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hooked-on-elvis · 3 months

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ELVIS interviewed during filming of 'Change of Habit'

— AMONG OTHER THINGS, YOU'LL LEARN ABOUT HOW ELVIS DID SOME IMPROVISATION IN HIS LINES FOR THE MOVIES AND HOW SELF CONSCIOUS HE WAS ABOUT HIS OWN FILMS

Filmed on location in the Los Angeles area and at Universal Studios during March and April 1969, Change of Habit was released in the United States on November 10, 1969.

Elvis Presley On Set: You Won’t ask Elvis Anything Too Deep?

Elvis talks, but he doesn't say much

BY WILLIAM OTTERBURN-HALL HOLLYWOOD – The notice outside the big grey double-doors was simple and to the point. SET CLOSED, ABSOLUTELY NO ADMITTANCE. You find notices like this outside a lot of film studios, and they tend to have a certain elasticity. This one, outside what looked like an aircraft hangar but was actually Stage D at Universal Studios, meant it. Inside, Elvis Presley was filming. And where Elvis goes, the barriers go up as if some sinister germ warfare experiment were being carried on within. Like a suckling infant, he is swathed and coddled against the realities of the world outside, as if he were made of rare porcelain rather than hewn from good old-fashioned Tennessee stock. But this day he was on show. I had been given the magic formula. The secret open-sesame known only by its brand name of “Colonel Parker’s Okay” had been handed me. The doors swung wide, and I was in. They say Colonel Parker is the man who built Elvis from the erotic gyrating days of the swiveling Pelvis through 14 long and fruitful summers to his present status, by pushing and pulling his protege through the tricky cross-currents of pop music taste. I wouldn’t know. I had asked to see him, this onetime Texas fairground barker, to thank him for the green light. But he was always somewhere else. In his office at Universal, over at Metro, down in Palm Springs, in Las Vegas to lay the trail for the next live show... always somewhere else. No matter. Who needed Colonel Parker when Elvis himself was alive and well and filming? The Publicity Man who escorted me as close as if he were handcuffed said proudly: “I’d like to work with him again, he’s so sweet and uncomplicated. I was surprised you got through – no one’s talked to him yet, you know. There must have been a good breeze blowing.” The good breeze continued to blow as far as the set. A mauve-walled pad with kitchen adjacent and a king-size bed visible through half-drawn yellow curtains. Elvis sat at a table, staring at his hands, while three mini-skirted girls, Mary Tyler Moore, Barbara McNair and Jane Elliott, scurried around with trays of food.

L-R: Mary Tyler Moore, Jane Elliott and Barbara McNair.

The film is about three nuns who pose as nurses to “identify with the people” in a Negro ghetto in New York. The title is Change of Habit (yes, it is) and stars Elvis as a medic who falls for one of the nuns. Elvis is wearing a paint-stained blue denim shirt and tight blue jeans. He looks relaxed and affable and rather meatier around the jaw-line than one remembers from previous films. Marriage (back in May 1967 to Priscilla Beaulieu) is obviously agreeing with him. His eyes have that smoky slow-burn of the old-time movie vamp. He seizes a guitar and strums a few chords. It’s the last week of shooting, and like the good days between exams and the end of term.

The atmosphere on the set is hip and loose, full of leather-clad youth and clever in-talk. The director is thin and intense, wears a check shirt and gym shoes, and is called Billy Graham, which is going to look interesting on the posters of a swinging nun. Elvis produces some dialogue. He is never likely to win an award as an actor, but he knows what the kids want and he gives it to them. The girls are talking about a party. The cameras turn. Elvis says: “You get a lot of people down here on a Saturday night, and all the old hates come out. Before you know it they’re bombed out of their skulls and you’ve got World War III on your hands.”

The scene is this one below. NO, it was not cut out during the editing of this movie.

