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#pulls on the hEART SO MUCH
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Honorary appreciation post for this mentally exhausted sweetheart.
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intotheelliwoods · 9 months
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them. Take them. The sillies
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wasyago · 7 months
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oh boy, what are we doing to do with you now...
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sketchy-tour · 7 months
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Okay listen I got distracted while working on my ask doodles. BUT LISTEN THIS IS SO SELF INDULGENT cause I was listening to an early 2000s playlist on spotify and realized... Reboot Wally would so be a blink 182 fan. And you SO know he would sing that mess at karaoke. A dork. I love him.
Reboot AU belongs to @/bloodrediscream (Man I do not need to tag them for just my silly doodles.
I WILL HOWEVER tag @kawaiialeisha because I feel like you'd appreciate this
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caycanteven · 9 months
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Him. The legend himself.
Rex is hot as fuck, all I gotta say. Anyway thank you sweet moot fren @tenderribcage for lettin' me go ham sobbing uncontrollably
also sorry for double ping, i fucked up the first time, was staring too hard at the skeleton.... QvQ
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gummi-ships · 10 months
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Kingdom Hearts 2 - The World That Never Was
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uhbasicallyjustmilex · 3 months
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♡ handwriting analysis: alex turner and miles kane ♡
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as promised, here is the analysis my wonderful friend (who used to work as a professional handwriting analyst) did of miles and alex's handwriting! a couple of important points to read before you dive in:
my friend analysed these blind - to avoid bias, she always makes a point of never knowing whose handwriting it is she's looking at, so she had no idea that these samples were from alex and miles while analysing them (not that it'd have made much difference if she had, she can't even name one am song lol)
she stressed that her analysis should NOT be taken as fact - it's just one person's interpretation of the material, and handwriting analysis is ultimately always subjective
the two analyses below are based on notes i took while she was talking and is pretty much verbatim - none of the wording is my own and i have changed as little as possible in typing it up
she noted that it was harder to provide a full and accurate analysis just working with photos of handwriting, as you can't see things like pressure on the page etc. she also stressed that context is significant when it comes to interpreting someone's writing, and it's important to bear in mind that how someone writes in one context, e.g. signing autographs or writing something for the general public could show quite different characteristics to how someone writes in another context, e.g. personal letters to someone they're close to. in an ideal world she'd have access to samples from a different range of contexts to provide the most detailed and accurate analysis. in other words, this analysis is quite rough
alex's handwriting:
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(samples taken from roughly 2011 - 2018)
block capitals suggest this is someone who don't want to show themselves, makes it hard for people to reach them
someone interested in thoughts and ideas, would engage with these in a way that's intelligent and very original
a lot of emotional and social inconsistency, suggests someone pulled in different directions. they might show very different sides of themselves with different people and probably have complex and/or conflicted feelings about identity
very creative, someone who'd make interesting and unusual connections about the world around them
highly intuitive but also lacking harmony from an emotional perspective. lots of internal emotional conflict and changeability
someone who fluctuates a lot socially as well as emotionally - might go from being quite sociable to withdrawing completely. ultimately struggles to reach out socially and holds back a lot, but there might be certain situations or people they feel particularly at ease with where this is different
really hard to read, don't give much of themselves away
thoughtful and enquiring, interested in ideas
someone who feels things very strongly
signature:
implies someone hiding themselves or presenting as someone they're not. they want to look confident and exciting, but they're actually much less confident that they'd like to appear. lets their creative and artistic tendencies hide them and take centre stage.
miles's handwriting:
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(samples taken from roughly 2022 - 2023)
a little sharp, could suggest humorous wit and/or being critical (either of self or of others)
ambitious and incisive, intelligent and enquiring mind
fearful or wary about opening up and reaching out to people, emotional inconsistency. potentially quite restrained - looks like someone used to hiding a lot of hiding of emotions
has an enquiring mind but isn't particularly interested in abstract thought, more grounded in reality and social/emotional things
someone with strong feelings, they get held in and confused. could be warm and open on a surface level, but looks like they'd be reserved about their innermost feelings
could be sharp tongued to avoid dealing with their own feelings
lower zone suggests someone who might not be completely comfortable in their own body and/or sexuality, or have a complex relationship with these things
someone with a tendency towards strong feelings and devotion/worship (could be religious, or could just be to do with the way they relate to people or ideas)
signature:
someone who wants to look more confident they feel. sense of changeability and flashes of insecurity, but ultimately suggests strength of character, not someone who's a pushover. they know what they want and what matters to them.
