Jaune More MC Ruby?
Ruby: That’s why I’m the MC and you're the side character.
Jaune: So because you have silver eyes you’re special?
Ruby: Yep.
Jaune: Even though I cheated Beacon.
Ruby: Yep.
Jaune: I was bullied.
Ruby: Yep.
Jaune: My partner is dead. And because I let my guard down, Ozpin died, and Oscar had no choice but to come on this journey. You know, because of me.
Ruby: Yep.
Jaune: And because Cinder, who works under Salem killed my partner, I have beef with the main villain and her whole crew.
Ruby: Yeah.
Jaune: Salem, who I have way more in common with than most people, the deemed goddess I’m defying her, just like she did with the brothers over a loved one's death. Are you following me so far?
Ruby: … Yeah…
Jaune: Hazel, who mind you, lost his sister. He lost his sister because of the world Ozpin had created, like I did, with Pyrrha.
Qrow: She had a choice.
Jaune: A few days' choice which turned into minutes when Beacon was attacked. Then discovering how bad the situation is, you know with Salem being immortal, I almost hurt if not killed Oscar, making me at the spur of the moment, just as bad as Hazel. And mind you I was willing to fight you on that.
Ruby: Uh… yeah…
Jaune: Tyrian, has the opposite to my semblance. Wasn’t he more interested in me than you? And you were his target.
Ruby: Mmhmm.
Jaune: Let’s talk about Cinder again. Cinder had two stray kids who followed her. I have Ren and Nora. Neither have parents. Also, we both want power but for different reasons. We even have different views on destiny.
Ruby: Oh damn.
Jaune: Atlas. Oscar did Ironwood not act like how I did in Argus but worse?
Oscar: Yeah he did. Jaune even saw Salem in person before you did.
Yang: So did we. You saw her face to face.
Oscar: I’m Ozpin. What is that supposed to mean?
Ruby: Oscar, not helping.
Jaune: Neo. We both lost our partners. The difference is that I have friends while she has none. The cat, him, and I almost have the same ability except he manipulates your soul or takes it. He might as well have been a devil version of me.
Weiss: O. Dear lord.
Jaune: Watts. … … … You know what no. He-he was no. Like he could have done better, he’s an example of being smart yet making the dumbest choices.
Weiss: True.
In the Twilight
Watts: What?! My decision was understandable.
Ironwood: No. No, they were not.
Penny: Like you could have logically put your two weeks in and left for another kingdom. Or country. Like Vale. Mistral. Anywhere. You could have helped where you could've been needed. Which would have made you better than my father.
Watts: I wasted my life.
Back to Remnant
Ruby: Um….
Jaune: You know what I have to ask this question. What is the moral of the story and how does your character fit into this?
Ruby: Well my-
Jaune: Let me retort. I lied. I was bullied. I had no idea about anything in the hunting world. I needed a teacher. I lost someone important to me. I have beef with the main villains. I train to get stronger to be of use to others.
Ruby: So?
Jaune: Okay. No one believed in me. But I still went to chase my goal. I lost the best thing in my life. I still moved forward. I had to kill someone. Still moved forward. I’m an old man trapped in a boy's body. Still moving forward. Fighting the odds that are stacked against me. I have seven who no one knows about. Yet your family is more interesting.
Ruby: Your point?
Jaune: The moral of the story is that no matter your circumstance you can always be better. Never allow destiny or grief to influence your entire life. No matter what odds that stand before you, you can ultimately change your fate. And no matter the darkness a simple soul can light up the night and unite everyone against a greater evil. Even when the whole world is against you, you are never alone to endure it. If we stand united and look past our differences only then the wor;d would be a better place.
Ruby: Well my mom died at Salem’s hands.
Jaune: And?
Ruby: It's still relevant.
Jaune: You're right. But how many times has your mother been mentioned and you bothered to get information about her?
Yang: I-
Jaune: Bitch shut the fuck up. You were looking for the deadbeat mom more than the mom who stepped up.
Ruby: Well um… um…. Damn. Oh, but I-
Jaune: You weren’t the sword. I may not have known Penny as long as you, but the fact, that I could've saved her proved her death hit harder than Pyrrha's. I’m close to walking in Raven’s path.
