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#progressive house release
umusicrecords · 1 year
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landgraabbed · 1 year
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sometimes you gotta take in the lil details
#non sims#i'll come up with a skyrim tag#in my tes era again#(always i just go sleeper agent on it ig)#still in my modding skyrim era i'm sick so that's not v conductive to me actually playing morrowind so this is what i've been doing#sad bc nammu made some good progress he joined house redoran he's actually level 3 and somehow keeps invading every vampire tomb#(i run away bc i cannot deal w that right now)#his slave bracers finally broke off <3#i'll compile some screens and post tomorrow maybe#i truly am the people todd coward thinks about when bethany esda is concocting the latest installment of weird ass lore told through#environmental storytelling and esoteric books and an open world crafted with meticulous detail cursed with bugs up the wazoo#but yeah modding skyrim is being surprisingly fun after i figured out mod organizer#i have bookmarked some mods that require me to regen lods dyndolod or whatever it's called but i'll do that at the end#at least in morrowind that's how i do it#i did my engine fixes my bug fixes my graphics and sounds overhauls my model replacers enb landscapes and now my cities and locations mods#armor next and then i'll start overhauling combat#i'm gunning for dark souls like bc that combat style suits me rly well and i always hated melee in skyrim#(re: armors sforz i looked at your imitations previews and i'm in love i'll have fun experimenting w/ them i owe u my life)#but yeah...... 99% of my skyrim experience has been in ps save for a brief moment i pirated it on release on my shitty laptop i had then#it's been wonderful to actually mod it
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disease · 5 months
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UNDERWORLD | DENVER LUNA [EDIT] | 2023
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red-dyed-sarumane · 18 days
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what are some cool games u have played? dont matter if u mentioned before. tell me again tell me again :D
uhh hmm.
well okami is my all time favorite the art & the music & the message/story are all just incredible theres not a single time ive finished it i havent cried. i absolutely adore ryoshima coast ive spent so many hours just running around there to listen to music. which fun fact for u i only know about this game bc in about 6th grade i picked up okamiden bc i thought the little doggy was cute & was like fine i'll play as this boy if i get a cool dog and u cannot imagine how excited i was to find out u DID play as the little dog. i was SOOOOO obsessed literally my exact thoughts were 'if issun is ammy's celestial envoy then i am going to be chibis' i have a metric fuck ton of fan art i did at the time bc i thought it was quote "the epic-est game for ds ever" also cried every time i finished it. i was 13 so i didnt know what "being down bad" was but do know i was as obsessed with kurow as i was with d-ne later and now tenshi not a single irl friend was unaware i was in love with him. also fun fact for u bc at the same time i was also getting super into vocaloid i was so convinced my vocap name would end up as chibiP to the point i named myself that in pkmn x chibiP after chibiterasu of course. please enjoy my banger old art which is not even a fraction of my output
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yume nikki is my next favorite game specifically the og that changed my brain chemistry as a kid. i adore that game so much its hard to put it into words. its just so unlike anything else. there is absolutely nothing in the game that can directly harm u theres no real health meter theres no way to die during the main play the absolute worst that will ever happen is u get stuck or woken up. in a horror game. which is already just amazing. and the whole horror aspect just plays on something i dont think is often done as well in many other things. ur alone. u wander and wander thru worlds that loop and connect and seemingly have nothing to do with each other. theres no dialogue; talking to npcs just gets u a noise or animation at best. ur entirely alone with just urself. its all dreams so u know everything is of madotsuki's own creation, another layer to the all u have is urself feeling. the art is just unusual i cant even say any of it on its own is in anyway scary. the whole thing shouldnt be scary and yet every time i start wandering in a world i cant help but feel unease. amazing 10/10 no other game will ever have what this gave me.
everyone knows i play pkmn the best is still pmd sky that also rewired my brain i still cant play it without crying.
its been a long time since i was really just playing it as the chapters released & got translated but 1bitheart is so so so important to me too. i dont kin for multiple reasons but if i did nanashi would be my first choice. like- without saying that to her i got my one irl friend to play once & when she saw how nanashi was she turned to me and went "this is just you" hes very important to me even now. absolutely loved the whole friendship sim & the story & its twists & the endings & their implications left me in shambles at 1 am on a school night. my fave charas are nanashi enri & saaya btw. i should replay this.
i also love the etrian odyssey series i love the character portraits (esp with the more recent games' color customization) i LOVE the dungeon art & i think all the monster designs are so cool. adore the whole make ur own map aspect keeps me so entertained to take a step & look around & chart all the walls & path ways. unfortunately i fucking suck at every single one i am not very good at strategy games so i end up stuck at or before the 3rd stratum. but thats okay its still fun to me.