interesting extra notes:
the wonderful @ballad-of-what-could-have-been managed to find this sample of alex's handwriting not in capitals from when he was much younger (from what i can see, it looks like it was early fwn era):
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so i showed this to my friend too (after her analysis of alex's usual writing) and noted that it was probably done when he was a lot younger. she said that all her points from the original analysis still stood, and that despite the fact this writing isn't capitalised it was actually still very hard to read and definitely someone not comfortable with showing themselves. she also said that it was more emotionally conflicted and uncertain than the later sample of their handwriting. the phrase "emotionally all over the place" was used, and she noted a greater sense of inconsistency with identity. overall though she said the earlier sample confirms that this is someone with a high level of intuition and originality, and she said they're someone she'd be fascinated to have a conversation with!
thank you for reading! if you have any questions, please feel free to comment/drop me an ask and i can always pick my friend's brain again the next time i see her!
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chaosxcrushed · 12 days
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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zu-is-here · 1 year
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cupid
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poorly-drawn-mdzs · 1 year
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Late Night Talking
[First] Prev <–-> Next
#poorly drawn mdzs#MDZS#wei wuxian#lan wangji#This scene had massive 'we are the only two people still up at the sleepover' energy#thought let me set the record straight; wwx doesn't open up in the scene. He fully deflects#Nor does LWJ play with ants B*(#I wanted to merge the two scenes a bit that's all#My OG script was a bit funnier but it broke continuity so rip (i.e: wwx outright stated 'remember when YOU...' in reference to the ants)#also rip to lwj saying 'hey U up?' like he's texting his crush. I hope the spirit is still there#We all know lwj sticks to his 9pm bedtime no matter what#and wouldn't be traditionally texting on a cellphone#He wakes up at 4:30 am to go for a run#gets home at 5:30 to use the lan household computer to go on his shared google doc with wwx and comments 'are you still awake?'#cause lets me real. wwx might also keep a steady sleep schedule but at least he *can* pull an all-nighter#Can you imagine lwj at a sleepover? I admit to being the kid who went to bed and woke up 3-4 hours before the others#you either get fed up and wake someone else up for enrichment - or plan ahead to bring a book - or Walk Home#I fully missed out on all that deep heart to heart stuff. I usually was the one to go 'guysssss we are gonna get in troubleeee go to sleep'#wait this is too much sleepover talk I need to talk about wwx in the last panel. It's a mix of panic and pride.#He's just at the beginning of realizing this guy has changed a lot in 13 years#gonna be a while before more comic pages get posted but they're ready to go in the queue!#(I'm still posting other stuff daily though!)
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aldoodles · 1 year
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This part in book 8 never fails to make me cackle
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ragnarokhound · 29 days
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((you don’t have to do both if you don’t want to, you can consider this one a back up / alt))
“If you don’t know where to go, you can always come here.” 💞
From this writing prompt list i reblogged in...november lmao fljdsjfa
anyway this grew legs and sprinted away the second I picked it up yesterday - clearly it just needed some time to proof lmao. Thank you for the ask, tauria!! From *checks watch* almost 5 months ago fjdslafjsa I will be cross-posting it to Ao3 in my new oneshot collection fic :)
Warnings for: Vague allusions that Ra's Al Ghul is a creep (what else is new), threats of gun violence, canon-typical violence
15. “If you don’t know where to go, you can always come here.”
When Tim arrived in Gotham this morning, he had no way of knowing that his day would end in Jason Todd’s bed. 
Frankly, he wasn’t really sure what bed he’d end up in— because his own certainly wasn’t an option right now. But If he had to pick, Jason Todd’s was somewhere near the bottom of whatever list he’d make.
He didn’t exactly plan on this, okay? 
But, uh. Let’s back up a little.
Tim knew his day was going to go to shit when he got back from the airport at 7 AM.
