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#qizhuang
hanfugallery · 22 days
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chinese fashion
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rongzhi · 8 months
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English added by me :)
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𝒮𝓊𝓃𝓃𝓎𝓊𝒻ℯ𝒾元気姬
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a-little-house · 2 years
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𝒬𝒾𝓏𝒽𝓊𝒶𝓃𝑔/旗装: 花神妙华服 𝑀𝑜𝒹𝑒𝓁: 肉肉馅团子 𝒞𝒶𝓂𝑒𝓇𝒶: 花轮子哥哥 𝑀𝒶𝓀𝑒𝓊𝓅: 蚊𝓌𝓌𝓌桑
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pepoboyz · 8 months
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Realized i never posted this!! My last artfight attack, on ~clxxdiiz
My love for Qing clothing is neverending
Image id: a chinese woman with long black hair in a bun and light pink eyes. She wears a sage green late qing dynasty qizhuang top with cream trimming and a repeating white lily pattern. Bands of magenta and darker teals stripe across the edges of the trim. The background is dark tan with blurry stylized clouds and white leaves floating magically around her. End id
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mister-astringent · 22 days
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On the subject of Chinese fashion, despite all of the girls from Lau's opium den (and consequently eventually Mey-Rin) wearing the modern style of qipao, the actual female clothing if the time period - Qizhuang, or 'banner clothing', the Qing Dynasty system of clothing etiquette for social class and occasions - would have been something far more conservative, not actually revealing the shape of the body at all -
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Looking at an actual photograph from the late 19th century, it is still a style of dress that is awfully familiar...
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atlaculture · 6 months
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Cultural Fashion: Katara's Ba Sing Se Dress
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Katara's Ba Sing Se dress is inspired by changyi robes (氅衣), which were full-length gowns worn by Manchu noblewomen during the Qing Dynasty (1644–1911). Characteristics of changyi include high slits on both sides of the dress, prominent trim along the openings of the robe, and a rounded cross collar (pianjin/偏襟). Around the beginning of the 20th-century, standing collars and more fitted silhouettes also became common on changyi and other Manchu women's clothing. Overall, Katara's Ba Sing Se dress possesses many characteristics of a late Qing Dynasty changyi.
However, similar to her headdress, her robe isn't 100% historically accurate. The standing collar doesn't appear to be directly attached to the pianjin opening and her sleeves appear to be modeled more after hanfu than qizhuang (Qing Manchu clothing). Nonetheless, her design still alludes to a very specific period in Chinese fashion history, rather than simply being a generic "Asian-esque" dress. Plus, the design is just lovely!
Fun Fact: The cloud pattern on Katara's dress is known as xiangyun (祥雲) or "lucky clouds" in Mandarin. Clouds are considered auspicious imagery in Chinese culture due to the Mandarin word for cloud (yún / 雲) sounding similar to the Mandarin word for good fortune (yùn / 運).
Like what I’m doing? Tips always appreciated, never expected. ^_^
https://ko-fi.com/atlaculture
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thetrueweaveroffate · 2 months
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The girl is all grown up.
(I have no idea what age I was trying to go for here)
This will unfortunately be the last portrait I do of Li Yan since these take too much time, which is a damn shame because I was hoping to one day put her in other outfits, like in a Manchurian Qizhuang, or a kimono, but fancy hairstyles and clothing have slowly become the bane of my existence. I want to do more art for Harumi, and maybe even Satoshi (and then actual subscorp, as a treat).
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mysteryteacup · 4 months
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First of all: love your meta posts and your fic is a delight! One of the funniest and probably the most well-researched fic I've read in quite some time. Keep up the good work! ♥️
Second: How do you feel about people drawing fanart of your fic? Do you have any references on hand for the sort of clothes that, say, Mobei wears in the story?
Aw, thank you so much! ♥️
I honetly don't feel like I did that much research - it was hard to find reputable sources on Mongolian and Jurchen culture and history outside of wikipedia, so I leaned heavily on that. 😅
Fan art is one of the highest honours any fic writer can achieve and I would be overwhelmed and at a loss for words with gratitude and amazement.
Well, easy one first: I based the overly-sexy-trying-to-get-SQH's-attention outfit on Jareth from Labyrinth.
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Although obviously Mobei-Jun does not sing and dance.
This is a link to an image on the wikipedia article for the deel, obviously it's one of the super fancy ones.
The second picture in this link (for Qizhuang/Manfu) is the best image I could get of the horse hoof cuffs.
There was a lot of cultural mixing between the Manchu, Mongolians, and Han, with conquests going both ways - the Jin and Yuan dynasties, for instance were Jurchen and Mongol rule respectively, if I understand the history right) and I don't know if the artists who made the official art were going for generically ancient China or specifically Hanfu, but the way most art shows Shang Qinghua - even as a peak lord - with less drapey sleeves and more visible trousers and boots is part of what set me off on the idea of not-just-hanfu for the story.
I hope that helps.
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hanfugallery · 23 days
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chinese fashion (genre: qinghannv, han women's clothing in qing dynasty)
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rongzhi · 2 months
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English added by me :)
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qing dynasty fashion by 十方清荷
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glazedyeastring · 10 months
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These were originally gonna be private but I like the outfits so much I'm posting them here.
