned away, and he went by himself, and sat alone wrapped in a blanket, and, whether you believe it or not, he wept until his eyes were red and his voice was hoarse. He was a kindly little soul.
5. Beleg and Túrin reunite in the woodlands
As night drew down they were all gathered about him, and Ulrad brought a brand from the little fire that was lit in the cave-mouth. But at that moment Túrin returned. Coming silently, as was his custom, he stood in the shadows beyond the ring of men, and he saw the haggard face of Beleg in the light of the brand. Then he was stricken as with a shaft, and as if at the sudden melting of a frost tears long unshed filled his eyes. He sprang out and ran to the tree. ‘Beleg! Beleg!’ he cried. ‘How have you come hither? And why do you stand so?’ At once he cut the bonds from his friend, and Beleg fell forward into his arms.
6. Gollum finds Frodo and Sam asleep
Gollum looked at them. A strange expression passed over his lean hungry face. The gleam faded from his eyes, and they went dim and grey, old and tired. A spasm of pain seemed to twist him, and he turned away, peering back up towards the pass, shaking his head, as if engaged in some interior debate. Then he came back, and slowly putting out a trembling hand, very cautiously he touched Frodo’s knee – but almost the touch was a caress. For a fleeting moment, could one of the sleepers have seen him, they would have thought that they beheld an old weary hobbit, shrunken by the years that had carried him far beyond his time, beyond friends and kin, and the fields and streams of youth, an old starved pitiable thing.
7. Húrin and Morwen reunite at their son's grave
But suddenly her eyes looked into his, and then Húrin knew her; for though they were wild now and full of fear, a light still gleamed in them hard to endure: the elven-light that long ago had earned her her name, Eledhwen, proudest of mortal women in the days of old. ‘Eledhwen! Eledhwen!’ Húrin cried; and she rose and stumbled forward, and he caught her in his arms. ‘You come at last,’ she said. ‘I have waited too long.’ ‘It was a dark road. I have come as I could,’ he answered. ‘But you are late,’ she said, ‘too late. They are lost.’ ‘I know,’ he said. ‘But you are not.’ ‘Almost,’ she said. ‘I am spent utterly. I shall go with the sun. They are lost.’ She clutched at his cloak. ‘Little time is left,’ she said. ‘If you know, tell me! How did she find him?’ But Húrin did not answer, and he sat beside the stone with Morwen in his arms; and they did not speak again. The sun went down, and Morwen sighed and clasped his hand and was still; and Húrin knew that she had died.
8. Isildur's son encourages Isildur to leave
Elendur, not yet harmed, sought Isildur. He was rallying the men on the east side where the assault was heaviest, for the Orcs still feared the Elendilmir that he bore on his brow and avoided him. Elendur touched him on the shoulder and he turned fiercely, thinking an Orc had crept behind. ‘My King,’ said Elendur, ‘Ciryon is dead and Aratan is dying. Your last counsellor must advise, nay command you, as you commanded Ohtar. Go! Take your burden, and at all costs bring it to the Keepers: even at the cost of abandoning your men and me!’ ‘King's son,’ said Isildur, ‘I knew that I must do so; but I feared the pain. Nor could I go without your leave. Forgive me, and my pride that has brought you to this doom.’ Elendur kissed him. ‘Go! Go now!’ he said.
9. Lúthien finds Beren in Tol-in-Gaurhoth
Then side by side from stone to stone o'er Sirion they climbed. Alone unmoving they him found, who mourned by Felagund, and never turned to see what feet drew halting nigh. 'A! Beren, Beren!'came her cry, 'almost too late have I thee found? Alas! that here upon the ground the noblest of the noble race in vain thy anguish doth embrace! Alas! in tears that we should meet who once found meeting passing sweet!' Her voice such love and longing filled he raised his eyes, his mourning stilled, and felt his heart new-turned to flame for her that through peril to him came.