Earth-quaking stuff. But this simple homespun philosophy is off-key. “Bombed out of their skulls” wasn’t in the script. And the director isn’t too happy about it. “It’s a good line,” says Elvis. “Okay, okay,” says Billy Graham. The line stays. Maybe it will come out in the cutting room, but it’s there for now. “The whole thing is downhill,” says a technician. “He don’t talk to anyone, except his own friends.” There is no sign of tension, but then Elvis has nothing to be tense about. He can go on churning out the same thing for another decade, and they’ll still queue to see it. If he’s over the top, as some unkindly souls occasionally try to make out, he doesn’t seem bothered. He is 34 . . . Raised in Memphis . . . Once a truck-driver, stumbled into records, took the world by storm as the original snake-hips . . . Now lives in cloistered seclusion in a colonial mansion near Nashville, with a Rolls, a solid gold Cadillac, a wife, a daughter (Lisa Marie, aged one) and several bodyguards for company . . . Has made 29 films, grossing 220 million dollars at the box office, and sold more than 200 million records.

Elvis Presley and director William A. Graham on the set of Change Of Habit (Universal 1969) between takes.

Elvis heads for his trailer in the far corner. A group of friends (known in some quarters as the Memphis Mafia) close around him like a football scrum after a loose ball. The code-word is given. I am beckoned over. The good breeze was still blowing. “You won’t probe too deep, will you?” The Publicity Man asks anxiously. “This is just an informal chat, that’s the deal. So keep it light and airy, okay?” Well . . . okay. I checked my notes. Does Elvis fly high on acid trips? Does he see himself as a prophet for the new generation? Does he think his style is too square? Does he have any sexual hang-ups? His marriage altered his attitude to life in any way? Does he kick his cat? Does he have a cat to kick? What are his views on pop, religion, hippies, demonstrators, Vietnam? Stuff like that. No, I wasn’t going to probe too deep. In the dressing room Elvis shakes hands in a firm grip. “This is Charlie, this is Doc.” Two small, burly men light leather jackets and open-neck shirts rise and shine briefly and subside again. The trailer feels a bit crowded.

Elvis Presley on the set of Change Of Habit (Universal 1969). Mary Tyler Moore, Elvis and director William A. Graham share a joke between takes.

Elvis talks. He speaks slowly and carefully, and puts a lot of space between his words. “The film? Uh, well . . . it’s a change of pace for me, yeah. It’s more serious than my usual movies, but it don’t mean I’m aiming for a big dramatic acting scene, no sir. The way I’m headed, I want to try something different now, but not too different. I did this film because the script was good, and I guess I know by now what the public goes for." “Most of the scripts that come my way are all the same. They’ve all got a load of songs in them, but I just did a Western called 'Charro', which hasn’t any songs ‘cepting the title tune. It did have a couple of nude scenes, but they’ve been cut. Anyhow, can you imagine a dramatic Western where the hero breaks out into song all the time?” He has said plenty, and now he leaps to his feet, hands flashing to imaginary holsters, and sings in a deep drawl: “Go for your guns . . . you’ve got ’til sundown to get outa town . . . ” It could be the start of a promising sketch. The others follow suit, singing, clowning, all on their feet. If this is the Memphis Mafia, they’re a friendly bunch.

Elvis on set of 'Change of Habit' (Universal 1969) talking to fans.

Elvis sits down, and everyone stops singing. He eyes himself in the dressing room mirror. “I don’t plan too far ahead, but I’m real busy for a while now. I’ve got a date in Vegas, and maybe another film after that. Then I’m going to try to get to Europe, because I’ve always promised I would and I’ve got some good, faithful fans over there.” Slow-talking Elvis may be. But he certainly isn’t the slow-witted hick from the backwoods his detractors make out. If he is, then he’s a better actor than they give him credit for. Get through to him, and you find a pleasant, honest, not-too-articulate hometown boy who has been protected for his own good from the hysterical periphery of his present world. The party was warming up. Elvis cracked a gag. Charlie cracked a gag. There was a call from the door. Elvis was wanted, and the good breeze was still blowing as he made for the set, one hand on my shoulder. Charlie and Doc were all smiles.

