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#post war modern design
dashalbrundezimmer · 11 days
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mauritiuswall // köln mauritiusviertel
time and again you come across hidden gems of modern architecture in cologne. it's worth wandering through the side streets and discovering them.
immer wieder stößt man in köln auf versteckte kleinode der modernen architektur egal welcher stilrichtung. es lohnt sich durch die nebenstraßen zu streifen und sie zu entdecken.
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the-purest · 3 months
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help girl, im already coming up with valentines day outfits for qphil
I don't know whether or not to go down the cupid route, but it feels dangerously close to stepping on cuteguy territory.
heart shaped phiddies window is mandatory, and maybe maybe a feather boa...
fuck it, in making a qmissa valentines design too. the power couple of the century
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shirozora-draws · 2 years
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Had some thoughts about Luke's wardrobe in ROTJ, The Mandalorian, and TBOBF collide with this delightful post about culture and headcanons (looking at you, fantastic Korean dinluke artists) and with a decision I made regarding the Dangerous Dreams 3quelfic in the works.
The first three rows are designs I intend to use when writing/illustrating The Stars. The man needs some goddamn color and contrast in his wardrobe. The black and white robes, with and without the steel blue-gray tabard, are going to be the default. I stole Luke's TLJ look because imo it would work nicely as a disguise. The third row is for looking casual during a series of scenes at a location. And I resurrected my old Mando!Luke designs.
The fourth row are designs based on two of Padme Amidala's looks (I could not tell you from which PT movies because I have vague memories of the first two and never actually watched the third) with the goal of giving Luke some real color and shine that he can also fight in. They're not the greatest but they make great practice especially when I start designing OCs.
Next up will be Din's designs, because I've been dying to sketch out his various looks for months.
Click here for Din's design sheets.
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inspiredlivingspaces · 7 months
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IG pamelajaccarino - NYC, 5th Avenue @mariefanaganinteriors
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Joseph Eichler’s Personal Silicon Valley Home, California, USA,
Custom-designed for the visionary developer in the early 1950s !
(Joseph Leopold Eichler was a 20th-century post-war American real estate developer known for developing distinctive residential subdivisions of Mid-century modern style tract housing in California.)
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arc-hus · 2 years
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Halen Estate, Berne, Switzerland - Atelier 5
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panicinthestudio · 1 year
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Rewatching Truman Show for the first time in a long time, and the detail that’s stuck with me this time is the set design.
The characters drive modern cars and hock modern products, but it’s all presented with a veneer of 1950s wholesome applecheeked Americana. Truman’s life is presented as an escape for the audience from the drudgery of the modern day, and the aesthetic they’ve chosen for this is the post-war economic boom. This is the simple time, the movie says. This is the good time. Doesn’t the modern day suck? Let’s go back and see our friends from the days when life was good.
And it’s a lie. Truman’s life is a lie, and the image of white picket fenced suburbia they’ve presented is a lie. It’s an elaborate construction to recreate a false memory that’s comfortable for advertisers. The movie is a satire, but it’s also a very blatant statement against the nostalgia for a golden age which never existed. It’s a lie. It doesn’t exist.
I don’t know. I’m spitballing. I’m biased because I despise mid-20th century Americana and I naturally treat it with hostility, but it’s very gratifying to see a movie kind of agree with me.
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arrowarcher · 1 year
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Deck Side Yard
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howtofightwrite · 25 days
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Have you read GRRM books? He claims swords needed to be “especially designed for women’s hands” how true is this?
About as true as all of those, “girl guns.” Because, as you know, a woman cannot hold a Glock unless it's pink or sky blue. Which is to say, not even remotely true.
You might get a situation where a child would be unable to operate a weapon designed for adults because the grip is too cumbersome, but even this is going to be something of an outlier. Even years later the Nicholas Cage's line from Lord of War (2005) sticks with me, when describing the AK he narrates, “...so simple a child could use it, and they do.”
Just like basically any other common grip you encounter in your daily life, from screwdrivers to steering-wheels and cell phones, selling smaller, or more colorful ones, is strictly a marketing gimick.
Now, is a legitimate context, but it doesn't really have anything to do with the wielder's sex. If they had the money, the time, and the desire for a perfect grip, they might commission a smith to produce a grip specifically for their hand. Though, the only place I've ever come across this was in competitive fencing. I have seen cases where someone modifies their blade's grip with tape or other materials to better fit their hand, or the addition of a leather (usually shagreen) wrap over their grip, but even that is somewhat unusual. (Shagreen is leather from a shark or ray, and it grips the skin, making it easier to hold, especially when wet.)