the other one i'll talk about at length is spirit of the north another game i loved the art of. u play as a fox & get a partner spirit fox & i just love it SOOOO much. its also a game with 0 dialogue but theres A Lot going on it if u care to follow along & explore & dig into details & the game play is also pretty fun to me. this is the one game i started learning the speedrun btw thats also a very fun way to play it but ABSOLUTELY play it as intended first it has so much to offer
aaaand special mentions to omori, oneshot, witch's house, mermaid swamp, corpse party, & limbus company
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ruinedholograms · 1 year
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左うでの夢 = Hidari Ude No Yume = Left Handed Dream
BTTB
We Are The Works In Progress
Plankton
async
Async - Remodels
To The Moon And Back
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timeisacephalopod · 11 months
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I found my degree in my moving stuff and I used to think displaying them was kinda tacky but I actually really appreciate that time in my life however flawed some of it was. It's kind of the basis of how and where my beliefs and worldview went, so fuck it despite my ugly ass legal name on it I'm going to display it probably in my room lol. No need to hang it in more Public space that's still kinda tacky to me (no hate to anyone who does that I mean I have an honors degree it's a lot of work the amount of words I'd put into course ending essays. I think my third year I wrote 12, 000 words just in final essays so like out that fuckin degree up this is a Personal Thing not a judgement of anyone else!!)
Also the more I unpack the more space I realize I have, which is fantastic because my place is quite small but since I'm used to considerably smaller it's a fuckin joy to spread out. I can already feel my stress levels decreasing having a room. This will be a huge improvement to my sleep hygiene 🥰🥰
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djnastydeluxe · 1 year
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The Electronic Advance & DJ Nasty Deluxe - Apollo (Paul Hamilton Remix)
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luuurien · 1 year
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♥ GOJII ♥ - CURRENTS
(EDM, Progressive House, Future Garage)
On their latest EP, Gojii explores future garage with an unexpected lushness, warm synths and peppy vocal samples driving their club-ready EDM tunes to peak euphoria. CURRENTS’ short length and uniform sound cuts some possibilities short, but what’s here is wonderful nonetheless.
☆☆☆½
Over the past few years, Gojii’s dream-infused dance music has made for some of the most entertaining and purely fun electronic music to grace the underground, primed for club listening with its sturdy drum programming and explosive synth leads but hiding a subtlety and sweetness  if you knew where to look. Their latest EP, CURRENTS, continues that hot streak with four more delightful garage jams, a short but uplifting listen where Gojii’s neon synths and thoughtful builds make both some of their best songs to date and another exciting, if brief, look at what a full album from them might look like in the near future - their music has changed quite a lot since 2020’s All My Heart, and seeing how each subsequent EP after it built off it only makes what they’ve done on CURRENTS that much more of a thrill. A brightly-hued mix of progressive house, melodic house, and the bubblier sides of garage and techno, CURRENTS’ party-ready sound doesn’t discount much of the complexity and depth Gojii’s music has taken advantage of since the start, slick breakdown sections and subtle but deeply felt changes in the drum programming keeping the EP fun all around without sacrificing the unique celestiality their music often has. BLOOM’s speedy techno groove and bouncy synth leads are great on their own, but it’s how they chop up a vocal sample and throw different synth arpeggiators in ways as the song slowly builds up to its glittery end section that makes the song so memorable and rewarding to dig into on repeat listens. There’s a similar sense of movement to VANISHING POINT and EVENT HORIZON, the former’s darker synth pads and heavier presence bringing a lovely thickness to the song even in its loudest moments while the latter’s pulsing arpeggiators and massive final minute of trance madness finds a perfect balance between trance euphoria and smoothly layered EDM bliss, intense enough to put you under Gojii’s spell but with a warmth and sweetness to it the whole way through. They know what makes their music click, and few moments on CURRENTS don’t take full advantage of Gojii’s marvelous production and ear for groovy dance tunes. There’s still a sense of fullness missing from their EP’s that simply can’t be matched by a full-length release - I can only imagine how wonderful a full album of BLOOM’s and EVENT HORIZON’s might be - but CURRENTS is a smashing success for Gojii regardless, another collection of bubbly dance tunes with as much vigor as they have complexity, the detailed inner workings of their prog-EDM fusions of garage, footwork, juke and more technically impressive and always a delight to listen to. At its core, CURRENTS is a collection of fun, joyful dance songs, and it’s impossible not to let that into your heart.