Elvis and his manager, Colonel Parker, on set of 'Change of Habit' (Universal 1969).

“Okay?” said the P.M. “You did real fine.” "Well . . . not quite." I said. "This Colonel Parker, would he be around for a word later?" Elvis stopped in his tracks. The P.M. went a whiter shade of pale, and whispered something to a friend. The friend nodded in sympathy. “I must tell you about an experience I had like that once,” he said, eyeing me as if I’d just crawled out of the woodwork. Elvis said: “I think he’s in Palm Springs. I’m not sure...” He hurried off. The P.M. said: “Don’t let’s push our luck any more. We never trouble him for too long a time. You should be very happy. You had more than anyone’s had in years.” Somewhere along the line, unaccountably, the good breeze had dropped. This story is from the July 12th, 1969 issue of Rolling Stone.

Source: www.rollingstone.com

#elvis presley #elvis movies #change of habit #mary tyler moore #barbara mcnair #jane elliott #1969 #60s movies #1969 movies #elvis articles #elvis interview #rolling stone magazine #vintage articles #vintage magazine

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babydoll-888 · 2 months

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Pleeaaase I need rocknroll friend,text me !!

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ask-darius-brando · 3 months

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Dr. Kyle had taken a moment to doze off. This was not a good idea at all, obviously, considering he had a loaded shotgun, but the months of stress were visibly aging him. [ask-a-guard-dog]

Arden hadn't moved an inch within his own cell as of now, even when the doctor was sleeping.

#(the foundation’s devil) arden presley #(see all) Dr Kyle #stone ocean #post stone ocean #ask

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rocknrollbabydollblog · 10 months

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★☆THE ESSENTIAL ROCK N ROLL STYLE GUIDE (PART 1)★☆

Second-hand, thrift and vintage stores are your best friend - especially the aisle that no one can find and the corners that no one is bothered to rummage. First priority is to choose a rock muse style icon. Pattie Boyd’s cut-crease makeup, perfect pout and psychedelic mini skirts, Marianne Faithfull’s thick bangs and love for velvet and snake-skin, Pamela Des Barres’ wild locks and clown makeup, Anita Pallenberg’s chunky belts, hot pants and huge sun hats, Bebe Buell’s 70s cover girl waves and backless halters, Linda Keith’s fur hats, Ginger Gilmour’s golden ringlets and lace bell-bottom sleeve tops, Mary Austin’s skinny scarves and bohemian prints, May Pang’s octagonal sunglasses and straight jet black hair, Linda McCartney’s classy midi skirts, Lori Maddox and Sable Starr’s spandex shorts, wedgie platforms and crazy hair, Charlotte Martin’s baggier effortless Parisian style, Alice Ormsby Gore’s bohemian layering and flowy midi skirts, Jenny Boyd’s medieval-esque dresses and peasant-style, Iggy Rose’s eye crystals and makeup, and of course Miss Priscilla Presley’s perfect feline Egyptian cat-eye, black hair and ivory complexion. Groupie rock muse style ranges from where you’re going to who you’re seeing. If you’re offering your boyfriend arm candy at his Album Launch, you’re not going to be wearing the same pair of hot pants and lace-up boots that you did at his last concert. And if you’re lounging around in the studio at 12am, you’re not going to be wearing that glam paisley dress you wore backstage on tour. Groupie style is all about knowing what to wear and where to wear it. Gigs and concerts will call for a more flamboyant, and ‘out-there’ look. Style staples for concerts and gigs include hot pants, knee-high boots, snake-skin, fur coats and of course afghan coats, chunky jewelry, face gems and body glitter, halter tops and mini skirts and dresses. This is very similar to festival style if your rockstar boyfriend is playing there - however, more flowy and bohemian styles are more welcome and especially face gems and body glitter. Sun hats, lace-up gladiator boots and sandals, and peasant maxi dresses and blouses.