He had his driver drop him off two blocks away from his townhouse for the sake of caffeine at the hole in the wall place he likes. Wealthy CEO he may be, but a sixteen hour flight is still a sixteen hour flight and Tim is cursed with an inability to sleep in the air. 
Don’t ask. He’s tried. It doesn’t work.
So he wants coffee, and he wants a shower, and he wants his own bed. In that order.
With the first thing on his list acquired and blessedly burning his tongue, he managed to tug his brain cells together enough to realize that the building they’d passed that had been shrouded in tents and canvas was his building.
"What's going on here?"
The worker outside his building looks up from her clipboard, her face wrinkling into apprehensive confusion.
"Hello, sir. Can I help you?”
He hasn’t slept in roughly seventy two hours. He is not awake or patient enough for this.
“My name is Tim Drake. I own this building. What’s going on here?” He repeats.
The woman raises her eyebrows and looks down at her clipboard again. “Mr. Drake?” She questions, clearly expecting him to look like a grown-ass man and not a sleep-deprived college student coming home from spring break or whatever.
“Yes. Timothy Drake-Wayne. Why are you—” he tries to gesture with the hand still holding his suitcase handle, walking towards the tarps and tents erected around his townhouse with increasing trepidation, “—here?”
“I’m sorry sir, but you can’t go in there. Not for at least forty-eight hours.”
Tim stops in his tracks.
“Forty-eight—?”
“We've been scheduled to fumigate the property today.” She says it like she’s reading it out of a handbook. “It won't be safe to enter the building for at least forty-eight hours. You should have received prior notice. Uh. Sir.”
Tim's jet-lagged brain kicks into overdrive. 
Bruce hasn't made any disappointed noises about Tim’s perfectly normal work ethic lately so it probably wasn't a misguided attempt at benching him. And besides, rendering Tim’s apartment inaccessible is counterproductive on that front. 
Dick wouldn’t. They haven’t been exactly— great, lately but he wouldn’t. Besides, if he wanted to get Tim out of the house more, he’d show up to drag Tim out into the daylight himself. This is a little too roundabout for him.
It’s too much work to be Steph. She would think it’s funny, but there’s no way she’d follow through.
Damian might, but this doesn’t quite fit his preferred methods for making Tim’s life hell. It could be some cloak and dagger maneuver to leave him vulnerable, faking a complaint to the city so he’ll—
And then Tim thinks about the call.
The call he’d brushed off at fuck o’clock in the morning somewhere over Europe, too busy with another project. The call his secretary took for him instead. He thinks about the distracted confirmation he’d given to whatever it was she’d asked him about five minutes later. 
He also thinks about the form he signed about two weeks ago, before this last minute trip to Hong Kong had consumed his entire attention. The one with “Two Weeks Notice” stamped across the top. His stomach sinks.
“Today,” he repeats.
She looks apologetic. “Today,” she confirms. “And we just started about an hour ago. I’m very sorry, Mr. Drake-Wayne but—”
"No it's—" he says through gritted teeth, "fine. I'll just. Make other arrangements."
He does not make other arrangements. Though not for lack of trying.
Tim has a handful of safehouses scattered throughout the city. He has options. He gets a taxi to the closest neighborhood, and nearly falls asleep in the backseat. The cabby has to knock on the glass divider to get his attention when they come to a stop. He grumbles and hauls his suitcase out of the backseat, and tips the man excessively.
Shower. Bed. Sleep. He’s so close he could cry.
Except when he finally rolls around the block, coffee half gone and trying to remember if this safehouse is the one with in-unit laundry or if he’ll have to haul his shit down to the laundry room, his building is a blackened husk with police tape all around it.
He stops on the sidewalk. He peers up at the window of his unit, squinting at the peeling black wood and shattered glass. He ponders whether two is enough data points to be considered a pattern. And whether he could get away with napping in the alley on this street or if that’ll end with him stabbed and robbed.
As he’s pondering, he catches sight of a passerby and stops him.
“‘Scuse me,” he says apologetically. “What the hell happened here?”
The guy looks up from his phone and takes in his rumpled clothes, his suitcase, and the scorched remains of his apartment.