Ironically, girl guns do illustrate the one case where have some weight: Weapons as fashion accessories.
I know I've complained about weapons (particularly handguns) as fashion accessories in previous posts, but the truth is that using weapons like this is not new behavior. In the early modern era, one of the ways the rising middle class liked to display their status was with a sidearm. (In this case, referring to a sidesword or, later, a rapier.) I've looked specifically into women carrying sidearms at that point in history, but it really would not surprise me in the least if they did, and if there were, that at least some of those swords were specifically designed to be more delicate and, “feminine,” per their owner's tastes. (Though, to be fair, a more delicate grip on a rapier would be fairly impressive, as the grips tend to be pretty thin.) This is a case where you might want to look into it further, if it really catches your interest, but I've never really run this down before.
If you're still dubious, feel free to wander into nearly any HEMA event, and you'll have a better than average chance of a woman being willing to prove this idea false with a Zweihander, that may in fact be taller than she is. (Historically, Zwiehanders could be over 2 meters long, and chances extremely good that you're shorter than 2 meters.)
I know I'm regurgitating previous posts here, but it really is worth remembering that swords are much lighter than people think. Zweihanders are some of the heaviest battlefield swords from history, and even the heaviest examples weigh less than 9lbs. Women in HEMA can, and do, use them effectively. Swords aren't about being big and heavy, they're about being a (in this case) seven foot long razor blade.
Since we're on the Zweihander specifically (and this may also apply for some of the other greatswords, such as the Scottish Claymore), this is a case where you might have a custom weapon forged for you. However, in this case, that's more about the right blade length, then worrying about the grip being too thick or too thin. Ideally, you want the blade length to match your height (roughly), this is because of the drills with the weapon itself, though you could adjust to a longer blade if that's what you had.
Now, to be clear, the idea of someone, particularly a noble, having a blade custom forged for them specifically isn't strange. That's something that did happen, both at the noble's request, and also as diplomatic gifts from other nations. Examples of the latter resulted in beautiful art pieces that you would never take into battle.
If you had a situation where you couldn't use a sword because the grip was too large (for, whatever reason), there are ways to fix that. In an ideal situation, you could simply pop off the pommel and grip, and then replace the grip with one that was a better fit to your hand. If the tang itself was the problem (this is the metal core of the grip, and is part of the blade, which the pommel attaches to), you might be able to shave (or file) down the tang, and then replace the grip with a new one, fitted to the now smaller tang. I'm not particularly wild about modifying the tang directly, simply because there is a (minor) risk of reducing the structural integrity of the sword in the process. Though, replacing the grip (especially on a sword with a threaded pommel) is very doable, and unless someone, somehow, screws up catastrophically, it should be a pretty trivial modification. (Again, replacing a sword's original grip with a new shagreen grip does make a lot of sense if the owner wants that improved grip.)
But, to the original question, it's not really a thing.
-Starke
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bethanydelleman · 1 month
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To expand on my girl sad about her arranged marriage trope post, I think the trope can be subverted (woman is happy about arranged marriage) but it can also be done well and without modern sentiments (ew, sex with someone I don't love is yucky/I want to marry for true love/I want to be a GirlbossTM)
For example, princess is sad about her arranged marriage because:
-Her nation and the prospective husband prince's nation were at war five minutes ago and many members of her own family died in the war. The marriage is designed to cap off a peace treaty but what happens if peace doesn't last and she finds herself the queen of a nation at war with her own homeland? If you want real angsty enemies to lovers, the prince himself killed her own brother in the war.
-The nation the princess is marrying into is very culturally different from her own, very far away/a dangerous journey, and she hasn't been able to learn the language. She will be bringing some of her ladies-in-waiting but fears being very homesick in a place so different from her homeland.
-The princess already married for political reasons and her husband has now died. This time she wants to make her own choice because she's paid her dues (there is historical precedent for this)
-Princess has known her future spouse since childhood and was happy to marry him, he died suddenly and now she's being asked to marry his weird younger brother whom she knows well and dislikes.
-Princess is heavily prejudiced against the nation she is marrying into because of racism/xenophobia or whatever but they have a resource her kingdom needs and a baller army, so marriage it is! She overcomes her pride and prejudice as she falls in love with her husband.