Stay tuned for part 2 where I will be discussing style staples for album launches and recording sessions.

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elvismentions · 1 year

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Cunk on Earth S01EP05

#elvismentions #elvis #elvis presley #beatles #rolling stones #cunk on earth #philomena cunk #mockumentary #tv show #year: 2022 #2020s #screencaps

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bilbao-song · 5 months

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only five more days to sign up for secret rocker santa!

ㅤㅤㅤ❅ ❆ ❅ more info | FAQs | updates ❅ ❆ ❅

do you enjoy any music from the 50s, 60s, 70s, 80s, or 90s? want to make new friends who share your taste in music while participating in a fun, easy, seasonal activity?

➜ sign up here!

sign-ups close november 28th! if you would prefer to sign up without leaving tumblr, copy the form here and paste, fill out, and submit here.

happy holidays! ❆

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ifelllikeastar · 8 months

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Jimmy Reed was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. "Baby What You Want Me to Do" is a blues song that was written and recorded by Jimmy in 1959. Jimmy influenced other musicians, such as Elvis Presley, Hank Williams Jr., and the Rolling Stones, who recorded his songs.

Mathis James Reed died August 29, 1976 at the age of 50.

#jimmy reed #love #music legend #blues #vocals #harmonica #guitar #elvis presley #the rolling stones #black lives

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sincerely-angel1 · 16 days

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Rating My Obsessions/Hyperfixiations:

(Going to try going oldest to newest but it might not go so well bc #traumablocking)

2019/2020 (can’t remember):

My Hero Academia: 1/10 (it gets one point for being my first ever hyperfixiation, but I was a foul human being during this time of my life)

The Chronicles of Vladimir Todd/Vampires: 7/10 (I’m sure if I went back and read these books now, they would be subpar and honestly childish, but at the time, I loved them with every fiber of my being, and the memories associated are good so..)

Death Note: 1/10 (Ew I’m foul. I’m a foul creature. I deserve to be put down.)

Dr. Stone: 4/10 (I honestly remember jack about this show but it gets a 4 for being anime.)

Undertale: 5/10 (This game made me happy for awhile, but it was introduced to me by an ex best friend, so it’s getting a solid 5.)

Detroit Become Human: 6/10 (Minus points because of the time of my life this was during, but this game is an absolute masterpiece <3)

Hellsing: 5/10 (The obsession was unhealthy, but this one was pretty great too. Now, it’s sort of a sore spot, but at the time I was living the dream.)

BATIM: 9/10 (This hyperfixiation is honestly older that what I’m giving it credit for, but it’s going here because I don’t have a category for before 2019. Anyway it’s pretty great. It came back in summer of 2023 when I finally watched Dark Revival, which I liked better than the original <3)

FNaF: 8/10 (High score because this is one of the only hyperfixiations that has lasted so many years and can still bring me joy. It’s also older than I’m giving it credit for. Now, Was I cringe about it at some point? Definitely. Do I care? No.)

DSAF: 10/10 (I might be jumping the gun by giving this one my first 10, but I absolutely love this game. It’s only ever brought me joy, to this day I still love it, I based so many of my usernames and characters on it..and just ugh, I love it Fr.)

Jojo’s Bizarre Adventure: 7/10 (Admittedly, I haven’t stayed that up to date on it, but I love this anime. It doesn’t have that many bad memories and it’s just, great.)

Dialtown: 8/10 (In the same boat as DSAF but it didn’t bring me AS much joy. I still love it though and honestly I need to finish it.)

Hamilton: 5/10 (At the time, again, I loved it, but now it’s honestly one of my least favorite musicals.)

Borderlands: 7/10 (oh god to experience this game again for the first time would truly be a beautiful experience. Although I was cringe with it for awhile and this wasn’t exactly the happiest time of my life when I enjoyed this..so..)

LA Noire: 8/10 (I honestly loved this game, it was a big turning point in me and my brother’s relationship, and I remember staying up late on countless nights playing or watching him play it.)