“Oh, uh. Yeah, there was a big fire about a week back? Bad fire. Took out, like, half the block. Cops are saying it’s arson.”
“A week ago,” Tim repeats. The guy’s eyes widen.
“Oh shit, bro, did you live here?”
“I’ve been out of town,” he explains numbly.
“Dude, that sucks. And right in the middle of con’ season. Good luck finding a hotel!”
“Yeah,” Tim sighs as the guy walks away. “Thanks.”
The next safehouse he tries isn’t in much better shape. 
He remembers hearing about Freeze going on a rampage a few days into his trip, but he hadn’t realized another one of his places had been caught in the cross-fire. The cold burst the pipes, and now the whole place is undergoing renovation.
He hears all this from the crotchety old lady who lives in the next building over (her building needs renovation too, but will the city pay for it? Of course not, they weren’t ‘directly impacted by disaster’ so they won’t see a penny of relief funds even though their pipes are on the same line. Typical) and when he finally extricates himself from the conversation, it’s almost noon, his second cup of coffee is long-since empty and he’s at the end of his goddamn rope.
By the time he sees his next safehouse, he isn’t even surprised anymore.
“Does God hate me?” He asks the boarded up building. “Is this a punishment? What did I do? What the fuck did I do?”
He is 99% sure at this point that someone is burning his bolt holes. There’s a short list of people with the resources and the intel to do it, and while he’s not above ruling out the likes of Damian just yet, he seriously doubts anyone wearing a bat is behind this. 
Besides, Dick would have noticed by now if Damian were sinking this many resources into convoluted covert ops designed to make Tim suffer. Definitely. Probably.
Fuck it.
He goes around the back and hops on top of his suitcase to reach the clunky camera watching the back entrance. This building is on the shittier side, closer to Crime Alley than his other haunts; cameras break all the time around here. He’ll have it replaced after he’s a functional human again.
Reportedly, this building was tagged for ‘high toxicity levels’—  which is pretty typical for any building where fear toxin or Joker gas are found in any amount. They must have found a lot to condemn the whole building, but Tim is confident he’ll be fine. The airborne shit dissipates to safe levels within hours depending on the ventilation. If it was in the air, it’s long gone. Anything else needs to be injected to be effective.
Once the camera’s busted, he kicks out the boards and heads inside.
He drags his suitcase in after him, and mourns the shower he probably won’t be getting. The hall lights are out, and chances are the water’s been shut off along with the electricity. But at this point, he simply does not give a shit. All he wants are four walls and a mattress.
Leaning on the door to his floor to make it open, he stumbles out into the hallway—
And catches sight of the glistening curved dagger stabbed into the wall next to his door, the hilt gleaming green in the sinking sun.
“Nope,” Tim says, spinning on his heel and going back down the stairwell double time. “Nope, nope, nope.”
He is now 100% certain that the League of Assassins has been burning his bolt holes. Ra’s al fucking Ghul can eat his whole ass.
Seven blocks away, Tim sits on the sidewalk in front of a bodega and contemplates a third cup of coffee. The shittiest one yet.
See, here’s the thing.
The thing is, he has options.
He could go to the Manor. Or the penthouse. Or to Steph’s place. He’d have to answer some unnecessary questions like ‘Master Timothy, you know you can’t sleep on aircraft, why didn’t you sleep before your flight’ or ‘Tim, why didn’t you come here first, you know you can still come to me if you’re in trouble, right’ or ‘why did you agree to fumigate your fucking house, you loser, lmao’. (Stephanie is not going to let him live this down). 
He is absolutely certain that he would be welcomed in any of these places and after a completely undeserved amount of fussing, he could take a fucking nap and someone else would deal with the League bullshit for him.
And that’s the thing. There’s the rub.
No one should have to deal with the League bullshit for him. This is his problem. He’s not in a hurry to bring them down on anyone. Not even Damian.
With grim resignation, he reaches for his phone to try and find a hotel room (during a con’ weekend apparently, RIP) and maybe get a fucking handle on this whole stupid thing, when he hears:
“Hand over your wallet!”
He lifts his head slowly and finds himself looking down the barrel of a gun. A gun held by some guy wearing a ski mask in broad fucking daylight. There’s another guy next to him who’s watching the street. There’s a third guy somewhere behind him who he can’t see, but he can hear the scuff of his boots.