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dashalbrundezimmer · 2 months
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avenue de la liberté // luxembourg bahnhof
in luxembourg's bahnhof district, you can see a lot of modern and postmodern architecture. this ensures that you can always discover interesting facades.
im luxemburger stadtteil bahnhof begnet einem sehr viel moderne und postmoderne architektur. das sorgt dafür das man immer wieder interessante fassaden entdecken kann. diese mögen durchaus langweilig auf einen ersten blick erscheinen aber ein zweiter lohnt sich durchaus.
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centrally-unplanned · 3 months
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For a bit of a left-field materialist moment, people have been mentioning recently (due to an ACX post) the fact that people in the ancient world did not have PTSD from war. I think this result is quite robust; war was a nigh-universal part of life for many people, writings about war and its aftermath were the most popular topic of writing around, and we have robust documentary evidence about every other negative impact of war that people did experience. Certainly someone in the ancient world had some equivalent, but if it was at all as common as it is now it would have been discussed, and probably even named and addressed as part of martial culture. Instead its a complete ghost.
I do feel like reaching towards "martial culture" as the explanation is a bit weird though? It plays a role, for sure, I do agree that a society that raises someone to know that killing and fighting is Good, Actually, is going to be better mental prep for said activities. But a lot of societies today, and way more within "modern war" memory, had martial cultures! Virtually all societies fighting in WW1, where PTSD was first widely observed, had very similar values to the Romans; fighting is noble & good, and it is right to kill for your country. Those values just broke down in the conflict itself. And I think this too is giving the past too much monoculture; wars like the Second Punic War or the Thirty Years War had intense levels of population mobilization, which meant they were tapping manpower from every sector of society, and a lot of those individuals or communities had their own values that were less martial (think Jewish communities in Europe, for an example). And those wars don't show much new evidence. That evidence could be lost, its the kind of evidence that would be lost ofc, but it still points in that direction.
And its weird to point to culture when technology seems like the way bigger cause? Its why we called it shell-shocked after all! War in the older days was very concrete and typically concentrated. You marched at more-or-less peace for months, saw an enemy, arrayed for battle, and fought right up against a guy in front of you. If you won it was on your own strength against dudes in eyesight swinging metal; if you lost you ran away or were dead and so don't get PTSD. I can see how this isn't a recipe for flashback triggers, it wasn't that different an environment from your day to day 99.9% of the time. Meanwhile modern war is massively loud explosions, people randomly dying next to you, and in contexts like trench warfare or counterinsurgency its constant levels of awareness for the idea of metal cracking your skull in every direction. And we do get reports of PTSD-style symptoms from earlier WW1-style conflicts like the Russo-Japanese War. I think war-based PTSD is in some part a literal noise issue, and modern war is much louder.
Both probably play a role, but I think technology is the main one. War is now a factory for breaking one's sense of place in the world, almost by design (that works better for killing the enemy), so it really isn't even that surprising.
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survivalove · 5 months
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Katara the selfcare queen
Every canon instance or mention (that i can rmr) of Katara indulging in selfcare in the middle of a war because I find it quite amusing yet fascinating.
I may or may not have made a post like this before but I wanted to expand on it.
1. Skincare routine
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In 1x14, The Fortuneteller, Katara reveals she has a special seaweed lotion that she carries with her for soft skin. (Avatar Extras also made a point of saying that it smells…?) She even offers to get Aunt Wu some, as if she has extra. So my question is, who is this plug that she gets her steady supply of seaweed lotion from? 😭
Real-life: Seaweed has been used in skincare for thousands of years, first recorded in ancient Chile. Nowadays, seaweed extract is pretty common in skincare products especially from emerging brands in Nunavik and Iqaluit, Canada.
My headcanon: This is probably a recipe Katara picked up from the older women of her tribe, so she just plucks some seaweed whenever the gaang stops by a body of water. And she definitely makes it in cute glass jars and shares it with her fellow healers in the Republic City Hospital ✨selfcare queen✨
2. Spa Day
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I just find this funny because when and how did she even find this spa? How long has she been going by herself? Look how comfortable she is like dhjfjcd she’s definitely a regular and they all know her.
Real-life: Saunas are pretty modern, starting up in Finland around 1112. (In canon, I think a firebender and a waterbender run a sauna in Republic City so hey.) Mudbaths on the other hand have been around for centuries and people have been doing it at any naturally occurring hot spring they can found. I don’t even have to tell you about massages so
My headcanon: Katara always knows where the spas and selfcare places are wherever they go. I definitely think she scooped up some stuff at the perfume abbey in season 1 (because she’s a kleptomaniac). I also headcanon she would have a spa setup in the back of Republic City Hospital because selfcare is healthcare too. Also, Aang gives her massages at home and he’s surprisingly good at it, but, Katara sucks at massages and Aang never lets her do it to him after that one time 💀
3. Yoga
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In 3x11, Nightmares & Daydreams, Katara teaches Aang yoga to de-stress in a hot spring. My thing is, when did she learn about yoga and how often does she do it? We needed the Katara yoga mini shorts special. The kids would’ve loved it.