Curses Cosplay/The Acklam Ashes: 9/10 (This creator doesn’t make content like this anymore, no hate at all they have their reasons and I still love them, but this YouTube show was a pivotal point of my life and I love it so.)

2021:

Creepypasta: 2/10 (Low score just for the sake of the fandom, and the fact of who I was associated with during this period of time.)

Marble Hornets: 6/10 (Was I cringe? Yes. Absolutely. But this show is so amazing I’m willing to put that aside. I’m also rating this separately from creepypasta for obvious reasons.)

WitchCraft: 5/10 (I had a whole witchy thing for awhile? It was mostly just tarot cards and shirts with the phases of the moon on them.)

DND/Divinity Original Sin: 10/10 (I have zero bad memories with either of these. My love for fantasy and DnD was awakened by playing Divinity Original Sin 2 with my older brother, and then that stemmed into more love for fantasy and the genre in general.)

SCP: 8/10 (This hyperfixiation is somewhat still alive? Not really, but I do still enjoy some occasional SCP content. It’s not a higher score because this was 8th grade year and that’s embarrassing.)

The Glass Animals: 9/10 (Less of a hyperfixiation, more of just, man they made some banger music.)

Elvis: 6/10 (Literally what was wrong with me. For awhile I only listened to music from this era, especially Elvis, and forced my family to buy me a bunch of Elvis merch I didn’t need.)

Noir: 6/10 (Okay so, this stemmed from the above mentioned LA Noire earlier and basically was a time period of my life where I was obsessed with watching old detective/murder mystery movies from the 20s. Honestly, they were bangers. But also, wtf was I doing.)

Tv Heads?: 5/10 (I had a weird thing for robot TV heads for awhile? It’s hard to explain honestly.)

Queen: 7/10 (Another one of those weird band obsessions I guess. This one was definitely bigger than the glass animals.)

2022:

Good Omens: 10/10 (Absolutely love. Loved it then and I still love it to this day!! Holding out for season 3 Fr 💪)

Clover: 7/10 (not many people know what this is, so for context it’s an electroswing album by OR3O. I loved it at the time but it doesn’t hit as hard now.)

Phantom of the Opera: 10/10 (Another 10. This wasn’t technically the first musical I ever watched, but, it was the start of my love for musicals and broadway. And it’s just a great musical Fr.)

Ghostbusters: 7/10 (If you asked me why I suddenly had a ghostbuster hyperfixiation during this time, I couldn’t tell you. But they are iconic movies so…)

The Steve Saga: 8/10 (I had watched FavremySabre several years before, but never this series. Anyway I loved it, still love it.)

Supernatural: 7/10 (A bit of a lower score because I was cringe, and my obsession with Castiel was unhealthy. Not to mention Supernatural isn’t exactly the best show on Netflix? It got dull later on, but..did I watch it start to finish anyway? Yeah. Absolutely.)

Twisted Rainbow: 10/10 (FavremySabre Masterpiece.)

Doctor Who: 6/10 (Two words. Season 13.)

Ghost: 6/10 (Low Score because I can’t stand to listen to them now, and because it’s associated with an ex bestie. But. Can’t lie. They had some bangers.”

Steam Powered Giraffe: 4/10 (Also associated with an ex bestie. They’ve got some good music but I don’t listen to them anymore.)

Mushrooms/Indie: 7/10 (This one was a bit odd but it did result in me redecorating my entire room to match this aesthetic.)

2023:

Faith The Unholy Trinity: 10/10 (Awesome Game, honestly one of the first things that sparked by interest in religious media, so points for that.)

The Exorcist: 9/10 (An odd thing to hyperfixiate on, I know, but this was also a result of my growing love for religious media.)

Mandela Catalouge: 6/10 (This was an odd one. I, at the time, had this raging fear of analog horror in general, so watching the Mandela Catalogue was sort of like..immersion therapy in a way. But it’s a pretty good show none the less 🤷‍♀️)

Be More Chill: 5/10 (Loved at the time, but low points for having been introduced to me by an ex bestie.)