Sure. Why not. With the day he’s had, this might as well happen. He holds up his hands placatingly.
Tim contemplates his muggers. The guy with the gun is jittery, probably new to this, or hopped up on something. He keeps glancing between Tim and the bodega behind him, so they were probably planning a run on the till. Might have chickened out, or thought Tim was an easier target, an unexpected meal ticket plopped right in their path. Or they were already inside when Tim sat down, which wouldn’t bode well for his situational awareness seeing as he just came out of there himself.
The grinding gears of his tired brain keep getting caught on the fact that this is happening in the middle of the fucking day. Tim glances at the street corner and bites his cheek in frustration. Yeah, he’s smack dab in the middle of the Alley. Figures.
“Are you deaf or somethin’ man?” The guy with the gun is saying. “Hand over your fucking wallet!”
The other guy doesn’t seem as crazy-eyed. He’s nervous, though. He keeps looking around like he’s expecting Batman to materialize, to come whistling down the street like a beat cop.
“Dude, come on, it’s not fucking worth it,” he says, grabbing at the gunman’s shoulder. “We got the money, let’s fucking go.”
The third guy kicks over Tim’s suitcase. “Yeah, come on, Don, let’s just grab this shit and bounce.”
Tim can’t do anything. He’s not Red Robin right now. He’s Timothy Drake-Wayne, CEO of Wayne Enterprises, and he’s getting mugged in front of a bodega at two in the afternoon in a rumpled suit and tie and still toting his suitcase from his early morning flight. 
His hands are trembling from unspent adrenaline, too much caffeine, and not enough sleep. His eyelids are the heaviest they’ve ever been in his godforsaken life. His ears are ringing. He could knock all three of them down in less time than it takes to tie his shoelaces. But he can’t.
“Shut up, Johnny, look at him shaking! What’s he gonna do? If he doesn’t wanna get shot, rich boy’s gonna hand over all his fucking shit!”
“Hey, let’s just—” Tim tries to say.
Stars explode across his vision as Tim takes a punch he genuinely wasn’t expecting. He stares up at the blue sky for about half a second, more confused than anything else, before the gunman grabs him by the front of his shirt and hauls him up to shout in his face.
“What’s it gonna be, pretty boy?!”
Caught on the exhausted edge between vigilante training and the preservation of his identity, Tim is frozen. He doesn’t know what to do. He kind of wants to cry.
“Gee, Donny, what is it gonna be?” A fourth voice says, full of false cheer.
Tim blinks. So do the muggers. 
He knows that voice.
“Who the fuck—?” The gunman drops Tim, spinning around and into a fist. He tumbles down to the ground, out cold.
Everything happens pretty quickly after that.
Jason Todd is in civvies. He’s sporting a worn out looking hoodie and a pair of jeans that have seen better days. But his heavy boots are the same ones he wears for his uniform, and the kick he delivers to Johnny’s face is all Red Hood.
Almost in a daze, Tim watches him fight with the usual mix of seething envy and raw desire that rears its ugly head any time he gets to see Jason in action. He’s fast, decisive. Efficient. Beautiful. Tim wishes he had Jason’s skill. And he wishes— 
Well. He wishes a lot of things about Jason Todd.
Tim is pretty sure he and Jason are friends. Maybe. Probably. They’ve pretty much moved past the whole “replacement”, “zombie-dickhead” part of their relationship and have graduated to occasionally providing backup on ops that overlap in each other’s sectors, ganging up on Dick when they’re all in the same room, and maintaining a surprisingly steady stream of vigilante gossip to keep each other in the loop. 
So, ok, yes, due to the aforementioned, he’s pretty sure they’re friends. And also because Jason wouldn’t have stuck his neck out for him otherwise. He would have just let him get mugged.
Watching Jason fight is one of Tim’s favorite pastimes. But right now, Tim’s usual appreciation is soured by the gut-roiling embarrassment of being caught in this position by Jason of all people. His eyes itch. His cheek throbs. He’s so fucking tired.
“Hey, little stalker,” Jason says suddenly, holding out an expectant hand in Tim’s face. The muggers are groaning on the ground around them. Tim isn’t sure when that happened. He might have zoned out. “Did you know that you had a stalker for a change?”