Real life: Yoga originating from ancient India is practised in a variety of forms in Hinduism, Jainism and Buddhism. The poses they do are the Upward Salute and the Wide Legged Forward Bend.
My headcanon: I imagine Katara must have read about this at the Air Nomad Section of the Spirit Library, given the cultural heritage. Knowing her she found a yoga scroll and swiped it (can you say klepto?). This is another selfcare thing she does with Aang because it’s his culture! They do it every Saturday until he starts complaining about his old bones 😅
4. Hair care
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Katara also wears a special cap on her head when doing yoga which I assume is to protect her hair from the steam 🤔 I just found it very interesting since we hardly see her hair covered. Then I also realized Katara is the only character shown actually combing her hair and styling it like 4 times: from the bun-braid, to the formal earth kingdom look, to her fire nation look and finally the bun with her hair out.
Real life: I typed so many things and I finally found something similar called a chinoiserie satin skull cap? (sorry pic limit). It’s similar in design and even has a tassel like Katara’s. Focusing on her hairstyles, the signature “hair loopies” are actually based on a traditional Inuit style known as qilliqti and her earth kingdom look is based on a traditional Manchurian style called liangbatou.
My headcanon: Like Katara’s mysterious seaweed lotion recipe, she probably makes several haircare products for herself, and has a major hair routine. So, it would make sense she wears protective caps from time to time. I also think both Hama and Katara are tied to the myth of Senna, the Inuit sea goddess, through the comb Katara uses which I headcanon is the identical comb Hama had in her home (again klepto).
If there’s any more selfcare moments I left out, please feel free to share or reply with your own Katara ✨selfcare queen✨ headcanons!
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sheetz · 9 months
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i keep seeing that picture of the Chinese railway employee (Han Junjia I believe, if the People's Dailt article I found is the same as the post I'm thinking of) posed in front of a steam locomotive in the 80s when he first started work on the railway side by side side a more modern picture of him in front of a high speed train. i don't think the post is that complicated- it like illustrates the development of china and the rapid transformation of the network and the country. from the 1980s to the current day -but the "before" picture - in the 1980s - is like. not the place where the Chinese state railways started and is worth discussing because it is an impressive development which I'd imagine a lot of the people who see it take for granted.
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the locomotive is a JF class. the class of locomotive which would become the JF was originally designed and built in America and sent to Manchuria to work on the Japanese colonial railways and designated "Mika" or 'Mikako". After World War I, Japan assumed operation of the Sifang locomotive shops built by the Germans during their occupation of China, which was then used by Japan to produce Mikas of the same design as those orders from the United States. After China was liberated by the PLA the railways were recategorized and standardized and the Mika was renamed JF standing for - Jie Fang (Liberation). Spare parts leftover at the Sifang Locomotive Works from the Japanese Occupation at the Sifang Locomotive works were used to produce the first locomotive produced in the People's Republic and the first truly indigenous locomotive - JF no 2101 - which would enter service on railroads run for the benefit of the country and its people rather than colonial powers. The JF would be the backbone of the Chinese railway in the early years of the People's Republic as the railway network grew and the country rapidly industrialized. it was a reliable design examples of which lasted in service for at least 86 years. by 1980 the entire railway network had undergone a drasric transformation compared to just 40 years previously- from one with locomotives built by colonial powers to work on colonial railways to domestically produced locomotives to work on railways which were for the benefit of the country itself and not a colonial power.
even at the time the "before" picture in the aforementioned post had been taken, there had been people who had witnessed a massive and almost unimaginable transformation within the Chinese railway network. who started as employees in Japanese colonial railways or German colonial locomotive works who ended their careers building locomotives in not only a newly liberated country but a worker's state. and i think that's as impressive if not more impressive than the high speed rail construction.
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theresattrpgforthat · 9 months
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i want to destroy the god king and begin an anarchist uprising. culminating in participating in the aftermath building a new world
You and me both buddy. Let’s get started.
THEME: Destroy God
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Dethrone Skeleton God, by emmy verse.
