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#q: perhaps we're always hurtling our body towards the thing that will obliterate us
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radiohead, thinking about you || jeff buckley, last goodbye || the magnetic fields, strange powers || the english patient || everly brothers, sleepless nights  || paris, texas || jeff buckley, lover you should’ve come over || chris isaak, wicked game
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txf,.7.17
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12/11
these are the best times, after a free pint of whatever to semi knock me over so that I sit swaying slightly on the tram ride home from work as the windows remain just a little ajar, letting in the cold air and the sounds of the hare krishna singers, competing with portishead in my headphones. whatever I've said, I've said - maybe people will actually like me for who I am (whatever that is). a lady's talking in loud, resonant spanish in the background. it is all silly, this is just life and it is fleeting and for that am weightless.
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i was in love with you.
loved you too much to look you in the eye
too much to ever say the words
that were tearing me apart
never to hear you return their ache
I drew out all of you from other's stories
collecting your words, even small gestures
like a collector of stamps
always searching for the most beautiful design
always searching for a betrayal of vulnerability
I listened religiously to all the songs
in which I could hear your cadence
pulling together a patchwork image of you
a false version, perhaps
to appease the shame of wanting something
so dearly to never be mine
most of all,
i wrote these awful, awful poems for you
but loved you too much
to write them in the present tense
and so here I am, again
looking backwards.
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to find refuge in the passenger seat, 
alone, or in solitary companionship, or whatever
a repose from the crowds and loud music
rain hitting the windscreen
and even though i can’t look you in the eye;
your hands - well, does it really matter what your hands are doing?
the words and descriptions have no bearing
this warm ache cannot be put into terms
no metaphor could provide a sufficient elegy
for my fondness to you
but of course i choose the words
(i fumble and choose the wrong ones, but for once that’s not the point)
because for now 
we are flailing around in the breeze aimlessly
stealing no more than a cowardly glance
and therefore words are all that exist, except this -
a scenario of pure conjecture
where I stick around long enough 
to allow for the - obligatory and stupid, sure - 
let’s get out of here
(a scenario in which we do not run from each other,
i suppose)
but regardless i am long gone
no goodbye, just wanted to drift the city streets alone
to listen to sad songs and wonder
how I am to continue to lie
in the absence of your embrace
that's the thing about people
always lonely
always yearning
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i want to feel as elated as the cranes outside your window
which i can see clearly in my mind’s eye
your makeshift ashtray laying wilted on the balcony
your glasses, worse for wear and discarded on the kitchen table
and although i find these words such a labour to say
i love you like a child’s shaky attempt at scholarly cursive
all messy and nervous and trying potentially too hard
mainly to adhere to something presentable and familiar
and such that the words become indiscernible from one another
it seems sometimes i don’t know where you end and i begin
because we fought alongside in those same barricades
of the past 20 years
and i thought of you just now, because the city lights line the river
reflecting neon against the sky
and springsteen’s playing, an elegy for the youth neither of us had
i try to tell you these things but they never come out right
all i can ever manage is 
open the door, i brought you a bottle of wine.
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you bought yourself pyjamas
you bought pyjamas, that is nice
and I managed to hold back my tears at work
but I couldn't stop looking at the pint glasses today
and how nice it would feel to smash one through my flesh
but then I didn't because those were the nice pint glasses
and wouldn't it be such a waste
to muddy them with my disgusting blood
and then I began to hate myself
because why shouldn't you buy yourself a nice pair of pyjamas
and why should the good glassware suffer
because today I wanted to get up and hug the nice lady on the tram
who asked me if I am okay
because I did not realise I was crying
did not realise I'd been doing so for the entirety of the journey
and because she spoke my mother's language
and maybe if, instead of posing the question
she had simply commanded
simply told me the words
I would have arisen to her embrace
and crumbled in any offer of affirmation
I'm glad you bought pyjamas
sorry I never responded to the text
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just your voice, so familiar
and washed away by yesterday’s rain
before it has the chance
to lull me into a sort of naive tenderness
and so the imprint of your words
hangs brightly in the air
with such crude resonance
and their remnants in the sky
and in my mind, 
these remnants mock me
because you seem so unbearably kind
as if everything that you are
does not shine loudly but exudes a low, dull warmth
a sincerity far too earnest, i am afraid, 
to tide this godless night over 
with the same ruthless bloodthirst i see in my mind’s eye
what a shame that you would not kill me if i asked you
what a shame because i’d been waiting for someone like you
but this softness in your voice
i am afraid, would forbid your beautiful lips
from ever uttering in real life
the cruel words they murmur in my mind
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i seem to have no trouble detecting others’ sadness
but seldom is it a point of contention when they are elated or even just content
for me happiness has always presented itself as simply an absence of terror
just like how darkness is only the absence of light
but happiness is not darkness - and therefore i wonder
is it too much to ask
that you should show me its true form
not simply the vanquished abundance of its opponent
because in my mind we've walked alongside each other for years
fought on the same frontiers - and therefore i wonder
is it possible to invent also
a happiness to have walked alongside us
this is all just conjecture, of course
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how odd and yet completely fitting that i should now see your name as if for the first time in my life and to calmly come to the realisation that i’ve been writing lousy poetry about you this whole time, before i even really knew you and yet you come forth now by choice rather than necessity which i find confusing and too good to be true, even if it all that’s happening is simply a reading between the lines of vague pleasantries on my part.
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I’m thinking about people and trees and how I wish I could be silent more, be more tree than anything else, less clumsy and loud, less crow, more cool white pine, and how it’s hard not to always want something else, not just to let the savage grass grow
ada limon, mowing
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I'd like to walk around in your mind someday I'd like to walk all over the things you say to me
I'd like to run and jump on your solitude I'd like to rearrange your attitude to me
You say you just want peace and you'd never hurt anyone You see the end before the beginning has ever begun
I would disturb your easy tranquility I'd turn away the sad impossibility of your smile
I'd sit there in the sun of the things I like about you I'd sing my songs and find out just what they mean to you
But most of all I'd like you to be unaware And I'd just wander away
Trailing palm leaves behind me So you don't even know that I've been there
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mothers cease in their existence when babies shut their eyes. this is something that is true insofar as it is the young infant’s truth. to him, his mother’s existence is entirely synonymous with his continuous perception of her.
what i’m trying to say is this; i don’t weave myself under midnights and over dreary middays. i can’t exist for your affection because i gave up that ghost years ago and yet i tap dance around the pure conjecture of love between strangers i barely know. i invent this love in my mind because i can no longer look in your eyes. love is not static and i’m worried mine for you seems, presently, to be melting through the cracks of a comically large colander. it is not disappearing, nor is it dying entirely. love is not static, this is something that is true.
this affliction of mine concerns me. i am numb but i still love you enough to emmulate, to tranpose this love onto strangers so that, on the off chance you seek to see some vision of hope in my eyes, i can fake it to myself, suggest that i’m one of the strangers i worry about, and say, more to myself than to you; yes, i’ve loved. that is something i’ve done.
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I never liked that ending either. More love streaming out the wrong way,             and I don’t want to be the kind that says the wrong way. But it doesn’t work, these erasures, this constant refolding of the pleats.
richard siken, litany in which certain things are crossed out
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