Tim flushes. “I resent that. I haven’t stalked anyone in years.” He takes the hand. It’s warm, and calloused, and big around his.
Jason laughs at him and yanks him to his feet. “Liar.”
Tim’s mouth twists into a scowl. He tries to glare at Jason, but he can feel himself swaying and Jason still hasn’t let go of him, and it’s ruining everything.
Also, lowkey, Jason is right. But in his defense, it is literally their job to stalk people, so.
“I haven’t stalked you in years then. Just other guys. Bad guys. Not non-bad guys. Fuck. You know what I mean. Whatever.” He pauses; recalibrates. “Had?” He asks.
Jason’s eyebrows inched higher and higher the longer Tim talked. Tim doesn’t blame him.
“Yeah. Had.” 
So much for the League, Tim muses.
Jason gives him a once over before tugging decisively on Tim’s wrist, easily grabbing the handle of his suitcase and starting to walk with both in tow, to Tim’s rising horror. 
“You’re coming with me, shortstack. What’s wrong with you? Are you drunk? You look like shit.”
Tim tries to yank his wrist out of Jason’s grip, but the asshole doesn’t budge. “I’m not drunk,” Tim snaps. “I’m fine. I’m just. I’m just… really tired.”
Jason stops abruptly, and Tim stumbles into his shoulder.
“I can see that,” he says, steadying Tim with an amused but ultimately sympathetic look. He loads Tim’s suitcase onto the back of a motorcycle that Tim literally just now noticed. 
God, he’s fucked. And not even in a fun way. 
“C’mon,” Jason says. “Don’t fall asleep on the way over— road rash sucks ass.”
They don’t talk on the way to— wherever Jason is taking them, but once they’re parked in a random garage and walking towards the elevators, the game of twenty questions begins.
“So why’ve you got League assassins after you, anyway? Piss in a lazarus pit? Push over the baby brat on the playground?”
“Ra’s al Ghul wants my body,” Tim says, dejected but resigned to this bizarre fact of his life. “Since I was seventeen, I’m pretty sure.”
Jason wrinkles his nose. “Ew.”
“I don’t think it’s a sex thing? But it could also be a sex thing.”
“Again. Fucking ew.”
“Yeah. Also I blew up a bunch of his shit and I think he’s still salty I got away with it.”
“Is that why you weren’t at the Manor?” Jason asks, herding Tim out of the elevator and down a long hallway. “Or anywhere but a random street in Crime Alley?”
Tim nods. “Yeah. They found all my safehouses, but— my mess. My problem.”
Jason thwacks him upside the head.
“Ow! What the fuck?”
“You’re the dumbest person on the planet.”
“Am not. B is on-planet right now.”
“Then you’re pretty fucking close,” Jason snarks, fishing out some keys and opening one of the apartment doors.
Tim scoffs at him as he’s pushed inside. “Oh, please. Don’t try to tell me you would let Dick swoop in and solve all your problems for you.”
Jason rolls his eyes, stepping into the side kitchen and popping open the freezer door of the fridge.
“Dickiebird can’t even solve his own problems,” he says as he rummages. “But maybe when I’m fucked up enough to let three nobodies robbing a fucking bodega get the jump on me, that’s a sign that, maybe, it might be time to call in the cavalry. Dick isn’t the only person who’s got your back.” He presses an ice pack to Tim’s face until he takes it himself, and keeps steering him through the apartment. “Just saying.”
Tim would protest with all of his very good reasons why Jason is definitely wrong here, but he’s too busy processing the fact that Jason has led him into a bedroom. With a bed. There’s a bed, with a mattress and pillows and blankets. Right there. Tim stares at it with lustful eyes.
Jason catches him staring. He rolls his eyes, but he’s sporting a small smile that Tim has the presence of mind to memorize. He walks over to a dresser and pulls out a big shirt and a pair of shorts that he hands to Tim.
“Look. If you don’t know where to go, you can always come here. No guarantees I’ll be always around, but, yeah. Mi casa es su casa, or whatever.”