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flunkett · 2 years
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sTOP MAKING HORROR CHARACTERS SEXY MONTGOMERY GATOR IS MEANT TO BE SCARY WHYD THEY MAKE HIM HOT!! IF U WANT US TO FEAR A CHARACTER DONT MAKE THEM ATTRACTIVE WITH BRIGHT COLORS N ABS N SHIT MAKE THEM LIKE THAT ANGEL BITCH FROM MANDELA CATALOGUE I DONT WANNA BE CHASED BY SOMETHING I WANNA GET CAUGHT BY
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Can't wait till next week is over so I can show the progress I've made for my senior thesis
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umusicrecords · 2 years
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endotwrites · 3 months
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simon introduces a new woman to his daughter
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thinking about simon who already has a little girl and somehow stumbles across you one day. your relationship with him progresses over the months of date (which his daughter helps him get ready for) and when he finally brings you to his house for a home-cooked meal, you can’t help but fall in love with his little one. although simon is apprehensive with the introduction of a new woman in his life, this clearly isn’t a shared feeling as his daughter is by your side the entire time you’re there. she is overwhelmed with questions - some you have to look at simon to clarify if you can answer - but the lack of malicious intent makes it a breeze to reply.
watching you grab your bag to leave only makes her cling to you more, pleading with you stay a little longer or even the night. when simon has to explain that you’ll return soon, she gives you one big hug to end the night.
as the door clicks shut behind you, simon can only release a massive sigh of contentment from the amount of love that was shared tonight and how much more there is to come.
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disease · 5 months
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PASOCOM MUSIC CLUB // SPORT CUT TELEMATIC VISIONS THIRDKIND MIX [FINE LINE: REMIXES, NOV 2023]
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ruben-sahun · 1 year
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RUBEN SAHUN feat HOMBRELOBO - GARGANTUA (Animal Label)
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ruindunburnit · 1 year
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The 5th draft/edit for NoHoper Part I is done! This ambitious little Death Note and House of Night crossover may yet see the light of day!
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libraryofgage · 9 months
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I realized Steve is absolutely that kid whose parents put him through piano lessons solely so they could have another way to show off at parties and shit. And then that thought morphed into a little Steddie plot bunny and here we are lol:
Steve doesn't know it's the last time he'll sit at the grand piano, the last time he'll press down its keys and let music fill the empty room before bleeding out into the empty house.
He doesn't know that when his parents next come home, his mother will notice how horribly out of tune the instrument is. He doesn't know that it will be sent off somewhere for repair (his parents won't tell him where, no matter how he asks, and he'll never quite understand why) and lost to him. He doesn't know his parents won't bother buying another one; it was only ever there to impress party guests when Steve sat down and played some Bach. Without those parties, company or otherwise, there's no point in getting another one: both the piano and Steve will have outlived their usefulness.
He doesn't know that he'll be storing away his sheet music, carefully placed into folders and in a waterproof box for safekeeping. He doesn't know that he'll soon become too consumed by high school and dating and monsters to idly write down notes on a staff. He doesn't know that when he's swinging a nail-ridden bat in the future (to destroy monsters, sure, but destruction is destruction, right?) he'll ache with the pain of missing the act of creation as a means of stress relief.
He doesn't know any of that, so Steve sits down at the grand piano with a soft smile, gently trailing his fingers over the keys before lining them up in the Middle C-position. He runs through a few warm-ups, letting muscle memory take him away, so he doesn't have to think. Without another thought, he seamlessly transitions into idly playing, bits and pieces of everything he remembers and songs he's heard blending together.
Mozart's Air morphs into Beethoven's Fur Elise into Queen's Bohemian Rhapsody. It doesn't all sound good together, but that's not the point when Steve plays by himself. All that matters is letting his brain shut off for a bit, letting the notes and echoes mingle together to create something new and joyful.
After two hours on the piano, his wrists are aching; he always forgets to hold them in the proper position when he plays alone. But it's a good ache, one that reminds him of the music still dancing around in his brain.
Steve takes a deep breath and slowly releases it, feeling the last of his tension dissipate. He lets his hands linger on the piano for a little longer before standing and leaving the room, tragically unaware of his imminent and unavoidable loss.
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Steve is sprawled across an old couch in Gareth's garage, reading Eddie's well-loved copy of Lord of the Rings. He'd promised to at least give it a go, and he had to admit he was looking forward to finally understanding some of the references Hellfire Club and the kids make. His progress is slow, but he's almost halfway through after two weeks of work. Reading while Corroded Coffin practices helps; the background noise of their music is perfect, letting him ignore all other sounds and focus.
Of course, that's provided they actually play continuously instead of starting the same song over and over only for Eddie to stop them halfway through. When it happens for the sixth time, Eddie growls in frustration, tugging harshly at a lock of hair. "It still sounds wrong!" he cries, dropping into a crouch while cradling his guitar close.
"Stopping us halfway through isn't helping," Gareth points out, idly twirling a drumstick as he watches Eddie's lament.
"Do you know what's wrong yet?" Asher asks.
Steve can longer focus on Lord of the Rings. Instead, he places the book on his chest and looks at the band to watch how this plays out. Eddie scowls and looks up at Asher. "Unfortunately, Ashy Baby, no."