Every Man Hybrid: 8/10 (A certified banger. Genuinely one of the better takes on the Operator and the whole creepypasta fandom in general. It’s great fr. Highly recommend.)

Grease: 4/10 (Ew. I’m only putting it here because I was in a production of it, and it was kind of a part of my life, but also, ew.)

Greys Anatomy: 8/10 (A banger show, but it doesn’t get a 10 simply because of how long it is.)

Slipknot: 7/10 (I don’t love who I was while listening to this band, but that’s kind of just something metal music in general will do to you.)

Aliens: 10/10 (This was short lived but strong enough to have bought a “I Want to believe” poster and hung it up behind my bed.)

Beacon Pines: 10/10 (Amazing game, very underrated. Also resulted in good bonding time with my brother.)

Gravity Falls: 9/10 (Another Amazing series that I’m probably a little cringe for. Whatever. It’s awesome.)

2024:

Ace Attorney: 9/10 (I eat, breathed, and slept this game series for months. Nuff said.)

The Ocean/Sea Animals: 9/10 (if I could keep an orca as a pet, I would.)

Midnight Mass: 10/10 (HOLY GOD. Another one of my favorite bits of religious media out there. It’s not exactly prime catholic propaganda but it’s not meant to be either.)

Baldurs Gate 3: 10/10 (This game brought back my DND era, which was much needed. I’d been without fantasy nonsense for a long time and I was ready for it.)

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666angelsforever · 3 months

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lana del rey for rolling stone magazine (2014)

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ourladyofomega · 4 months

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hit-song-showdown · 1 year

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Year-End Poll #16: 1965

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Sam the Sham and the Pharaohs, Four Tops, The Rolling Stones, We Five, The Righteous Brothers, Petula Clark, The Beatles, Herman's Hermits, Elvis Presley, The Temptations. End description]

More information about this blog here

A lot of heavy-hitters are coming at us in 1965. Beatlemania is still going strong, continuing their rise from "famous" to "cultural milestone". Fellow English rock band, The Rolling Stones, would also explode in popularity and success around this year. The two bands were often pitted against each other for the title of commander of the British Invasion -- leading up to this poll. We're all part of history today. Rock and roll itself is starting to evolve more in the mainstream, favoring a harder, almost messier sound that would have been too intense for previous (white) audiences. Hard rock, blues rock, psychedelic rock, and garage rock will come to define the genre at this moment in time.

R&B is also having a huge moment this year, especially the music coming from the powerhouse record label: Motown Records. I talked about the significance of the label briefly in the 1964 post, and like The Beatles and Elvis Presley, there's so much behind their history that I feel intimidated to talk more. But without going too much into it, Motown Records is also notable for the image they sold along with their records. Everything from the artists' sound, to their looks, to how they carried themselves in public had to exude class and sophistication. Here's a link to an interview with Maxine Powell, the finishing instructor who worked with many of these artists. While brand recognition played a major role in this (as Motown became something of its own genre in addition to being a record label), this image was essential for crossover appeal. The music of Motown may not have been overtly political at this time, but it was still monumental in normalizing Black artists and business owners in mainstream white spaces during the height of the 60's Civil Rights Movement.

There's another major historic moment I want to touch on here, but its impact won't be seen on the polls until the next one. 1965 marks the year when American ground troops first entered Vietnam. President Johnson would demand for the monthly draft to double, conscripting 1,000 men every day. Those who are at least somewhat familiar with American pop culture already know why I'm bringing this up in a music poll. But the people who think that American music about the Vietnam War was all Creedence and Dylan may be surprised. See you all in 1966.

#billboard poll #billboard music #tumblr poll #1960s #60s music #1965 #sam the sham and the pharaohs #four tops #the rolling stones #we five #the righteous brothers #petula clark #the beatles #herman's hermits #elvis presley #the temptations

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