Tim eyes him up, clutching the bundle of Jason-smelling fabric in his hands. “And you’d do that for me because…why, exactly?”
Jason flicks his forehead, a stinging reprimand. Tim hisses.
“Because, dumbass, you need help and I feel like it. And you don’t actually suck to be around, so shut up and be grateful.”
“Oh, yes,” Tim deadpans, rubbing at his forehead. “So grateful to be allowed the privilege of squatting with you.”
The thing of it is, Tim is grateful. But Jason doesn’t need to know that.
Jason squawks, and before Tim can duck, he’s snatched Tim around the neck in a headlock. His arm is thick and doesn’t budge no matter how Tim shoves and kicks. The ice pack and the clothes go flying, and Tim just about dies. Jason is warm.
“Jason—!”
“Brat!” Jason crows, not giving an inch. “I paid for this place fair and square— you’re the only squatter here!”
“Blood money doesn’t count as square!”
“Tell that to half of Gotham, kid.”
“I’m trying to, thanks for noticing,” Tim says, finally wrenching himself free of Jason’s grip, stumbling into the bed and giving into its siren song. He sits down heavily on the edge, toppling over sideways and reaching pathetically for the fallen ice pack that’s just out of his reach.
“And don’t call me kid—” he complains, muffled by the pillow. It also smells like Jason. “You’re barely two years older than me.”
The cold ice pack is pressed into his fingers. He cracks an eye open to look, but Jason is just smirking at him, like he’s giving Tim the win. Ass.
“Coulda fooled me, shortstack.”
Tim rolls his eyes, and onto his back, toeing off his shoes and letting them clatter to the floor. He can’t tell if Jason’s bed is the best bed in the world, or if he’s just deliriously inventing things.
Frankly, Jason Todd’s bed is the last place he ever thought he’d end up, this morning or otherwise, so he’s never bothered to speculate. He does not have a contingency plan for this.
“Is there a reason you keep calling me short,” he complains, “Or will I just need to fill in the blanks myself?”
“Can’t help it. You’re just so small,” Jason coos. Tim props himself up on an elbow at that, raising a disgusted eyebrow.
“You don’t hear me constantly talking about how big you are.” 
Jason grins like he just won the lottery; Tim shuts his eyes the second it’s out of his mouth.
“Baby, you don’t know how big I am.”
He does, actually. Not in a creepy stalker way, just— there was this one time. A big rogue breakout at Arkham, all-hands on deck type of situation; Tim, Cass, and Jason were covering Poison Ivy in the park. Acid-spitting pitcher plants were involved.
And look, Jason’s tactical gear is fine in the day to day, but it’s not like any of them had time to prep a neutralizing agent, so when Jason needed his pants off, stat…uh. Well. Tim was right there.
He knows, okay?
“Alright,” he rallies, trying desperately not to replay the memory of Jason adjusting himself through his boxers. All of himself. “I walked right into that one.”
“Oh, trust me. You’ll know if you’ve walked into it.”
Tim scoffs, but he can feel how red his face is.
And the thing is. He says it without really meaning to. 
But he still means it.
“You gonna put your money where your mouth is, big guy?”
The change is immediate. Jason had been halfway out the door, but now he turns to Tim, giving him his full, undivided attention. He looks at Tim, laid out in Jason's bed, giving him a very slow once over. The scrutiny is at once nerve-wracking and thrilling.
“Thought you didn’t want my money,” Jason murmurs.
The temperature in the room spikes. If it weren’t for the slow throb of his bruised cheek, Tim would think that he’s already asleep and dreaming.
But he isn’t. He’s very much aware that he’s wide awake.
Tim swallows. “Well. It’s not your money I want.”
Jason’s grin is electric. 
He stalks over to the bed, and Tim is frozen like a rabbit, waiting to see what he’ll do next. Jason settles a knee on the sheets between Tim’s legs, looming over Tim and boxing him in against the mattress. Tim’s free hand reaches up of its own accord to tangle in the collar of Jason’s hoodie, and the cotton is softer than he expected.
Jason’s eyes rove over his face, dark and heavy. He catches Tim’s face in his hand, swiping his thumb lightly across the bruising hot ache of his cheekbone. He leans in deliberate and slow and—
—and stops about an inch away from Tim’s mouth.
