Prehistoric Barbed Bone Hunting Tools, Ashmolean Museum, Oxford
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2,300-Year-Old Plush Bird from the Altai Mountains of Siberia (c.400-300 BCE): crafted with a felt body and reindeer-fur stuffing, all of which remains intact
This artifact was sealed within the frozen barrows of Pazyryk, Siberia, for more than two millennia, where a unique microclimate enabled it to be preserved. The permafrost ice lense formation that runs below the barrows provided an insulating layer, preventing the soil from heating during the summer and allowing it to quickly freeze during the winter; these conditions produced a separate microclimate within the stone walls of the barrows themselves, thereby aiding in the preservation of the artifacts inside.
This is just one of the many well-preserved artifacts that have been found at Pazyryk. These artifacts are attributed to the Scythian/Altaic cultures.
Currently housed at the Hermitage Museum.
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What a surprise - more neolithic stuff. Making these things is very therapeutic, burning splinters and arranging shards into something. Picking broken stupid little things and building portals. Recreating the oldest motif in the history of paint.
I guess you can call my genre 'overly emotional about pebbles'
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Ichthyosaur
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Damn Tubbo you gotta stop dying you know 😒
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Hey! It's that vintage model kit I bought, stripped the decades-old enamel paint from, and repainted!
Details and more pix on my Pillowfort
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do you think that prehistoric humans making cave paintings had any idea that people like them would see their art long after they're gone
I kind of think they must have, right? I mean, I doubt they could've predicted people seeing their art thousands of years later, I don't know if they could've grasped that sheer scale of time, but one of the earliest things ancient people were aware of was mortality, they must have at least known "someday, i will be dead, and there will be people who will be alive after me, and they might visit this cave." I mean, that's part of some the purpose of art, isn't it? the element of posterity and longevity? you see that a lot in art and literature, the idea of achieving immortality through art because even if you die, your art will outlive you and continue to influence people's lives long after you're gone. i don't know if that's what prehistoric people had in mind, but maybe they thought at least a few generations ahead. maybe when they held up their children to put handprints high above their heads, they thought that someday, their grandchildren might come to that same cave and see how small their parents' hands once were
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‘Proto-Story XIII’ Artwork (Watercolour, Salts, Inks and Digital Art), Spring 2022.
This artwork is part of a series of piece inspired by UK prehistory.
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I got a little too into Prehistoric Planet. Have a just-about-life-sized Mononykus!
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I can't seem to get away from the dragon and dinosaur fabrics
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Prehistoric Mirrors from Turkey, c.6000 BCE: these are the oldest manufactured mirrors in the world, dating back about 8,000 years; they were meticulously crafted from pieces of obsidian
Two of the obsidian mirrors from Çatalhöyük (Turkey); this pair was found buried together back in 2012
At least eight of these obsidian mirrors have been found at Çatalhöyük, a Neolithic site located in Turkey. All of these mirrors date back about 8,000 years, and each one was crafted from a chunk of obsidian (volcanic glass) that was knapped into the shape of a disc and then meticulously polished with progressively finer abrasives until a smooth, slightly convex surface had been developed. Some of these mirrors can still produce remarkably clear reflections.
Sources & More Info:
The Archaeologist: World's Oldest Mirrors Found at Neolithic Çatalhöyük Site
Çatalhöyük Research Project: Archive Report from 2012 (PDF download)
Çatalhöyük Research Project: Main Website
The Past: Cyber Archaeology, How 3D Modeling is Unpeeling the Neolithic at Çatalhöyük
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A tiny Triceratops!
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