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#practice in motion
squidsmeister · 10 months
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dungeon meshi is my favorite road-trip comedy film
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oki-coma · 8 months
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Hiruko the Goblin ✦ 1991 ✦ 妖怪ハンター ヒルコ
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POV: Your co-worker is taking too long to find the autopsy report and he just so happens to look extremely shakeable today
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crow-n-tell · 8 months
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Practice makes you DIE INSIDE AHHH HOW DO YOU EVEN—
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dragonskulls · 5 months
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some grackle studies, truly one of god's silliest birds
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Okay but the way Sonic spun Tails's chair around in his lab in the original universe and it was clearly something Tails was used to him doing, compared to Nine getting jumpscared by the same action and holding his wrench up like a weapon... this show is already getting to me
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unexpectedbrickattack · 7 months
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experimentin w shit heehee
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thatonesubwaypenguin · 2 months
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Oooh! Train guy plushies!! Would you catch them?
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flailingpeanut · 3 months
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some 87 turtles practice
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Manga panel redraw #1: HxH Chapter 94
original panel under the cut
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fizzlo-and-the-cubes · 4 months
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i have a disease its called I Physically Cannot Practice Animation Unless Its a Meme, Fanart or Both
anyway chayanne practice be upon ye
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atomic-chronoscaph · 10 months
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Piranha (1978)
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The Outer Limits | S1.E14 | The Zanti Misfits | 1963
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Huge shoutout to my mother for the questions she'd ask me when I was buying clothes as a child and teen:
"Can you sit down in those?"
"Can you raise your arms?"
"Can you bend over comfortably?"
Really helped me build the habit of evaluating whether an item of clothing is practical enough for my day-to-day life.
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painted-bees · 4 months
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reading through your hinote tags it was interesting to learn that Raf still likes preforming and even misses playing large shows, but avoids getting sucked back into it. As an adult, you'd think he could just return to preforming on his own terms and play any stage he wants. Does a fear of success keeps him away from it? Sorry if this was already explained somewhere and I missed it.
Sssorta haha! He doesn't want to gain too much traction and attract media attention, because it'll inevitably liken his current career/his current self to his past...And almost none of the things he had said about himself, very few of the views he presented in interviews and such, none of it was really him, what he believed, what he liked, or how he, himself, wanted to be perceived. He likes playing the character on stage, but hates the notion of that character following him and being projected onto him in day to day life. On one hand, he doesn't want random people to see him and know him accurately--which is why the stage persona is so great. But on the other hand, the media personality his mother curated is too far removed from his own tastes and sensibilities, that it feels like an ill-fitting skin and makes him physically uncomfortable to be identified as and associated with it. Increased visibility as a performer would kinda force him to contend with that in a way he really would rather not. It's not worth it for him. AND he does not want to attract his family's attention. He doesn't want them contacting him about his career. He wants to be as tiny and invisible to them as possible.
Secondly, and more acutely, though--his symptoms after a show--any show--really suck. He gets nervous leading up to a performance, but it's usually perfectly manageable. He's normally in relatively good spirits about it. Then on stage, he gets a nice little thrill and the feeling of "man, yeah! I need to let myself do this more often!" But then, once the show is over, he's in the backstage bathroom vomiting, and spends the next week struggling to recover from a depressed hangover with 0 motivation, energy, or excitement for anything. He hasn't...figured out how to avoid this extremely consistent pattern. It's weird, because he feels fine during the performance, even if there's a break in between or some such. But as soon as it's properly over, the nerves hit him hard--and once the anxiety passes, he's just an exhausted, deflated, apathetic husk with a very, very low mood about it. That's what kinda keeps him off the stage, and prevents him from doing shows on any kind of consistent basis. He can only really commit to doing them if he's feeling really good about things--and if he can afford the inevitable "crash" week that always follows. If that were less of an ailment for him, he might be more inclined to at least humor the idea of reinventing his persona and returning to musical performance on a more serious/professional/consistent basis. Alas.
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