Ruby: Shit.
Jaune: And back to your mother. She was a silver-eyed warrior. But Salem is still here. Do silver eyes work on her?
Ruby: Um.
Jaune: Because Salem is still both the brothers' creation. The old humanity. She can't be phased by the black liquid even though everything they touch decays.
Ruby: She's immortal.
Jaune: Yeah but again when Maria told you her story didn't she try using her silver eyes on humans and it didn't work?
Ruby: Cinder.
Jaune: Grimm arm.
Ruby: The hound.
Blake: Silver-eyed person too but only stunned them.
Ruby: Blake.
Blake: What a minute he had animalistic ears. Should I be concerned for my people?
Jaune: Yeah… we’re not getting into that. The point is if you go see Salem and your silver eyes don't work then your mom died for nothing.
Ruby: Oo. Um…
Jaune: And let's get back to the other villains. Besides Emerald, Mercury, and Tyrian, some of them have valid reasons to join Salem.
Ren: Jaune!
Jaune: Ren, your village got destroyed.
Ren: Nevermind.
Me: Hold up. Let me start. With Cinder, a huntsman saw what she was going through and didn't bother to help her. She was alone. The world abandoned her.
Jaune: So Hazel was right. In fact, Raven had a point.
Oscar(Ozpin): Mr. Arc I-
Jaune: Motherfucker Hazel had every right to be angry. Dude shadow missions involve us going with experienced hunters. Yet his sister died and Ruby could’ve died. Shadowing them. Following their lead. Does that not show how bad the hunting system is? Not just that we got hunters who died in the line of duty. Not to mention how some were sexually harassing the girls. And some of them are just plain crazy or assholes. Not to mention Blake, Qrow, and Raven. You let them in. And to make matters worse you chose Pyrrha, a first-year student, to be your maiden.
Oscar(Ozpin): She was my best option.
Jaune: So Glynda wasn't on the table? A high-ranked fourth-year student wasn't on the table? Man, at least you could have chosen Ruby considering she has silver eyes and is a young upcoming prodigy. That would have made her more important. Like Ozpin Ruby off the bat was better than Pyrrha.
Qrow: Hey, I would have stopped that.
Jaune: O, so… it was okay with Pyrrha… but not your niece. I see. Hypocrite.
Qrow: Damn. Set myself up for that.
Jaune: Watts, despite his stupidity, had a point. James would abuse any source of technology just to have some level of control over something. Why did you think he wanted your sister instead of Penny? Why do you think he wanted Amity up as quickly as possible? Why do you think he hacked into Penny? Everything was always about control.
Weiss: Well our lives weren't easy.
Jaune: That I won't deny. Yet we are all still bad people.
Yang: Jaune my mother -
Jaune: Raven and Summer left you. Summer no one cared enough to talk about. Raven doesn't matter at all. Willow waited until her children were teenagers or young adults to start dealing with an abusive father. And Kali… yeah she should have slapped some sense into her daughter.
Weiss: Well your mom doesn't love you.
Jaune: Don't care. Back to Jacque though how does he and James know each other? Why do they have beef with one another? Unless… o. Oh no. Don't tell me. Did James set Jacque up with Willow? And in return, he helps James rise to power. Or did James love Willow but because of his career he couldn't marry her? Could Winter be-
Weiss: Please stop. I do not need those theories in my head.
Jaune: Fine. The point I'm trying to make is… … well how about you explain.
Me: It's crazy how Jaune fits the main character role better than Ruby.
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"There is no victory in strength."
"And Yang was strength."
