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#portrait of the lady on fire aesthetic
vronskies · 2 months
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portrait de la jeune fille en feu (2019)
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hellish-cruelty · 1 year
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Mirror, mirror on the wall, who is the prettiest of them all?
Films in frame - Portrait of a lady on fire, A Fantastic Woman, Dirty Computer
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artfilmaesthetics · 10 months
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cinematic color palettes
portrait of a lady on fire | 2019
dir. céline sciamma
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Prettiest movie 🪽.°♡
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divinity1999 · 1 year
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Inheritance by Erin Slaughter • Portrait of a Lady on Fire (2019) (gif 2) • The Bluest Eyes by Toni Morrison
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carriebradnah · 25 days
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I saw a navy blue bird
Flying way above the sea
I walked on and I learned later
That this navy blue bird was me
I returned a paler blue bird
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annecriedpower · 2 years
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Portrait of a Lady on Fire (Céline Sciamma, 2019)
Anne Carson, Eros the Bittersweet, 1986
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Happy Pride Month
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Ammonite (2020)
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Wilde (1997)
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Dickinson (2019)
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Maurice (1987)
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Portrait of a Lady on Fire (2019)
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Another Country (1984)
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superbeeny · 1 year
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Watching movies about the artistic main characters reminiscing about their tragic doomed loves that happen to be set in France, and here I am fixating on their kitchens and fire light.
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pothospathos · 2 years
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not everything is fleeting
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shreyashisotired · 11 months
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"To be hurt by our own ability to love is a fate that has doomed us Or brought only a few to salvation" - my friend Owais sayed on a random summer noon.
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hellish-cruelty · 2 years
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Céline Sciamma's PETITE MAMAN and Andrei Tarkovsky's MIRROR. (Parallels)
Credits - filmlinc
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sapphireshorelines · 2 years
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Portrait of a Lady on Fire × The Picture of Dorian Gray
[Image ID: "Harry," said Basil Hallward, looking him straight in the face, "every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul."]
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itsmaeav · 1 year
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birchwoodrain · 2 years
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An examination of tenderness in film, by me. Originally published on my now-deactivated art account (cerise.annette on IG) in my sophomore year of high school as a personal project. I have always been interested in the way love languages have been portrayed in media as well as the transition from often violent/tragic love to softness (in terms of queer relationships). But! that kind of analysis will be saved for later, hopefully when I get around to reviewing The Handmaiden (2016). As for now, please enjoy!
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