10. Eärendil is greeted by Eönwë and asks the Valar for help
Therefore he turned back at last towards the sea; but even as he took the shoreward road one stood upon the hill and called to him in a great voice, crying: ‘Hail Eärendil, of mariners most renowned, the looked for that cometh at unawares, the longed for that cometh beyond hope! Hail Eärendil, bearer of light before the Sun and Moon! Splendour of the Children of Earth, star in the darkness, jewel in the sunset, radiant in the morning!’ That voice was the voice of Eönwë, herald of Manwë, and he came from Valimar, and summoned Eärendil to come before the Powers of Arda. And Eärendil went into Valinor and to the halls of Valimar, and never again set foot upon the lands of Men. Then the Valar took counsel together, and they summoned Ulmo from the deeps of the sea; and Eärendil stood before their faces, and delivered the errand of the Two Kindreds. Pardon he asked for the Noldor and pity for their great sorrows, and mercy upon Men and Elves and succour in their need. And his prayer was granted.
11. Galadriel shows Gimli understanding and kindness
‘[...] If our folk had been exiled long and far from Lothlórien, who of the Galadhrim, even Celeborn the Wise, would pass nigh and would not wish to look upon their ancient home, though it had become an abode of dragons? ‘Dark is the water of Kheled-zâram, and cold are the springs of Kibil-nâla, and fair were the many-pillared halls of Khazad-dûm in Elder Days before the fall of mighty kings beneath the stone.’ [Galadriel] looked upon Gimli, who sat glowering and sad, and she smiled. And the Dwarf, hearing the names given in his own ancient tongue, looked up and met her eyes; and it seemed to him that he looked suddenly into the heart of an enemy and saw there love and understanding. Wonder came into his face, and then he smiled in answer. He rose clumsily and bowed in dwarf-fashion, saying: ‘Yet more fair is the living land of Lórien, and the Lady Galadriel is above all the jewels that lie beneath the earth!’
12. Merry, Pippin and Sam tell Frodo that they will stick to him
‘It all depends on what you want,’ put in Merry. ‘You can trust us to stick to you through thick and thin – to the bitter end. And you can trust us to keep any secret of yours – closer than you keep it yourself. But you cannot trust us to let you face trouble alone, and go off without a word. We are your friends, Frodo. Anyway: there it is. We know most of what Gandalf has told you. We know a good deal about the Ring. We are horribly afraid – but we are coming with you; or following you like hounds.’ ‘And after all, sir,’ added Sam, ‘you did ought to take the Elves’ advice. Gildor said you should take them as was willing, and you can’t deny it.’ ‘I don’t deny it,’ said Frodo, looking at Sam, who was now grinning. ‘I don’t deny it, but I’ll never believe you are sleeping again, whether you snore or not. I shall kick you hard to make sure. ‘You are a set of deceitful scoundrels!’ he said, turning to the others. ‘But bless you!’ he laughed, getting up and waving his arms, ‘I give in. I will take Gildor’s advice. If the danger were not so dark, I should dance for joy. Even so, I cannot help feeling happy; happier than I have felt for a long time. I had dreaded this evening.’
Quote sources
J. R. R. Tolkien – The Lord of the Rings
J. R. R. Tolkien – The Hobbit
J. R. R. Tolkien, edit. Christopher Tolkien – The Silmarillion
J. R. R. Tolkien, edit. Christopher Tolkien – The Children of Húrin
J. R. R. Tolkien, edit. Christopher Tolkien – Unfinished Tales of Numenor and Middle-earth
J. R. R . Tolkien, edit. Christopher Tolkien – The Lays of Beleriand
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fullbattleregalia · 1 year
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It’s fascinating how different people approach open world games. My SO and I both got Tears of the Kingom on release day. At this point, I’m casually meandering in more-or-less the direction of Rito Village getting distracted by every shiny and shrine in the area. My SO, on the other hand, has decided that caves give his life new meaning and has spent so much time spelunking that I’m worried that his Link is going to turn into Gollum if he doesn’t get that poor boy some actual sunlight soon.
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