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#precarious
yogadaily · 3 months
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(via (11) Pinterest  || Curated with love by yogadaily)
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kply-industries · 2 months
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chronivore · 5 months
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howifeltabouthim · 4 months
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. . . I was struck with the usual fear. He was about to leave. I never knew when I'd see him again. Every time could be the last time.
Lisa Taddeo, from Animal
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harvardfineartslib · 1 year
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For National Poetry Month, we want to post Cecilia Vicuña’s “lo precario” work, which she has been creating since the mid-1960s.
“The poem is not speech, not in the earth, not on paper, but in the crossing and union of the three in the place that is not.” - Cecilia Vicuña
Cecilia Vicuña (1948 -) is a poet, artist, painter, filmmaker and activist. Her work addresses pressing concerns of the modern world, including ecological destruction, human rights, and cultural homogenization. Born and raised in Santiago de Chile, she has been in exile since the early 1970s, after the military coup against elected president Salvador Allende. […]
Vicuña’s multi-dimensional works begin as a poem, an image that morphs into a film, a song, a sculpture, or a collective performance. These ephemeral, site-specific installations in nature, streets, and museums combine ritual and assemblage. She calls this impermanent, participatory work “lo precario” (the precarious): transformative acts that bridge the gap between art and life, the ancestral and the avant-garde. (from the artist’s website: http://www.ceciliavicuna.com)
Text for Image 2:
Tunquén
The meeting of sun and bone
Is a path the hand knows how to follow
Dust of orgasmic joy
I laughed, knowing what was first
Vicuña’s exhibition “Brain Forest Quipu” at Tate Modern recently closed on April 16.
The precarious : the art and poetry of Cecilia Vicuña Edited by M. Catherine de Zegher Added t. pg. title: Quipoem Hanover, N.H. : University Press of New England, c1997. HOLLIS number: 990076946700203941
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phdingifs · 2 years
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Just a girl, drinking to forget all the triggering BS tenured men tell me
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fantasy-scifi-art · 1 year
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sleepydrummer · 2 years
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Colmar, France Feerik
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less-ismore · 2 years
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Cecilia Vicuña, Sidewalk Forests, 1981.
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miviajefueradeleje · 1 year
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¿Puede existir la justicia en el ámbito del trabajo digital?
“Most of us like to talk about freedom in the abstract, even claim that it’s the most important thing for anyone to fight or die for, but we don’t think a lot about what being free or practicing freedom might actually mean”. David Graeber
“A la mayoría de nosotres nos gusta hablar sobre la libertad en abstracto, incluso afirmar que es lo más importante por la que hay que luchar o morir, pero no pensamos mucho en lo que significa ser libre o practicar la libertad puede significar realmente. David Graeber
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vazelinacocomix · 1 year
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Labor in small town Romanian factories for global brands and the ramified implications of pushing families to their limits, both in the local frame as well as in the chain of underpaid wages around the E.U.. Link to the article written by Raluca Perneș for the team of Antropedia 🪆 in Romanian 🪑 and 🧹in English 📈 as featured in Lefteast.org. Above, on the left, lies the final illustrated piece (which I am very proud of) from Ecluze pe Bega, a project by Dala and D.proiect, which included a big ass map as well as a presentation booklet.
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marikraushaar · 2 years
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Start of my new insta comic series, work title: *Precarity* Please note that this is a work of fiction and any similarities to real persons, places or events are purely coincidental. #comic #instacomic #precarious #bullshitjobs #narracióngráfica #graphicnarrative #precariedad (hier: Precariti) https://www.instagram.com/p/CgKSUUtDsiM/?igshid=NGJjMDIxMWI=
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shescherry · 3 months
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instantaneousjourney · 3 months
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A precarious but cool cupcake display
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howifeltabouthim · 2 years
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How could she have become so blindly attached to what she could so suddenly and so completely lose?
Iris Murdoch, from The Philosopher’s Pupil
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harvardfineartslib · 1 year
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Cecilia Vicuña created this work in Bogotá, Colombia on September 26, 1979 to protest the distribution of contaminated milk. Vicuña staged a street action by tying red yarn around a glass of milk. When the yarn was pulled from a distance, the milk spilled onto the street. The following poem was written on the sidewalk in front of the home of Simon Bolivar:
A Glass of Milk
“The cow Is the continent whose milk (blood) is being spilled.
What are we doing to our life?”
The precarious : the art and poetry of Cecilia Vicuña Edited by M. Catherine de Zegher Added t. pg. title: Quipoem Hanover, N.H. : University Press of New England, c1997. HOLLIS number: 990076946700203941
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