DETHRONE SKELETON GOD. THAT IS ALL YOU HAVE TO DO.
In this gmless role playing game you will set out on a journey to find and dethrone the aforementioned god. You will need some d6s, a d12, and some writing materials.
This game pulls a lot of inspiration from some pretty stellar games, including No Stone Unturned, EXTRACAUSAL, Trophy, and Blades in the Dark. You will play racing against three Fallout Tracks, which track the collapse of the material world, the immaterial world, and the Skeleton God’s Power. When all tracks are full, the game is over, and you narrate how the world ends.
If nobody in your group wants the burden/responsibility of running a game, this game is an excellent option as it is both GM-less and lightweight. It’s only 16 pages long and covers creating location elements and exploring them as a group. Everything is collaborative, so if you’re interested in games that let you come up with a story together as you go, you might want to check out this game.
Dead Gods, by Trollish Delver Games.
After the Cataclysm of Heaven it all changed. Murdered gods fell from the sky, sundering the land and casting their sacred relics about the world. From the woodwork crawl Warcults, scavengers of god-relics to further their own twisted gains. The Eternal seek power over death itself. The Order of the Stars seek relics to unlock god-like omniscience. The Pale Druids imbibe relics to acquire power over nature itself. The Black Maw will create a new, hungrier god under their control. 
Pick up a lovingly-designed weird cult and pit them against your friend in a desperate effort to grab a sacred god-relic in this miniatures skirmish game. Each player will control a number of different kinds of war cult members, and there are 4 war cults to embody in the upcoming skirmish. Great for PvP and lovers of combat, but if you want narrative you’ll want to pick up something else or mostly RP it out. You can also check out Unholy Scavengers, for more relics, more scenarios, more models - more more more!
Karanduun - Make God Bleed, by makapatag.(@makapatag)
Karanduun is a modern Filipino Epic RPG about worthless heroes dismantling God, whatever cycle of oppression that must be.  Inspired by modern Filipino folklore and culture. You play as young heroes who must make their legend known and become a legendary Karanduun by making God (whichever oppressive system and tyrant that is) bleed.
Lovers of Kill Six Billion Demons will probably get a big kick out of this game. The god Batala is already dead, but that doesn’t mean there isn’t room for some rebellion of your own. There are demons, corrupt angels, and other Kings of the Earth to defeat, in a post-American world inspired by the Philippines. If you’re looking for some narrative play, this game has got you covered, with rules inspired by Exalted 1e and PbtA. You can check out the physical version of this game on SoulMuppet’s website!
Skorne, by Dreaming Dragonslayer.
You are renegades, part of mankind’s insurrection against SKORNE who is devil prince, commander of demon rulers and their armies, and the darkness that reigns. Overthrow the evil Tyrants. Free chained captives. Fight to the last man.
Part of the NSR movement, Skorne is inspired by media such as Berserk, MORK BORG, and games like Dark Souls and Elden Ring. The game itself is only 4 pages long, with a really interesting system for character creation. You roll for your abilities and then use their values to determine your starting kit. The language in the game is also great for putting you into the fiction, such as the instructions found for character name choice:
“In the beginning, give thy renegade a name, though it will not save them.”
You want gritty and dire circumstances? You want to kill demon princes? You wanna play a game with random tyrant generation? This is for you.
Extreme Meatpunks Forever, by Sinister Beard Games.
"In the beginning, there was meat. A decaying chunk of flesh from a dying god, hurtling through the void of space, thousands of miles wide. A million eyes, a billion hands grasping for purchase against nothingness itself.  This is where we live.”
EXTREME MEATPUNKS FOREVER is a tabletop roleplaying game where you’ll play as a gang of queer antifascists in a strange place called Meatworld. Spinning through space on the screaming corpse of a dead god under the glow of an absent sun, the people of Meatworld harvest its flesh to make their technology.
Embody your queer rage and kill fascists in meat-mechs in Extreme Meatpunks Forever. A PbtA game, this option is narrative-heavy and allows you to pick from some pretty metal weapons, including (but not limited to) Excellent Seasoning, A Bit Stick What Has Shrapnel In It, and Deathfucker Cannon. In your downtime, you can kiss your friends and work to heal and deal with your trauma. If you want a game that feels metal and also presents you with extremely punchable enemies, this is your game!
Other Recommendations
If you want some more recommendations you can also check out the Attack and Dethrone God Jam on itch.io, or my Revolution recommendation post.
If you’re interested in what happens after you end the world, then I recommend my Post-Apocalyptic Community Building recommendations!
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