Since the Likes Espio gang is going to Chun-nan in the fic I decided to give them some new good ol' fashioned cultural fits.
By the way, get ready for a history tangent :)
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So this is a shenyi, a type of moderately formal Hanfu robe popular during the Warring States period. It is known as 'deep garment' in English, which translates to 'wrapping the body deep in cloth'. Up until the Han Dynasty, the shenyi would be form by royal families, aristocrats, etc. Although more common among women who wanted to hide their bodies while they walked. It lost it's popularity throughout history but reappeared in 2003 when a man wore a raojinshenyi in the streets.
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Then ruqun, or more broadly, the yichang, is a set of Hanfu attire consisting of an upper garment(usually a short jacket) and a lower garment(a long skirt). It is the most common of Hanfu, worn mostly by women but also by men as well. The ruqun, along with it's varieties, have been and established part of Chinese culture for thousands of years as the two-piece garments symbolized the greater order of Heaven and Earth.
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The cheongsam is a more modern form of Chinese attire, also know as a qipao dress. It was developed in the 1920s and overlapped with the Republican Era, popularized by the socialites and high society women of Shanghai(fitting for someone like Dinah). It's a form-fitting dress that was originally inspired by Manchu traditional clothing called the qizhuang.
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Another piece of modern Chinese clothing, the male counterpart of the cheongsam. The zhongshan suit, also know as the Mao suit, is a tunic suit introduced shortly after the founding of the Republic of China in 1912. It typically has four pockets and five buttons(I didn't actually draw five buttons, sorry!), the pockets representing the Four Virtues of proprierty, justice, honesty, and shame; the five buttons symbolizing the five branches of China's former government, those being Executive, Legislative, Judicial, Examination, and Control. It's typically worn by men or government leaders as a symbol of national sovereignty.
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The aoqun is a variety of the ruqun, a specific way of wearing the ao(short jacket) over the qun(skirt). While the classic ruqun has it's jacket tucked into the skirt(ru is often used as synonymous to ao), the aoqun has it's jacket worn over the skirt. Although since the ao is defined by the Xinhua Dictionary as 'an upper garment with multiple layers', it is often worn during the cold seasons.
And that's all! I'm sure you know who all these ocs belong to, so just enjoy them being stylish :>
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thefourthhexgirl · 1 year
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Qipao
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Also called a cheongsam or the mandarin gown. It is a chinese dress worn by women taking inspiration from the qizhuang, the ethnic clothing of the Manchu people. The qipao is most often seen as a longer, figure-fitting, one piece garment with a standing collar, an asymmetric, left over right opening and two side slits, and embellished with Chinese frog fasteners on the lapel and collar. The qipao is a fairly recent garment having its origins in 1920s Shanghai, it developed under the influences of several different cultures including Manchu, Han, and Western cultures. Due to its perceived exoticism and slim line silhouette the qipao had a significant impact on the international fashion scenes in the 1950s and 1960s.
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seadragon-sailing · 1 year
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This fucking design kicked my ass the hardest out of all the six, JFC--WHY?!  On the plus side, it’s kind of a jarring, yet self-indulgent change from drawing Colonial clothing for once.  While I hope to get around to drawing Kyung, Feng and Lee in their own Qing Dynasty fashion ensembles later, Shinju’s the one who most likely will be depicted in her qizhuang (I’m pretty sure that’s what I used for reference, anyways...? God, I hope that’s right), and a pair of platforms.  Hopefully with some more practice, I’ll get comfy drawing her design.
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Shinju Woolf, “daughter of Ippuki”, “wife of Luka”: The only biological daughter of Feng, adoptive mother of Kyung, and biological mother of Lee.  A former pirate who retired from being part of the Sea Dragon crew after Lee was born during a voyage, and committed herself to trying to raise her son (and eventually in addition, daughter) in a more-or-less functional home to the best of her abilities.  While not being as overtly rebellious against the government, and being considered one of the more compliant of the law in comparison to her father, son and daughter; Shinju still carries the blood-thirsty habit of hunting pirates and bandits whenever she comes across any that pose a threat, or have harmed her loved ones.  What she lacks in brute strength, she makes up for in impeccable agility, stealth and accuracy.
Home: Guangzhou, Guangdong
Age: Late 30’s
Height: 5’ 2” ft. (without her shoes)
Combat: Kung Fu, polearms, swordsmanship, blade throwing, archery, stealth, poison.
Personality: Stoic, protective, patient, calculated, reserved and independent.  Underneath her graceful and stern appearance, however, is also a highly vengeful yet very caring woman who absolutely loves her family to death despite not showing it in the most obvious ways.
Married
Family: Father (Feng), husband (Lives mostly in Black Hill Cove, England for work purposes), biological son (Lee), adopted daughter (Kyung), sworn sister (Kyung and Lee’s appointed godmother).
Occupation: None, due to Qing dynasty law, but is an active member of her hometown’s community in teaching various combat skills (primarily the other women and girls).
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