I wonder if this is some "subtle" foreshadowing for something later?
oh i have some THOUGHTS about this
first: see this post regarding salem's V1 monologue. the key point to keep in mind for this discussion is that she begins by naming several qualities of mankind—strength, wisdom, resourcefulness, passion, and ingenuity—so her concluding statement implies its own inverse:
"mankind was strong, wise, and resourceful, but he was born into an unforgiving world […] in time, man's passion, resourcefulness, and ingenuity led them to the tools that would help even the odds […] but take heed: there will be no victory in strength," i.e. "victory lies in these other four qualities."
so what does this have to do with yang?
in V2: yang gets slapped by the paladin prototype, and when blake calls out to her in a panic, ruby stops her: "don't worry! with each hit she gets stronger, and she uses that energy to fight back. that's what makes her special."
in V3: after her disqualification from the tournament, qrow passes on raven's message to yang ("she saved you once, but you shouldn't expect that kindness again") after she tells him she saw her mom ("i- i was in a lot of trouble, took a pretty hard hit"), then follows up with "you're a tough egg, kiddo; shouldn't let this tournament thing get you down."
in V4: tai tells yang that she, like raven, "act[s] like the easiest way to tackle an obstacle is through it: that strength is all that matters in a fight," which he implies is the fatal flaw of raven's that "tore our team apart and […] did a real number on our family," even though "raven was great in so many ways: her strength, her ambition, her dedication."
in V5: blake describes yang to sun as "[the embodiment of] strength."
also in V5: yang confronts raven in the vault under haven academy and, when raven calls herself strong, snaps back: "oh, shut up! you don't know the first thing about strength! you turn your back on people, you run away when things get hard, you put others in harms way instead of yourself! you might be powerful, but you're not strong."
in V6: blake reassures yang by telling her "adam's strong, but his real power comes from control."
also in V6: adam taunts yang: "moment of truth, yang! do you think you're faster than you were at beacon? …heh. me neither," and after catching his weapon she retorts, "i may not be faster, but i'm smarter." (<- put a pin in this one, it's important.)
in V8: yang falls, blake fails to catch her, and it's the hit she can't come back from—it doesn't make her stronger, it just plunges her into the void to her apparent death.
in V9: when they catch up with yang, she's performing strength ("i said i wasn't done with you yet!") but in reality she's exhausted, barely able to stand. later, blake describes her like this: "you're an extraordinary person. you're always the first to lighten a situation; you act bravely when you're afraid; you do what you say."
ok.
there are a few threads to unwind here.
first let's unpin what adam says to yang during their final duel: "do you think you're faster than you were at beacon?" not "stronger." not "tougher." faster.
ruby tells blake that strength is what makes yang special. qrow tells yang she's too tough to let one "slip-up" bring her down. her father thinks she relies too much on her strength. before their reunion, blake sees yang as the living personification of strength.
but just as a younger blake was wrong about adam being "justice" or "passion," she's wrong about yang being "strength," and adam is actually—ironically enough—the first character besides yang herself to notice that strength is not what yang is about. he taunts her for not being fast enough.
speed. agility. not just in the sense that yang is a very nimble combatant, but she's emotionally agile—look at how she handles herself and her feelings during fraught confrontations with blake in V2 or raven in V5. she's a self-described thrill-seeker, but she also worries about being too rootless. her biggest setbacks all come from rushing—and her big wins all come from outmaneuvering her opponents, whether physically or emotionally. she's strong, but strength is not what she is.
keeping that in mind, the second thread to follow is the difference between strength and power. yang tells raven "you might be powerful, but you're not strong." blake tells yang that adam is "strong, but his real power comes from control," from getting into people's heads and making them feel small. when ruby and tai and blake talk about yang's strength (and when blake talks about adam being strong), they mean raw physical strength—but that's not what yang means when she talks about strength. in yang's terms, raw physical strength is just power. her semblance makes her powerful; it doesn't make her strong.
yang defines strength as the choice to put others ahead of oneself, even and especially when it's hard.
in the ever after, blake says that yang uplifts others (always the first to lighten a situation), that she's brave, that she has integrity. between V5 and V9, after reconciling with yang and going through the harrowing experience of of fighting adam with her, blake sees the vulnerability behind the brave mask yang puts on for her loved ones. her perception of yang at beacon was colored both by her adam trauma and by the way ruby saw yang as invulnerable, unshakable. since then she's come to see yang as she truly is: caring, brave, and honest. she sees and loves the kind of strength that yang values.
third thread: the really crucial piece is what kind of strength is salem referring to?