Jeff, meanwhile, has locked eyes with Steve. And because Jeff knows the perfect way to get Eddie off their asses is to get him on Steve's instead, he says, "Why don't you ask Harrington what he thinks?"
Eddie whips around to look at Steve, eyes wide and hopeful. He doesn't even bother standing from his crouch, instead waddling his way over to Steve and testing his ability to hold back laughter at the sheer ridiculousness of the sight. "Stevie, baby, sweetheart, lover boy, please tell me that wonderful brain of yours has an idea so your favorite boyfriend can finish this rocking song."
"You're my only boyfriend."
"Which automatically makes me your favorite," Eddie points out, grinning as he leans closer. With Steve still laying down, Eddie's the perfect height in his crouch to kiss him. He lingers for a few seconds before pulling away, and Steve knows his own smile matches the dopiness of Eddie's.
"Have you considered adding a piano?" Steve asks.
"None of us know how to play," Asher says, and Steve would look at him if Eddie's face and hair and shoulders and everything weren't filling his entire line of sight.
Without thinking, Steve hums and says, "I do."
"Do what?" Eddie asks.
"Know how to play piano."
There's a silence that follows his sentence, one that makes Steve's stomach lurch as he wonders if he's maybe fucked up the shaky peace and friendship he's finally managed to build with the other members of Corroded Coffin. He doesn't know how his words might have done it, but he's scrambling to somehow take them back when Eddie slaps a hand over his mouth, the bands of his rings pressing against Steve's lips.
"Gareth, you still got that keyboard?" he asks, keeping his eyes locked on Steve. There's a light dancing in them like he's just discovered magic is real, like Steve has amazed him beyond imagination.
With a grunt, Gareth gets up from his drums and steps into his house. The rest of them stay in silence while waiting, Eddie refusing to remove his hand no matter how much Steve licks his palm. When he finally gives up and just glares at Eddie, his boyfriend grins brightly back.
"It's a little dusty, but it'll work fine," Gareth says when he comes back, and Eddie finally moves his hand and body, allowing Steve to see Gareth setting up a keyboard a few feet away from his drums.
"Okay, sweetheart," Eddie says, taking the book from Steve and carefully setting it aside before pulling him off the couch, "you've heard the song enough. Play what's missing."
Steve hesitates before walking over to the keyboard. Eddie sticks to him like a shadow, sliding his arms around Steve from behind once he's standing in front of the white and black keys. An odd nervousness churns in Steve, tugging at his spine and making his palms clammy, but he knows it would be much worse without Eddie there. If he had to play in front of the band without feeling like anyone was on his side, he'd probably just throw up instead.
"It, uh, it's been a while," he says quietly, easily falling into the muscle memory of tracing the keys and finding Middle C and dancing his fingers through warm-ups despite his words.
Eddie squeezes him tighter as Jeff asks, "Since you've played? Why?"
Memories of his grand piano rise in Steve unbidden, overwhelming him in a rush of longing for the instrument itself and the relaxation of playing. "My parents paid for lessons and had me play at company parties. They, uh, sent it off to be tuned, but it got damaged, and they didn't get another one."
"That sucks, Stevie," Eddie murmurs, soft and reassuring and Steve suddenly feels far more confident.
He looks up at Jeff. "Can you start playing again?" he asks, flashing a grateful smile when Jeff nods and starts strumming the song's opening notes.
Steve listens closely, breathing in the tune he's heard so many times and letting it take hold. He doesn't allow himself to actually think, letting Jeff's guitar and Eddie's arms and hair and scent drown out everything else. Before he knows it, he's playing a hesitant tune that grows with confidence as he follows the song laid out before him. He's always a measure behind, chasing the guitar's echoing notes as they fade.
He and Jeff make it through the whole song without Eddie telling them to stop. When the final notes of guitar and piano echo together, the latter still chasing the former even at the end, Steve is shaking with excitement and anxiety and grief and joy.
He lets out a slow breath, feeling tension he didn't even realize had lingered for so long finally draining from his shoulders and dissipating. Steve can also feel Eddie's face pressed against his neck, a smile searing into his skin as Eddie squeezes him even tighter.
"I love you so fucking much, Stevie, that's exactly what was missing," Eddie says, his words the only warning he gives before pulling Steve away from the keyboard and off his feet and spinning him around. His surprised yelp quickly morphs into laughter that still lingers even after Eddie has set him down again.
Gareth and Jeff and Asher have already started discussing how the other parts of the song might change with the addition of a keyboard, but Steve is too busy turning in Eddie's arms and kissing his smile away to pay them any mind. He can worry about inevitably being roped into the band's practices later, after he and Eddie are breathless and flushed and smiling bright.
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