“Get some sleep, babybird,” Jason teases, his breath puffing gently over the skin of Tim’s lips. “You can proposition me again tomorrow.”
“It’s, like, 3:30 in the afternoon,” Tim argues, breathless.
“Yeah, and your body thinks it’s 3:30 in the morning. You’re dead on your feet. Don’t make promises you can’t keep, and go the fuck to sleep.”
Jason moves to rise. But Tim hooks a stubborn arm around his neck and pulls him down that last remaining inch. 
The kiss is— bad. At first. 
Tim basically smashed their mouths together to prove a point, and Jason muffles a surprised sound against Tim’s teeth. He lands heavily on top of Tim at an awkward angle, and he’s kind of crushing him. Tim refuses to let go, but— Jason doesn’t pull away.
Jason gentles the kiss instead, and Tim thrills. He levers himself up onto his elbow, wrapping an anchoring arm around Tim’s back. He finds a home between Tim’s legs, and he lets Tim kiss him until Tim's lips are tingling and his fingers go slack; until he can’t keep his eyes open anymore.
Somewhere between fifteen minutes and a small eternity later, Jason presses one more kiss to the corner of his mouth. He curls around Tim on his side, and Tim turns his face into Jason’s neck with a soft wondering sigh.
“I’ll keep it. Promise. Wait n’ see,” Tim mumbles. Jason snorts, but doesn’t budge, and Tim can hear his smile in his voice, lilted and lulling.
“Sure, babybird. I’ll wait. I got nowhere else to be.”
Tim is already asleep.
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Cool As I Think I Am Reprise kills me for a lot of reasons, but something that has been especially heart breaking for me is Pete's line of "One of us is in love, it doesn't take a detective." One of us is in love. It wouldn't have taken much for the line to be "The two of us are in love, it doesn't take a detective." It doesn't disrupt the flow of the lyrics. Which means that this is how Pete feels. He thinks only one of them is in love here, and considering his whole thing in this song is convincing Steph to kill him so she (and the rest of the world) will live, and those are not the actions of someone who isn't in love, he's talking about himself. Which makes me think that he doesn't think she loves him back. He thinks he's the only one in love here. Sure, he's what she wants the most, but that doesn't mean she loves him. He just knows that he loves her, and he's willing to die to save her, even if she doesn't love him back (which she does).
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socialc1imb · 11 months
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Sometimes Soul needs Whole hugs when he panics but is too distracted to actually pull Whole into the mindspace. This can cause problems, but they always manage to figure it out.
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mamawasatesttube · 4 months
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just thinking out loud here but i feel like a lot of popular perception of kon esp in online fandom spaces is colored by his joie de vivre and all the times he's silly and goofy. which i do of course adore!! i love when he's silly and goofy. but comparing that perception to, that of like, clark or kara, i feel like kon gets shunted into the box of "dumb comic relief character" a lot more easily. lots of factors probably contribute to that (sb94 having a bad rep, while no other kon comic really goes into a lot of his tragedy; conflation with the side of the fandom that doesn't read comics; the fact that comparatively postcrisis kara doesn't have a team the way kon has yj and clark is seen as a more capable adult, so other characters in the jl get the "dumb comic relief" short end of the stick more often; etc) ...
... but what really gets me about him is that he does embody a lot of the same traits as the rest of the kryptonian superfam. he's so extremely kind. he's got that same noble heart as the rest of them; he cares about everyone and he wants to protect everyone. and he's so, so lonely. he struggles between cultures and worlds where he feels like he doesn't belong to either. he is so strong and capable and holds so much power that it scares him.
cradles him gently in my hands. he contains multitudes... come closer don't you want to love him 🥺
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whereismyhat5678 · 2 months
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@gongustheawsome01
I said I was gonna do it. I said I was gonna do it. I said I was-😵‍💫😵‍💫⏱️⏱️
Wait- oh what happened?…Why was I- OH LORD-
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How did this depressed looking Gustavo get in my-
….
(Tw:….Self….harm..? Yeah that’s self harm, he’s pulling his hair out)
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Evil Peppino REALLY fucked him up….
Evil Peppino when I catch you 🧍‍♀️🔪
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