and the answer is that she's talking about power, explicitly in contrast to what she sees as humanity's true strengths: wisdom, resourcefulness, passion, ingenuity, and hope. in V1, salem credits hope as the reason mankind was not wiped out (again) by the grimm and names "passion, resourcefulness, and ingenuity" as the qualities that allowed them to find a way to survive against the odds. then, "nature's wrath in hand, man lit their way through the darkness, and in the shadow's absence came strength, civilization, and most importantly, life."
in this story salem tells about the beginning of the world, strength is one of the fruits of mankind's triumph, something that could only develop after the darkness had been beaten and pushed back. when she gives her warning—"there will be no victory in strength"—she names "your guardians" and "your monuments" explicitly.
to be precise, she is talking about the maidens ("a guardian is a symbol of comfort"), amity coliseum("it was decided that the tournament would need a stage equal in greatness to that of its competitors. amity coliseum was the culmination of four kingdom's efforts: a technological marvel and a shining symbol of harmony, capable of making the journey to all the kingdoms of remnant"—but note that menagerie is excluded from the vytal festival), and atlas ("the people of mantle needed a sign of a brighter future, and that sign was atlas; a city in the clouds is as bright as it gets").
those things represent ozpin's definition of strength: technological marvels, shining symbols of harmony and comfort, a girl who is "strong, caring, and intelligent" enough to make the people feel safe. and of course outside of these soliloquies, the word salem uses is power—and she warns cinder, twice, in no uncertain terms that power will not make her strong: "it is because of the maiden's power. […] your newfound strength brings with it a crippling weakness" and "you will have the power i promised you, but remember that it comes with a cost."
now back to yang: she and salem share this mindset, this clear delineation between true strength and mere power. salem tries to impress it upon cinder; yang's power blinds her family to her true strength, which blake learns to see clearly as they become partners, and she is placed in juxtaposition with adam, raven, and cinder—all of whom are powerful but not strong.
and, like salem, the way yang is perceived (that her power is what makes her special, and she thinks physical strength is all that matters in a fight) does not align with how yang sees herself or what she values: yang takes pride in being able to face her fears, speak the truth, put others before herself, and outwit her foes; she likes that blake has never been intimidated by her, and she admires blake's dedication and willingness to forgive.
salem values wisdom, i.e. experiential knowledge—yang tells her past self that her losses and failures "more than anything are what have shaped me into who i am, showed me how i need to grow." salem values passion—yang is passionate in everything she does and likewise admires the passion she sees in blake. "you know what matters to you." salem values resourcefulness and ingenuity—yang revels in outsmarting people who underestimate her, as they often do, and flat out tells adam that she may not be faster than him, but she is smarter, then throws his weapon to bait him into running right into blake's punch.
yang values courage—salem fomented rebellion against the fucking gods and vowed to keep fighting even after they crushed her like an ant, and rewards cinder for defying her, and disdains lionheart for being a coward. yang values honesty—salem explodes when people lie to her and loathes ozma for his deceit. yang values compassion—salem built her whole rebellion on the premise that no one else should have to suffer as she did. yang values cleverness—salem cultivates spies and meticulously prepares to stack the deck in her favor before making a move.
"the ability to derive strength from hope is undoubtedly mankind's greatest asset," says salem. "even the smallest spark of hope is enough to ignite change."
"look, blind optimism isn't great, but no optimism means we've already lost; we need hope. we need to take risks," says yang.
aside from blake, all of team rwby repeat salem in some way: weiss is the girl who frees herself from her tower, ruby the idealist who sees how broken the world is and takes it upon herself to fix it, inspiring the world to strive with her. (blake repeats ozma: the warrior who fights for justice, but her journey is the inverse of his: her ideals are corrupted by adam's spite in the beginning and she leaves him behind in pursuit of true justice.) but yang is salem's heart.
(<- the reversal in how blake sees yang before/after they reunite at haven and defeat adam together is a fractal-ozlem thing, by the way: the inflection point occurs in 6.5 when yang opens up about her flashbacks and blake sees her hands shaking. the maiden's tears restore her prince's sight—yang allows blake to see how scared she is, and blake recognizes how badly yang needs blake to be there for her, to stay.)
WHICH IS HYSTERICAL BECAUSE,
"all this endless death, because something bad happened to you once upon a time? no one gets a fairytale ending! everything i've lost, every person i've lost, is because of you!"
yang is being deliberately provocative here. her intention is to redirect salem's boiling fury from oscar to herself, to protect oscar. she is trying to piss salem off, and while she succeeds in distracting salem from oscar, she completely fails to make salem angry—instead, salem calms down.
why?
the anger and scorn yang throws in salem's face here are completely genuine, but as i said before, yang's emotional agility—her control over her emotions—is unparalleled. she does not "lose her temper" (and on the rare occasion she snaps without meaning to, she reins it in lightning fast). she lets it out. so in this scene, yang makes a calculated choice to yell at salem. to get angry.
now, we've seen her do this once before—and by "this" i mean specifically the choice to get mad enough to verbally explode at somebody—and that was during her last confrontation with raven.
"oh, shut up! you don't know the first thing about strength! you turn your back on people, you run away when things get hard, you put others in harm's way instead of yourself! you might be powerful, but you're not strong."
i think yang is not quite as in control of her feelings in this scene with raven, because the wounds are very personal and very raw, but nevertheless she is making a deliberate choice to let her anger come out because—again—she's trying to make raven mad. if raven decides she's leaving with the lamp, yang can't actually stop her. she knows that. she also knows raven isn't going to listen to an appeal to join them, so her only real option is to upset raven enough to make her abandon the lamp (and yang) (…again).
so that's what she does! yang asks questions and needles raven on her answers until raven starts to react emotionally ("i survived because i'm strong enough to do what others won't!"), and yang pounces on that. shut up, you don't know the first thing about strength. she goes right for the throat, attacks the thing at the center of all raven's rationalizations. and raven fucking shatters.
this is what yang tries to do to salem. "why do you keep coming back?" -> "why do YOU!?"—raven says "i'm strong," yang goes "shut up, that's bullshit, no you're not." salem says "why do you keep coming back," yang hears salem playing the victim and goes "shut up, that's bullshit, your suffering isn't special" because she guesses—based on what she's been told about salem, and what she just heard salem say to ozma—that salem has built her sense of self around victimhood in the same way that raven built hers around "being strong."
only. it doesn't work this time.
because salem is just like yang.
just like yang, salem prizes courage and conviction and abhors liars. she makes the same distinction between genuine strength and mere power, and values power not at all.
she also, just like yang, keeps her anger firmly in check. when salem yells and slams her hands down or flips a table to intimidate someone, or threatens cinder with the hound, or tortured oscar, that is a choice she is making to let her anger out. the one time salem actually loses her temper, she sends everyone else out of the room, waits for the door to close, makes what appears to be a herculean effort to hold it in (<- the air boils), and then explodes all the windows.
this tactic of yang's depends on her opponent not having her level of emotional control. but that isn't the only reason she completely fails to get a rise out of salem; look at salem's reaction:
<- "why do you keep coming back?"—this is genuine fury. teeth bared, crushing oscar's head with her nails digging in behind his ears.
<- "because something bad happened to you once upon a time?"—she's nonplussed. it's not even that salem's too in control of her anger for yang to provoke her, salem is legitimately thrown for a loop by this line of attack. yang misses the mark by such a wide margin that it knocks salem out of her anger altogether. she was seething about ozma sacrificing children for the god to whom he debases himself in blind obedience, why is this child yelling about fairytales. what.
it's telling, i think, that salem does not, in any way, dispute the premise that her own suffering does not justify the suffering she causes or that she is personally responsible for yang's losses. neither of those ideas challenge or threaten salem's self-identity, and in fact the only response she does make is to ask who she took from yang. (<- implicitly conceding that she is responsible for ruining yang's life, or at least that she might be.)
she and yang are Very Alike.
(this is also why yang has such pronounced paralleling with cinder. by the way. two halves of salem's psyche. fire as hope, fire as wrath.)
anyway
the point of yang vis-a-vis "there will be no victory in strength" is to clarify and articulate the distinction salem makes between power (which neither character values) and strength (which they do, and define as the sum of many virtues). both of them are positioned in counterpoint to ozpin, who trusted only in power and symbols of power (the maidens, amity, atlas), and ruby, who mistakes power for strength and is on a journey that puts both her power (silver eyes) and her strength (hope) to the test.
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